private dancer tour setlist

Tina Turner Online

Private dancer tour 1985.

The 179-date tour encompassed Europe, North America, Australia and Asia. Turner also played a show in Budapest, the only show of the tour behind the Iron Curtain.

* For the final two performances in Japan, Tina Turner closed the show with a cover of Bruce Springsteen's "Dancing in the Dark". * During the performance at the NEC Arena in Birmingham, England (on 23 March 1985), Tina Turner was joined onstage by David Bowie to perform "Tonight" and "Let's Dance". * During the performance at the NEC Arena in Birmingham, England (on 24 March 1985), Tina Turner was joined onstage by Bryan Adams to perform "It's Only Love".

The Band Jack Bruno - Drums Timmy Cappello – Percussion,Keyboard, Saxophone and Vocals Bob Feit – Bass Jemie West-Oram – Guitar and Vocals Kenny Moore – Piano and Vocals James Ralston – Guitar and Vocals

March 1985 1 March 1985 - Basketballhalle - - Münich Germany - 11000 2 March 1985 - Jahrhunderthalle - Frankfurt - Germany 3 March 1985 - C.C.H. - Hamburg - Germany 4 March 1985 - Eissporthalle - Berlin - Germany 7 March 1985 - Boeblingen - Germany 8 March 1985 - Hallenstadion - Zürich - Switzerland - 12000 - S.O. 9 March 1985 - Karl Diehm Halle - Würzburg Germany 11 March 1985 - The Brighton Centre - Brighton UK 12 March 1985 - B.I.C. - Bournemouth - UK 14 March 1985 - Wembley Arena - London - UK - SO 15 March 1985 - Wembley Arena - London - UK - 12000 - S.O. 16 March 1985 - Wembley Arena - London - UK - 12000 - S.O. 17 March 1985 - Wembley Arena - London - UK - 12000 - S.O. 20 March 1985 - The Playhouse - Edinburgh - UK 21 March 1985 - The Apollo - Manchester UK - 3500 - S.O. 23 March 1985 - N.E.C. - Birmingham - UK - 12000 - S.O. 24 March 1985 - N.E.C. - Birmingham - UK - 12000 - S.O. 26 March 1985 - Zenith - Paris - France - 7000 - S.O. 27 March 1985 - Garnier - Lyon - France - 17000 28 March 1985 - Chapiteau - Marseilles - France 29 March 1985 - Palace Lido - Milan- Italy 31 March 1985 - Sportshalle - Klagenfurt - Germany - 5000 - S.O.

April 1985 1 April 1985 - Sportshalle - Graz - Austria - 4500 - S.O. 2 April 1985 - Sportshalle - Budapest - Hungary 3 April 1985 - Stadthalle - Vienna - Austria - 10000 4 April 1985 - Sportshalle- Linz - Austria - 6000 - S.O. 6 April 1985 - Olympiahalle - Münich - Germany - 9500 7 April 1985 - Saarlandhalle - Saarbrücken - Germany 8 April 1985 - The Ahoy - Rotterdam - The Netherlands 9 April 1985 - The Ahoy - Rotterdam The Netherlands 10 April 1985 - Forest Nationale - Brussels - Belgium 11 April 1985 - Jahrhunderthalle - Frankfurt - Germany 12 April 1985 - Jahrhunderthalle - Frankfurt - Germany 13 April 1985 - Stadthalle - Bremen - Germany 14 April 1985 - Westfalenhalle - Dortmund - Germany - 12000 15 April 1985 - Philipshalle - Düsseldorf - Germany 18 April 1985 - C.C.H. - Hamburg - Germany 19 April 1985 - Rhein-Neckar-Halle - Heidelberg - Germany 20 April 1985 - Olympiahalle - Münich - Germany - 10000 21 April 1985 - Hallenstadion - Zürich - Switzerland - 12000 - S.O. 22 April 1985 - Frankenhalle - Nürnberg - Germany - 8500 - S.O. 24 April 1985 - Deutschlandhalle - Berlin - Germany 25 April 1985 - Stadthalle - Bremen - Germany 26 April 1985 - Philipshalle - Düsseldorf - Germany 27 April 1985 - Festhalle - Frankfurt - Germany 28 April 1985 - Münsterlandhalle - Münster - Germany 30 April 1985 - Ostseehalle - Kiel - Germany - 7100 - S.O.

May 1985 1 May 1985 - Sporthalle - Cologne - Germany 3 May 1985 - Deutschlandhalle - Berlin - Germany 4 May 1985 - Niedersachsenhalle- Hannover - Germany 5 May 1985 - Aisterdorferhalle - Hamburg - Germany 7 May 1985 - Boblinger - Sporthalle - Stuttgart - Germany 8 May 1985 - Basketballhalle - Münich - Germany - 10800 9 May 1985 - St. Jakob´s Hall - Basel - Switzerland

July 1985 8 July 1985 - Memorial Stadium - St. Johns - Canada 9 July 1985 - Memorial Stadium - St. Johns - Canada 10 July 1985 - Memorial Stadium - St. Johns - Canada 11 July 1985 - Memorial Stadium - St. Johns - Canada 13 July 1985 - Live Aid - Philadelphia - USA - 100000 - S.O. 14 July 1985 - Aiken Center - Fredricton - Canada 15 July 1985 - Coliseum - Moncton - Canada - 8000 - S.O. 16 July 1985 - Metro Halifax - Canada - 10000 - S.O. 17 July 1985 - Metro - Halifax - Canada - 10000 - S.O. 19 July 1985 - Forum - Montreal- Canada 21 July 1985 - Worcester Centrum - Worcestor- USA- 12000 22 July 1985 - Worcester Centrum - Worcestor - USA - 12000 25 July 1985 - Civic Center - Providence - USA 26 July 1985 - Civic Center - Portland - USA - 8462 27 July 1985 - Civic Center - Hartfore - USA 28 July 1985 - Meadowlands - East Rutherford - USA 31 July 1985 - Spectrum - Philadelphia - USA - 3500

August 1985 1 Aug. 1985 - Madison Square Garden - NYC - USA - 17000 - S.O. 2 Aug. 1985 - Madison Square Garden - NYC- USA - 17000 - S.O. 3 Aug. 1985 - Fairground - Allentown - USA 5 Aug. 1985 - Capitol Center - Lanover - USA 7 Aug. 1985 - Jones Beach - Long Island - USA - 14000 - S.O. 8 Aug. 1985 - Jones Beach - Long Island - USA - 14000 - S.O. 9 Aug. 1985 - Raindate - Long Island - USA 10 Aug. 1985 - Hershey Park - Hershey - USA 11 Aug. 1985 - War Memorial - Rochester - USA 12 Aug. 1985 - Saratoga Perf. Arts C. - Saratoga - USA - 25000 15 Aug. 1985 - Olympic Center - Lake Placid - USA 17 Aug. 1985 - CNE - Toronto - Canada 18 Aug. 1985 - CCE - Ottawa - Canada - 15000 21 Aug. 1985 - Centennial Hall - Toledo - USA 22 Aug. 1985 - Richfield Co - Cleveland - USA 23 Aug. 1985 - Civic Arena - Pittsburgh - USA 24 Aug. 1985 - Civic - Charleston - USA 25 Aug. 1985 - Revermont C. - Cincinnatti - USA 28 Aug. 1985 - Joe Louis Arena - Detroit - USA 29 Aug. 1985 - Joe Louis Arena - Detroit- USA 31 Aug. 1985 - Castle Farms - Charlevoix- USA

September 1985 1 Sept. 1985 - Atwood Stadium - Flint - USA 4 Sept. 1985 - Wings Stadium - Kalamazoo - USA 5 Sept. 1985 - Coliseum Ft. - Wayne - USA 6 Sept. 1985 - Rupp Arena - Lexington - USA 7 Sept. 1985 - Market Square - Indianapolis - USA - 18000 8 Sept. 1985 - Roberts Stadium - Evansville- USA - 12500 10 Sept. 1985 - Assembly Hall - Champaign- USA 11 Sept. 1985 - Horizon - Chicago - USA 12 Sept. 1985 - Horizon - Chicago - USA 13 Sept. 1985 - MTV Awards Show - USA 14 Sept. 1985 - Mecca- Milwaukee- USA 15 Sept. 1985 - Dane City Arena - Madison - USA 18 Sept. 1985 - Civic Aud. - St. Paul - USA 19 Sept. 1985 - Carva Arena - Iowa City - USA 20 Sept. 1985 - Hilton Coliseum - Ames - USA 21 Sept. 1985 - Civic Arena - Omaha - USA - 10000 24 Sept. 1985 - Saddledome - Calgary - Canada - 20000 - S.O. 25 Sept. 1985 - Coliseum - Edmonton - Canada - 13000 - S.O. 27 Sept. 1985 - PNE Coliseum - Vancouver - Canada 29 Sept. 1985 - Dome - Tacoma - USA 30 Sept. 1985 - Coliseum - Portland - USA

October 1985 2 Oct. 1985 - Lawlor - Reno - USA 3 Oct. 1985 - Coliseum - Oakland- USA 4 Oct. 1985 - Coliseum - Oakland- USA 5 Oct. 1985 - Irvine Meadows - Irvine - USA 8 Oct. 1985 - Universal Amphitheatre- Los Angeles - USA - 6000 9 Oct. 1985 - Universal Amphitheatre - Los Angeles - USA - 6000 10 Oct. 1985 - Universal Amphitheatre - Los Angeles - USA - 6000 11 Oct. 1985 - Universal Amphitheatre - Los Angeles- USA - 6000 12 Oct. 1985 - Universal Amphitheatre - Los Angeles - USA - 6000 18 Oct. 1985 - ASU Activities - Tempe - USA 19 Oct. 1985 - Pan America Center - Las Cruces - Mexico 20 Oct. 1985 - Tingley Coliseum - Albuquerque - USA 23 Oct. 1985 - Kansas Coliseum - Wichita - USA 24 Oct. 1985 - Hammons - Springfield - USA 25 Oct. 1985 - Myriad - Oklahoma City - USA 26 Oct. 1985 - Kemper - Kansas City - USA - 12000 27 Oct. 1985 - Kiel - St. Louis - USA 28 Oct. 1985 - Kiel - St. Louis - USA 31 Oct. 1985 - Ass Center - Tulsa - USA

November 1985 1 Nov. 1985 - Reunion Arena - Dallas - USA - 12000 2 Nov. 1985 - Erwin Events - Austin- USA 3 Nov. 1985 - Summit - Houston - USA - 11000 6 Nov. 1985 - LSU Assembly - Baton Rouge - USA 7 Nov. 1985 - Gulf Coast 8 Nov. 1985 - Auburn Memorial Center - Auburn - USA 9 Nov. 1985 - UTC - Chatanooga- USA 10 Nov. 1985 - MidSouth - Memphis - USA 13 Nov. 1985 - Hersht Coliseum - Shreveport - USA 14 Nov. 1985 - Humphrey - Starkville - USA 15 Nov. 1985 - Jeff Co. Civic - Birmingham - USA 16 Nov. 1985 - Murphy Center - Murfrebor - USA 17 Nov. 1985 - Stokely Center - Knoxville - USA 20 Nov. 1985 - W.V.U. Gym. - Morgntown - USA 21 Nov. 1985 - Civic - Roanoke - USA 22 Nov. 1985 - Hampton Coliseum - Hampton - USA - 13000 23 Nov. 1985 - Civic - Greensboro- USA 24 Nov. 1985 - Coliseum - Columbia- USA 27 Nov. 1985 - Coliseum - Richmond - USA 29 Nov. 1985 - Coliseum - Charlotte - USA 30 Nov. 1985 - Civic Center - Savannah - USA

December 1985 1 Dec. 1985 - Omni - Atlanta- USA 4 Dec. 1985 - O´Connell Center - Gainesville - USA 5 Dec. 1985 - Conv. Center - Orlando - USA 6 Dec. 1985 - Sundome - Tampa - USA 7 Dec. 1985 - Baseball Stadium - Miami- USA 10 Dec. 1985 - Chandler Velodrome- Brisbane - Australia 12 Dec. 1985 - Entertainment Centre - Sydney- Australia - 11500 - S.O. 13 Dec. 1985 - Entertainment Centre - Sydney - Australia - 11500 - S.O. 15 Dec. 1985 - Entertainment Centre - Sydney - Australia - 11500 - S.O. 17 Dec. 1985 - Entertainment Centre - Melbourne - Australia 18 Dec. 1985 - Entertainment Centre - Melbourne - Australia 19 Dec. 1985 - Entertainment Centre - Melbourne - Australia 20 Dec. 1985 - Entertainment Centre - Melbourne - Australia 23 Dec. 1985 - Entertainment Centre - Perth - Australia - 7000 24 Dec. 1985 - Entertainment Centre - Perth - Australia - 7000 27 Dec. 1985 - Festival Hall - Osaka - Japan 28 Dec. 1985 - Budokan -Tokyo - Japan

S.O.= Sold Out

Private Dancer by Tina Turner

Album Reviews 1984 Albums , 2014 Reviews , Album Reviews by Ric Albano , American Artists , Jeff Beck , Mark Knopfler , Tennessee Artists , Tina Turner 0

Buy Private Dancer

Just a few years earlier, no one could have imagined that this longtime star of the soul genre would become the top performer on the pop charts, and do so without compromising her musical repertoire. In the late 1970s, Turner made her living through various television appearances and Las Vegas-style gigs and her initial solo albums reflected this strategy musically. In 1982, Turner met A&R man, John Carter, who promised her a new record deal.

Carter also set about finding the right songs for Turner, which she recorded at several different studios and with several different producers. However, while recording was in process a new regime of executives at Capitol and initially planned to drop Turner. The new label president called Roger Davies and summarily dropped Tina Turner from the roster. Carter fought hard to keep her on and the label was more than rewarded when Private Dancer spawned seven singles.

Bassist and producer Rupert Hine was enlisted to work on several tracks on Private Dancer , starting with the opener “I Might Have Been Queen”. The song was co-written by Jamie West-Oram , lead guitarist of The Fixx, a band which Hine had recently produced with great success. The song was written specifically for Turner and its lyrics reflect Turner’s belief in reincarnation. “What’s Love Got to Do with It” is the most popularly sustained song from the album, due in part to the later movie of the same name. Turner’s vocal and melodic delivery are masterful in both their ascent and constraint. Written by guitarist Terry Britten and Graham Lyle , the song topped the charts in the Summer of 1984 and marked the undeniable moment of Turner’s comeback success.

“Show Some Respect” is another song written by Britten with a decidedly eighties synth and funk approach. One of the later songs released as a single, this track became a Top 40 hit in 1985. Britten also produced the next track, “I Can’t Stand the Rain”, a remake of of the 1974 hit for Ann Peebles. The album’s title song was written by Mark Knopfler of Dire Straits, who wrote the song for his band’s Love Over Gold album, but ultimately decided he didn’t want to sing a song from a female perspective. Ironically, Knopler is the only member of Dire Straits not to appear on Turner’s version of the song, which also features a guitar solo by the legendary Jeff Beck .

Private Dancer ‘s second side begins with a cover of Al Green’s “Let’s Stay Together”, which turner released in late 1983, well ahead of the album. While Turner remains faithful to the original, she also adds some unique delivery to this track which topped the Billboard Dance chart. “Better Be Good to Me” is the most pop/rock oriented song on the album, originally intended for Pat Benatar. Produced by Hine and composed by the team of Holly Knight, Mike Chapman, and Nicky Chinn, the song reached #5 on the pop charts.

The album winds down with three lesser known recordings. “Steel Claw” was written by Paul Brady and features a lineup similar to “Private Dancer”, with members of Dire Straits (sans Knopfler) and Beck adding a solo. The Beatles’ “Help!” is delivered in a gospel-tinged by Turner, in a rendition she had been working on since the early eighties. David Bowie’s “1984” concludes the album as an electronic track that pays homage during the actual year it was written about.

Private Dancer reached the Top 10 in over a dozen countries, sold over eight million copies, and won four Grammy’s for Turner. Capitalizing on this immense popularity, Turner went on a World tour through 1985, which included over 170 dates on three continents.

Part of Classic Rock Review’s celebration of 1984 albums.

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Private Dancer Tour (1994)

Private Dancer Tour  is an exclusive album, only available with the „Tina Live - CD & Video Double Pack“. It features exactly the same track listing as the  Private Dancer Tour  home video, originally released in 1985 and recorded at the N.E.C. in Birmingham, England on March 23, 1985. Although most of the songs were already released on the album  Live In Europe  in 1988, the tracks „I Might Have Been Queen,“  What’s Love Got To Do With It  and  Private Dancer  are exclusively available on this compact disc.

Photographer : Paul Cox Design : Mark Matsuno Producer : Terry Britten Release : 1994 Label : EMI Format : CD

• Show Some Respect (Live) 3.47
• I Might Have Been Queen (Live) 4.03
• What’s Love Got To Do With It (Live) 3.53
• I Can’t Stand The Rain (Live) 3.23
• Better Be Good To Me (Live) 6.34
• Private Dancer (Live) 6.20
• Let’s Stay Together (Live) 5.06
• Help (Live) 5.57
• It’s Only Love (Live Tina & Bryan Adams) 3:43
• Tonight (Live Tina & David Bowie) 5:22
• Let’s Dance (Live Tina & David Bowie) 5.18

Previous:  Greatest Hits  (1994)

Back to:  Albums

Next:  The Collected Recordings  (1994)

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The Smashing Pumpkins' Billy Corgan on '90s Feuds and Fandom — and How He  Really  Feels About Green Day (Exclusive)

The longtime rocker has gained lots of wisdom in his 30-plus years of music-making

Don Arnold/WireImage; William Patrick Corgan/Instagram

• The Smashing Pumpkins' frontman Billy Corgan is busier than ever before and moving intentionally through family milestones and work life
• Not only is he in the middle of touring, but he's also growing his other businesses like the National Wrestling Alliance and Madame ZuZu's Emporium
• Corgan is also an involved husband and father, sharing kids Philomena and Augustus, as well as a baby on the way, with wife Chloé Mendel Corgan

After 36 years as a professional creative, Billy Corgan is still amazed at where his life has taken him.

A man of many talents, the 57-year-old is continuing to evolve alongside his bandmates in The Smashing Pumpkins, James Iha, Jimmy Chamberlin, Katie Cole, Jack Bates and Kiki Wong. Corgan is also amidst a time of transformation himself as an entrepreneur and most importantly, as a soon-to-be father of three.

Catching up with PEOPLE, Corgan says that touring lately — with Green Day on the Saviors Tour — has been a bit of a full-circle moment.

"What's wild is that we first played with Green Day in 1994 in Lollapalooza. They weren't just starting out, but they were just starting to be known, and they were a little younger than us," he shares. "Here we are, some 30 years later. They've obviously have had incredible success and sharing that success with us and sharing their stage with us, has been great and a lot of fun."

The Smashing Pumpkins are mixing fan favorites and their own picks on the setlist. With the recent release of Aghori Mhori Mei , the band moves forward while tipping their hat to their classic sound.

"The last record we made, which we started during the pandemic, was this 33-song massive affair. It was very well received but, in making it, I started feeling like, ‘OK. The next album probably should be something a little simpler,' " Corgan shares.

"It came upon this idea of going back to our original sound as a way of seeing if there was anything fresh there, and that's kind of where the album comes from. It's not so much of trying to go backwards."

He continues, "You know how people say you can't go home again? I thought the exercise of trying to go home again, with where the band started, was an interesting one. You would see where you've changed and where you're still the same, or something like that. People seem to really like it, and so, I guess that was a good idea."

Never miss a story — sign up for PEOPLE's free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. 

Jason Renaud

At some shows on the Savior Tour, fans get a peek at Corgan's kids — Philomena , 5½, and  Augustus , 8½ — who regularly come onto the stage and dance along to the band's hits.

"Between Washington, D.C. and New York, they were with me on the road with no nanny, no help. So you can imagine trying to be a rock star at night and a dad during the day, with no help," he shares, noting that the stretches are intentional and meaningful for him.

"What's interesting about it and the reason I do it is because it gives us the chance to really bond. They get a real sense of what I do, and they're part of the rhythm of the day — going to the show and waiting backstage and then, of course, they come out on stage with us and dance. That's sort of our family creed. If you're at the show, you have to be part of the show."

The long days are "grounding" for the rock star, who notes, "I want my children to be proud of me, but I want them just to be as proud of me for being a good dad as they are of me being on stage in front of tens of thousands of people. I think the fact that they get to see that so intensely on the road really helps our relationship when we get off the road."

Corgan's children are also seeing the camaraderie of tour life as the rock stars' extended families mix and mingle. After years in which bands on the '90s alternative scene were "super competitive because you are all trying to get on MTV and on radio," there's been a "beautiful" shift, he says.

"You look around you. They've survived and you've survived and you have this kind of mutual respect and you understand what they've been through without necessarily knowing every specific. And they certainly know what you've been through to make it this far," he shares. "In our case, breaking up multiple times and all that type of stuff — to Green Day's credit, they've stuck together, and I think that's at the root of their success. We certainly wish we had stayed together during sort of the difficult times. So, I think when you connect with people from your generation, it's very much kind of a, 'Wow, we made it through this crazy journey and here we still are.' "

Corgan continues, "The other day, Billie Joe's wife [Adrienne Armstrong] and my wife were connecting a little bit. That's really what it's about, right?"

"It becomes more about family and I think when you have that respect for other bands and you understand what their families go through and what they go through, there's a shift," he continues. "It sort of left being about being competitive with one another on the musical landscape and more about admiring that they've held it together. It's hard to explain, but I do think it floats both ways."

Fatherhood has also helped propel Corgan in some of his creative pursuits, and it's encouraged him to keep his family close amid his different endeavors.

"I didn't have children until my late 40s. This thing occurred to me that I never expected, which is, I wanted to make sure that when they were old enough to understand what I did. I wanted them to be proud of me, not for what I'd done before they were born, but what I was doing currently," he explains.

"So it really motivated me to work hard so that I could feel strongly that when they saw what I was doing, they would feel pride and ownership of what I was doing. When you're on stage and there's 45,000 people and your children get up there with you, they're looking out into that same sea of faces," he shares.

"I think that gives them a real sense that my journey, as complicated as it's been, has yielded something that's positive for them because when they're kids, that's with how they think. As they grow older, I want them to then relate back to these experiences and understand that my journey is very unique, and I want them to feel inspired by that because I want them to live their dream, whatever dream that they want to dream."

Corgan's kids get to see him living his dreams, not only on stage but in his many other pursuits. The family is known to spend time together as Madame ZuZu's Emporium , the Highland Park, Ill. tea house that the rocker owns.

"We just announced that David Arquette, who owns the Bozo the Clown brand, is going to teach a painting class as Bozo. He said he's an authenticated Bob Ross painting teacher," he shares.

"It sold out immediately. We're planning a bigger set of Bozo events so that's the kind of stuff we get into there — really fun, collaborative projects."

Corgan is also proud owner of the National Wrestling Alliance, the oldest wrestling organization in existence.

"Seventy-six years and counting," he says with a smile. "Our 76th-anniversary show was August 31, and I actually went in between Green Day tour dates. Start from Nashville, got on the bus, drove all night, work in Philly all day, then back on the bus to drive to Pittsburgh that night."

Glimpses of everything unfolding in Corgan's world can be seen in his recently released reality show, Billy Corgan: Adventures in Carnyland. The show is all about Corgan juggling his many projects with family life.

"People really seem to like that because it's an inside look at why I bother with this crazy life with the professional wrestling. I try to balance it against a very successful, musical life, and my family. Plus, there's always other stuff going on," he shares.

The first season concludes with Corgan's wedding to wife Chloé Mendel Corgan , 31, who is currently expecting the couple's third baby . Philomena and Augustus appear in the show, running around both swept up in and amused by the circus around them. It's just what the hands-on dad hoped for.

"I think that's what I'm trying to do is inspire them — not to make them like me, but to make them like themselves, because I didn't have that; I didn't have that support from my family," he says. "My family would be against me playing music, and so it was painful for me and even when I had success, it kind of became complicated."

Corgan has built that family feeling into everything he does, including his interactions with fans.

"Most fans are based in a sense of idolatry. At the base of it, they don't want you to get off whatever pedestal they think you're on and be a real person. Along the way, I was uncomfortable with that, so I took myself off the pedestal," he says. "There were periods that were very difficult because fans sort of rejected me for being me or being honest. But what's happened, I think is, and I think you see it with the way social media has changed, authenticity and honesty are actually very valuable these days. And most of the fans that have stuck with me, the reason they've stuck with me, is they feel like they know me — not whatever character I play on television."

The rocker finds it "rewarding" to continue to navigate fan relationships and find new ways to connect with people across all his industries.

"I've always endeavored through our music and through our videos, to say, 'Hey, look, what we do here is fun and fantastical. But at the end of the day, these are real people making real music.' And if you can connect with that, there's an even richer experience there."

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• September 4, 2024 Setlist

Habanero Silver Setlist at Private Venue, Phoenixville, PA, USA

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• Song played from tape Funkytown ( Lipps, Inc.  song) Play Video
• I Walked To The Store And I Bought A Giant Bottle Of Cool Blue Gatorade And Then I Walked Back Home Play Video
• Blackbird Town Play Video
• Silver Lining Play Video
• I've Just Seen A Face ( The Beatles  cover) Play Video
• Her and I (Slow Jam 2) ( King Gizzard & the Lizard Wizard  cover) Play Video
• Blowin' in the Wind ( Bob Dylan  cover) Play Video
• The Horseshoe Crab ( Live debut ) Play Video
• The Sound of Machines ( Live debut ) Play Video
• Follow Your Lead ( Live debut ) Play Video
• Drive-In Saturday ( David Bowie  cover) Play Video
• Big Jacket ( Car Seat Headrest  cover) Play Video
• Bodys ( Car Seat Headrest  cover) Play Video
• Be My Baby ( The Ronettes  cover) Play Video
• Green Roses ( Live debut ) Play Video
• You Could Be Anywhere ( New song, live debut ) Play Video
• Let Rabid Dogs Lie Play Video
• Telephone Call From Istanbul ( Tom Waits  cover) Play Video
• Coffee ( Chappell Roan  cover) Play Video
• Easy to Explain ( with elements of 'Lithonia' by Childish Gambino ) Play Video
• Snail Song ( Live debut ) Play Video
• Something New ( Live debut ) Play Video
• Mauled By A Bear Play Video
• Pablo Picasso ( Live debut ) Play Video
• Garden of Love ( New song, live debut ) Play Video
• Lampshades on Fire ( Modest Mouse  cover) Play Video
• Famous Blue Raincoat ( Leonard Cohen  cover) Play Video
• Is This What You Wanted ( Live debut ) Play Video
• Lighter Than Air ( Live debut ) Play Video
• Careless Whisper ( Wham!  cover) Play Video

Edits and Comments

9 activities (last edit by habanerosilver , 4 Sep 2024, 15:28 Etc/UTC )

Songs on Albums

• Be My Baby by The Ronettes
• Big Jacket by Car Seat Headrest
• Blowin' in the Wind by Bob Dylan
• Bodys by Car Seat Headrest
• Careless Whisper by Wham!
• Coffee by Chappell Roan
• Drive-In Saturday by David Bowie
• Famous Blue Raincoat by Leonard Cohen
• Her and I (Slow Jam 2) by King Gizzard & the Lizard Wizard
• I've Just Seen A Face by The Beatles
• Lampshades on Fire by Modest Mouse
• Telephone Call From Istanbul by Tom Waits
• Follow Your Lead
• Green Roses
• I Walked To The Store And I Bought A Giant Bottle Of Cool Blue Gatorade And Then I Walked Back Home
• Is This What You Wanted
• Let Rabid Dogs Lie
• Pablo Picasso
• Silver Lining
• The Horseshoe Crab
• The Sound of Machines
• Blackbird Town
• Easy to Explain
• Lighter Than Air
• Mauled By A Bear
• Something New
• Garden of Love
• You Could Be Anywhere

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Habanero Silver

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Habanero Silver Gig Timeline

• Jul 25 2024 Rock & Roll Hall of Fame Cleveland, OH, USA Add time Add time
• Aug 31 2024 Burke Park Malvern, PA, USA Add time Add time
• Sep 04 2024 Private Venue This Setlist Phoenixville, PA, USA Add time Add time

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