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Elvis Presley

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• 1051 past concerts

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Elvis Presley

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Welcome to the Birthplace

The house where the legend was born.

In 1934, Vernon Presley borrowed $180 for materials to build a small frame house in East Tupelo. It was in this little house on January 8, 1935, that the King of Rock ‘n Roll was born.

Financially, times were hard on Vernon and Gladys. The family lived in the house about three years until the home was repossessed when Vernon could not repay the $180 loan.

The Presley family lived in other locations in Tupelo until Elvis was thirteen years old when they moved to Memphis. Vernon and Gladys worked various jobs while in Tupelo and moved several different times during the thirteen years they resided in Mississippi.

While in Tupelo, Elvis attended the Assembly of God Church with his family where he was first exposed to gospel music that influenced his musical style throughout his career.

It was in Tupelo that Elvis was exposed to bluesmen in the Shake Rag community where he lived for a time. His family also listened to country music radio programs from which Elvis drew influence.

Ticket Information

Since there is very little wait time when purchasing a ticket, tickets are sold only at the front desk at the Elvis Presley Birthplace Welcome Center.

Tour buses, please contact us for large group rates.

Our ticket prices for the BIRTHPLACE HOUSE, MUSEUM, and CHURCH have also changed.

ADULT GRANDE

Adult single, senior grande age 60+, child grande ages 7-12, child ages 7-12, child single ages 7-12, child ages 7 and under.

Hours of Operation

Monday through Saturday 9:00 a.m. to 4 p.m..

Sunday 1:00 p.m. to  4:00 p.m.

Walk-Through and Map

306 Elvis Presley Drive Tupelo, MS 38801

The grounds are open 24 hours.

After business hours, for information about individual venues please scan the QR code on the sign at each venue.

Walk the trails that Elvis might have walked.

More than 100,000 visitors from around the world tour the Elvis Presley Center each year which includes the Elvis Birthplace, the Elvis Presley Museum and Memorial Chapel, and Elvis Presley Park.

Take The Tour

Start Your Tour Here

Tickets available inside for Birthplace and museum.

Walk of Life

A scored concrete circle surrounding the Birthplace. Each granite block denotes each year of Elvis' life from 1935 to 1977.

Mississippi Historic Site

The Elvis Presley Birthplace is designated as a historic landmark by the State of Mississippi.

Vernon Presley, Elvis’ father, with help from Jessie, his father and Vester, his brother, built this home in 1934 with $180 that Vernon Borrowed from his employer. It was in this humble, two room house lit by a single light bulb in each room that Elvis Aaron Presley was born on January 8, 1935. Elvis was one of two children born to Vernon and Gladys. Elvis’ identical twin, Jessie Garon, was stillborn.

The city of Tupelo bought the home and surrounding property in 1957. Elvis wanted a park for the neighborhood children and donated the proceeds from a 1957 concert at the Tupelo Fairgrounds to further cause. The property stands in its original location and has been restored to its original condition, decorated with period furniture, and is open to the public for tour.

The Birthplace

It was in this little house on January 8, 1935 that the King of Rock ‘n Roll was born.

1948 Granite Block

The stone commemorates Elvis' 13th year and marks the walkway to the ``Elvis at 13`` Statue.

Elvis at 13 Statue

An impressionistic bronze likeness of Elvis at age 13 dedicated to fans worldwide in 2002.

“I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it.”

Elvis Presley

Talking about the $7.95 guitar his mother Gladys bought from the Tupelo Hardware Store on January 8, 1946 when he 11 years old

Mississippi Music Markers

Mississippi Historical Site

Mississippi Country Music Trail

Mississippi Blues Commission

Elvis' Childhood Church

The Assembly of God Pentecostal Church - The actual building where the Presley family attended church services.

Elvis Presley Memorial Chapel

A place of meditation Elvis dreamed of having. A popular attraction and a venue for weddings and special services.

Vivid Portrayals of Elvis' life as a boy in Tupelo as told by some of his childhood friends.

Fountain of Life

Thirteen upper waterspouts representing the years Elvis lived in Tupelo and 29 lower spouts symbolizing Elvis' life in Memphis.

Elvis Presley Museum

The museum displays exhibits containing Tupelo artificats, large photomurals, graphics, and audiovisual presentations that focus on Elvis “The Boy.”

The theatre offers a full stage with lighting. Projection to the screen can be either front or rear.

Over 2,000 souvenir items for sale, you're sure to find just the right piece of Elvis memorabilia.

Memphis Bound

The 1939 green Plymouth sedan is a replica of the car that the Presley family drove when leaving Tupelo headed for Memphis.

Event Center

The Event Center offers a great hall, a theater, and a small meeting room.

"Visiting here makes our vacation complete."

Dawn, from Scotland

"Great collection of his life."

Judith, from Georgia

"Awesome stop along our road trip."

Welch Family, from Colorado

Amphitheater

The perfect venue for an outdoor concert or a special gathering.

Picnic Pavillion

The picnic pavilion can be reserved for family reunions, church gatherings, organizational meetings, etc.

Reflections

A rustic, natural, serene place perfect for spending some quiet time.

Bridge Over Troubled Waters

Tucked away for peaceful reflections.

Becoming Statue

Standing atop the overlook for all to see, two statues known by one name - BECOMING.

Large RV/Bus Parking

Ample space and parking for large recreational vehicles as well as buses.

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ELVIS HAS NOT LEFT THE BUILDING!

Around the world

28 January 2024 MotorCity Casino, Detroit, MI 7:30 PM MotorCity Casino Read More

6 November 2023 Highlands Church, Scottsdale, AZ 7:30 PM Highlands Church—AZ MusicFest Read More

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1 April 2023 Mayo Performing Arts Center, Morristown, NJ 3 PM and 8 PM Mayo Performing Arts Center Read More

Elvis History Blog

The long, dark road … elvis on tour in 1976-77.

It’s hard to believe that Elvis Presley has been gone for so long. August 16 is the anniversary of his death in 1977. That day a sense of disbelief overwhelmed Elvis fans like me. How could it happen? Why didn’t we see it coming?

In retrospect, we know that Elvis’ health was unstable for several years leading up to his passing. And yet, he kept up a personal appearance schedule that would have taxed the energy of a much healthier, younger man. Between mid-March 1976 and the end of June 1977, a period of less than 16 months, Elvis spent a total of 141 days on tour around the country, plus engagements of 10 days in Lake Tahoe and 11 days in Las Vegas. During breaks in the grueling schedule, Elvis dealt with legal problems, stressed relations with fired employees, and recurring health issues. Many reviews of his stage shows during this period provided clues to his deteriorating condition. Unfortunately, Elvis was moving too fast from city to city for the public to put the puzzle pieces together.

Elvis opened his 1976 tour schedule in March with a six-day, four-state hop through the Southeast. Writing in the  Cincinnati Enquirer  on the 22nd, Cliff Radel was brutally honest about Presley’s appearance and movements during his show the night before:

“The years have not been kind to Elvis. His eyes are puffy. His ample cheeks and fleshy neck overemphasize his surly lips. If he gains any more weight, they may be squeezed from his face. Presley’s girth is regal in the manner of Henry VIII. The man’s legendary hip gyrations are there in spirit, but not in action. The enormous six inch wide belt which before Presley split a rear seam in his powder-blue pants was a matching blue number encircled with the Presidential Seal—and the equally enormous paunch drastically restricted his movements.”

• “The pounds only make Elvis more imposing”

Elvis then had a month off before heading out on a seven-day swing through the Midwest and West. Reviewers at his first two stops in Kansas City and Omaha were much kinder to Elvis. Jess Ritter in the  Kansas City Star  on April 22 claimed, “From the moment he strode onstage last night, though, he proved clearly that, at age 41, he is still one of the most charismatic entertainers in America,” and in Omaha, reviewer Doug Smith noted, “The King is still the King, despite of reports that he has been depressed, debilitated and overweight. Indeed, Presley is maybe 30 or 40 pounds over his playing weight … But the pounds only make Elvis more imposing, if slightly less mobile.”

But out west Denise Kusel wasn’t pulling any punches in her review of Elvis’ Long Beach show on April 25:

“Watching Elvis at the Long Beach Arena Sunday night was like watching a parody of a dying legend … mostly it was like watching a chubby puppet wrapped in a double chin and a foreign body work through a series of Elvis songs. But heroes die and even the best sunrise melts into sunset and then darkness.”

In the spring and summer of 1976, Elvis worked a grueling tour schedule with only occasional breaks, all too short to restore his all to apparent precarious health. On May 28 in Bloomington, Indiana, writer Rich Stim noticed Elvis’ weight problem, but dismissed it as unimportant. “I might as well start out by saying that I could care less if Elvis was rolled out in a wheelbarrow, as long as his attitude was okay and his voice was in tune." After Presley’s June 27 show in Largo, Maryland, though, reviewer Charlie McCollum roasted the overweight singer. “Here was a fat (chubby is no longer the word) man … The lean, mean Elvis is long gone and, in his place, is a William Conrad-figure wearing a Sonny Bono wig. Instead of the lithe movements of a panther, this Elvis moved with the grace of a pregnant water buffalo.”

• "Elvis is fine, period"

Most reviewers that summer were content to make unflattering comments about Presley’s weight. Few wondered about the potential it posed to his overall health. One who did was Matt Damsker in the  Philadelphia Bulletin :

“His spokesman—tight-lipped and hard to reach at the Hollywood offices of his manager, the iron-handed Col. Tom Parker—insist that Elvis is fine, period. Still, the past year has produced a flurry of items concerning his various hospitalizations: for ‘an intestinal blockage from a twisted lower colon’; for ‘an enlarged colon that interfered with his breathing;’ for ‘flu,’ ‘fatigue’ and ‘exhaustion.’”  

By the end of August, Elvis was completely worn down, or so it seemed to reviewer John H. Anderson in Tuscaloosa:

“After two or three numbers it became painfully obvious that whatever Elvis had in his youth has escaped him in recent years. His outfit included an incredibly large belt and baggy pants, both designed to hide his expanding waistline. His face was puffy and his black-dyed hair was swept back into a middle-aged ducktail. The overall effect was that of a forty-year-old Fonzie with a beer gut. The vocals were disappointing. At times he sound tired. His occasional bursts of energy were short-lived.”

Elvis had five weeks off before starting another tour, this one 14 straight one-nighters, starting in Chicago on October 14, 1976. At first, it appeared Elvis had put his time off to good use. In Chicago, Jack Hafferkamp wrote, “Rest easy, ladies, Elvis is not as fat as you feared … Before he came to town, the gossip columnists had it that ol’ El had turned into a 41 years old butterball. But he fooled us.” And in Duluth, Jim Heffernan observed, “At 41, Presley is amazingly well preserved. He’s a little huskier now, but still trim.”

• "He seems to have matured into a sensitive artist"

With all the past angst about his weight gain, it was heartening to read Connie Trexler’s description of Elvis on October 26 in the  Fort Wayne News-Sentinel !

“Those saddening reports that Elvis had gone fat—in his attitude as well as in body—were probably true, but he seems to have overcome both physical and attitude problems. He seems to have matured into an excellent and sensitive artist. He is an impressive sight. He’s lost all the fat that recently plagued him, and he looks as young and sassy as he ever did.”

Even Robert Hilburn, the respected entertainment writer for the  Los Angeles Times , noted with optimism, “Most importantly, the loss of weight may be a sign of increased discipline that will now carry over into Presley’s recordings.”

And after Scott Cain wrote the following in the  Atlanta Journal  on the last day of 1976, Presley fans might have thought the King  had overcome all of his physical problems:

“There’s good news for Presley fans. Elvis is back in the groove. This Thursday show at the Omni was tops, the best possible year-end present for his Atlanta fans. From a vocal standpoint, Elvis was operating at his peak, both in tonal quality and exertion. He has lost a little weight and looks much healthier than he did last June. His vitality is restored and he was full of pep. Furthermore, he was in a good mood. He was giving his best and knew it, adding a wonderful aura of self-confidence to the show.”

• Elvis brushed aside his manager’s help

Unfortunately, the optimism about Elvis’ health faded quickly in the new year. In his  Miami News  concert review of February 13, 1977, Jon Marlowe described an over-the-hill, overweight idol—and his fans—just going through the motions:

“An Aging Rock Star’s Guide to Concert Appearances: Although your bulging stomach is now hanging half-way over your traditional hips, as soon as you walk out on stage, try shaking them at least once. The audience will give you a standing ovation and scream with sheer delight just for your effort.”

We now know Elvis’ manager was aware that his client’s condition, both physical and emotional, was in decline. When Elvis brushed aside the efforts of the Colonel and other insiders to help him, there was nothing Parker could do but shield Presley’s true condition from the press as best he could. After Elvis’s February 20 appearance in Charlotte, Frank Zupan wrote in the  Columbia Record :

“The 42 year old singer gave the hour and 15 minute performance with a touch of the flu, [a Presley spokesman] said. ‘Due to the fact that he had a virus, he was unable to do all the numbers he wanted to do.’ He said that there was no talk of Presley’s retirement by anyone in the singer’s party. ‘The way Colonel Park and them talk, they look forward to years and years of continued performing for the fans.’”

Although his condition did not improve, Elvis continued to take the stage, even though his illness sapped all the energy from his performance. Elizabeth Roberts wrote of Presley’s show in Alexandria, Louisiana on March 30:

“Presley was on stage less than an hour; he was impossible to understand when he talked between numbers … he never said one word to the audience or mentioned how nice or not nice it was to be in Alexandria or said ‘hi, how are you, we’re going to have a good time tonight and hope you enjoy the show.’ He came on stage, did a few numbers and then dashed off.”

• Cancelled shows … hospital stay … back on the road

The next night, Elvis was unable to go on stage in Baton Rouge. Sold out shows in Mobile, Macon, and Jacksonville were cancelled, and Presley returned home on April 1 and checked into Memphis Baptist Hospital. Four days later he went home, and, incredibly, by April 21 he was back on the road for shows in 11 cities over 12 days.

The first show was in Greensboro, North Carolina, and, according to Jerry Kenison in the  Greensboro Daily News,  Elvis was in no shape to start another grinding tour:

“There was no magic. The tremendous energy, humor, movement and emotion that characterized Presley’s 1972, 1974 and 1975 appearances here just weren’t on the stage much of the time … in general, Elvis moved very slowly, giving the impression that sudden or extreme motion would be painful … No matter how much he seemed to be trying … Elvis’ energy was lagging. He mumbled through ‘Hound Dog,’ seeming not to care. He improvised on other old standards, missing notes here and there.”

While a bout of the flu had been the excuse for a poor showing earlier in Charlotte, it was a “bad cold” that caused Elvis to cut short his show in St. Paul on April 30.  Pioneer Press  writer Charley Hallman reported, “Several times during Presley’s appearance, the singer had to stop for a drink of water and an assistant, Charlie Hodge, stood by with a box of Kleenex for Presley to use. Presley’s early cutoff of the music stunned many of the concertgoers. There was no applause at the end of the show.”

Elvis’ last concerts in May and June 1977, revealed a tired, disinterested superstar apparently just trying to survive the nightly ordeal on stage. For Presley fans, the reviews now are painful to read, knowing what lie just three months ahead. A couple of excerpts:

“Elvis ’77 is paunchy, puffy, lumbering, frequently off-key, apparently under-rehearsed (he has to read the first verse of ‘My Way’ from a page of sheet music) and, for all that, the most outrageously condescending showman I have ever seen. He performed Saturday as if just roused from a drunken slumber, slurred his witless patter as if still slightly in-the-bag, and otherwise gave no sign of artistic integrity. There are dolphins who perform more affectingly. What’s worse his fans don’t mind. They remain adoring and uncritical.”  — Matt Damsker,  Philadelphia Evening Bulletin , May 27, 1977

“Elvis Presley is 42, fat and losing his voice. His once famous bone-grinding wiggle has now shifted to an occasional twitch that leaves the so-called ‘king of rock’ breathless … The songs speak to those who have known deep joy and sorrow. Do they speak to him, an adored millionaire who lives as a recluse—a star who must keep alive the fantasies of millions, though he grows tired, and occasionally ill? The puffy face, the added weight are there, perhaps the toll of years of being what Elvis was marketed to be.”  — Randall Savage,  Macon News , June 2, 1977

• “Elvis, we love you, but please don’t do this to us”

No one saw Elvis’ sad ending as clearly, though, as Ken Williams, who reviewed Presley’s next to last concert in Cincinnati on June 25, 1977. No need to frame his comments. They were a final plea for Elvis to save himself:

“There comes a time when a performer should retire for the sake of his fans as well as for himself. I’m sad to say Elvis Presley has reached that time. Reports of recent Elvis concerts have been disheartening indicating that the King of Rock ’n Roll is dead. Apparently the reports are founded upon truth, and the King confirmed the suspicions with his listless, lifeless performance Saturday night at Cincinnati Riverfront Coliseum before another sellout crowd.       

“The King looked awful. Though loyal fans attending the concert with me insisted he has lost weight since last year’s concert, Elvis still has a paunch which could do a Santa Claus suit without needing padding. Ghastly pale, eyelids nearly swollen shut, Elvis tried to exercise his booty as in the golden years. I’ve seen senior citizens with better acts.

“There was an emptiness at the end. Yes, there comes a time when a performer should step down, retire or rest. Elvis, we love you, but please don’t do this to us. We prefer remembering you at your peak, rather than at your funeral. ‘The King is Dead. Long live the King!’”

• Could Elvis’ fans have saved him?

So we come to the heartrending question that accompanies our memories every August 16th. If we had known everything described above, would we, Elvis’ fans, have done everything possible to save him? Sadly, it’s very doubtful.

What Elvis needed in 1976 and 1977 was to stop touring and concentrate on regaining his physical and mental health. He deserves most of blame for what happened to him, of course, but we fans who saw him on stage in his final years will always experience a soul-searching dilemma. To save Elvis, would we be willing to erase our special memories of seeing him perform and hearing him sing? The only thing that would have kept him from the grueling tour schedule that surely contributed to his death would have been if we had refused to attend his shows. Not a chance of that happening.

Shifra Stein, writing in the  Kansas City Times  on June 20, 1977, said it best:

“Urged on and on around the country by fans who rely on his past glories to fuel their image of him, Elvis is like a bull in the ring. He belongs to the crowd—and they refuse to let him go.”

Alan Hanson  | © August 2016

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"There comes a time when a performer should retire for the sake of his fans as well as for himself. I’m sad to say Elvis Presley has reached that time. Reports of recent Elvis concerts have been disheartening, indicating that the King of Rock ’n Roll is dead."

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Return of the king: Elvis hologram show to premiere in London

Elvis Evolution promises ‘immersive’ experience with concerts also planned for Las Vegas, Tokyo and Berlin

• AI Elvis not the first hologram star to shake his moves on stage

While some believe that the king of rock’n’roll may celebrate his 89th birthday next week propping up the bar of the Heartbreak Hotel, the rest of us will have to make do with an Elvis Presley hologram show in 2024.

Elvis Evolution, an “immersive concert experience” using AI and holographic projection, will premiere in London in November, with shows also planned in Las Vegas, Tokyo and Berlin.

The technology will create a lifesize digital Elvis from thousands of his personal photos and home-video footage. The hologram will perform in a celebration of the star’s life and musical legacy after a deal between Authentic Brands Group, the owners of the Elvis Presley estate, and Layered Reality, a British immersive entertainment company.

Andrew McGuinness, chief executive of Layered Reality, said: “Elvis Evolution is a next-generation tribute to the musical legend that is Elvis Presley.

“Elvis maintains superstar status globally and people around the world no longer want to sit there and passively receive entertainment – they want to be a part of it

“It’ll be a memory-making experience that will be a bucket-list item for Elvis fans and admirers around the world; people can step into the world of Elvis, walk in his shoes and celebrate his extraordinary musical legacy.”

The show will also offer an after-party Elvis-themed bar and restaurant on site at the central London location, with live music, DJs and performances.

The initiative follows the remarkable success of Abba Voyage , a show in which lifesize avatars of the four members of the Swedish pop group perform as their human counterparts appeared in 1979, in a purpose-built arena in east London.

In its first year, Abba Voyage sold more than 1.3m tickets with reports of a forthcoming world tour. The 90-minute show and arena cost £140m and seven years to develop.

The US rock band Kiss have also unveiled avatars of themselves , depicted as superheroes.

Although Elvis never faded from the cultural consciousness, two big-screen treatments in recent years have brought him fresh attention. Sofia Coppola’s Priscilla was released in the UK this week – providing a sympathetic treatment of his ex-wife, who lived her life in his shadow after meeting him at 14 when he was 24.

And in 2022, Baz Luhrmann produced a bombastic biopic of the king’s life in music and at home – earning rave reviews for lead actor Austin Butler .

By the time Presley died suddenly in 1977 at the age 42, he was a musical and cultural giant. He revolutionised popular music, scandalised older generations and was worshipped by the young, causing hysteria and near-riots with his gyrating pelvis. He also starred in a number of movies.

Despite years of prescription drug abuse and a famously unhealthy diet, his death from heart failure came as a shock. Conspiracy theorists claimed he had faked his own death and there have been countless reports of sightings of the legendary star all over the world.

According to one theory, Presley faked his death in order to escape the mafia. Gail Brewer-Giorgio, the author of the 1988 bestselling book Is Elvis Alive?, asserted that the FBI had enlisted Presley as an undercover agent in 1976 to help it infiltrate a criminal organisation called the Fraternity.

Brewer-Giorgio said: “Elvis faked his death because he was going to be killed and there was no doubt about it.”

Some people claimed Presley appeared as an extra in the 1990 blockbuster Home Alone.

A Gallup poll conducted in 1997 found that 4% of Americans thought Presley was alive, and 93% of those surveyed were certain he was dead.

• Elvis Presley
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More on this story

‘It can only be good’: Elvis tribute acts embrace the hologram Presley

AI Elvis not the first hologram star to shake his moves on stage

Elvis was a devout Christian who prayed before shows, reveals stepbrother

True suede shoes: is Priscilla or Elvis more accurate?

Elvis dies and the age of rock is over.

Suspicious minds: why Elvis's posthumous popularity is plummeting

Elvis: A Musical Revolution review – a very good tribute show, but not much more

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Tuesday june 18  6pm, blackstone sc, 115 canal st blackstone ma, thursday june 20  6pm, millbury sc , saturday june 22  8pm elvis jonathan's ogunquit me, sunday june 23  3pm, federal hill feast, sutton st   saturday june 29 7pm fulchino vinyards hollis nh tickets sunday  june 30  6pm sweet hitch-hiker ccr tribute stanley park westfield ma saturday july 6  7:30pm riverbend campground oneco ct, friday july 5  8pm, johnny cash show, woonsocket ri sunday july 7  8pm johnny cash jonathans ogunquit me tickets tuesday july 9  2pm log cabin holyoke ma, friday july 12  8pm, tewsbury pond, hampton nh saturday july 13  8pm riverbend campground oneco ct saturday july   20  8pm elvis jonathans ogunquit me thursday july 25  1:30pm elvis courthouse center for the arts west kingston ri saturday july 27  8pm natures campground voluntown ct thursday august 1  6pm legends show ware ma    saturday august 4  11-1:30pm charlestown seafood festival elvis w/elvis express band charlestown ri sunday august 4  6pm holden bandstand holden ma elvis w/ elvis express band   friday august 9  8pm ccr tribute autumn hills weare nh   saturday august 10  8pm johnny cash jonathans ogunquit me   saturday august 17  7pm galillee beach club narragansett ri   saturday august 24  8pm johnny cash autumn hills weare nh   sunday august 25  6pm johnny cash holden bandstand holden ma, saturday august 31  7pm, bristol elks  , bristol ri  .

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Elvis Costello & The Imposters drop out of Bluesfest due to COVID-19, push Australian tour to 2024

“We hope that the wait will seem worthwhile when we return”

Elvis Costello & The Imposters have revealed they will no longer be appearing at this year’s Byron Bay Bluesfest , with “a key member” of the band having come down with COVID-19 .

• R EAD MORE: Five Things I Know: Peter Noble, Bluesfest

Costello and his band were due to perform at the festival today (April 6) and tomorrow (April 7), with headlining sideshows in Sydney and Melbourne. Although these have all been wiped from the itinerary, a run of postponed dates has already been confirmed, with confirmation that Costello and co. will be one of the headliners at Bluesfest 2024.

Next year’s Bluesfest will be held over the long weekend of Thursday March 28 to Monday April 1 – it’s likely Costello’s set(s) will take place early in the schedule, with his first sideshow in Sydney booked in for Sunday March 31. He’ll play two more dates in the NSW capital – Monday April 1 and Tuesday 2, all three taking place at the Sydney Opera House – with a sole Melbourne show locked in for Thursday April 4 at the Palais Theatre.

Tickets to the postponed shows will remain valid for next year’s dates – with new tickets available here – however refunds will also be available for those unable to make it along.

In a statement shared alongside the news, Costello said: “We are so disappointed not to be returning to the stages at Byron Bay, where we had plans to surprise you with a few friends joining the show. 

“It is maddening these unfortunate but unavoidable circumstances mean that our three sold-out nights at the Sydney Opera House and a return to the Palais in St. Kilda must also be rescheduled. We are so sorry for any inconvenience and hope that the wait will seem worthwhile when we return.”

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Elvis Costello & The Imposters’ 2024 Australian tour dates are:

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MARCH TBC – Byron Bay, Bluesfest Sunday 31 – Sydney, Opera House

APRIL Monday 1 – Sydney, Opera House Tuesday 2 – Sydney, Opera House Thursday 4 – Melbourne, Palais Theatre

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André 3000, Elvis Costello to join jazz greats at 2024 Newport Jazz Festival. What to know

As has been the case in recent years, the Newport Jazz Festival will feature artists who don't typically evoke the genre.

The 2024 festival lineup announced Tuesday includes nearly 50 performers coming to Fort Adams for the three-day festival in August. Among the highlights are legendary artists including Sun Ra Arkestra, Bill Frisell, Stanley Clarke and Galactic with Irma Thomas.

Also joining the festival are André 3000 – known as part of the rap group Outkast – Elvis Costello and Nile Rodgers & CHIC.

When is the 2024 Newport Jazz Festival

The 2024 festival takes place Aug. 2-4 in Fort Adams State Park in Newport . This year marks the 70th anniversary of the festival.

How to get tickets to the Newport Jazz Festival

Specially priced 3 Day Tickets went on sale today, April 9 at 1 p.m. for 24 hours only. All other ticket types go on sale on April 10 at 1 p.m. ET via DICE .  

A limited number of discounted 3-Day Tickets are available for purchase on a first come first serve basis. Student tickets are only for students aged 10-25. Current College students are required to present a student photo ID. Middle and High School students are not required to show ID. All students must enter through the student gate only. Children under the age of 10 are free except for Jazz Lounge Tickets. Only two children are allowed per ticketed adult. All children 10 and over will need a full-priced admission ticket.  

How much are Newport Jazz Festival tickets?

Limited 3-Day Weekend Ticket - $265.74

Limited 3-Day Student Ticket - $188.49

3-Day Weekend Ticket - $312.09

2-Day Ticket (Sat & Sun Only) - $214.12

Single Day Jazz Lounge Ticket - $430.54

Single Day Ticket - $111.24

Single Day Student ticket - $63.86

3 Day Parking - $84.46

2 Day Parking (Sat & Sun Only) - $55.62

Single Day Parking - $30.90

All prices listed include all fees

What is the Jazz Lounge

This year a limited Jazz Lounge Festival admission ticket allowing access to a separate Festival entrance, a premium parking space (one space per ticket order), and exclusive access to the Jazz Lounge – a tented lounge on the North Lawn/Fort Stage where you will find: Lounge seating, complimentary wifi, a private cash bar, TV monitors for a live view of the Fort Stage performances, and air conditioned restroom facilities is being offered. The lounge will also feature panoramic views of Newport Harbor, Narragansett Bay and the Fort Stage. The Lounge ticket is in addition to 3-Day, 2-Day and Single day regular tickets and discounted student tickets.

Folk fun: Who's performing at the 2024 Newport Folk Festival? Keep tabs as they're announced

Newport Jazz Festival 2024 full line-up

André 3000

Nile Rodgers & CHIC

Kamasi Washington 

Elvis Costello

Robert Glasper 

Brittany Howard 

Dinner Party feat.Terrace Martin, Robert Glasper, Kamasi Washington

Thievery Corporation 

Galactic with Irma Thomas

Terrace Martin & Calvin Keys 

Christian McBride's Jam Jawn (Special Guests TBA) 

Meshell Ndegeocello 

Chief Adjuah 

Sun Ra Arkestra 

Julius Rodriguez 

Makaya McCraven & Jeff Parker 

Stankey Clarke N4EVER 

Lianne La Havas 

Bill Frisell FOUR feat. Johnathan Blake, Gerald Clayton, & Gregory Tardy 

ACID JAZZ IS DEAD w/ DJ's Adrian Younge, Ali Shaheed Muhammad (A Tribe Called Quest), & Special Guests

Alex Isley 

Anat Cohen Quartetinho 

Kenny Barron Trio

Jaleel Shaw 

Legacy of Wayne Shorter (Danilo Pérez, John Patitucci, Terri Lyne Carrington, & Ravi Coltrane) 

Kassa Overall 

Theo Croker 

Aneesa Strings 

Johnathan Blake Pentad 

Cisco Swank 

The Messthetics and James Brandon Lewis 

Amaro Freitas

Nicole Zuraitis 

Riley Mulherkar 

Sunday Jazz

For complete information, visit  newportjazz.org

ONLINE SALES ONLY Customers with access requirements, please call the Contact Centre on 0343 310 0030

Prepare to be swept away by the powerful voices of Il Divo as the globally renowned classical crossover vocal group embark on a brand-new UK tour this October to celebrate their 20th anniversary! Since 2004, Urs Bühler (tenor) of Switzerland, Sébastien Izambard (tenor) of France, David Miller (tenor) of America, and new member Steven LaBrie (baritone) of America— have emerged as a phenomenon with indefinable magic. They have sold 30 million albums worldwide, scored 50 #1 hits, and earned 160 Gold and Platinum records across 35 countries. The iconic quartet Il Divo started celebrating their 20th anniversary earlier this year with the release of their 10th full length album XX." It is the group's first album with new member Steven LaBrie, after the tragic passing of founding member Carlos Marin in 2021 due to COVID-19. Produced by Grammy® and Latin Grammy® Award-winning artist Carlos Fernando Lopez (Ricky Martin, Marc Anthony), "XX: 20TH ANNIVERSARY ALBUM," includes songs sung by IL DIVO in English, Spanish and Italian; and an original composition written by the group, "Despertar Sin Ti." In addition to the IL DIVO spin on Gnarls Barkley's "Crazy," the album will also include Whitney Houston's "I Have Nothing," with a Spanish version, "No Tengo Nada,"; Miguel Gallardo's "Hoy Tengo Ganas De Ti,"; Brenda Lee and Elvis Presley's "Always On My Mind," sung in English and Italian; Ed Sheeran's smash hit "Perfect"; "Despacito," the mega-smash by Luis Fonsi, Daddy Yankee, and Justin Bieber, and more. Between selling out tours on multiple continents, they've performed everywhere from the Summer Olympics and FIFA World Cup to Diamond Jubilee at Windsor and the Commander-in-Chief's Ball. Get ready for an unforgettable evening filled with stunning vocals, breathtaking music, and the undeniable magic of Il Divo. The upcoming shows will be filled with Il Divo’s hits from their vast catalogue of songs as well as songs from their new 20th anniversary album.

Anniversary VIP Guest Package Experience this unique concert from one of the very best seats in the house. A unique opportunity to meet Il Divo before the concert and have your photo taken with them * Receive an exclusive Il Divo anniversary gift. Pick up your commemorative VIP laminate.

* Il Divo will be available for a photo using customers own phone or camera, with the photo taken by a member of the VIP team. Please note, there may be a distance between yourself and the artist for the photo.

Maximum of 8 tickets per customer Doors open 7pm. Please check website nearer show date for confirmed start time.

Event Details

Ticket Information

£45.50 - £270.50

A transaction fee of up to £3.95 may apply to your order.

Mon 21 Oct 2024

Cliffs Pavilion

Get your tickets for Il Divo

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