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SUGA Agust D TOUR ‘D-DAY’ THE MOVIE | Home

Suga Wants You to Relive His Shows With ‘D-Day’ Concert Film

• By Tomás Mier

Suga wants his fans to experience last year’s D-Day shows on the big screen.

On Tuesday, the BTS rapper — who also goes by Agust D — released the trailer for his upcoming concert film Agust D Tour ‘D-Day’ The Movie , set to hit theaters (and IMAX) on April 10 and 13.

“My concert is not kind. When I go on stage, I think to myself that I have to kill it,” Suga says in the trailer before concert footage flashes on screen, highlighting Suga as he interacts with his audience and performs during his 2023 solo tour.

“Concerts and singers are inseparable,” he adds. “I’m someone who thinks this is what completes your career as a singer… I’m someone who loves performing.”

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Suga started fulfilling  his mandatory service requirements  in South Korea last September, about a month after the end of his tour. Instead of enlisting in a branch of the country’s military, Suga will instead spend the next 21 months working as a social service agent . (His service time is set to end in June 2025.)

In a message shared with fans on Weverse, Suga said at the time, “I was able to come this far thanks to you. And the time has come. I will faithfully complete my duty and come back. Be careful of the chilly autumn weather. Stay healthy and see you all in 2025!”

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Here’s how you can watch Suga: Agust D Tour D-Day The Movie in theatres near you

Min Yoon-gi, known professionally by his stage names Suga and Agust D, debuted as a  member of the South Korean boy band BTS in 2013. Since then, he has produced and written lyrics for many tracks for all of  the band’s albums. While working with BTS, Suga also focused on his solo career simultaneously.  After the hiatus, Suga worked on many new songs and albums   and  also  went on a world tour in 2023.  Sharing a glimpse of what  went into making  the concerts a success, the BTS member is now arriving in theatres with a concert movie titled Suga: Agust D Tour D-Day The Movie. 

Suga:  Agust D Tour D-Day The Movie is yet another addition to the list of BTS documentaries that have made it to the theatres and OTT. Burn the Stage: The Movie (2018), Love Yourself in Seoul (2019), Bring the Soul: The Movie (2019), Break the Silence: The Movie (2020), BTS: Permission to Dance on Stage – LA (2022), and BTS: Yet to Come are some of the collective concert films that the ARMY has had a chance to see on the screen. The announcement of the new documentary has  surely  elated the BTS fans  as well .  If you are one of them, here are all the details you need to know about the film’s release in India. 

Everything you need to know about Suga: Agust D Tour D-Day The Movie

Earlier, a Disney+ documentary titled Suga: Road to  D-Day, was released in April 2023. The concert film talked about the creation of his debut solo album, D-Day.   where  the camera followed the rapper on a music road trip across different countries. Later last year, the singer embarked on the Suga Agust D Tour. Marking his first solo world tour, Suga played at various shows in the US, Indonesia, Thailand, Singapore, South Korea, and Japan. 

When is Suga: Agust D Tour D-Day The Movie releasing in India?

While the film has already hit the theatres worldwide, the release date for Suga: Agust D Tour D-Day The Movie is set for 25 April in India. The film will be available in IMAX format in all theatres across the country. 

  View this post on Instagram   A post shared by BTS official (@bts.bighitofficial)

What is the concert film about?

The film takes the audience through Suga’s transformation from the 21st Century Pop Icon BTS member, Suga to the solo artist, Agust D. The film will follow him as he performs at the grand finale of the world tour, SUGA|Agust D TOUR ‘D-DAY’ THE FINAL. The concert film also shares a glimpse of the 25 concerts held in 10 cities, which captivated a total audience of 290,000 throughout its run. Electrifying performance, explosive energy, special duet stages — the movie has it all.

Are the other BTS members in the movie?

The good news is that you would be able to spot other BTS members in the movie as well. RM, Jimin , and Jung Kook are a part of some of the performances done by Suga. The film has been directed by Jun-Soo Park.

Is there a trailer for the movie?

Catch the exhilarating trailer of the upcoming movie below and book your tickets for the film right away. 

All Images: Courtesy IMDb

Frequently Asked Questions (FAQs)

– What songs did Suga perform during the tour? He performed songs including Haegeum, Daechwita, Agust D, Give It to Me, Trivia: Seesaw (acoustic) and SDL to name a few. 

– What genre are Agust D’s songs? He sings across genres like K-pop, Folk, Hip-Hop and Rap. 

– Why did Suga change his name? He adopted the alias Agust D in 2016 for his mixtape. The name is derived from the initials DT for his birthplace, Daegu Town.

Ananya Swaroop

Cinema has always fascinated Ananya, so much that she got a degree in media to know more about it. She has worked for magazines like Man's World India and CineBlitz as an entertainment writer. When not writing about films and celebrities, she likes to travel to new places or try new cuisines. Travel and Food are her latest interests and she is looking forward to explore these further.

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Detour (1945) [HD]

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SUGA│Agust D TOUR ‘D-DAY’ Movie Is the Best-Selling Concert Film of 2024 Thus Far

Suga’s Agust D TOUR ‘D-DAY’ THE MOVIE stands as a testament to his unparalleled artistry and the impact of his sound on a global scale.

SUGA │ Agust D TOUR ‘D-DAY’ THE MOVIE. Photo: Courtesy of HYBE; Trafalgar Releasing

BTS Suga’s alternately Agust D ‘s SUGA│Agust D TOUR ‘D-DAY’ THE MOVIE set new milestones and cemented its spot as the highest-grossing concert film of the year including April 10-14 screenings, according to a recent statement from Trafalgar Releasing, the world leader in event cinema distribution, and HYBE.

The movie has not only enthralled viewers domestically but also achieved massive success internationally, becoming the most lucrative K-pop concert film in the United States and beyond in 2024. The staggering success is credited to the film’s enormous appeal, Suga’s extraordinary talent, and the unwavering support of the audience. It’s Trafalgar Releasing and HYBE’s latest partnership; their previous initiatives for BTS featured record-breaking event cinema releases.

With 25 shows spread over 10 cities and millions of fans during its run, the world tour SUGA | Agust D TOUR ‘D-DAY’ THE FINAL finds its impressive theatrical edit in the film. Featuring the throbbing momentum and vibe of ‘D-DAY’ THE FINAL , Suga’s gorgeous music and dynamic performance, along with special duet stages with RM, Jimin, and Jung Kook included, the stage comes to life.

Suga’s Agust D TOUR ‘D-DAY’ THE MOVIE stands as a testament to his unparalleled artistry and the impact of his sound on a global scale. From the electrifying performances to the stunning visuals, the film encapsulates Suga’s unique artistic vision and is a powerful representation of his creative genius. With the overwhelming popularity of the concert film, Suga has not only broken records but has also redefined the concert film experience, leaving an indelible mark on the entertainment industry.

The event was heavily screened on April 10 and 13, with extra showings added based on demand, in more than 3,500 theaters across more than 100 territories, according to the news release from Trafalgar Releasing. The film debuted at number two at the North American box office on April 10 and took the eighth spot on April 13, with North America making $2.3 million in total revenue thus far. The event also entered the weekend’s North American and global top-ten rankings.

The leading market globally with a $2.58 million gross and the number two spot on the weekend chart was Mexico; other significant regional earnings were from Brazil, and Germany. In addition to standard movie formats, SUGA│Agust D TOUR ‘D-DAY’ THE MOVIE was on the largest screens internationally in IMAX, the film’s exclusive premium partner, making $2.04 million. The global gross of $10 million+ is given as of the press release’s publication date (April 16). Subsequent releases are scheduled for a few more countries, particularly Japan and India.

The film is another potent illustration of Suga’s ability to convey deep emotions through his music, and his captivating stage presence has again solidified his renown as a true artist. His innovative approach to blending his music and addressing pertinent themes in his songwriting and rap lines has thus invariably and rightfully been loved and praised.

“It’s a true testament to Suga’s artistry and not only speaks volumes about his power to motivate fans but also signifies the strong appetite for event cinema experiences worldwide,” said Marc Allenby, CEO of Trafalgar Releasing, about how thrilled they are over the phenomenal response to SUGA│Agust D TOUR ‘D-DAY’ THE MOVIE .

• SUGA│Agust D TOUR 'D-DAY' THE MOVIE

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43 facts about the movie detour.

Written by Carmine Volpe

Published: 04 Oct 2023

Reviewed by Jessica Corbett

Detour is a classic film noir that has captivated audiences since its release in 1945. Directed by Edgar G. Ulmer, this low-budget masterpiece tells the gripping tale of Al Roberts, a down-on-his-luck musician whose life takes a dark turn when he hitchhikes from New York to Los Angeles.

In this article, we will delve into the intriguing world of Detour and uncover 43 fascinating facts about the movie that you may not have known. From behind-the-scenes stories to trivia about the cast and crew, we will provide you with a comprehensive look at this iconic film .

So buckle up and get ready for a thrilling ride as we explore the twists and turns of Detour and discover what makes it such a timeless cinematic gem.

Key Takeaways:

• Detour, a 1945 film noir, was made on a shoestring budget, shot in just six days, and features a haunting musical score. Despite its initial lackluster reception, it has since been recognized as a timeless classic.
• The movie explores themes of fate, morality, and the consequences of desperate choices, and its twist ending leaves a lasting impact on viewers. Detour’s influence on film noir and pop culture is undeniable.

Detour was released by PRC Pictures

PRC Pictures, also known as Producers Releasing Corporation, was a low-budget film production and distribution company that released Detour. Despite its limited resources, PRC managed to create a gripping and memorable film.

The movie has a runtime of just 69 minutes

Detour is a compact movie with a runtime of only 69 minutes. Its concise storytelling keeps viewers on the edge of their seats throughout the entire film.

The screenplay was written by Martin Goldsmith

Martin Goldsmith, the author of the original novel on which Detour is based, also penned the screenplay for the film. His adaptation successfully captures the suspense and tension of the story.

Detour is shot in a film noir style

The movie Detour adheres to the classic film noir style, characterized by dark visuals, morally ambiguous characters, and a gritty atmosphere. It beautifully captures the essence of the genre.

The film was made on a shoestring budget

Due to the limited budget, Detour was shot quickly and efficiently, but this constraint did not impact the quality of the film. The resourcefulness of the filmmakers is evident in every frame.

The protagonist is an out-of-work pianist

Tom Neal portrays Al Roberts, a talented pianist struggling to find work. His character undergoes a series of unfortunate events that lead him down a dark and treacherous path.

Ann Savage plays the femme fatale character

Ann Savage delivers a memorable performance as Vera, the femme fatale who tempts and manipulates the protagonist. Her portrayal adds an extra layer of complexity to the storyline.

Detour is known for its voiceover narration

The film utilizes voiceover narration to provide insights into the protagonist’s inner thoughts and emotions. This technique adds depth to the storytelling and enhances the noir atmosphere.

It features a haunting musical score

The haunting musical score in Detour perfectly complements the eerie visuals and intensifies the suspense. The music enhances the overall impact of the story and stays with the audience long after the film ends.

The movie was shot in just six days

Detour was filmed in an incredibly short timeframe of only six days. The filmmakers worked efficiently to capture the essence of the story within this tight schedule.

The movie’s narrative is nonlinear

Detour employs a nonlinear narrative structure, using flashbacks to reveal the protagonist’s backstory and motivations. This nontraditional approach adds to the intrigue and keeps the audience engaged.

Detour is known for its gritty depiction of life on the road

The film portrays the harsh realities of life on the road, highlighting the dangers and desperation faced by hitchhikers and transient individuals during this era. It offers a raw and unflinching look at the darker side of society.

The movie was not initially a commercial success

Upon its release, Detour did not achieve significant commercial success. However, over time, the film gained recognition as a cult classic and is now celebrated for its contribution to the film noir genre.

Detour has since been recognized as a film gem

Despite its initial lackluster reception, Detour has since been acknowledged as a gem of film noir and is often included in lists of the greatest movies ever made.

The film inspired other filmmakers and artists

Detour’s innovative storytelling and atmospheric visuals have inspired countless filmmakers and artists over the years. Its impact on the noir genre can still be felt today.

Detour has a strong cult following

Over time, Detour has developed a dedicated cult following of fans who appreciate its unique atmosphere and gripping narrative. The film continues to gain new admirers even after several decades.

The movie explores themes of fate and morality

Detour delves into themes of fate, morality, and the consequences of our choices. It raises thought-provoking questions about the human condition and leaves viewers contemplating long after the credits roll.

Detour is often ranked among the best film noirs

Critics and film enthusiasts frequently include Detour in their lists of the greatest film noirs ever made. Its impact and enduring popularity have solidified its place in cinema history.

The film’s dialogue is sharp and memorable

The dialogue in Detour is renowned for its sharp wit and memorable exchanges. The characters’ words have become iconic within the film noir genre.

Detour was released during World War II

The release of Detour coincided with the final years of World War II. The film provided audiences with a dark escape from the harsh realities of the time.

The movie is filled with suspenseful plot twists

Detour keeps viewers guessing with its unexpected plot twists and turns. Each twist adds another layer of suspense and keeps the audience on the edge of their seats.

Detour was featured in the Criterion Collection

The prestigious Criterion Collection recognized the significance of Detour and included it in their curated selection of influential films from around the world. This further solidified the film’s status as a cinematic masterpiece.

The movie examines the consequences of desperate choices

Detour explores the repercussions of desperate choices made by its characters. It serves as a cautionary tale, reminding us of the potential consequences of our own actions.

The film’s cinematography is striking

Detour’s cinematography is visually striking, showcasing the contrast between light and shadow. The black-and-white visuals add to the film’s noir ambiance and intensify its dramatic impact.

Detour has influenced contemporary neo-noir films

Detour’s influence extends beyond its own era and has paved the way for contemporary neo-noir films. Its unique style and narrative structure continue to inspire filmmakers today.

The movie was restored in 2015

In 2015, a restoration of Detour was undertaken to preserve and enhance the film’s visual quality. This restoration ensures that future generations can experience the film in all its glory.

Detour features memorable and complex characters

From Al Roberts to Vera, Detour is filled with memorable and complex characters that captivate the audience. Their motivations and interactions serve as the driving force behind the film’s intense storyline.

The film explores a morally ambiguous world

Detour presents a morally ambiguous world where right and wrong are not always clear-cut. It challenges traditional notions of morality and offers a gritty portrayal of human nature.

Detour is known for its dark and pessimistic tone

The movie’s dark and pessimistic tone is a hallmark of film noir. It immerses viewers in a gloomy and morally uncertain world, showcasing the darker aspects of society.

Detour’s title reflects the twists and turns of the plot

The title Detour is fitting for the film, as it mirrors the unexpected detours that the protagonist’s life takes throughout the story. It symbolizes the uncertainty and unpredictability of life itself.

The movie utilizes minimal sets

Due to budget constraints, Detour relies on minimal sets to create its atmospheric world. This stripped-down approach adds to the realism and allows the audience to focus on the characters and their journey.

Detour’s iconic poster has become a collector’s item

The movie’s original poster, featuring a striking image of the characters and the tagline, has become a sought-after collector’s item for film enthusiasts and noir aficionados.

The film explores the concept of duality

Detour delves into the concept of duality, showcasing the contrasting aspects of its characters’ personalities and the choices they make. It highlights the complexities inherent in human nature.

Detour’s low budget adds to its raw and gritty charm

Despite its low budget, Detour’s raw and gritty charm has contributed to its enduring appeal. The film’s resourceful production values create a unique atmosphere that resonates with audiences.

The movie’s twist ending is unforgettable

Detour’s twist ending leaves a lasting impact on viewers. It subverts expectations and keeps audiences reflecting on the events long after the final scene fades to black.

Detour was not recognized at the Academy Awards

Despite its critical acclaim, Detour did not receive any Academy Award nominations. However, the film’s legacy has transcended awards and continues to be celebrated by film enthusiasts worldwide.

The film was shot primarily in Los Angeles

Detour’s primary filming location was Los Angeles, capturing the essence of the city’s darker side. The urban landscape serves as a backdrop for the protagonist’s treacherous journey.

Detour has inspired various homages and references

Detour’s influence can be seen in various homages and references in other films and TV shows. Its impact on pop culture is a testament to its enduring legacy.

The movie was named to the National Film Registry

In 1992, Detour was selected for preservation in the United States National Film Registry by the Library of Congress. This honor recognizes its cultural, historical, and aesthetic significance.

The film was a critical success

Though Detour had a modest commercial reception, it was well-received by critics who praised its unique storytelling and atmospheric visuals. Its critical success has cemented its reputation as a classic film noir.

Detour showcases the power of a compelling screenplay

The strength of Detour lies in its compelling screenplay, which keeps the audience engaged from start to finish. It serves as a testament to the power of strong writing in creating a captivating film.

The film explores themes of identity and self-destruction

Detour delves into themes of identity and self-destruction, as the protagonist’s choices end up spiraling him further down a path of darkness. It explores the consequences of one’s actions on their own identity.

Detour remains a timeless classic

Decades after its release, Detour continues to be regarded as a timeless classic of the film noir genre. Its gripping narrative, memorable characters, and atmospheric style ensure its place in cinematic history.

Detour is a classic film that has captivated audiences for decades with its engaging storyline, stellar performances, and unique cinematography. The movie delves into the dark and mysterious world of film noir, taking viewers on a thrilling journey filled with twists and turns.

With its brilliant direction by Edgar G. Ulmer and a standout performance by Tom Neal, Detour has earned its place as a true gem in the history of cinema. The film’s clever plot, atmospheric settings, and memorable characters make it a must-watch for any fan of the genre.

Whether you’re a devoted cinephile or just looking for an entertaining movie night, Detour is sure to leave a lasting impression. Its gripping narrative and expert craftsmanship have solidified its status as a cinematic masterpiece, deserving of its place in film history.

Q: Who directed the movie Detour?

A: Detour was directed by Edgar G. Ulmer.

Q: What genre does Detour belong to?

A: Detour falls into the category of film noir, known for its dark and mysterious atmosphere.

Q: When was Detour released?

A: Detour was released in 1945.

Q: Who are the main actors in Detour?

A: Tom Neal and Ann Savage are the main actors in Detour.

Q: Can you provide a brief summary of Detour’s storyline?

A: Detour follows the story of Al Roberts, a down-on-his-luck musician, who hitchhikes his way to Los Angeles to reunite with his girlfriend. Along the way, he encounters a mysterious femme fatale and finds himself entangled in a series of unfortunate events that push him to the edge.

Q: Is Detour a black and white film?

A: Yes, Detour is a black and white film, which adds to its film noir aesthetic.

Q: What makes Detour stand out from other film noir movies?

A: Detour stands out for its low-budget production yet manages to convey a compelling story with memorable performances. Its gritty realism and atmospheric visuals have cemented its place as a cult classic within the film noir genre.

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Our commitment to delivering trustworthy and engaging content is at the heart of what we do. Each fact on our site is contributed by real users like you, bringing a wealth of diverse insights and information. To ensure the highest standards of accuracy and reliability, our dedicated editors meticulously review each submission. This process guarantees that the facts we share are not only fascinating but also credible. Trust in our commitment to quality and authenticity as you explore and learn with us.

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Detour Reviews

The characters are never Characters, Capital C for Characters, like they need to be for something this stylized to take

Full Review | Jul 6, 2021

The film develops in a way that could have gone gimmicky but works here, something in great part due to the editing by Kristina Hetherington and cinematography by Christopher Ross.

Full Review | Original Score: 3.5/5 | Apr 18, 2020

Lives up to its title in a more literal sense... it is merely a waste of time.

Full Review | Original Score: 2/5 | Oct 4, 2019

Detour is not quite great, but it is one crazy mile along the road.

Full Review | Original Score: 3/5 | Sep 28, 2018

Two lives collide with devastating results in German filmmaker Nina Vukovic's impressive debut feature.

Full Review | Jul 13, 2017

A loving attempt to tackle a familiar genre, the film does everything it can to speed into new territory. Alas, it gets lost along the way.

Full Review | Jul 4, 2017

The satisfaction in Detour ultimately comes not from the drama drawn from these conflicting personalities, but a finale that knits together the plots. None of the twists are truly surprising, but they're engineered with solid craftsmanship.

Full Review | Original Score: 3/5 | Jul 1, 2017

Goes down like sweet syrup. There's no reason to see this one in lieu of [U-Turn, Memento, The Last Seduction etc] but if you've seen those, you'll probably get on just fine with this. Like its characters, it puts on no airs or graces: it is what it is.

Full Review | Original Score: 3/5 | Jun 29, 2017

Even with all the nods and winks, the derivations and homages, Detour is good dirty fun.

Full Review | Original Score: 3.5/5 | Jun 23, 2017

With its Sliding Doors premise, this superb little thriller is as entertaining as it is unexpected.

Full Review | Jun 12, 2017

A film that pulls us in and challenges us with ideas and emotions that are deeply resonant, even as the plot builds a gripping sense of tension. And in addition to the twisty, tricky filmmaking style, the performances carry a striking emotional kick.

Full Review | Original Score: 4/5 | Jun 9, 2017

Detour is not exactly a remake of the 1945 film noir of the same name, but ( ... ) Christopher Smith's teen neo-noir - think Brick in Vegas - is nothing if not a stylish and often gripping homage.

Full Review | Original Score: 3/5 | May 26, 2017

A watchable young cast, led by Brooklyn's Emory Cohen, and some time-shifting narrative shenanigans can't quite rescue Detour from the annals of also-ran western noir.

Full Review | Original Score: 3/5 | May 25, 2017

Sheridan, Cohen and Powley are a terrific trio in a stylish crime thriller that takes us on a trip through the seedy side of California and beyond.

In Detour, Smith gives us a sprawling, petulant road trip movie, paying homage to the genre greats that came before it.

Full Review | Original Score: 4/5 | May 23, 2017

Severance director Christopher Smith delivers fun twists in what could be a spiritual successor to Doug Liman's Go, but the result - one death-by-truck moment aside - is ultimately forgettable.

Full Review | Original Score: 3/5 | May 23, 2017

The masterstroke for Detour is in the casting. These young, incredibly talented actors are electrifying.

Full Review | May 10, 2017

If Detour's setup is over-familiar, the execution is pleasingly novel, while its central trio of archetypes prove as unpredictable as the plot.

Full Review | Original Score: 3/5 | May 9, 2017

If "Detour" appears a touch too familiar for its own good at times, director Christopher Smith puts enough of his own stamp on the material to give the story a fresh, devious urgency.

Full Review | Original Score: 2.5/4 | Apr 24, 2017

in flirting with the parallel plotting of Sliding Doors (1998), Detour not only finds graphic ways of highlighting its character's moral choices, but also exposes those choices as an illusion in a world of dumb luck.

Full Review | Feb 27, 2017

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‘detour’: film review.

Tye Sheridan, Bel Powley and Emory Cohen hit the road together in 'Detour,' a crime thriller written and directed by Christopher Smith.

By Sheri Linden

Sheri Linden

Senior Copy Editor/Film Critic

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Borrowing its name from Edgar G. Ulmer’s low-budget hard-boiled classic and a key plot device from one of Hitchcock’s finest, Detour is a movie built from unabashed nods toward a thriller lexicon. But even with three of the big screen’s most dynamic up-and-comers at its center, there’s no flesh and blood beneath all the posturing. Christopher Smith’s self-consciously stylish genre homage finally feels like a baby film noir, playacting without the requisite bone-deep dread.

British writer-director Smith ( Creep ) uses a  Strangers on a Train riff to set the dark and twisty road trip in motion. In the moody neon light of a bar, Los Angeles law student Harper ( Tye Sheridan, Mud ) meets loudmouthed criminal Johnny (Emory Cohen, Brooklyn ), and the conversation drifts to Harper’s desire to teach a lesson to his despised stepfather, Vincent (Stephen Moyer). While Harper’s mother lies in a coma in a hospital bed, Vincent is about to leave for one of his frequent flights to Las Vegas to visit a girlfriend.

Release date: Jan 20, 2017

Unlike the eager killer in the Highsmith /Hitchcock story, Johnny isn’t offering to trade murders with his new acquaintance. He’s in it for the cold hard cash, and he names his price. But while Harper believes — or professes to believe — that their talk of solutions to the stepfather problem is theoretical, Johnny shows up at his door the next morning, ready to hit Sin City. For reasons that are gradually revealed, Harper eventually agrees to the trip, insisting they take Vincent’s Mustang.

With Johnny at the wheel of the muscle car, they head into the noir terrain of the California/Nevada desert — with DP Christopher Ross subbing Cape Town, South Africa, locations to striking effect. Less successful is the indulgence in skewed angles and overuse of split screens, the visual tricks more of a distraction than an expression of theme or character.

Riding shotgun, in more ways than one, is Cherry ( Bel Powley , The Diary of a Teenage Girl ), a sullen and mostly silent strip-club dancer who’s Johnny’s reluctant companion. The question of whether she’s his girlfriend, his partner in crime, the hooker to his pimp, or all three, is left open to interpretation for much of the film, as are the details surrounding the knife slash across her cheek. But she makes it clear that she views Harper as a naïve kid who’s in over his head, and when they’re alone, she warns him to leave.

Harper’s friend back home (Jared Abrahamson ) provides a bit of comic relief as things get more complicated on the road, the chief complication being a CHP officer ( Gbenga Akinnagbe ) who threatens the Vegas-bound trio’s headway. If the movie’s title refers to anything other than Ulmer’s 1945 flick — which is glimpsed on a TV screen — it’s the requisite side trip to a criminal sociopath (John Lynch, of the BBC series The Fall ). His name is Frank, he’s a creditor and abusive mentor of sorts to Johnny, and though he’s an American psycho, he uses the British pronunciation of “cretin.”

The drama grows less stilted as it proceeds, if only because Powley gets to flex some acting muscles that lend a bit of human intrigue. There’s compelling subtlety in the way Cherry sizes up every situation. Weighing the danger, she plays soft and sweet when she has to, and she watches Harper closely after discovering the secret he’s keeping from the mercurial Johnny.

But notwithstanding the performers’ attempts to stir up some grit, the good-looking film is mostly a matter of two-dimensional gestures, like the poster for detective drama Harper in the bedroom of Sheridan’s conflicted character. The references may be clear, but a sense of why any of this matters is nowhere to be found.

Distributor: Magnolia Pictures/Magnet Releasing Production companies: Bankside Films, Head Gear Films, KREO Films, Mandalay Vision Cast: Tye Sheridan, Bel Powley , Emory Cohen, Gbenga Akinnagbe , Jared Abrahamson , John Lynch, Stephen Moyer, Deon Lotz , Reine Swart Director-screenwriter: Christopher Smith Producers: Julie Baines , Jason Newmark , Phil Hunt, Compton Ross Executive producers: Hilary Davis, Stephen Kelliher Fenella Ross, Elliot Ross, Cathy Schulman Director of photography: Christopher Ross Production designer: Sharon Lomofsky Costume designers: Tracey Berg, Ros Berkeley-Hill Editor: Kristina Hetherington Music: Toydrum Casting: Colin Jones

Rated R, 97 minutes

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A young law student blindly enters into a pact with a hoodlum who offers to kill his stepfather--a man he feels is responsible for the accident that put his mother in a coma. A young law student blindly enters into a pact with a hoodlum who offers to kill his stepfather--a man he feels is responsible for the accident that put his mother in a coma. A young law student blindly enters into a pact with a hoodlum who offers to kill his stepfather--a man he feels is responsible for the accident that put his mother in a coma.

• Christopher Smith
• Tye Sheridan
• Emory Cohen
• 42 User reviews
• 57 Critic reviews
• 46 Metascore
• 1 win & 2 nominations

• Harper James

• Vincent Reed

• Officer Mike Andrews

• Claire (waitress)

• Mr. Parfitt

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Did you know

• Trivia Early in the movie Harper James (Tye Sheridan) is watching an old black and white movie whilst laying on the couch. You see a couple driving down the highway. That scene is from the movie Detour (1945) starring Tom Neal and Ann Savage.
• Goofs The front end of Ford Mustang alternates between 1972 and 1973 model years.

Johnny Ray : Don't regret the things you do. Just the things you don't.

• Crazy credits After the first credits, the police officer can be seen dancing on the festival.
• Connections Features Detour (1945)
• Soundtracks Stranger Performed by Goldfrapp Courtesy of Mute Artists Limited Written by Will Gregory (as William Owen Gregory) / Alison Goldfrapp (as Alison Elizabeth Goldfrapp) (c) 2013 Warner/Chappell Music Publishing Ltd (PRS) All rights reserved

User reviews 42

• sherlock-holm
• Jan 21, 2017
• How long is Detour? Powered by Alexa
• January 20, 2017 (United States)
• United Kingdom
• South Africa
• United Arab Emirates
• Bankside Films (United Kingdom)
• Head Gear Films
• Bankside Films
• Kreo Films FZ
• See more company credits at IMDbPro
• Jan 22, 2017

Technical specs

• Runtime 1 hour 37 minutes

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This movie begins with a wide-angle shot of a stripper on the stage of a club, stretching out at the pole as a song by a Cowboy Junkies soundalike band plays. (Turns out the track is by Goldfrapp, whose sound is not normally as such, but for the purposes of this review that’s not a distinction worth torturing.) Openings such as these happen for two reasons: the filmmaker has either seen too few or two many movies that open in pretty much the same way. At this point in time, there’s simply no way the idea occurred to him (it’s always a him) independent of a movie. So already we’re in potentially dicey territory.

We then cut to a college campus, where Harper ( Tye Sheridan ), a seeming straight-arrow law student, is leaving a scintillating lecture relating to Criminal Behavior and Reduced Charges Because Mexico, and patiently indulging the ravings of his knucklehead motormouth druggie pal Paul (Jared Abramson). Harper cuts Paul off by complaining of both his mother’s comatose state and his hatred of his stepfather, whom he believes is going to euthanize said mother and take off with all of said mother’s money and go live with some chippie in Vegas. Paul commiserates but, being a knucklehead motormouth druggie can’t really be of service, or can he?

Soon, Harper is in a seedy bar, drowning sorrows in whiskey and overhearing the braggadocio of criminal Johnny Ray, played by Emory Cohen , here taking a step back from his excellent work in “ Brooklyn ” and landing in the swamp of damaged masculinity from which he first emerged in “ The Place Beyond the Pines ,” a terrible movie that nevertheless looks like “East of Eden” next to this one. Here we realize the movie takes place in a not too distant suburb of Tarantinoville, a magical place where a movie heavy can tell his stripper/maybe prostitute girlfriend Cherry ( Bel Powley ) to “f**k off” while taking a swipe at her, and no feminist movie critic will raise a ruckus about it, because no feminist movie critic would be stupid enough to sit through more than ten minutes of this, and the menacing happens fifteen minutes in. In addition to all this delight, Harper drunkenly solicits Johnny Ray’s assistance in getting rid of the evil stepfather.

It’s at this point that the movie, perhaps suspecting it’s worn out its welcome with anyone who’s sick of this kind of played-out contemporary genre nonsense, says “But wait! Can I interest you in a TRICKY STRUCTURAL DEVICE?” When Johnny Ray and Cherry show up at Harper and stepdad’s nifty mansion the next morning to initiate Operation Vegas Road Trip, writer/director Christopher Smith , who’s been laying it on with the wide-angle shots and split-screen stuff throughout, splinters the movie into two narratives, just like, um, “Sliding Doors?” Yeah, I guess so.  In one narrative, Harper goes with Johnny Ray and Cherry, and in the other, he stays at the mansion and confronts his stepdad (who’s named “Victor,” of all things) with less than optimum results. He also spends some time, because he’s a film buff, watching “ Detour ,” the grimy 1945 no-budget noir directed by Edgar G. Ulmer . Smith draws a direct connection between the hard-edged sexiness of that film’s star Ann Savage and the Offbeat Good Looks of Powley, whose hair here is platinumized, and who would look drawn even if the side of her face wasn’t sporting a fresh scar.

Neither narrative is particularly compelling, but the road trip one has an edge, because travel’s always fun. There’s a diner scene and a scene in which they’re pulled over by a state trooper whom they subsequently turn the tables on and stow in their trunk. (Director Smith demonstrates just how much of a you-know-what he doesn’t give about YOUR politically correct pieties by casting an African-American ( Gbenga Akinnagbe ) as the humiliated cop.) There’s also a lot of Johnny Boy demonstrating his severe ambivalence over the state of his relationship with Cherry. This dilemma grows more fraught on a visit to one Frank (played by John Lynch , who here looks so much like former Mothers of Invention sax played Bunk Gardner that I wanted to maybe crowdfund a biopic around the actor), to whom Johnny Ray is in heavy debt. Frank will accept Cherry as payment, but Johnny just Can’t Let Go.

Here I must issue a spoiler alert. The tricky structural device turns out to not be two alternate storylines. There’s just one storyline, and Smith has chopped it up and parceled it out in alternating timelines that eventually catch up with one another. After which the movie settled in for the Vegas climax, featuring, among other things, a battle of wits between men in which the ultimate prize is the prostitute. Which you may remember from “ True Romance ” or “ Killing Zoe ” or both. Since the final shots of this remarkably pointless movie (a real waste of Bel Powley, among other things) are set on a beach, I’m gonna go ahead and put my money on “True Romance” as the dominant influence. That movie was almost 25 years ago. I have a feeling that criminals, prostitutes and even resentful stepsons do things a little differently nowadays, even in their fantasy realms. It’d be nice if a filmmaker were to go out and find out how, and report back. 

Glenn Kenny

Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. He has written for a host of other publications and resides in Brooklyn. Read his answers to our Movie Love Questionnaire here .

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Detour (2017)

Rated R for some strong violence, sexual content, nudity, drug use, and language throughout.

Tye Sheridan as Harper

Bel Powley as Cherry

Emory Cohen as Johnny Ray

Stephen Moyer as Vincent

John Lynch as Frank

Gbenga Akinnagbe as Michael

• Christopher Smith

Cinematographer

• Christopher Ross
• Kristina Hetherington
• Pablo Clements
• James Griffith

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Bts singer suga’s concert film opens inside the top 10 at the u.s. box office.

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LOS ANGELES, CA - JANUARY 12: Suga, a member of the South Korean band BTS, attends the Los Angeles ... [+] Lakers and Dallas Mavericks game at Crypto.com Arena on January 12, 2023 in Los Angeles, California. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, User is consenting to the terms and conditions of the Getty Images License Agreement. (Photo by Kevork Djansezian/Getty Images)

Concert films are more popular than they have been in a long time, thanks in part to superstars like Taylor Swift and Beyoncé, who scored box office wins in 2023 with filmed performances. BTS singer Suga is the latest musical favorite who has found success in cinemas across the U.S. with his first theatrically-released film.

SUGA | Agust D TOUR 'D-DAY' THE MOVIE finished the weekend as one of the top-grossing films in America. The title lands at No. 10 on the list of the highest-grossing releases in theaters across the U.S. from April 12 through 14.

According to Box Office Mojo , Suga’s movie pulled in just under $1 million at the U.S. box office. The film racked up a total of $990,000 in ticket sales, but that’s not the full story of the title’s performance.

SUGA | Agust D TOUR 'D-DAY' THE MOVIE is one of four titles that debut inside the top 10 as this past weekend finished. Civil War opens at No. 1, with more than $25 million domestically. Just ahead of Suga come both The Long Game at No. 8 ($1.39 million) and the re-release of Shrek 2 at No. 9 ($1.35 million).

The BTS singer’s concert film actually opened on Wednesday (April 10), so it made money before this weekend. In the U.S. alone, Suga’s movie has now earned $2.2 million domestically.

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SUGA | Agust D TOUR 'D-DAY' THE MOVIE is Suga’s first theatrically released concert film. Suga claims a huge fan base in the country, and even though he’s on a career hiatus as he fulfills his military duties in his home nation of South Korea, clearly interest is still high in everything he does. He has previously found success at the box office in America with some of BTS’ projects.

Suga’s concert film—distributed by Trafalgar Releasing, which is known for its music-related movies—features footage from his recent global tour, known simply as the Suga Agust D Tour. The BTS singer and rapper traveled the world throughout several months in 2023, hitting the stage in the U.S., Japan, Singapore, Indonesia, and, of course, South Korea.

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‘transformers one’ launches trailer in space, a first for a movie studio; pic going later in september, bts on hiatus but still packs a punch as ‘suga’ concert film pushes $1m weekend – specialty box office.

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Concert film Suga – Agust D Tour ‘D-Day’ The Movie from Trafalgar Releasing took in $990k for Saturday alone, rounding out the North American box office top ten — testament to the power of concert films post-Covid and the enduring popularity of the K-Pop powerhouse. The band is currently on hiatus as members entered military service required in South Korea. But Suga, the second oldest, got in one last solo concert in Seoul last year. It was released into theaters globally for two playdates on April 10 and April 13, for a cume of $2.2 million.

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The showtimes were limited, mostly to one 7 pm screening, although some theaters had more than one. Additional screenings continue at select locations through April 21.

North America Imax grosses for Suga were $705k — a notable 32% of the cume to date.

Trafalgar said  the top three North America engagements were Regal Dole Cannery (Honolulu, HI), Regal Edwards Mira Mesa (San Diego, CA) and Regal Stonestown Galleria (San Francisco).

The Long Game from Mucho Mas Media was no. 8 in North America on 1,030 with an estimated $1.39 million. Julio Quintana’s sports drama starring  Jay Hernandez  and  Dennis Quaid , is the true story of five young Mexican American caddies in 1955 who created their own golf course in the middle of South Texas brush country. Despite outdated and inferior equipment and no professional instruction at first they would go on to compete against wealthy all-white teams and win the 1957 Texas State High School Golf Championship.

Other solid specialty openings include horror-thriller Sting , with a projected weekend gross of $860k from 975 screens. Well Go USA’s widest-ever theatrical release, directed by Kiah Roache-Turner, stars Alyla Browne as 12-year-old Charlotte, whose pet spider rapidly transforms into a giant flesh-eating monster, forcing the young girl to fight for her family’s survival.

Sasquatch Sunset is grossing $93k in its first weekend in limited release on nine screens for a weekend at $10.3k. Nathan and David Zellner’s dialogue-free quirky imagining of the daily lives of a Bigfoot tribe in northern California is getting great press ahead an expansion to 800 screens this Friday. Stars Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek and Nathan Zellner — unrecognizable as the hairy tribe of four.

Indigo Girls : It’s Only Life After All is seeing $14.2k on 14 screens. The Oscilloscope release by Alexandria Bombach’s has a cume of $147k including a one-night event showing on 98 screens last week.

Holdovers: Sony Pictures Classics’ Wicked Little Letters is at an estimated $820.4k on 1,009 screens (last week 1,002), for a cume of $2,8 million. Director Thea Sharrock’s British period comedy, R-rated for profanity, stars Olivia Colman and Jessie Buckley.

IFC’s Late Night With The Devil took in another $440k on 607 screens for a cume of $9.3 million. By Cameron and Colin Cairnes, starring David Dastmalchian.

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Four Years Ago, Multihyphenate Entertainer Teyana Taylor Retired. She’s Never Been Busier

When the musician, actor, and choreographer stepped away from the music industry, the rest of her world opened up.

• Porochista Khakpour
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• April 23, 2024
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It comes as no surprise that when I catch up with Teyana Taylor, she is multitasking. She’s in a gray T-shirt and bandana, hooked up to an IV drip (full of “all the things that are needed for me to continue to do amazing work”), and speaking to me over Zoom on a rare day off in Los Angeles, where she’s shooting an untitled Paul Thomas Anderson film. Even through a computer screen, Taylor’s star power is unmistakable—she has the glow of fame around her, and it’s not just the hydration drip.

I rattle off the top notes in her long list of accomplishments: three studio albums and collaborations with the likes of Missy Elliott, Kanye West , and Lauryn Hill; choreography for Beyoncé and appearances in Jay-Z music videos; a monumental entrée into leading dramatic roles with  A Thousand and One (2023); and a directorial debut slated to release before she turns 35. Taylor smiles patiently, unfazed. “I’m a Renaissance woman. A lot of people tell me that, and I love it,” she says. 

Like many people, my first encounter with Taylor was through her appearance on MTV’s early-aughts reality series  My Super Sweet 16 . Taylor, who describes herself early in the episode as the uncontested “Queen of New York,” pulls up to her birthday extravaganza dressed as a Barbie in a box, accepting a brand-new Range Rover and custom bike with the regal serenity befitting her station. The party was so buzzy that Pharrell , who had signed Taylor to his Star Trak label earlier that year, crashed it. The year prior, Beyoncé tapped her to choreograph the “ Ring the Alarm ” music video. Taylor, now 33, shrugs these early exploits off as no big thing: “I was already popular in the neighborhood for dancing.” 

She credits Harlem for laying the foundation for her many creative inclinations. “It’s very small and very family-oriented. A$AP Rocky, A$AP Ferg, Young B—these were the people I came up with. It’s dope to see all of us doing our thing,” she says. The city played its part, but so did life at home. “I was always a character. I dressed in my mom’s clothes, and I loved movies. When me and my friends would play in the hallway and my mom would put on her great  ’90s records , I stood ear-to-the-door singing my heart out,” she recalls with a laugh. “Like I knew what those words meant.” (Taylor still has a place in New York not far from her native Harlem, although these days she spends most of her time in  Atlanta and Miami.)

Throughout our conversation, Taylor keeps looping back to “the power of go, the power of faith, and the power of prayer.” These tenets might seem cribbed from a self-help book, but they illustrate three qualities that have helped the star prime the world for her ascendance: timing, instinct, and self-belief. Her overachieving mindset doesn’t come from a fear of not being good enough at any one thing, but rather a deep-rooted assurance that she can be great at many. 

The 21st century has witnessed the rise of Build-A-Bear-like patchworks of vocations that beg the question, “What do you really do ?” At the same time, the moment’s receptiveness to nonlinear career paths has also reminded us that few culture-shifters ever allowed themselves to be confined to a “day job.” As Taylor cements herself as a household name from Harlem to Hollywood, she’s expanding our idea of who she is—and our expectations of what an artist can be. And although she knows the cost of curtailing her own ambitions, she’s also willing to walk away when the work starts to feel uninspiring. 

In fact, in 2020, Taylor did just that. “I retired,” she says, pithily, of her decision to leave the music industry. The move didn’t go over well, but she held strong. "The day before my announcement, all my people backed me into a corner and told me what a mistake it would be. If I hadn’t followed my heart, we probably wouldn’t be here talking today."

It wasn’t long before opportunity knocked. Last year, Taylor made her feature film debut in  A Thousand and One , A.V. Rockwell’s Sundance Grand Jury Prize-winning drama. She plays Inez, a single mom struggling to raise her son while navigating everything from the New York carceral system to foster care to gentrification. Taylor had dabbled in comic roles before, but nothing as deep as this. “Inez is so many of the women in my life. She’s my mom, who was a single parent,” Taylor says, referencing her mother turned manager, Nikki. “Our stories may be different, but she’s even within me.” When the reviews praising Taylor’s performance flowed in, the budding actor took it as confirmation of what she already knew: “I am ready for the world to take me seriously.” 

More dreams are coming true each day. Earlier this year, she announced  she’d be playing the singer Dionne Warwick, a lifelong idol of hers, in a forthcoming biopic. “I am excited to spend time with her, to study her,” Taylor says. “It’s the opportunity of a lifetime.” She’s also getting to work on her directorial debut.  Get Lite —the story of a bookish New York teen who is tempted to forego his academic promise when a mesmerizing young woman offers him the chance to return to his roots as a dancer—is currently in development with Paramount Pictures.

Then there’s the role she plays daily: mother to two young daughters who are already gearing up to follow in her footsteps. “I have two mini-me’s,” she notes. “Wish me luck.” On Taylor’s last tour in 2022, Junie, her oldest, came along for the ride. “And my three-year-old recently told me, ‘Mommy, on your next tour, I need the microphone and two dancers,’” she says. 

But how does she see herself, beyond the titles bestowed upon her? “I don’t have to do anything,” she says adamantly. "I would never trap myself in a box. You just have to follow your heart."

Hair by Ray Christopher Makeup by Yeika Set Design by Daniel Horowitz Photography Assistance by Patrick Molina, Justin Brooks, and Jolson Diaz Styling Assistance by McKenna Matus, Kat Cook, and Cassidy Mamula  Set Assistance by Jordan Odom

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50 Cent Launches G-Unit Studios in Louisiana: ‘I’m Ready to Work’

The media mogul is building his television and film empire in downtown Shreveport.

50 Cent will surely make Shreveport, Louisiana a media enclave with the unveiling of G-Unit Studios.

On Wednesday, the rapper and business mogul shared the news on Instagram with a clip of a report from KSLA News 12 about the production studios' development. G-Unit Studios, which launched as a company in 2005, will be built in the city's downtown area and will house a range of projects that the Queens native will be working on. Currently, Fifty has several shows on STARZ, including the Power franchise and BMF , and he'll next be working on a docuseries project focused on Diddy .

View this photo on Instagram

“As someone who has always believed in the transformative power of music, film, and television, I’m beyond excited to introduce the expansion of my G-Unit Film & Television through the launch of G-Unit Studios right here in Shreveport," Fifty stated to Billboard . "From the gritty narratives of the streets to the compelling stories that define our era, G-Unit has always been more than just entertainment; it’s a platform for voices that need to be heard, stories that need to be told. Bringing G-Unit Studios to Shreveport is not just a business decision; it’s a commitment to fostering talent, creating opportunities, and building a community that thrives through creativity and innovation. We see Shreveport as a beacon of inspiration and creativity."

The Grammy Award winner could have some competition with media entrepreneur Tyler Perry , whose 330-acre studios are in Atlanta, but Fifty's talents in entertainment are singular, and the Bayou State seems ready to welcome him with open arms.

"We are thrilled that G-Unit Studios will plant its roots in Shreveport,” Mayor Arceneaux said in a statement, per KSLA News 12 . “This city’s rich culture and talent provides the perfect backdrop for this endeavor. We are eager to collaborate with Mr. Jackson and G-Unit Film & Television to bring captivating movies and entertainment to Shreveport and Caddo Parish."

A press conference for the formal launch of G-Unit Studios will be held on Thursday April 18 at 4 p.m. CT at Government Plaza in Shreveport.

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