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Sublime With Rome Announces Farewell Tour — With None of the Original Members of Sublime

By Ethan Shanfeld

Ethan Shanfeld

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Sublime With Rome — which currently has no members of the original ska band — is embarking on a farewell tour. This comes after the founding members of Sublime announced their rebrand with singer Jakob Nowell, the son of original Sublime singer Bradley Nowell.

The tour kicks off April 11 in Catoosa, Okla., and runs until Sept. 14 in Kansas City, Mo. Sublime With Rome, which formed in 2010 to carry on Sublime’s legacy after Bradley Nowell’s death in 1996, will also release a final single titled “Love Is Dangerous.”

The dates for Sublime With Rome’s farewell tour overlap with Sublime’s dates with Nowell. Sublime — that is Nowell, Gaugh and Wilson — will perform at Coachella on April 13 and 20. Sublime With Rome will be in Texas, Connecticut and New Jersey during those dates.

Ramirez said in a statement, “I’m beyond excited to announce our upcoming farewell tour! As we gear up to hit your city, the excitement is brewing. Get ready for an epic night filled with not only the Sublime hits but a special focus on never-before-heard SWR originals. This tour is a unique opportunity to celebrate the incredible journey we’ve had together with our fans. Join us for an unforgettable evening as we reminisce and create lifelong memories. Let’s make this farewell tour one for the books!”

View the Sublime With Rome tour dates below:

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• Sublime With Rome

Sublime with Rome Announce Farewell American Tour in 2024

by Em Casalena March 4, 2024, 1:17 pm

It’s a sad day for potheads and ska-punk fans around the globe. Sublime With Rome just announced their final farewell tour in 2024. The band will be touring across the US and Canada from April to September this year before disbanding after over a decade together. The band has not announced any supporting acts.

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The final Sublime With Rome 2024 Tour will kick off on April 11 in Catoosa, Oklahoma at Hard Rock Live Tulsa. The tour will come to a very final end on September 14 in Kansas City, Missouri at Power & Light.

View this post on Instagram A post shared by Sublime w/ Rome (@sublimewithrome)

Tickets will be available for presale on March 6 at 10:00 am EST via Ticketmaster . There will be both an artist presale and a Ticketmaster/Live Nation presale event. General on-sale starts on March 8 at 10:00 am EST.

If you miss out on the presale, you can always pop over to Stubhub to see what’s available. Stubhub is a great resource for finding tickets, especially after presales have ended or tour dates have sold out.

Sublime With Rome started as a collaboration between Sublime’s Eric Wilson and Bud Gaugh and guitarist Rome Ramirez. While Sublime With Rome may be ending, Sublime will still perform at music festivals throughout 2024.

This is the last time you’ll be able to see Sublime With Rome again, so get your tickets squared away before it’s too late!

Sublime With Rome 2024 Tour Dates

April 11 – Catoosa, OK – Hard Rock Live Tulsa

April 12 – Gonzales, TX – Cattle Country Music Fest

April 19 – Ledyard, CT – Grand Theater at Foxwoods Casino

April 20 – Atlantic City, NJ – Hard Rock Live

April 26 – Tucson, AZ – Pima County Fair

April 27 – Morrison, CO – Red Rocks

April 28 – Aspen, CO – Belly Up

May 10 – Maui, HI – The MayJah RayJah 2024

May 11 – Honolulu, HI – Aloha Stadium MayJah RayJah 2024

May 31 – Lincoln, CA – Thunder Valley

June 15 – Valdosta, GA – Wild Adventures Theme Park

August 10 – Victoriaville, QC – Rock La Cauze

August 14 – Pittsburgh, PA – Stage AE Outdoor

August 15 – Indianapolis, IN – Indiana State Fair

August 16 – Columbus, OH – KEMBA Live! Outdoor

August 17 – Gary, IN – Hard Rock Indiana

August 22 – Bethlehem, PA – Wind Creek Event Center

August 23 – Toronto, ON – Venue TBA

August 24 – New York, NY – Pier 17

August 25 – Asbury Park, NJ – Stone Pony

August 28 – Hanover, MD – The HALL – Live!

August 29 – Manteo, NC – Venue TBA

August 30 – Asheville, NC – Rabbit Rabbit

August 31 – Charleston, SC – Firefly Distillery

September 01 – Atlanta, GA – Coca-Cola Roxy

September 05 – Fort Worth, TX – Billy Bob’s

September 12 – McHenry, IL – Rise Up McHenry

September 14 – Kansas City, MO – Power & Light

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Joss Stone Announces Ellipsis Tour 2024: Tickets, Dates, & More

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Sublime with Rome Announce The Farewell Tour

Sublime with Rome have announced The Farewell Tour, marking the group’s final performances before disbanding. Fronted by vocalist, guitarist and ska-punk firebrand Rome Ramirez, the torch-bearing reggae-rock outfit will grace 28 stages across North America this spring and summer, with further dates still to be revealed.

“I’m beyond excited to announce our upcoming farewell tour! As we gear up to hit your city, the excitement is brewing. Get ready for an epic night filled with not only the Sublime hits but a special focus on never-before-heard SWR originals,” Ramirez shares in this latest dispatch. “This tour is a unique opportunity to celebrate the incredible journey we’ve had together with our fans. Join us for an unforgettable evening as we reminisce and create lifelong memories. Let’s make this farewell tour one for the books!”

Sublime with Rome will kick off its final run on April 11 with a show at Hard Rock Live Tulsa in Tulsa, Okla., launching into a scattershot series that will have the band hopping from coast to coast for five months. Following an April 12 performance at Cattle Country Music Fest in Gonzales, Texas, the band will find its way up to the northeast for two nights in the Northeast on April 19 and 20, before an April 26 set at Tucson, Ariz.’s Pima County Fair primes the group to play Morrison, Colo’s storied Red Rocks Amphitheatre on April 27.

After a brief intermission, the group will jet-set to Hawaii to lead The Mayjah Rayjah 2024 on May 10 and 11, then return to the mainland for its only home-state booking at Lincoln, CA’s Thunder Valley on May 31. The final leg of the tour will pick up in August, when the band will travel to the Midwest and Mid-Atlantic for a ten-show string, highlighted by engagements at the Indiana State Fair on Aug. 15, New York’s Pier 17 on August 24 and two Canadian sets in Victoriaville, Quebec and Toronto, Ontario on Aug. 10 and 23. Finally, four more shows in the Southeast–including a Sept. 1 appearance at Atlanta’s Coca-Cola Roxy–and one closing pair in the Midwest will bring the tour to a close, bidding a fond farewell to the 15-year project.

This tour will follow the release of Sublime with Rome’s final single, “Love is Dangerous,” on April 5, and support the release of the band’s final album, a self-titled offering set to arrive at some point later this year. The group’s disbanding follows the departure of founding bassist and sole remaining original Sublime member Eric Wilson, who announced in December that he would continue performing only with Sublime, alongside Jakob Nowell and Bud Gaugh, who departed from SWR in 2011. The reformed Sublime will make its official debut at Coachella Valley Music and Arts Festival on April 13.

Tickets for Sublime with Rome’s Farewell Tour will go on sale this Friday, May 8, at 10 a.m. local time. Visit sublimewithrome.com/tour for more information. Read on for the complete list of tour dates.

Sublime with Rome The Farewell Tour Dates: April 11 – Hard Rock Live Tulsa – Catoosa, Okla. April 12 – Cattle Country Music Fest – Gonzales, Texas April 19 – Grand Theater at Foxwoods Casino – Ledyard, Conn. April 20 – Hard Rock Live – Atlantic City, N.J. April 26 – Pima County Fair – Tucson, Ariz. April 27 – Red Rocks – Morrison, Colo. April 28 – Aspen, CO – Belly Up – Aspen, Colo. May 10 – Maui, HI – The MayJah RayJah 2024 – Maui, Hawaii May 11 – Aloha Stadium MayJah RayJah 2024 – Honolulu, Hawaii May 31 – Thunder Valley – Lincoln, Calif. June 15 – Wild Adventures Theme Park – Valdosta, Ga. Aug. 10 – Rock La Cauze – Victoriaville, Quebec Aug. 14 – Stage AE Outdoor – Pittsburgh Aug. 15 – Indiana State Fair – Indianapolis Aug. 16 – KEMBA Live! Outdoor – Columbus, Ohio Aug. 17– Hard Rock Indiana7 – Gary, Indiana Aug. 22 – Wind Creek Event Center – Bethlehem, Pa. Aug. 23 – Venue TBA – Toronto, Ontario Aug. 24 – Pier 17 – New York Aug. 25 – Stone Pony – Asbury Park, NJ Aug. 28 – The HALL @ Live! – Hanover, Md. Aug. 29 – Venue TBA – Manteo, N.C. Aug. 30 – Rabbit Rabbit – Asheville, N.C. Aug. 31 – Firefly Distillery – Charleston, S.C. Sept. 1 – Coca-Cola Roxy – Atlanta Sept. 5 – Billy Bob’s – Fort Worth, Texas Sept. 12 – Rise Up McHenry – McHenry, Ill. Sept. 14 – Power & Light – Kansas City, Mo.

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Sublime With Rome announce farewell tour (US and Canada)

Sublime with Rome have announced dates for their farewell tour. They will be touring around the US and Canada starting in April and running through September. The lineup for this tour is Rome Ramirez, Joe Tomino, Brian Allen, and Gabrial McNair. Tickets go on sale on March 8. The band will also be releasing their final single called “Love Is Dangerous” on April 5. Sublime With Rome announced that 2024 would be their final year as a band in December and released their EP Tangerine Skies in 2023. Check out the dates below.

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Sublime with Rome Announce 2024 Farewell Tour

Rome Ramirez and company will be playing their final shows throughout 2024

Sublime with Rome have announced a farewell tour of North America, including Spring and Summer 2024 legs.

The spring dates kick off April 11th in Catoosa, Oklahoma, and run through May, with select one-off headlining dates including a stop at Red Rocks on April 27th in Morrison, Colorado. The summer leg then kicks off August 10th in Victoriaville, Quebec, and runs through September 14th in Kansas City, Missouri. The tour poster also promises “more dates to come.”

Get Sublime with Rome Tickets Here

Fans can look for deals or get tickets to sold-out dates via StubHub , where your purchase is 100% guaranteed through StubHub’s Fan Protect program.

Sublime with Rome saw original Sublime bassist Eric Wilson alongside singer-guitarist Rome Ramirez for much of its run in the 2010s. For the farewell tour, the group’s lineup will not feature Wilson, consisting of Rome plus Joe Tomino on drums, Brian Allen (Miranda Lambert, Zac Brown) on the bass, and Gabrial McNair (No Doubt, Green Day) on the trombone/keys.

The farewell tour announcement does not come as a surprise, as Sublime with Rome had previously revealed news of their impending breakup late last year. The timing lines up with the return of Sublime, featuring original members Wilson and Bud Gaugh reuniting with late singer Bradley Nowell’s son Jakob on vocals. So, far Sublime have announced a handful of festival dates, including Coachella , Brightside , and No Values .

Below you can see the current list of Sublime with Rome’s farewell tour dates. Get tickets here .

Sublime with Rome’s 2024 Tour Dates: 04/11 – Catoosa, OK @ Hard Rock Live Tulsa 04/12 – Gonzales, TX @ Cattle Country Music Fest 04/19 – Ledyard, CT @ Grand Theater at Foxwoods Casino 04/20 – Atlantic City, NJ @ Hard Rock Live 04/26 – Tucson, AZ @ Pima County Fair 04/27 – Morrison, CO @ Red Rocks 04/28 – Aspen, CO @ Belly Up 05/10 – Maui, HI @ The MayJah RayJah 2024 05/11 – Honolulu, HI @ Aloha Stadium MayJah RayJah 2024 05/31 – Lincoln, CA @ Thunder Valley 06/15 – Valdosta, GA @ Wild Adventures Theme Park 08/10 – Victoriaville, QC @ Rock La Cauze 08/14 – Pittsburgh, PA @ Stage AE Outdoor 08/15 – Indianapolis, IN @ Indiana State Fair 08/16 – Columbus, OH @ KEMBA Live! Outdoor 08/17 – Gary, IN @ Hard Rock Indiana 08/22 – Bethlehem, PA @ Wind Creek Event Center 08/23 – Toronto, ON @ Venue TBA 08/24 – New York, NY @ Pier 17 08/25 – Asbury Park, NJ @ Stone Pony 08/28 – Hanover, MD @ The HALL @ Live! 08/29 – Manteo, NC @ Venue TBA 08/30 – Asheville, NC @ Rabbit Rabbit 08/31 – Charleston, SC @ Firefly Distillery 09/01 – Atlanta, GA @ Coca-Cola Roxy 09/05 – Fort Worth, TX @ Billy Bob’s 09/12 – McHenry, IL @ Rise Up McHenry 09/14 – Kansas City, MO @ Power & Light

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Sublime with Rome Announce The Farewell Tour

Sublime with Rome have announced The Farewell Tour, marking the group’s final performances before disbanding. Fronted by vocalist, guitarist and ska-punk firebrand Rome Ramirez, the torch-bearing reggae-rock outfit will grace 28 stages across North America this spring and summer, with further dates still to be revealed.

“I’m beyond excited to announce our upcoming farewell tour! As we gear up to hit your city, the excitement is brewing. Get ready for an epic night filled with not only the Sublime hits but a special focus on never-before-heard SWR originals,” Ramirez shares in this latest dispatch. “This tour is a unique opportunity to celebrate the incredible journey we’ve had together with our fans. Join us for an unforgettable evening as we reminisce and create lifelong memories. Let’s make this farewell tour one for the books!”

Sublime with Rome will kick off its final run on April 11 with a show at Hard Rock Live Tulsa in Tulsa, Okla., launching into a scattershot series that will have the band hopping from coast to coast for five months. Following an April 12 performance at Cattle Country Music Fest in Gonzales, Texas, the band will find its way up to the northeast for two nights in the Northeast on April 19 and 20, before an April 26 set at Tucson, Ariz.’s Pima County Fair primes the group to play Morrison, Colo’s storied Red Rocks Amphitheatre on April 27.

After a brief intermission, the group will jet-set to Hawaii to lead The Mayjah Rayjah 2024 on May 10 and 11, then return to the mainland for its only home-state booking at Lincoln, CA’s Thunder Valley on May 31. The final leg of the tour will pick up in August, when the band will travel to the Midwest and Mid-Atlantic for a ten-show string, highlighted by engagements at the Indiana State Fair on Aug. 15, New York’s Pier 17 on August 24 and two Canadian sets in Victoriaville, Quebec and Toronto, Ontario on Aug. 10 and 23. Finally, four more shows in the Southeast–including a Sept. 1 appearance at Atlanta’s Coca-Cola Roxy–and one closing pair in the Midwest will bring the tour to a close, bidding a fond farewell to the 15-year project.

This tour will follow the release of Sublime with Rome’s final single, “Love is Dangerous,” on April 5, and support the release of the band’s final album, a self-titled offering set to arrive at some point later this year. The group’s disbanding follows the departure of founding bassist and sole remaining original Sublime member Eric Wilson, who announced in December that he would continue performing only with Sublime, alongside Jakob Nowell and Bud Gaugh, who departed from SWR in 2011. The reformed Sublime will make its official debut at Coachella Valley Music and Arts Festival on April 13.

Tickets for Sublime with Rome’s Farewell Tour will go on sale this Friday, May 8, at 10 a.m. local time. Visit sublimewithrome.com/tour for more information. Read on for the complete list of tour dates.

Sublime with Rome The Farewell Tour Dates: April 11 – Hard Rock Live Tulsa – Catoosa, Okla. April 12 – Cattle Country Music Fest – Gonzales, Texas April 19 – Grand Theater at Foxwoods Casino – Ledyard, Conn. April 20 – Hard Rock Live – Atlantic City, N.J. April 26 – Pima County Fair – Tucson, Ariz. April 27 – Red Rocks – Morrison, Colo. April 28 – Aspen, CO – Belly Up – Aspen, Colo. May 10 – Maui, HI – The MayJah RayJah 2024 – Maui, Hawaii May 11 – Aloha Stadium MayJah RayJah 2024 – Honolulu, Hawaii May 31 – Thunder Valley – Lincoln, Calif. June 15 – Wild Adventures Theme Park – Valdosta, Ga. Aug. 10 – Rock La Cauze – Victoriaville, Quebec Aug. 14 – Stage AE Outdoor – Pittsburgh Aug. 15 – Indiana State Fair – Indianapolis Aug. 16 – KEMBA Live! Outdoor – Columbus, Ohio Aug. 17– Hard Rock Indiana7 – Gary, Indiana Aug. 22 – Wind Creek Event Center – Bethlehem, Pa. Aug. 23 – Venue TBA – Toronto, Ontario Aug. 24 – Pier 17 – New York Aug. 25 – Stone Pony – Asbury Park, NJ Aug. 28 – The HALL @ Live! – Hanover, Md. Aug. 29 – Venue TBA – Manteo, N.C. Aug. 30 – Rabbit Rabbit – Asheville, N.C. Aug. 31 – Firefly Distillery – Charleston, S.C. Sept. 1 – Coca-Cola Roxy – Atlanta Sept. 5 – Billy Bob’s – Fort Worth, Texas Sept. 12 – Rise Up McHenry – McHenry, Ill. Sept. 14 – Power & Light – Kansas City, Mo.

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Sublime With Rome Announces 2024 Farewell Tour Ahead Of Disbandment

Sublime with Rome will take its final bows this spring and summer on a lengthy 2024 farewell tour. This news comes as original Sublime members  Eric Wilson and  Bud Gaugh —who formed Sublime with Rome alongside frontman  Rome Ramirez in 2009 but are both no longer in the band—have reunited as simply Sublime with founding frontman Bradley Nowell ‘s son  Jakob .

The 2024 Sublime with Rome farewell tour will kick off on April 11th in Catoosa, OK. The group that also features Joe Tomino on drums, Brian Allen (Miranda Lambert, Zac Brown) on bass, and Gabrial McNair (No Doubt, Green Day) on trombone/keys will crisscross the U.S. during April and May, playing shows from Atlantic City (4/2) to  Red Rocks Amphitheatre (4/27) to a pair of Hawaii dates to Lincoln, CA (5/31). Then in August, the band will focus on the eastern U.S. for stops in Pittsburgh (8/14), Columbus, OH (8/16), New York City (8/24), Atlanta (9/1), and more before its final show on September 14th.

Sublime with Rome will launch its farewell tour on the heels of its final single “Love is Dangerous”, out April 5th. The song will appear on Sublime with Rome’s self-titled album due out later this year.

“I’m beyond excited to announce our upcoming farewell tour!” Ramirez said in a statement. “As we gear up to hit your city, the excitement is brewing. Get ready for an epic night filled with not only the Sublime hits but a special focus on never-before-heard SWR originals. This tour is a unique opportunity to celebrate the incredible journey we’ve had together with our fans. Join us for an unforgettable evening as we reminisce and create lifelong memories. Let’s make this farewell tour one for the books!”

Tickets for the Sublime with Rome farewell tour go on sale on Friday, March 8th at 10 a.m. local time here .

The final tour revelation follows a growing list of festival announcements for Wilson, Gaugh, and Jakob Nowell. The trio made their live debut late last year at a benefit for Bad Brains frontman Paul “HR” Hudson in L.A., which was followed the next week by Sublime with Rome’s breakup announcement . Wilson, Gaugh, and Nowell will perform under the banner of Sublime this summer at festivals including Coachella , Oceans Calling , and Levitate Music & Arts Festival .

Ramirez began performing with Wilson and Gaugh in 2009 under the name “Sublime”. After Nowell’s family threatened legal action if the trio continued using the name Sublime—which Bradley Nowell trademarked under his own name before he died of a heroin overdose in 1996—the band began touring and recording as Sublime with Rome in 2010. Gaugh left the project in 2011 and was replaced for a time by Josh Freese  (Foo Fighters), with Joe Tomino joining as the new drummer last year. Then just last week, Wilson took to Instagram to announce he is no longer in Sublime with Rome and will instead play with the band known simply as Sublime.

Sublime With Rome 2024 Tour Dates 4/11/24 – Catoosa, OK – Hard Rock Live Tulsa 4/12/24 – Gonzales, TX – Cattle Country Music Fest 4/19/24 – Ledyard, CT – Grand Theater at Foxwoods Casino 4/20/24 – Atlantic City, NJ – Hard Rock Live 4/26/24 – Tucson, AZ – Pima County Fair 4/27/24 – Morrison, CO – Red Rocks 4/28/24 – Aspen, CO – Belly Up 5/10/24 – Maui, HI – The MayJah RayJah 2024 5/11/24 – Honolulu, HI – Aloha Stadium MayJah RayJah 2024 5/31/24 – Lincoln, CA – Thunder Valley 6/15/24 – Valdosta, GA – Wild Adventures Theme Park 8/10/24 – Victoriaville, QC – Rock La Cauze 8/14/24 – Pittsburgh, PA – Stage AE Outdoor 8/15/24 – Indianapolis, IN – Indiana State Fair 8/16/24 – Columbus, OH – KEMBA Live! Outdoor 8/17/24 – Gary, IN – Hard Rock Indiana 8/22/24 – Bethlehem, PA – Wind Creek Event Center 8/23/24 – Toronto, ON – Venue TBA 8/24/24 – New York, NY – Pier 17 8/25/24 – Asbury Park, NJ – Stone Pony 8/28/24 – Hanover, MD – The HALL @ Live! 8/29/24 – Manteo, NC – Venue TBA 8/30/24 – Asheville, NC – Rabbit Rabbit 8/31/24 – Charleston, SC – Firefly Distillery 9/1/24 – Atlanta, GA – Coca-Cola Roxy 9/5/24 – Fort Worth, TX – Billy Bob’s 9/12/24 – McHenry, IL – Rise Up McHenry 9/14/24 – Kansas City, MO – Power & Light

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Sublime Wars! Rome (Gently) Strikes Back as Band Moves on With Bradley Nowell’s Son

By Brian Hiatt

Brian Hiatt

Even if late Sublime frontman Bradley Nowell actually had a crystal ball, he couldn’t have possibly imagined the latest dramatic developments in the world of his band. Twenty-eight years after Nowell’s tragically early death, two entirely separate versions of Sublime will be touring in 2024. And no one’s happy about it, especially Rome Ramirez, who will be playing numerous contractually obligated shows billed as Sublime with Rome — the final concerts for that band — even as original bassist Eric Wilson and drummer Bud Gaugh reunite for Coachella and other festivals as plain old Sublime, fronted for the first time by Bradley’s 28-year-old son, Jakob Nowell. “If it were up to me,” Ramirez tells Rolling Stone , in his first interview about the drama, “this wouldn’t have been the way that it went down.”

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Ramirez says he learned about Wilson’s reunion with Gaugh, who had been out of the picture for a decade, in a Jakob-fronted version of Sublime “the same way you all did — over the internet.” But the real surprise, he maintains, was learning just last week, via a public Instagram post from Wilson, that the bassist wouldn’t be joining Ramirez on the remaining shows they have booked this year as Sublime with Rome — which means the performances will feature zero original members of Sublime. “We were under the assumption that he had been working on, you know, getting his stuff together,” Ramirez says, “and then we were going to continue out for the remainder of the year and then part ways on a very beautiful journey that we’ve embarked on for the last 15 years.” 

Again, Ramirez wishes it wasn’t going down this way. “If I could wave a magic wand and just turn those into Rome shows, I would,” the singer says. “But the fact of the matter is, we have commitments that we’ve made to multiple people, from our fans, to the promoters, to, heck, even the legacy. We’ve made commitments, and we have to stick by them. That’s the kind of person I am. There’s a lot of stuff right now happening behind the scenes, and a lot of stuff people would probably love for me to say, but that’s just not me.”

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In his ideal world, Ramirez’s time with Sublime would have ended far more elegantly. “I would have loved to have done something so special and pass the mic to Jakob and let Bud take the kit on the last show — just something awesome for the fans, because that’s what they deserve. Sublime doesn’t need any drama. Sublime is a beautiful thing.”

It’s clear that there are no hard feelings on his side as he adds: “But regardless,I think Jakob is the right man for the job. He’s Bradley’s son, for crying out loud! I have three beautiful children of my own. I can really relate to that sentiment. At the end of the day, I’m just a diehard Sublime fan like everyone else, and I wish nothing but success for them.”

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Sublime with Rome (formed in 2009) is the re-formed and re-named ska and alternative rock group from California in the United States, originally called Sublime.

Sublime were a well-established ska punk and alternative group from California, U.S., made up of Bradley Nowell on guitar and vocals, Eric Wilson on bass and Bud Gaugh on drums. The band released three studio albums, a live album, five compilation albums and three EPs, however did not experience significant commercial success until their third full-length self-titled album in 1996. The album peaked at No. 13 on the Billboard 200 and was released two months after lead singer Bradley Nowell’s death from heroin overdose. The band sold over 17 million albums worldwide, 10 million of which were in the U.S.

In 2009 the remaining members decided to get the band back together and enlisted the help of Sublime fan and young guitarist Rome Ramirez. Brad Nowell’s heirs refused the band to play under the moniker Sublime, so the band changed to Sublime with Rome. In 2010 the band played numerous North American dates, performed their first new song “Panic” on Jimmy Kimmel Live and announced their debut album as a group “Your Truly” to be released on the label Fueled by Ramen.

The album released on July 12, 2011 peaked at No. 9 on the Billboard 200 however bandmates expressed regret at using the Sublime name at all, in particular drummer Bud Gaugh who has since departed to spend more time with him family. In 2011 the band went on the 311 Unity Tour and a year later the Sublime with Rome/Cypress Hill/Pepper Tour and a new album is expected sometime in the future.

Live reviews

I have to say that when I went to see the new Sublime with Rome perform, I wasn't sure at all what to expect.

Having been such a huge Sublime fan and their punk/ska sound for so long and the forever lasting impact that band had on my life, I had no idea what to expect of the new line up with Rome taking Bradley's place on vocals (Bradley passed away from a heroin overdose in 96). I arrived at the show early and hung out talking to a lot of other people, and it seemed we were all of the same opinion. Super excited to see the new version of Sublime with Rome on vocals, but also super curious and unsure if it would live up to our past experiences with Sublime with Bradley on vocals...

Well, they hit the stage and the first chord was struck and the audience literally went bat shit! I think there was so much excitement to actually be able to hear Sublime songs performed live that it took over. The Long Beach Dub Allstars was an interesting spin off from Sublime, but they still weren't Sublime, and this version with Rome, well, it just worked, the energy was huge, the band was tight and they looked to be having as much fun playing together as the crowd was having fun watching them. It still felt a bit strange to look up at the stage and see a different person on vocals, but by the end of the show, I was sold, and had accepted it for what it was, and that was Sublime living on!!!

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Californian trio Sublime With Rome are doing something pretty innovative with the classic genre of rock. They have heavy influences from both hip hop and reggae so the whole experience is one of variety and unpredictability. The fans seem to really enjoy this though as it means that a Sublime With Rome is going to be guaranteed fun.

Having had the opportunity to tour with alt-hip hop legends Cypress Hill the group has been shown a masterclass in how to hype a crowd and there is definite evidence of this teaching. For a band that has only been working the circuit for half a decade, they conduct themselves like complete professionals and can handle a 1000 strong crowd with complete ease. The cult popularity of the debut 'Yours Truly' also helps the appeal as the crowd knows the majority of the music featured tonight and are more than obliged to sing back in force. By the last beats of 'Panic' the fans are well are truly ready for the second album.

The opening act The Offspring was fantastic!

Freedom Hill Amphitheatre now called Michigan Lottery Amphitheatre was okay not the greatest venue the sound was not great so it was hard to hear Rome singing with Sublime. Even though Sublime was great it was hard to hear and it kind of sucked that the most popular songs Santeria was the very last song played I would have like to hear heard it earlier in the set.

Definitely was a fun time with friends though.

Sublime with Rome was one of my favorite concerts I've been too. The venue was nice, I liked how the seating was in front of GA. Since one pays more for an actual seat than GA.

Sublime with Rome performed so freaking good!! I want to go back to the concert and live in that moment forever. I was so happy I wanted to cry.

Thank you for coming to Vegas and giving me the opportunity to see you in person.

It flipping sucked..... they canceled. We didn’t get any notification! We were from out of town & had an Airbnb booked... so lots of wasted money!!! Sublime is one of our favorite bands. It would have been great to see them with my son as planned. Considering I named my son after Bradley Nowell... Nowel Bradley!!!! Huge disappointment .

Awful. This is the 2nd time we've seen Sublime with Rome. And both times he messed up the lyrics to their encore song, Santeria. Really disappointing when you spend money on tix,and are treated to such dis-interested performers. They honestly looked bored, and like they wanted to be anywhere other than performing onstage.

They were fantastic !!! Nice playlist .i definitely would see them again . I feel that they just weren't loud enough .was a nice venue and attendees, they interacted with the audience. Good show

It was amazing. I had alot of fun at my first concert. Blunts passed, beers chugged, and singing along with some of my all time favorite songs. I would definitely do this again.

Great show! They played all the Sublime hits and the best of their own music. Everybody sang along and it was amazing. This show had a lot of energy. Highly recommended.

I had a good time. They played all the old Sublime hits. Rome sounds almost exactly like Bradley did. I would see them again for sure. You won't be disappointed.

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Sublime With Rome tour dates and tickets 2024-2025 near you

Want to see Sublime With Rome in concert? Find information on all of Sublime With Rome’s upcoming concerts, tour dates and ticket information for 2024-2025.

Sublime With Rome is not due to play near your location currently - but they are scheduled to play 28 concerts across 2 countries in 2024-2025. View all concerts.

Next 3 concerts:

• Catoosa, OK, US
• Gonzales, TX, US
• Mashantucket, CT, US

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Sublime With Rome Announce 2024 Farewell Tour

Sublime with Rome have announced a farewell tour of North America, including Spring and Summer 2024 legs.

The dates kick off April 11th in Catoosa, Oklahoma, and conclude on September 14 Kansas City, Missouri.

"I'm beyond excited to announce our upcoming farewell tour! As we gear up to hit your city, the excitement is brewing. Get ready for an epic night filled with not only the Sublime hits but a special focus on never-before-heard SWR originals," Rome Ramirez shared.

He added, "This tour is a unique opportunity to celebrate the incredible journey we've had together with our fans. Join us for an unforgettable evening as we reminisce and create lifelong memories. Let's make this farewell tour one for the books!"

Tickets are on sale now.

Sublime With Rome 2024 Tour Dates:

April 11 - Catoosa, OK - Hard Rock Live Tulsa April 12 - Gonzales, TX - Cattle Country Music Fest April 19 - Ledyard, CT - Grand Theater at Foxwoods Casino April 20 - Atlantic City, NJ - Hard Rock Live April 26 - Tucson, AZ - Pima County Fair April 27 - Morrison, CO - Red Rocks April 28 - Aspen, CO - Belly Up May 10 - Maui, HI - The MayJah RayJah 2024 May 11 - Honolulu, HI - Aloha Stadium MayJah RayJah 2024 May 31 - Lincoln, CA - Thunder Valley June 15 - Valdosta, GA - Wild Adventures Theme Park August 10 - Victoriaville, QC - Rock La Cauze August 14 - Pittsburgh, PA - Stage AE Outdoor August 15 - Indianapolis, IN - Indiana State Fair August 16 - Columbus, OH - KEMBA Live! Outdoor August 17 - Gary, IN - Hard Rock Indiana August 22 - Bethlehem, PA - Wind Creek Event Center August 23 - Toronto, ON - Venue TBA August 24 - New York, NY - Pier 17 August 25 - Asbury Park, NJ - Stone Pony August 28 - Hanover, MD - The HALL - Live! August 29 - Manteo, NC - Venue TBA August 30 - Asheville, NC - Rabbit Rabbit August 31 - Charleston, SC - Fire?y Distillery September 01 - Atlanta, GA - Coca-Cola Roxy September 05 - Fort Worth, TX - Billy Bob's September 12 - McHenry, IL - Rise Up McHenry September 14 - Kansas City, MO - Power & Light

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Slightly Stoopid, Sublime With Rome Announce Joint Summer Tour

Sublime's original frontman Bradley Nowell discovered Slightly Stoopid in 1996 and helped launch them to stardom before his untimely death later that year.

By Dave Brooks

Dave Brooks

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Slightly Stoopid

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Nowell signed Slightly Stoopid to his indie label imprint Skunk Records while the band members were still in high school and produced and released their debut studio album Slightly $toopid in 1996. Nowell appeared on the hidden track “Prophet,” now a staple in the Slightly Stoopid live repertoire more than 25 years after it was released.

Nowell passed away later that year from a reported drug overdose, devastating his young protégés and music fans around the world, many of whom would not discover Sublime until after his passing. In 2010, Sublime with Rome was formed by Rome Ramirez and Eric Wilson in an effort to carry on the musical tradition of Nowell.

“We couldn’t be more excited for the Summertime 2023 tour,” said Doughty in a statement. “We haven’t toured with Sublime since the early years of Stoopid and we are really excited to be back with our brothers on what we like to call the ultimate summer band camp. We’re stoked to debut some new songs and play new venues and cities we haven’t hit for a while. And most importantly we can’t wait to be playing music for all of you this summer…between the on-stage collabs and the backstage hangs it’s gonna be insane! The Stoopidheads are what fuels Slightly Stoopid. Should be an epic summer of madness!!!”

The Summertime 2023 tour kicks off at the White River Amphitheatre in Auburn, Wash. on July 6, followed by stops at Shoreline Amphitheatre in Mountain View, Calif.; Germania Insurance Amphitheater in Austin; Huntington Bank Pavilion at Northerly Island in Chicago; Coastal Credit Union Music Park at Walnut Creek in Raleigh, N.C.; Merriweather Post Pavilion in Colombia, Md.; and iTHINK Financial Amphitheatre in West Palm Beach, Fla., where the tour wraps Sept. 3.

Backed by legions of supporters known as Stoopidheads, Slightly Stoopid has built a mini-empire with their Stoopid Records indie label, annual Closer to the Sun destination music festival in Mexico, Stoopid Strains cannabis line and Tangie Summer Haze lager, a new beer collaboration with Buzz Rock Breweries in Southern California.

Slightly Stoopid and Sublime with Rome Summer Traditions 2023 tour dates:

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Event starts {{ data.showing_start_time }}, sublime with rome & slightly stoopid, with special guests atmosphere and the movement.

Sublime With Rome and San Diego, CA-based  Slightly Stoopid  announced the first round of dates for their Summertime 2023 tour. Produced by Live Nation, the tour will hit outdoor amphitheaters and select festivals across the country. Joining Sublime With Rome and Slightly Stoopid are special guests Atmosphere and The Movement. The tour includes a stop at Michigan Lottery Amphitheatre on Saturday, July 29 at 5 p.m.

The historical significance of this package is extraordinary as Slightly Stoopid joins forces with Sublime With Rome on tour for the first time ever. It all traces back to legend Bradley Nowell (Sublime’s original frontman) and Sublime’s early influence on the career of Slightly Stoopid. After initially hearing Miles and Kyle practicing while they were teenagers, Nowell signed them to his indie label imprint Skunk Records while the band members were still in high school.  Nowell later produced and released their debut studio album Slightly $toopid in 1996 on Skunk, and appeared on the hidden track “Prophet,” now a staple in the Slightly Stoopid live repertoire nearly 25 years after its original recording. Together these groups became the forerunners of a genre of music and lifestyle movement that will be reflected through the deep catalogs of songs about to be performed across the country.

“We couldn’t be more excited for the Summertime 2023 tour,” says Miles Doughty. “We haven't toured with Sublime since the early years of Stoopid and we are really excited to be back with our brothers on what we like to call the ultimate summer band camp. We're stoked to debut some new songs and play new venues and cities we haven't hit for a while. And most importantly we can’t wait to be playing music for all of you this summer… between the on-stage collabs and the backstage hangs it’s gonna be insane! The Stoopidheads are what fuels Slightly Stoopid. Should be an epic summer of madness!!!”

Pioneering hip-hop duo Atmosphere joins the Summertime 2023 tour, marking this the first tour with Slightly Stoopid in 10 years. Slug of Atmosphere adds, "We are absolutely excited to have this opportunity to go on tour with Slightly Stoopid, Sublime with Rome, and The Movement. Do not miss your opportunity to come make party with us." The news comes on the heels of their new single “ Okay ,” off their forthcoming album  So Many Other Realities Exist Simultaneously  (out May 5th via Rhymesayers Entertainment).

Sublime With Rome, the ska alternative rock group from California, was formed in 2010 by Rome Ramirez and Eric Wilson. With fan-favorite hits such as “Wrong Way,” “Santeria,” “Badfish,” “What I Got,” “Caress Me Down,” “40oz to Freedom,” and many more, the band's concerts are pure sing-along enjoyment from beginning to end. The band released its debut album, Yours Truly, on July 12, 2011, and broke the top ten on the Billboard 200. The band previously toured in support of their hit 2019 album Blessings with singles “Wicked Heart” and “Light On” making a splash at alternative radio. Blessings is the band's third studio album, and it was helmed by Rob Cavallo, the producer behind Green Day, My Chemical Romance, Linkin Park, and more. Sublime with Rome’s loyal audience can anticipate a new album coming in 2023 as they will return to Sonic Ranch to record their fourth studio album.

Since 1995, Slightly Stoopid continues to be a musical brotherhood. Founded by Miles Doughty and Kyle McDonald, two musicians determined to succeed on their own terms, the pair of long-time childhood friends, has created a multi-genre fusion of rock, reggae, and blues with hip-hop, funk, American folk, metal, and punk. They remain unwavering in their principles of independence, honoring their diversity of influences and mentors, and furthering their inherited legacy of the Southern California sound. Slightly Stoopid has built a sweeping legacy for itself, continuously expanding in diversity and repertoire. Warriors of the road, their touring has grown exponentially both domestically and internationally with sold-out headlining dates across the world, and festival appearances at famed events such as Coachella, Lollapalooza, New Orleans Jazz Fest, ACL, Outside Lands, and Cali Vibes amongst countless others.

Twenty-five years into the journey, the prolific collective has much to celebrate; the band founded their own record label, Stoopid Records (over one mil catalog sales and two RIAA-certified Gold singles), created and curate their annual sold-out Closer to the Sun destination music festival in Mexico, launched a line of unique, high-quality cannabis products under the guise of ‘Stoopid Strains’, and recently launched their “Tangie Summer Haze” lager, a new beer collaboration with Buzz Rock Breweries in Southern California, while continuing to explore (and master) the art of musical collaboration with an array of artists including Bob Weir, Cypress Hill, Chali2na, Barrington Levy, Don Carlos, G. Love, Stephen Marley, Snoop Dogg, and more.

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Houston Open 2024: How to Watch and Stream All the PGA Tour Golf From Anywhere

The Tour moves to the Memorial Park Golf Course in Texas, where there's a $9.1 million purse up for grabs.

After a year missing from the golfing calendar, the Houston Open returns to Memorial Park Golf Course this weekend. 

Tour scheduling kept the popular event off the roster last season, but the tournament is back with an enticing lure of 500 FedEx Cup points and a $1.638 million prize for this weekend's overall winner. 

Tony Finau returns as defending champ, a full 16 months since his triumph in the last edition of the tournament with a four-stroke lead back in November 2022.

Finau's main threat to regaining his crown looks set to come from world No. 1 Scottie Scheffler, who will be eyeing up winning his third straight PGA Tour event win after victories in the Arnold Palmer Invitational and the Players. 

Keep reading to find out the best live TV streaming services to use to watch each day of the tournament live wherever you are in the world.

Defending champ Tony Finau is currently ranked No. 30 in the world.

What is the US TV schedule for the Houston Open 2024?

Linear TV coverage of the Houston Open in the US is on Golf Channel and NBC.

That means you'll also be able to livestream both networks' feeds via NBC's online service Peacock.

For more comprehensive coverage, streaming service ESPN Plus offers extended PGA Tour Live access, offering marquee groups, featured groups, featured holes and the main action feeds.

Here's the full TV schedule (all times ET):

Thursday and Friday

• Golf Channel, Peacock: 4 p.m. to 7 p.m.
• ESPN Plus: 8:15 a.m. to 7 p.m.

Saturday 

• Golf Channel, Peacock: 1 p.m. to 2:30 p.m.
• NBC, Peacock: 2:30 p.m. to 6 p.m.
• ESPN Plus: 11 a.m. to 6 p.m.
• Golf Channel, Peacock: 1 p.m. to 3:30 p.m.
• NBC, Peacock: 3:30 p.m. to 6 p.m.

How to watch the the Houston Open 2024 online from anywhere using a VPN

If you find yourself unable to view the tournament locally, you may need a different way to watch -- that's where using a VPN can come in handy. A VPN is also the best way to stop your ISP from throttling your speeds by encrypting your traffic, and it's also a great idea if you're traveling and find yourself connected to a Wi-Fi network, and you want to add an extra layer of privacy for your devices and logins.

With a VPN, you're able to virtually change your location on your phone, tablet or laptop to get access to the tournament. So if your internet provider or mobile carrier has stuck you with an IP address that incorrectly shows your location in a blackout zone, a VPN can correct that problem by giving you an IP address in your correct, nonblackout area. Most VPNs, like our Editors' Choice, ExpressVPN , make it really easy to do this.

Using a VPN to watch or stream sports is legal in any country where VPNs are legal, including the US, UK and Canada, as long as you have a legitimate subscription to the service you're streaming. You should be sure your VPN is set up correctly to prevent leaks: Even where VPNs are legal, the streaming service may terminate the account of anyone it deems to be circumventing correctly applied blackout restrictions.

Looking for other options? Be sure to check out some of the other great VPN deals taking place right now.

Best VPN for streaming

ExpressVPN is our current best VPN pick for people who want a reliable and safe VPN, and it works on a variety of devices. It's normally $13 a month, and you can sign up for ExpressVPN and save 35% -- the equivalent of $8.32 a month -- if you get an annual subscription. 

Note that ExpressVPN offers a 30-day money-back guarantee.

Livestream the Houston Open 2024 in the US

Linear TV coverage in the US is on The Golf Channel and NBC, while streaming service Peacock also boasts the same coverage of the entire tournament. 

For more comprehensive coverage, PGA Tour Live streaming coverage takes place Thursday through to Sunday on ESPN Plus, offering main action feeds, marquee groups, featured groups and featured hole coverage.

Watch comprehensive Houston Open 2024 coverage in the US from $11 per month

ESPN's standalone streaming service costs $11 a month or $110 for an annual subscription.  Read our ESPN Plus review .

Carries coverage of all four days for $6 a month

Peacock offers two Premium plans. The ad-supported Premium plan costs $6 a month, and the ad-free Premium plan costs $12 a month. You can use either Premium plan to watch the tournament.

Read our Peacock review .

Four of the major live TV streaming services offer Golf Channel. 

Hulu with Live TV

Carries golf channel for $77 a month.

Hulu with Live TV costs $77 a month and includes Golf Channel. Click the "View channels in your area" link on its welcome page to see which local channels are offered in your ZIP code.

Read our Hulu with Live TV review .

Carries Golf Channel for $73 a month

YouTube TV costs $73 a month and includes Golf Channel. 

Read our YouTube TV review .

Carries Golf Channel for $75 a month

Fubo costs $75 a month and includes Golf Channel. Click here to see which local channels you get.

Read our Fubo review .

DirecTV Stream

Carries golf channel for $85 a month.

DirecTV Stream's basic $85-a-month package includes Golf Channel. 

Read our DirecTV Stream review .

Livestream the Houston Open 2024 in the UK

Golf fans in the UK can watch the tournament live on Sky Sports. The tournament will be broadcast across its Sky Sports Golf and Main Events channels, with further coverage on its Red Button service. 

Watch the Houston Open 2024 in the UK for £35

Viewers in the UK will be able to watch the Houston Open 2024 on Sky Sports Golf, with extensive coverage of each day's play. Subscribers can also stream the action via the Sky Go app. Sky subsidiary Now (formerly Now TV) offers streaming access to Sky Sports channels with a Now Sports membership. You can get a day of access for £12 (perhaps just for the final round), or sign up to a monthly plan from £35 a month to watch all four days of the tournament.

Livestream the Houston Open 2024 in Australia

The Houston Open 2024 can be watched Down Under on Fox Sports via Foxtel. If you're not a Fox subscriber, your best option is to sign up for the streaming service Kayo Sports. 

Kayo Sports

Watch the houston open 2024 in australia for au$25.

A Kayo Sports subscription starts at AU$25 a month and lets you stream on one screen, while its Premium tier costs AU$35 a month for simultaneous viewing on up to three devices.

The service gives you access to a wide range of sports, including F1, NRL, NFL, NHL and MLB, and there are no lock-in contracts. 

Better still, if you're a new customer, you can take advantage of a one-week Kayo Sports free trial.

Stream the Houston Open 2024 in Canada

Live coverage of the 2024 Houston Open will be available in Canada via TSN. Cord-cutters can watch via the network's streaming service TSN Plus. Coverage of the third round starts at 3:30 p.m. ET on Saturday, while Sunday final round broadcast starts at 2:30 p.m. ET.

Watch the Houston Open 2024 for CA$20 a month

TSN Plus boasts exclusive coverage of NFL games, F1, Nascar and Grand Slam tennis tournaments. Ideal for cord-cutters, the service is priced at CA$20 a month or CA$200 per year.

Quick tips for streaming the Houston Open 2024 using a VPN 

• With four variables at play -- your ISP, browser, video streaming provider and VPN -- your experience and success when streaming may vary.
• If you don't see your desired location as a default option for ExpressVPN, try using the "search for city or country" option.
• If you're having trouble getting the tournament after you've turned on your VPN and set it to the correct viewing area, there are two things you can try for a quick fix. First, log into your streaming service subscription account and make sure the address registered for the account is an address in the correct viewing area. If not, you may need to change the physical address on file with your account. Second, some smart TVs -- like Roku -- don't have VPN apps you can install directly on the device itself. Instead, you'll have to install the VPN on your router or the mobile hotspot you're using (like your phone) so that any device on its Wi-Fi network now appears in the correct viewing location.
• All of the VPN providers we recommend have helpful instructions on their main site for quickly installing the VPN on your router. In some cases with smart TV services, after you install a cable network's sports app, you'll be asked to verify a numeric code or click a link sent to your email address on file for your smart TV. This is where having a VPN on your router will also help, since both devices will appear to be in the correct location. 
• And remember, browsers can often give away a location despite using a VPN, so be sure you're using a privacy-first browser to log into your services. We normally recommend  Brave .

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2024 Houston Open one and done picks, top sleepers, rankings: PGA Tour predictions, expert golf betting advice

T he push towards the 2024 Masters is on with the PGA Tour descending upon the Lone Star State this week for the 2024 Texas Children's Houston Open at Memorial Park Golf Course in Houston. World No. 1 Scottie Scheffler headlines the 2024 Houston Open field. Scheffler, a Texas native, notched outright wins in his last two starts at the Arnold Palmer Invitational and The Players Championship, and enters this week as the heavy betting favorite at 14-5 in the latest 2024 Texas Children's Houston Open odds. He is followed by Wyndham Clark (14-1), Tony Finau (18-1), Will Zalatoris (18-1), Sahith Theegala (20-1), Jason Day (28-1), and Si Woo Kim (35-1). The total 2024 Houston Open purse is $9.1 million, with the winner's share coming in at $1.638 million. The winner of this event will also earn 500 FedEx Cup points. 

In a wide open field, would it make sense to back Scheffler this week in One and Done pools? Or would this be a good week to target a long shot like Beau Hossler, Billy Horschel, or Kurt Kitayama? Before locking in your 2024 Texas Children's Houston Open one and done picks, you need to see what SportsLine DFS pro and PGA expert Mike McClure has to say . 

The One and Done format is growing in popularity. It has several noticeable similarities to NFL Survivor pools, with the main difference being entries are not eliminated with a bad week. Players pick one golfer per week and earn points based on their selected golfer's prize money for that tournament. Golfers can only be used once per season, and the point format makes nailing majors, signature events, and big money tournaments critical.

McClure is a DFS legend with over $2 million in career winnings, and he's been red-hot on his PGA picks dating back to the PGA Tour restart in June of 2020. McClure uses his proprietary simulation model to analyze the field and crush his  golf picks .

McClure has been on fire with his One and Done picks in 2024. At The American Express he backed Justin Thomas, who finished in third place and took home $635,600. At the Genesis Invitational, McClure tabbed Patrick Cantlay, who finished in fourth place at the signature event, as his top OAD pick. At the Cognizant Classic, McClure's top one and done pick, Min Woo Lee, finished in a tie for second place. Finally, at the Arnold Palmer Invitation, another signature event, McClure recommended using Scottie Scheffler and Will Zalatoris. The Result: Scheffler won the event by five strokes, and Zalatoris finished in fourth place.

His hot steak continued at the Players Championship, where McClure again recommended using Scheffler (if was still available) and Xander Schauffele. Both players were in contention until the end, with Scheffler coming out with the win and Schauffele finishing in second place. Then, at last week's Valspar Championship, McClure recommended using Cameron Young, who finished in second place, in OAD pools.

Now, McClure has dialed in on the Texas Children's Houston Open golf tournament and just locked in his one and done picks and PGA predictions. They are a must-see for any player looking for an edge in their One and Done pool. You can only see McClure's Texas Children's Houston Open 2024 one and done picks at SportsLine .

Top 2024 Houston One and Done picks

One of McClure's top OAD picks this week at Memorial Park is 30-year-old Wyndham Clark. The reigning U.S. Open champion has three career PGA Tour victories, with one of those coming at this year's AT&T Pebble Beach Pro-Am. Clark also notched a win at this year's AT&T Pebble Beach Pro-Am and finished in second place at The Players and the Arnold Palmer Invitational. 

The Denver, Colo. native has climbed to No. 4 in the Official World Golf Ranking and has become a threat to win any tournament he enters. Clark enters this week ranked third on the PGA Tour in total strokes gained (1.869), eighth in strokes gained tee-to-green (1.214), 12th in strokes gained putting (0.656), and 17th in strokes gained on approach (0.615). With the Houston Open field being wide open, McClure expects Clark to be in contention until the end.  You can see who else to back at SportsLine .

How to make Texas Children's Houston Open 2024 One and Done picks

McClure is also targeting another golfer for his 2024 Texas Children's Houston Open one and done picks who has a long track record of success against elite competition. This former major championship winner has the ability to win any tournament he enters, and is one of the most talented golfers in this field. You can find out who it is, and check out all of McClure's Texas Children's Houston Open one and done picks at SportsLine .

Who wins the the Texas Children's Houston Open 2024, and which golfers should you target for your PGA one and done picks this week at Memorial Park Golf Course? Visit SportsLine now to get Mike McClure's Texas Children's Houston Open 2024 one and done picks, all from the DFS pro who called Nick Taylor's epic win at the RBC Canadian Open and Rickie Fowler's win at the Rocket Mortgage Classic in 2023, and Scottie Scheffler's win at the Arnold Palmer Invitational , and find out.

Slightly Stoopid And Sublime With Rome Announce The Summertime 2023 Tour

THE TOUR REPRESENTS THE CULMINATION OF A 25-YEAR BROTHERHOOD

Summertime 2023 will cross the u.s. hitting outdoor amphitheaters & select festivals along with special guests atmosphere and the movement artist presale on tuesday, march 7 at 10am local time local presale on thursday, march 9 at 10am local time public on-sale friday, march 10 at 10am local time.

San Diego, CA-based  Slightly Stoopid  and Sublime With Rome  announced today the first round of dates for their  Summertime 2023  tour. Produced by Live Nation, the tour will hit outdoor amphitheaters and select festivals across the country.  Joining Slightly Stoopid and Sublime With Rome are special guests Atmosphere and The Movement.   The historical significance of this package is extraordinary as Slightly Stoopid joins forces with Sublime With Rome on tour for the first time ever. It all traces back to legend Bradley Nowell (Sublime’s original frontman)  and Sublime’s early influence on the career of Slightly Stoopid. After initially hearing Miles and Kyle practicing while they were teenagers, Nowell signed them to his indie label imprint Skunk Records while the band members were still in high school.  Nowell later produced and released their debut studio album Slightly $toopid in 1996 on Skunk, and appeared on the hidden track “Prophet,” now a staple in the Slightly Stoopid live repertoire nearly 25 years after its original recording. Together these groups became the forerunners of a genre of music and lifestyle movement that will be reflected through the deep catalogs of songs about to be performed across the country.   “We couldn’t be more excited for the Summertime 2023 tour,” says Miles Doughty. “We haven’t toured with Sublime since the early years of Stoopid and we are really excited to be back with our brothers on what we like to call the ultimate summer band camp. We’re stoked to debut some new songs and play new venues and cities we haven’t hit for a while. And most importantly we can’t wait to be playing music for all of you this summer… between the on-stage collabs and the backstage hangs it’s gonna be insane! The Stoopidheads are what fuels Slightly Stoopid. Should be an epic summer of madness!!!”   Fans gain first access to the artist presale beginning Tuesday, March  7 at 10 AM local time, where a very limited amount of “early bird” tickets will be available in each market for $30. Tickets will be available at SlightlyStoopid.com/tour. Local presales will start on Thursday, March 9 at 10 AM local time, and the general on-sale will then take place on Friday, March 10 at 10 AM local time.   Pioneering hip-hop duo Atmosphere joins the Summertime 2023 tour, marking this the first tour with Slightly Stoopid in 10 years. Slug of Atmosphere adds, “We are absolutely excited to have this opportunity to go on tour with Slightly Stoopid, Sublime with Rome, and The Movement. Do not miss your opportunity to come make party with us.” The news comes on the heels of their new single “Okay,” off their forthcoming album So Many Other Realities Exist Simultaneously (out May 5th via Rhymesayers Entertainment).   The Summertime 2023 tour kicks off in Auburn, WA on July 6. It routes the beloved So-Cal bands throughout North America with stops at legendary venues such as Shoreline Amphitheatre, Walnut Creek, Jones Beach, and PNC Arts Center, ending in West Palm Beach, FL at iTHINK Financial Amphitheatre on September 3. All dates can be found below with more to be added.

(photo credit: Sanjay Suchak)   Since 1995, Slightly Stoopid continues to be a musical brotherhood. Founded by Miles Doughty and Kyle McDonald, two musicians determined to succeed on their own terms, the pair of long-time childhood friends, has created a multi-genre fusion of rock, reggae, and blues with hip-hop, funk, American folk, metal, and punk. They remain unwavering in their principles of independence, honoring their diversity of influences and mentors, and furthering their inherited legacy of the Southern California sound. Slightly Stoopid has built a sweeping legacy for itself, continuously expanding in diversity and repertoire. Warriors of the road, their touring has grown exponentially both domestically and internationally with sold-out headlining dates across the world, and festival appearances at famed events such as Coachella, Lollapalooza, New Orleans Jazz Fest, ACL, Outside Lands, and Cali Vibes amongst countless others.   Twenty-five years into the journey, the prolific collective has much to celebrate; the band founded their own record label, Stoopid Records (over one mil catalog sales and two RIAA-certified Gold singles), created and curate their annual sold-out Closer to the Sun destination music festival in Mexico, launched a line of unique, high-quality cannabis products under the guise of ‘Stoopid Strains’, and recently launched their “Tangie Summer Haze” lager, a new beer collaboration with Buzz Rock Breweries in Southern California, while continuing to explore (and master) the art of musical collaboration with an array of artists including Bob Weir, Cypress Hill, Chali2na, Barrington Levy, Don Carlos, G. Love, Stephen Marley, Snoop Dogg, and more.   Sublime With Rome, the ska alternative rock group from California, was formed in 2010 by Rome Ramirez and Eric Wilson. With fan-favorite hits such as “Wrong Way,” “Santeria,” “Badfish,” “What I Got,” “Caress Me Down,” “40oz to Freedom,” and many more, the band’s concerts are pure sing-along enjoyment from beginning to end. The band released its debut album, Yours Truly, on July 12, 2011, and broke the top ten on the Billboard 200. The band previously toured in support of their hit 2019 album Blessings with singles “Wicked Heart” and “Light On” making a splash at alternative radio. Blessings is the band’s third studio album, and it was helmed by Rob Cavallo, the producer behind Green Day, My Chemical Romance, Linkin Park, and more. Sublime with Rome’s loyal audience can anticipate a new album coming in 2023 as they will return to Sonic Ranch to record their fourth studio album.   Slightly Stoopid and Sublime With Rome Summer Traditions 2023 Tour Dates: Jul 06 – Auburn, WA – White River Amphitheatre  Jul 07 – Bend, OR – Hayden Homes Amphitheater Jul 08 – Nampa, ID – Ford Idaho Center Jul 09 – West Valley City, UT – USANA Amphitheatre Jul 14 – Mountain View, CA – Shoreline Amphitheatre Jul 15 – Irvine, CA – FivePoint Amphitheatre # Jul 16 – San Diego, CA – Petco Park Jul 21 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion Jul 22 – Austin, TX – Germania Insurance Amphitheater Jul 23 – Irving, TX – The Pavilion at Toyota Music Factory Jul 27 – Somerset, WI – Somerset Amphitheater Jul 28 – Chicago, IL – Huntington Bank Pavilion at Northerly Island Jul 29 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill Jul 30 – Indianapolis, IN – TCU Amphitheater at White River State Park Aug 03 – North Charleston, SC – North Charleston Coliseum Aug 04 – Virginia Beach, VA – Veterans United Home Loans Amphitheater Aug 05 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek Aug 06 – Wilmington, NC – Live Oak Bank Pavilion Aug 17 – Holmdel, NJ – PNC Bank Arts Center Aug 18 – Columbia, MD – Merriweather Post Pavilion Aug 19 – Pittsburgh, PA – Forbes Avenue * Aug 20 – Camden, NJ – Freedom Mortgage Pavilion Aug 24 – Gilford, NH – Bank of New Hampshire Pavilion Aug 25 – Mansfield, MA – Xfinity Center Aug 26 – Wantagh, NY – Northwell Health at Jones Beach Theater Sep 01 – Jacksonville, FL – Daily’s Place Sep 03 – West Palm Beach, FL – iTHINK Financial Amphitheatre   All shows with Special Guests Atmosphere and The Movement except where noted.   

w/ Slightly Stoopid, Atmosphere, Iya Terra, The Movement (No Sublime With Rome)

Festival (Slightly Stoopid and Sublime With Rome only) Non-Live Nation Date   More dates to be announced soon     About Live Nation Entertainment

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com.

Connect with Slightly Stoopid: Website Facebook Instagram Twitter Spotify YouTube

For Press Inquiries, Please Contact: Jeff Kilgour | The Syndicate |  [email protected]  | 917.678.4420 Shane Greenberg | The Syndicate |  [email protected]  | 201-864-0900 x 322   Live Nation Concerts Monique Sowinski |  [email protected] Maya Sarin |  [email protected]

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The 25 Most Defining Pieces of Furniture From the Last 100 Years

Three designers, a museum curator, an artist and a design-savvy actress convened at The New York Times to make a list of the most enduring and significant objects for living.

Credit... Clockwise, from top left: Valentin Jeck; courtesy of Bukowskis; courtesy of Zanotta SpA - Italy; Carnegie Museum of Art, Pittsburgh/Art Resource, NY © ARS, NY; Ellen McDermott © Smithsonian Institution; Herman Miller Archives; Vitra

Supported by

By Nick Haramis ,  Max Berlinger ,  Rose Courteau ,  Kate Guadagnino ,  Max Lakin and Evan Moffitt

• March 28, 2024 Updated 10:38 a.m. ET

How do we define furniture? It might seem like a silly question, but it’s one that kept coming up in October of last year, when, in a conference room on the 15th floor of The New York Times building, six experts — the architects and interior designers Rafael de Cárdenas and Daniel Romualdez ; the Museum of Modern Art’s senior curator of architecture and design, Paola Antonelli ; the actress and avid furniture collector Julianne Moore ; the artist and sculptor Katie Stout ; and T’s design and interiors director, Tom Delavan — gathered for nearly three hours to make a list of the most influential chairs, sofas and tables, as well as some less obvious household objects, from the past century.

The goal was to land on a wide range of offerings, but there were parameters: To qualify, each piece was required to have been fabricated, even if just as a prototype, within the past 100 years. It also needed to be at least slightly functional. (The Japanese architect Oki Sato’s 2007 Cabbage chair , a treatise on sustainability constructed entirely from a roll of disused paper, isn’t the sturdiest place to sit; nonetheless, it was nominated.) Lighting was excluded from the debate — “which is nuts,” said de Cárdenas, a former men’s wear designer who started his firm in 2006 — unless it was attached to, say, a desk. (The Italian architect and designer Ettore Sottsass’s illuminated Ultrafragola mirror, which presaged selfie culture by decades, made the cut.) There were no limits placed on provenance, and a piece didn’t need to have been designed by a known name, or even attributable. The jurors were determined to avoid what Antonelli described as “the usual collectors’ items by white German, French and Italian males with a smattering of women, no Latin American or Black — and very little Asian — representation.” While the final list, presented below in roughly the order it was discussed, and not reflecting any kind of hierarchy, does include an icon or two (to omit Charles and Ray Eames or Le Corbusier, the group decided, would be a mistake), diversity of maker (and of materials, styles, processes and prices) was a consideration. In each case, the objects represented more than comfort or utility; every innovation is, in its own way, a historical artifact — a response to the prosperity or unrest into which it was born or a proposal for a more efficient world, maybe a better one.

The participants were asked to submit a list of 10 suggestions beforehand , revealing their own unique tastes and interests. Stout, who curated a show in 2020 with the Shaker Museum in Chatham, N.Y., argued that a bonnet is a slipcover for the head and should count as furniture. (She was voted down.) Moore, an avowed minimalist, petitioned to include austere creations in marble or wood by Poul Kjaerholm and Donald Judd. Romualdez’s more classical choices — among them a daybed by the mid-20th-century French designer Marc du Plantier and a patinated bronze table by the Swiss sculptor Diego Giacometti from the 1980s — were influenced by the luxurious interiors he saw in American magazines while growing up in Manila in the Philippines, long before he’d work for the architects Thierry Despont and Robert A.M. Stern and later open a firm of his own. As Delavan said, “Daniel’s were the chicest. Julianne’s were the purest. Katie’s were the wackiest. Rafael’s were the campiest. And mine were the dullest.” Antonelli’s were, perhaps, the most comprehensive: She created three separate lists to accommodate her top picks, runners-up and wild cards. “I just want us to express an idea of design that excites the world,” she said. As the members of the group settled into the room’s upholstered cantilever chairs — imitations of a Bauhaus style popularized in the 1920s by the Hungarian German Modernist Marcel Breuer — they nodded and offered words of encouragement. And then they got down to business. — Nick Haramis

This conversation has been edited and condensed.

1. Piero Gatti, Cesare Paolini and Franco Teodoro, Sacco Chair, 1968

Considered the original beanbag, the Sacco chair is the rare design object to become an instant classic in both rec rooms and museum collections. It was included in MoMA’s seminal 1972 show “ Italy: The New Domestic Landscape ,” which presented furnishings that looked beyond aesthetics and function and toward sociocultural shifts, including the rejection of bourgeois propriety. “Imagine trying to be stuffy while slouching in a beanbag chair,” said the show’s curator, the architect and industrial designer Emilio Ambasz. Indeed, the vaguely pear-shaped blob of stitched vinyl filled with polystyrene beads — the transparent prototype was partially inspired by piles of snow — molded to the body of the sitter and encouraged lounging of the highest order; the hard part was getting out of it. Now that we better understand the environmental impact of polystyrene, the Italian furniture company Zanotta, which has produced the piece from the start and continues to call it the “anatomical easy-chair,” has experimented with a version stuffed with bioplastic derived from sugar cane. — Kate Guadagnino

Tom Delavan: It was revolutionary in terms of material, and it really did filter down to so many imitations that are less expensive. It also addressed how people’s lives were changing: We’re slouching lower and lower as time goes by.

Paola Antonelli: I used to say it was like the Kama Sutra: It has tons of positions. And it was a symbol of an era. I remember pictures of bearded revolutionaries smoking their joints on it. It was all about huddling together and rethinking the world, and it’s still as fresh as ever. I love the fact that you can find it in different shapes. My only big concern about that chair is sustainability. But there’re so many other fillers beside polystyrene, right? I think you can use mushroom mycelium.

Katie Stout: I wish we were all lounging on beanbags right now.

2. Le Corbusier, LC14 Tabouret Cabanon, 1952

Some of the best design originates at home. A great example is the LC14 Tabouret Cabanon, which the Swiss-born French architect Charles-Édouard Jeanneret, known as Le Corbusier, built for his cabin in Roquebrune-Cap-Martin, a vacation shack that he designed (reportedly in 45 minutes) on the French Riviera. At roughly 160 square feet, the residence was almost monastic, with most of the furniture built in. An exercise in pure functionality, the boxes can be used as chairs, side tables and storage. Made of wood — the Cabanon is chestnut, though other iterations come in oak — they were inspired by a whiskey crate the architect found on the beach, with dovetail joints and oblong holes in the sides for lifting. Prefiguring both modular furniture and the nothing-to-hide sensibility of industrial décor, they serve as rustic altars to the right angle, about which Le Corbusier once wrote, “Simple and naked / yet knowable. … It is the answer and the guide.” — Rose Courteau

Julianne Moore: In my business, this is what we call an apple box. I stand on one if I’m shorter than the actor I’m working with. Le Corbusier created an object of desirability, but it’s something you could make yourself and use a million different ways. [The English furniture designer] Jasper Morrison did his own version. I have two in my house that were built by a grip to hold a certain kind of camera. A painter once said to me, “They’re sort of amazing. They look like a [Constantin] Brâncuși [sculpture].” It’s a simple object that reminds different people of different things. And while it’s sort of silly that the Corbusier version has become this untouchable museum piece, I like the fact that it’s just a box.

Delavan: I’m going to argue against it. You can’t say that Le Corbusier invented the box. My feeling is that he was basically reusing a thing that already existed.

Rafael de Cárdenas: I’m not defending it, but he did recontextualize it.

Antonelli: Even though I’ve never been a fan of this, I buy your argument. I had [the Italian architect and designer Achille] Castiglioni as a teacher. And he used to always say that redesign is a legitimate form of design — to take something that exists in the world and appropriate it and improve upon it.

3. Le Corbusier, Pierre Jeanneret and Charlotte Perriand; Chaise Longue à Réglage Continu; 1928

In 1929, Le Corbusier , along with his cousin Pierre Jeanneret and their colleague and fellow architect and designer Charlotte Perriand , created a Modernist interior for the Salon d’Automne art exhibition in Paris. In a sly rejection of the enameled embellishments of Art Deco, the prevailing style of the time, they presented concealed lights, glass-topped tables, mirrored cabinets and seating featuring tubular steel, including the lissome Chaise Longue à Réglage Continu, which they’d first produced and placed the previous year in a villa just outside of Paris. With an H-shaped, bicolor-steel base cradling chromed tubes that followed the form of a supine human body — dipping to accommodate the hips and cresting to support the knees — it was among the first ergonomically conscious pieces of furniture ever manufactured. The frame, which could be adjusted to change the angle of repose, held a slim, black fur mattress with a cylindrical headrest. Far too radical for its time and expensive to fabricate, the piece languished for decades but emerged as a coveted emblem of Modernism when Cassina started producing it in 1965. Le Corbusier, who held functionality in high esteem, is famous for saying that a house is a machine for living. It’s no surprise, then, that he considered this chaise longue a machine for resting. His biographer Charles Jencks had another take: “It is as if the body is being propped up on fingertips like a precious jewel.” — K.G.

Delavan: I love this chair because, even though it looks weird, it addresses how our bodies are meant to sit. It’s ergonomic in a way that chairs or sofas weren’t before. Every zero-gravity chair is a version of this.

Antonelli: Interestingly, for a piece of modern furniture, it’s also comfortable.

Moore: And it references what was going on in the world at the time: industrialism and metal suddenly entering our lives and our homes.

Delavan: Think of how crazy this must have seemed in 1928.

Moore: When so many people were still living with traditional furniture.

Antonelli: If we’re to include a tubular steel chair, this is the one.

4. George Nakashima, Slab I Coffee Table, Circa 1950

These days, live-edge furniture — fashioned from a slice of a log with at least one side left ruggedly intact — seems to be everywhere. Each piece owes a debt to the raw splendor of George Nakashima’s original slab coffee tables. Nakashima, who was born in Spokane, Wash., to Japanese immigrant parents, established himself as a furniture designer before being imprisoned with his family at the Minidoka internment camp in Idaho during World War II. While there, he further refined his woodworking skills under the tutelage of a fellow internee, the master carpenter Gentaro Kenneth Hikogawa. After Nakashima’s release in 1943, he settled in New Hope, Pa., where he established his own studio and made furniture for Knoll. Believing that his work gave trees a second life, he fused the austere solidity of Shaker furniture with the Japanese concepts of wabi, sabi and shibui — emphasizing age and simplicity. This bundle of ideals was best expressed in the Slab table, with a top made from a single slice of American black walnut or cherry, occasionally accented with functional elements like a stabilizing butterfly joint. Instead of excising the irregularities and imperfections, Nakashima chose to highlight them, a radical approach at the time. Each table was unique to the tree and the woodworker who handled it. The furniture designer enshrined sensitivity, not domination, as the key to sublime design, in contrast to the ornate embellishments of Art Deco and the factory aesthetics of the postwar era, which embraced machinery as a human triumph. — R.C.

Moore: I’m obsessed with craft, and I think that Nakashima was the first person who brought it into mainstream conversation. I think about what he went through, how he emerged from the internment camp and returned to making his furniture. You could go to New Hope and say, “I want a table, some chairs and a bed,” and he would do it. He was expressing himself as an artist and introducing this idea of organic Modernism.

Delavan: This table inspired a lot of craftspeople to be like, “I can make one, too.”

De Cárdenas: There’re also kitsch versions of it. So much defining furniture is high culture, but this had mass appeal.

Antonelli: I like that it inspired people to make their own little monsters.

5. Bill Stumpf, Ergon Chair, 1976

The ancient Greeks made chairs with curved backrests, but it wasn’t until the 1970s that ergonomics, the study of people in their workplace undertaken to improve efficiency and welfare, was heartily embraced by industrial designers. That’s when Herman Miller brought on the American designer Bill Stumpf , who’d worked with medical experts while doing postgraduate research at the University of Wisconsin to conduct studies on ideal sitting posture that incorporated X-rays and time-lapse photography. In 1976, the year that word processing became available on microcomputers, Stumpf came up with the swiveling Ergon office chair, constructed with pillowy pieces of fabric-covered foam (one for the back and another for the bottom), which could be wheeled in any direction. The chair also had gas-lift levers that controlled height and tilt — good news for women, who were joining the work force in record numbers, and whose comfort had been ignored by earlier designers. But Stumpf didn’t stop there; in collaboration with the Los Angeles-born Don Chadwick, he went on to debut 1994’s Aeron chair, which featured a higher backrest covered in a flexible textile called pellicle. It remains, with a tweak or two, one of those pieces that’s so ubiquitous you’re not likely to notice or think about it. That is, until a co-worker nabs yours. — K.G.

Delavan: It’s one of the earliest examples of an adjustable office chair. Part of it was that women were now in the workplace, so they needed the chair to be a different size. Paola, you’d nominated the Aeron chair, which is great, but I feel like Stumpf’s idea started here. The Aeron is a refinement of the Ergon.

Antonelli: I saw the Aeron chair being made when I was living in Los Angeles, and I remember it in the World Trade Center lobbies. It’s the first thing I acquired for the Museum of Modern Art when I started working there. But I prefer this one because it’s earlier. There was the Ettore Sottsass chair for Olivetti — the yellow one [from 1972] — but I don’t care, because this one was probably more affordable, and it went everywhere.

6. Gae Aulenti, Table With Wheels, 1980

The “High Tech” moment in design started in the early 1970s, as more and more New York City artists were moving into lofts in SoHo’s abandoned cast-iron buildings and furnishing them with functional pieces picked up at hospitals, offices, warehouses and restaurant supply stores. In these open-plan homes and those that aspired to be like them, you were likely to find white walls, exposed pipes, track lighting, Metro Super Erecta wire shelving and stainless-steel commercial refrigerators. In 1980, at the tail-end of that era, the Italian architect and designer Gae Aulenti introduced Table With Wheels, a thick pane of beveled glass mounted on large rubber casters that she intended to resemble the wooden trolleys used to cart heavy pieces around the factory of Milan’s FontanaArte design studio, where she served as art director. The table had the playfulness and poeticism of a Marcel Duchamp readymade, and it presaged glass as one of the decade’s trendy materials for interiors — one seen increasingly throughout the 1980s in the form of smooth reflective surfaces and chunky, semitransparent blocks. In 1993, Aulenti riffed on her design, releasing Tour, an updated model with bicycle wheels. — K.G.

De Cárdenas: I know it’s just a piece of glass on casters, but I think it transcends class, style and era.

Moore: You know what else it speaks to? High-tech design.

Daniel Romualdez: If we’re doing high tech, I think we should include the Metro shelves.

Moore: No! That then knocks out Dieter Rams.

7. Dieter Rams, 606 Universal Shelving System, 1960

The German functionalist Dieter Rams didn’t invent modular design, but as the creator of the 606 Universal Shelving System for Vitsoe, he can be credited as one of its early perfecters. The system’s construction is strikingly simple, with aluminum E-Tracks mounted to walls from which shelves, cabinets and even tables can be hung using no-equipment-required pins. Adjustable and customizable, it can be adapted to a wide range of spaces, needs and aesthetics. (When they’re full, the wafer-thin but deceptively strong shelves, made of powder-coated, laser-cut steel, nearly disappear.) The unit embodies all 10 of the design principles that Rams, an early advocate of environmental sustainability, formulated in the 1970s (No. 1: “Good design is innovative”; No. 5: “Good design is unobtrusive”), but the real reason it’s been revered for decades may be its incomparable durability (No. 7: “Good design is long-lasting”). Parts purchased today can be used interchangeably with those from 1960, when the shelving first went into production. — R.C.

Moore: I’m going to go to bat for Dieter Rams. I’m a big fan of the idea of a system, particularly in terms of the 20th century and how we started to live [in a more transient way], which led to things that collapse or stack and are lightweight. The idea is that you can buy this piece and change it — use it for books, records or clothing. I’m really interested in industrial design, a lot of which we don’t even think of as being designed. It often seems to have come out of nowhere, and I feel that way about this shelving.

Antonelli: If we’re going to include a shelving system, much as I love Metro’s [steel storage] shelves, Dieter Rams should be on here.

Moore: He’s a rock star.

Stout: Even just this image [from the Vitsoe catalog], with a game of Twister stored on a shelf, feels so democratic to me. All these different tiers of design.

Moore: I love the Vitsoe catalog, frankly. It’s very soothing.

8. Faye Toogood, Roly-Poly Chair, 2014

Faye Toogood’s Roly-Poly chair, which debuted in 2014 as part of a collection of similarly rotund fiberglass furniture titled Assemblage 4, isn’t just a seminal piece of design — it’s also got a sense of humor. The key lies in the contrast between its jolly, potbellied seat, evocative of a cartoon animal, with four squat, cylindrical legs, and the confident way it occupies space. The chair is a corporeal symbol of maternal strength; Toogood, a multi-hyphenate British clothing and interior designer, has said that the roundness was inspired by her pregnancy. (“I’ve got fat,” she told an architecture magazine upon the chair’s release.) Indeed, it’s the kind of perch that makes you never want to get up, to relinquish your vanity and drop into a state of permanent comfort. With no hard edges, it’s both cleverly child-safe and endlessly imaginative, conjuring bubble letters, elephants and balloons. But although the Roly-Poly grew out of the designer’s experience with her changing body, it offers something more universal: a softer, more whimsical take on minimalism, which in recent years has turned away from sharp-cornered austerity toward the more organic silhouettes of the circle and the arch. — R.C.

Moore: Faye was at the forefront of a movement where things suddenly got soft.

Antonelli: And big .

Delavan: She changed the silhouette.

De Cárdenas: I remember her presentation in Milan in 2011. There were these black hard-boiled eggs, and cheese served on pieces of charcoal. I mean, it sucked scraping your teeth on stuff, but it was also cool. And then there was furniture, but the whole thing was the presentation. Whatever that is, some people do it well and most people don’t. But I think she started it. Everything in design at the time was slick and boxy, highlighting craftsmanship, but this work wasn’t.

Delavan: It felt like something she could have sculpted.

Moore: And it was new. It’s always exciting to be woken up like that.

9. Unknown, but Possibly Jean-Michel Frank; Parsons Table; Circa 1930

Some pieces of furniture are so unobtrusive and chameleon-like that they hardly feel designed. Such is the case with the Parsons table, whose defining feature is its ratio: No matter the table’s size, its legs — which stand flush with the corners of its surface — must always be equal in width to the thickness of its top. It’s thought to have emerged from a design project completed in the early 1930s at the Paris satellite of New York’s Parsons School of Design, the result of an assignment often attributed to the aristocratic French decorator Jean-Michel Frank, who was a lecturer there at the time. (The American designer Joseph B. Platt is also often cited as having a hand in the piece.) Known for creating magisterial spaces for the fashion designer Elsa Schiaparelli and the composer Cole Porter, Frank put aside his usual interest in such sumptuous materials as shagreen and obsidian, challenging the students to design a table so elemental that it would retain its basic character and integrity regardless of finish. — R.C.

Romualdez: Leading up to this debate, I asked ChatGPT for a list of influential furniture and nothing surprised me. [But] I wanted to [choose items] that influenced me personally. Growing up in the Philippines, I only saw things in magazines — like [1960s François-Xavier] Lalanne sheep [sculptures]. They were in Valentino [Garavani]’s chalet, [Yves] Saint Laurent’s library, the Agnellis’ Milanese apartment.

Moore: Unfortunately, Lalanne sheep are just signifiers of enormous wealth.

Romualdez: Yes, but for me, nose pressed to the glass, it made me question, “What makes something fancy?” People had flocks of them. When Julianne [and I were talking about our lists], she asked, “What’s your favorite dining table?” Although simple and plain, this is the first thing that came to mind.

De Cárdenas: We can’t not include the Parsons table.

Romualdez: A friend of mine, [the American philanthropist] Deeda Blair, used to tell me, “You can’t get an 18th-century coffee table. It’s a conceit of the modern world.” I was attracted to this as a foil to [what’s in] most people’s fancy living rooms.

10. Ettore Sottsass, Ultrafragola Illuminated Mirror, 1970

Although the Italian architect and designer Ettore Sottsass’s undulating electrified mirror, which emits a dusky pink glow, predates social media by four decades, it somehow anticipated the age of the selfie. Sottsass, who would in the 1980s spearhead the madcap Milan-based collective known as the Memphis Group, crafted it as an apparent tribute to womanhood — its ripples supposedly reference flowing hair and body curves. Such an idea may now seem a study in objectification; nonetheless, the mirror’s enchantments are undeniable, as proven by its vibrant second life on social media. The musician Frank Ocean and the model Bella Hadid are among those who’ve captured themselves, like modern-day Narcissuses, in its reflection. The appeal is obvious: It’s seductive, flirtatious and lighthearted — décor as an antidepressant in troubling times. Perhaps Sottsass himself best explained why the glowing, flowing mirror is universally beloved. “When I was young, all we ever heard about was functionalism, functionalism, functionalism,” he once said. “It’s not enough. Design should also be sensual and exciting.” — Max Berlinger

Stout: Sottsass isn’t my favorite, but this has been so influential, especially in terms of marketing and the rise of Corporate Memphis. Even though it’s from the 1970s, it seems to have been made for the Instagram era. He and [the Italian architect and designer] Gaetano Pesce have been so significant to an entire generation of designers, especially right now.

Antonelli: I don’t think we need to include Pesce.

De Cárdenas: Pesce was always niche and was left out of the design conversation for a long time. Now his work feels very relevant again.

11. Billy Baldwin, Slipper Chair, 1950s

Until the 20th century, what we now call the slipper chair was a private affair, a boudoir staple of Victorian-era excess with an armless seat to accommodate the wide petticoats and corset-bound women unable to bend over. But in the 1950s, the American decorator Billy Baldwin yanked the chair with an overstuffed profile out of the dressing room and got it ready for cocktail hour. He threw out the brocade jacquard and flouncy trim for something more clean-cut and modern; the low-to-the ground, high-backed seat became sheathed in a pleated skirt or tight slipcover tailored straight to the floor. (Baldwin believed that too many naked chair legs made a room “restless.”) Still, it didn’t completely escape its beau monde past. Baldwin’s clientele included the likes of socialites Jacqueline Onassis and Nan Kempner. For Diana Vreeland, he designed a slipper chair in a clashing print to complement the fashion editor’s scarlet chintz “garden in hell” room in her Park Avenue apartment. About his stump-legged rejoinders to Continental refinement, Baldwin once said, “We can recognize and give credit where credit is due, to the debt of taste we owe Europe, but we have taste, too.” — Max Lakin

Romualdez: I’m probably the most traditional decorator in this room. But I think we need to talk about banal furniture that you don’t realize is everywhere — that you don’t even think of as being designed. I was obsessed with this Billy Baldwin chair when I was in school. It’s tiny, but extremely comfortable. And I love that it’s dumb. It doesn’t do anything, which makes it so versatile.

Moore: Every furniture store in America has this chair.

De Cárdenas: I used it one time [for a decorating project]. There was a fabric that the client loved, and we didn’t know how to work it into the room. I was like, “Let’s just make a slipper chair.” It changes its identity every time you upholster it.

Nick Haramis: I grew up quite modestly, and every family in my neighborhood had a version of a slipper chair in the nice room.

Delavan: Originally, the slipper chair was supposed to be in the boudoir. He brought it into the living room.

Romualdez: I also love that he had extremely American taste when most people in that social class were Francophiles.

12. Philippe Starck, Louis Ghost Chair, 2002

Modern design in Europe and the United States was largely a reaction to the ostentation that came before it, particularly among royalty and other privileged households. One hallmark of the frilly old style is the Louis XV/XVI Medallion armchair, named for the 18th-century French monarchs with whom it found favor. Considered a cabriolet due to its rounded concave backrest and open armrests, it was much lighter than the close-sided bergère. More than 200 years later, the French industrial and interior designer Philippe Starck developed his version from a single mold injection of liquid polycarbonate, which hardens to a clear, lightweight and durable Plasticine material also used in cars and fighter jets. Although he eliminated the Medallion’s decorative elements, Starck retained its voluptuous profile, neither conforming to nor fully departing from the expectations of contemporary design. — Evan Moffitt

Moore: I hate this chair so much.

Romualdez: Everyone loved this chair in the beginning.

De Cárdenas: Do we hate it because it’s so ubiquitous?

Antonelli: No, we hate it because it’s so ’80s. But even though I find it terrible, it was so influential.

De Cárdenas: I love Philippe Starck and his total disregard for the history of furniture. Did you see that episode of [the comedy series] “Unbreakable Kimmy Schmidt” [2015-19]? Jacqueline [Jane Krakowski’s character] doesn’t have any furniture because she can’t afford it. Kimmy comes over, and she’s like, “You don’t have any furniture.” [Voorhees] gestures to a completely empty space and says she has Philippe Starck Ghost chairs.

13. Margarete “Grete” Schütte-Lihotzky; Frankfurt Kitchen, from the Ginnheim-Höhenblick housing estate; 1926-27

In the aftermath of World War I, Frankfurt, Germany, responded to a growing housing crisis with a sweeping civic effort centered on affordable and modern public residences. The Austrian architect Margarete “Grete” Schütte-Lihotzky , a radical-minded proponent of Red Vienna’s social-democratic reforms who designed apartments for single working women, and, with the architects Adolf Loos and Josef Frank, complexes for veterans and the disabled, was tasked with developing kitchens for these New Frankfurt apartments. In planning her fitted kitchens, Schütte-Lihotzky, who lived until the age of 102, aimed to create something hygienic and dignified for the urban working class. She consulted labor-efficiency studies, interviewed housewives and women’s groups and took inspiration from the rigorously efficient galley kitchens of railway dining cars. The result was a space equipped with innovations such as a gas stove, built-in cabinetry and a tiled backsplash. The room was small by today’s suburban standards — 13 feet long by 7 feet wide — but Schütte-Lihotzky’s vision helped pioneer the notion of today’s kitchen as the center of domestic life. — M.L.

Delavan: I don’t consider a room to be furniture.

Antonelli: Well, we do at MoMA. Maybe this is a system or assemblage of furniture, but it really determined, at least until the arrival of the American kitchen, how we designed kitchens almost like boats: keeping everything together in one place.

De Cárdenas: Before this, were kitchens just a fire and a table?

Antonelli: They had several pieces, but they were all disparate and loose. This was in tune with Existenzminimum [a concept that was developed in response to the German housing crisis of the 1920s]. The rationalist architects of the New Objectivity were trying to fit as much as possible into an apartment and then orient it so that the sun would also help them live healthier lives and heat it up. It was almost like going back to [the first century B.C. Roman architect and engineer] Vitruvius, the idea that Nature can help cities and homes be cleaner, healthier and more efficient.

De Cárdenas: From Ikea to fancy custom kitchens, they’re all basically versions of this.

14. Ayse Birsel and Bibi Seck, Madame Dakar Sofa, 2009

When Patrizia Moroso, the creative director of the Northern Italy-based family furniture company that bears her last name, commissioned a show dedicated to the creative prowess and craftsmanship of Africa, a continent that had been historically overlooked by the Western design world, among the works that seized the imagination was the Madame Dakar sofa. Boldly graphic and rendered with both an eye to the future and reverence for the past by the designers Ayse Birsel and Bibi Seck, who split their time between New York, Paris and Dakar, it contributed to the current interest in African design and technique as well as a mania for Afrofuturism. Made in Moroso’s facility in the West African nation, the hand-woven indoor-outdoor piece is constructed by stringing the plastic threads used in fishing nets — in reference to Senegalese traditions — into a herringbone pattern, which is then slung like a hammock over thick, splayed steel legs. — M.B.

Antonelli: This is gorgeous, but is it influential?

Moore: It had an impactful moment, but it was over quickly.

Stout: I think we should include it.

Antonelli: I agree. Bibi, who spent his youth in Dakar, worked with African weavers to produce a couch that is free from any nostalgia, just celebrating the tremendous potential that can come from a true mind- and hand-meld with expert local artisans.

15. Unknown, Monobloc Chair, 20th Century

Design history is lousy with icons — this iconic sideboard, that iconic zoomorphic torchier — and many of them live on as “authorized” reproductions, costing thousands of dollars, while the rest of us make do with mass-market dupes. The monobloc chair is the antidote to such design idolatry: a single piece of extruded white plastic, immune to trend and cultish adoration. With a barely verifiable history, it’s both the original and the imitation, and costs very little to produce. To make a chair out of just one piece of material is something of a design Holy Grail, one that became more attainable around midcentury with advancements in plastics technology. Early mass-produced chairs — including Verner Panton’s Panton chair and Vico Magistretti’s Selene — were all a bit too polished or Space Age-y to achieve ubiquity. The French engineer Henry Massonnet’s Fauteuil 300 , from 1972, is often credited as the closest source for what we now call the monobloc, though it, too, is more refined than the standard issue. (There’s also a credible claim that Canadian designer D.C. Simpson created an even earlier version in 1946.) Depending on where you land on the affordability sustainability axis, monoblocs are either a triumph of democratic design or a mess of disposable mass consumption — the red to-go cup of chairs. Either way, it’s often spoken of as the most widely used piece of furniture in the world; the Zelig of plastic chairs, it shows up at both Biloxi cookouts and roadside bars on the outskirts of Jakarta. With zero adornments except for its flared legs and fanned seashell back, it cannot be called beautiful, though it is familiar, and for some people, that can have the same pleasing effect. — M.L.

Antonelli: The monobloc is important. It allows us to talk about history. It allows us to talk about copies. It allows us to talk about footprint. It allows us to talk about the history of plastics.

Moore: Who designed it?

Antonelli: We don’t really know. In every part of the world, you’ll find these chairs.

Romualdez: I had them when we first moved into our house in Montauk, N.Y., and some snotty person said, “I can’t believe you have these ugly chairs.” But they’re so practical and comfortable.

Delavan: Are they ugly or just ugly by association?

Antonelli: They’re ugly. But I do believe that the opposite of beautiful isn’t ugly, it’s lazy.

Romualdez: I’d nominated a Philippe Hiquily armchair from 1971 because it was one of the ugliest chairs I’ve seen. He literally just did furniture for the Rothschilds and people like that. But like with Miuccia Prada’s clothes, when you see something ugly, it’ll often affect you later.

16. Verner Panton, Vilbert Chair, 1992

The term “flat-packed” might trigger traumatic memories of trying to assemble furniture with puzzling instructions and a flimsy Allen wrench; one thing it doesn’t conjure is cutting-edge interiors. But by the 1990s, Ikea had partnered with a number of top designers, including the Danish master Verner Panton, who created this gravity-defying confection. Made from medium-density fiberboard (MDF) with a melamine coating, a material often used by the Swedish company, Panton’s chair has obliquely angled back and leg panels, held together with screws, that hardly seem strong enough to stand up on their own, much less accommodate a human body. Here, Panton, best known for his space-age designs, including the S-shaped Panton chair — fabricated in 1967 using a tongue-like piece of molded plastic — and his hallucinogenic interiors for hotels, restaurants and private homes, did the unexpected: He embraced hard edges, even if only as a matter of practicality. (Imagine, for instance, flat-packing his amorphous Living Tower, a more than six-foot-high upholstered seating apparatus from 1969.) The Vilbert stands as a homage to the Zig-Zag and Red Blue chairs by the early 20th-century Dutch de Stijl movement designer Gerrit Rietveld, as well as to the tinker toy aesthetic of the 1980s Memphis Group, its influences spanning about 50 years of candy-colored geometric dreams. — E.M.

De Cárdenas: I’ve owned these chairs.

Moore: Why’d you get rid of them?

De Cárdenas: There was a time when I had a very Memphis-y place. Then I sold it all at auction, at the only moment when this kind of fiberboard laminate furniture might have been valuable. This was Ikea doing high design and it was too ahead of its time to be commercial.

Delavan: That it came flat-packed is cool.

De Cárdenas: That was the whole point.

Delavan: That’s why it was relatively cheap, too.

17. Clara Porset, Butaque Chair, Possibly 1930s

“Butaque,” the Mexican name for the low, inclined J-shaped wooden lounger prevalent in parts of Latin America, refers to a shape originating in the 16th century, a colonial-era cross between traditional Spanish hip-joint armchairs and pre-Columbian duhos — often hardwood ritual seats used within Indigenous Taino Caribbean culture to commune with deities. In the early 19th century, the Mexican port city of Campeche was a locus of butaque production and the chair’s main exporter to the United States. (Thomas Jefferson was obsessed with them, conscripting enslaved carpenter John Hemmings to produce reproductions for his plantation.) The interior and furniture designer Clara Porset, born into a wealthy family in Cuba and educated in New York and Paris, may have begun making her butaques after emigrating to Mexico in the mid-1930s as a political exile for her participation in the Cuban resistance. Porset reinterpreted the butaque through a Bauhaus lens (she studied under Josef and Anni Albers, practitioners of the movement, at Black Mountain College in North Carolina), designing numerous iterations in local materials, including mahogany, wicker and leather, and reducing the structure to its essential form. Porset’s circa 1957 Modernist reinterpretation of the butaque is her most enduring design, a sinuous shape in laminated wood and woven wicker, with a high-backed seat balanced on half-moon legs. The Mexican architect Luis Barragán commissioned several versions; Albers, also enchanted with Mexican aesthetics, produced an interpretation of his own. — M.L.

Antonelli: Clara Porset, a Cuban designer working in Mexico, took a vernacular chair and made it into an object, which isn’t dissimilar from what [the Italian architect] Gio Ponti did with the Superleggera [chair, from 1957]. This is the Latin American chair. And it’s supercomfortable.

De Cárdenas: Although she was from a wealthy family, she was opposed to the class inequality in Cuba. I believe she went to Mexico because of its strong early socialist movement, and that’s how she became part of the Diego Rivera scene. I think this chair was meant to be sort of invisible — graceful, but not foregrounded.

18. Hella Jongerius, Polder Sofa, 2005

In an industry that prizes sober sophistication, the Dutch designer Hella Jongerius’s Polder sofa is a clever rebuttal: a monumental piece that’s proudly imperfect, flaunting its faults as virtues. Or, as this publication noted in 2009 — while acknowledging the paradox of the couch’s exquisite construction with its funky aesthetic — “[We] feel as fondly toward it as we would a shabby old sofa.” Its squared-off cushions in varying sizes and uneven backrests upholstered in gradations of earthy colors (clay-like reds, mossy greens, oceanic blues) are interesting from every angle, tufted with kooky, often subtly mismatched buttons of mother-of-pearl, horn or wood. Named for a low-lying system of fields in the Netherlands that have been reclaimed from the sea by dikes and drainage canals, the Polder is a love letter to Jongerius’s verdant homeland and its ingenious natural engineering, but it’s also a paean to the comforts of domesticity and the beauty of everyday life. — M.B.

Antonelli: I think we should include Hella Jongerius. We don’t have Dutch designers, and she’s truly one of the most important.

Delavan: But what is it about this sofa?

Antonelli: There’s something very informal about it. She uses buttons at random. It was from just before the time when she became art director for colors [and materials] at Vitra. And it’s a gorgeous, more contemporary precursor to Piero Lissoni’s Extrasoft.

19. Piero Lissoni, Extrasoft Sofa, 2008

Conceived in 2008 for Living Divani by the brand’s creative director, Piero Lissoni — who has also designed for Kartell, Cappellini and the kitchen maker Boffi, among others — the Extrasoft embodies several of the design trends of the last half-century in a single object: the move toward simple geometry; furniture that sits ever closer to the ground; and the profusion of squishy, somewhat overstuffed forms. But the sofa’s defining feature is its modularity, a distillation of earlier experiments in sectional design, including Mario Bellini’s bulbous Camaleonda (1970) for what was then known as C & B Italia (now B & B Italia) and Hans Hopfer’s vibrantly patterned Mah Jong (1971) for Roche Bobois. With irregularly sized orthogonal sections that connect via hidden hooks, it can be configured into a multitude of shapes; it’s as much interactive art as it is furniture. And because its orientation is largely horizontal, the Extrasoft can spread through almost any space, providing places to recline, socialize or sleep, recalling a giant platform bed or those sexy conversation pits of the 1970s. — K.G.

Antonelli: One of the interesting things about Piero’s couch, as with Faye’s chair and the Madame Dakar sofa, is that we don’t have other extremely recent pieces.

Delavan: I was also trying to figure out a more recent thing that’s important.

De Cárdenas: The idea of being able to move it around is kind of amazing, but I don’t think Piero Lissoni needs the airtime.

Haramis: I’m not sure that popularity should be a reason not to include someone.

Antonelli: He’s right — we’re talking about impact.

20. Charles and Ray Eames, Side Chair, 1952

Few designers evoke postwar American modernism — and optimism — better than the husband-and-wife duo Charles and Ray Eames , who lived and worked in Los Angeles. During World War II, the couple used plywood plies to develop new splints for the Navy, refining molding techniques they later applied to domestic designs, including the Side Chair, a simple shell mounted on an Eiffel Tower lattice of wire spindle legs. At once biomorphic and industrial, the Side Chair is now endlessly cribbed and reinterpreted, showing up in high-end restaurants and Brooklyn townhouses. Originally a molded piece of fiberglass that came in shades of gray, it’s now fashioned in postindustrial recycled material. Perhaps more than any other Eames piece, it fully expresses the couple’s animating principle: slightly goofy but still disarmingly elegant. — M.L.

Antonelli: If we don’t include it, people will say we’re missing [something by] Charles and Ray Eames. I’d do the fiberglass chair because it was also about using a material that had been an important part of the war effort.

De Cárdenas: I want to go on the record not to put in the Eames. I don’t think they need this. There’re entire museum shows dedicated to their work.

Haramis: I don’t think they can be left off a list of influential furniture.

Antonelli: There’re whole stadiums with seats that are derivative of them.

Moore: And it’s egalitarian design, and I’m all for that.

Antonelli: Even with Ray, we don’t have enough women on this list. How is that possible?

Moore: The … patriarchy?

21. Yayoi Kusama, “Accumulation No. 1,” 1962

Can an armchair be sexual? Funny? A feminist manifesto? In the hands of the Surrealist Japanese artist Yayoi Kusama , the answer is a resounding — and perplexing — yes. Her fabric sculpture is furniture reimagined through a provocateur’s lens. Covered in exploding clusters of hand-sewn stuffed tentacles, which Kusama has described as phalluses, “Accumulation No. 1” was constructed in her downtown New York loft, in the same building that housed the studio of her friend the Swedish American sculptor Claes Oldenburg . The chair also seems to have anticipated the strange eroticism of the Comme des Garçons designer Rei Kawakubo’s spring 1997 “ lumps and bumps ” collection 35 years later. Tapping into Kusama’s themes of repetition and whimsy, the peculiar creation originated from a more serious impulse: “[I] began making penises in order to heal my feelings of disgust toward sex. Reproducing the objects … was my way of conquering the fear,” she once said. It’s also been read as a taunt lobbed at the male-dominated art scene of the era and the ultimate subversion of a domestic object by a female artist: an armchair overrun with limp penises. — M.B.

Delavan: Are those …

Stout: Yes, they’re little peens.

Antonelli: I used to teach a class at U.C.L.A., and I’d say that there’re two big differences between art and design: One difference is that while an artist can choose whether to work for many people or not, a designer, by definition, works for others; the second is who you sell it to and how you market it. [The artists] Martin Puryear and Andrea Zittel are fabulous designers, too. But someone like Kusama or Donald Judd? No. Those are the ones who think they can just do something. I remember having an argument with [the former chief curator of painting and sculpture at New York’s Museum of Modern Art] Kirk Varnedoe. He said, “Paola, you should consider [acquiring a piece by] Donald Judd. I said, “Why? It’s bad design. If you want to acquire it for the sculpture collection, go for it. But as far as I’m concerned, it’s uncomfortable. It rips your stockings. It’s not childproofed. And if it didn’t have Donald Judd’s name, you’d never buy it.”

Stout: So much of the history of art and design has been about white men. I think this chair was a commentary on that.

Antonelli: While I appreciate that, I just don’t want to acknowledge any artist descending toward design.

Moore: Does design just mean utility? Whenever I have an argument with people about art and design, it seems to come down to the idea that design is something you’d use. And what I don’t understand is why that’s less than. As a person who wants to live with objects, I don’t value a lamp any less than I do a painting. I want to live with them both.

22. Gary Panter and Ric Heitzman; Chairry, From “Pee-wee’s Playhouse”; 1986

If your chair could talk, would it beg to be sat on? Would it complain about bearing your weight? In the beloved TV series “Pee-wee’s Playhouse” — created in 1986 by its star, Paul Reubens — an armchair is a main character. Voiced by the actress Alison Mork, Chairry invites a wide range of guests and regulars, from Dolly Parton to S. Epatha Merkerson, to plop down on her demented dinosaur face. With her velvety turquoise skin (or, as more prosaic sorts might call it, upholstery), oversize maw (with rounded white teeth positioned between the cushions) and circular eyes with curling lashes, Chairry was an important precursor to Barney, the singing dinosaur who emerged six years later. Chairry — along with the other anthropomorphic elements of the trippy set designed by the boisterous painters and puppet masters Gary Panter, Wayne White and Ric Heitzman — gently mocked the innocence of 1950s children’s shows and subverted the family values rhetoric of the Reagan era. Channeling the colorful postmodernism of the 1980s, Pee-wee’s world was an outsider artist’s pastiche of psychedelia, hippiedom and joyous toddlerhood. For some adult viewers, it was also a queer-coded haven. — E.M.

De Cárdenas: There were at least three tributes in The Times in the days after Paul Reubens died [in July 2023]. One of them was about what a truly democratic, inclusive show this was. I remember Cher being on a holiday special [1988’s “Christmas at Pee-wee’s Playhouse”]. You know how he’d always have a word of the day? Cher came to introduce the secret word. And every time he said it everything in the room would scream. It was a kid’s show, but it wasn’t just for kids.

Stout: Design for kids is so important.

Moore: And influential. As a parent, I think all those anthropomorphized pieces of furniture are wonderful.

Antonelli: It’s certainly very American.

De Cárdenas: Pee-wee spoke to gays and misfits the way that [the Swiss artist H.R.] Giger [known for his design of the title creature in the 1979 horror film “Alien”] spoke to bros.

Moore: Frankly, I don’t think bros are reading this article.

23. Nanda Vigo, Due Più Chair, 1971

The Milanese artist, architect and designer Nanda Vigo helped usher in the disco era with this chair, originally manufactured for the Italian furniture company Conconi SNC/More Coffee. While its chromed iron or brass tubing evokes Bauhaus functionalism, the cylindrical, fur-covered seat and backrest, not unlike the giant rollers that provide polish at a carwash, give it a touch of Pop Art kitsch. Vigo, who founded her studio in 1959 after spending time in Switzerland and the United States, was inspired by science fiction and the style codes of the burgeoning aerospace industry, as immortalized in Stanley Kubrick’s 1968 film, 2001: A Space Odyssey . She also became known for her fur-lined conversation pits and staircases, like the ones she installed in the 1960s in the poetically named Lo Scarabeo Sotto la Foglia (the Beetle under the Leaf), a private residence in northern Italy. On the Due Più, the material adds a softer touch to the hard-edge minimalism of Vigo’s contemporaries, with results that are undeniably groovy. — E.M.

De Cárdenas: This was very ahead of its time. As ubiquitous as it is, I’ve never seen it at anyone’s house.

Moore: How do you use it?

De Cárdenas: Right? Like, “Sit here, have coffee with me.”

Antonelli: I would like to have a dining table with 10 of them. It’s not super comfortable after a while, but it’s pretty great.

Romualdez: It’s the perfect makeup chair.

24. Alvar Aalto, Stool 60, 1933

With three L-shaped legs and a childlike disk seat, the startlingly simple Stool 60 encapsulates the design ethos of the Finnish designer Alvar Aalto . The result of a partnership between Aalto — fresh off his work on Paimio Sanatorium, a triumph of 1930s Functionalist architecture — and the carpenter Otto Korhonen, it represents their first experiment together with what would become an emblematic technique: They sliced fissures into pale birch slats, softened them with heat and water and then filled each gap in the wood with a timber strip dipped in adhesive. They then bent the assemblage at a 90-degree angle, creating sinuous yet sturdy curved supports. The stool’s impact can be seen not only in the innumerable ways it’s in dialogue with its environment — a place to sit or a small side table, it can be stacked into an elegant column to be stored — but in its playful execution as well. Unsurprisingly, it’s been in continual production, and has been deeply influential: Ikea’s Frosta was widely considered to be an offshoot, and the streetwear brand Supreme collaborated with Artek on a 2017 version with a checkerboard motif. — M.B.

Antonelli: We need Scandinavian design.

Delavan: Then the Aalto stool makes the most sense.

Stout: It’s almost so iconic that I’m like, “Get rid of it.”

Moore: I have about 20 of the Ikea version of this stool in my basement left over from a kid’s party.

De Cárdenas: They make an Ikea version of this?

Delavan: Those aren’t quite as thick.

Moore: And very wobbly.

25. Shiro Kuramata, Feather Stool, 1990

“Enchantment should also be considered as function,” said the Tokyo-based designer Shiro Kuramata. There’s certainly a sense of magic to his Feather Stool, with its wisps of yellow and white plumage suspended in an acrylic block. Kuramata won early acclaim as the creator of more than 100 Issey Miyake retail environments, beginning with the brand’s first Tokyo store in 1976. Like the fashion designer, who died in 2022, Kuramata was innovative in his use of materials, producing chairs and sofas in translucent glass and acrylic, or steel mesh with diaphanous profiles. He created many of his iconic designs in the 1980s, when he was an early member of the Memphis Group, including the Miss Blanche armchair, an acrylic throne embedded with synthetic roses and named for the character in Tennessee Williams’s 1947 play, “A Streetcar Named Desire.” Both pieces, while heavy, give the impression of weightlessness. — E.M.

De Cárdenas: It’s barely furniture, and I like that about it.

Haramis: I’m kind of surprised we aren’t choosing the more famous Kuramata chair, “Miss Blanche.”

De Cárdenas: I prefer that this is a gesture to a chair. If it didn’t have that [short rounded back], it wouldn’t be one.

Moore: It doesn’t look very comfortable.

De Cárdenas: Yeah, I don’t want to, like, watch the Super Bowl in it.

Romualdez: Maybe chairs shouldn’t be comfortable. At some point, you want your guests to leave.

Research editor: Alexis Sottile

Photo editor: Katie Dunn

Copy editors: Diego Hadis, Courtney Pressler

Nick Haramis is an editor at large for T, The New York Times Style Magazine. More about Nick Haramis

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Masters odds: Scottie Scheffler poised to become shortest betting favorite since Tiger Woods

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Two weeks ahead of this year's first major, world No. 1 Scottie Scheffler is poised to become the shortest betting favorite for the Masters since Tiger Woods in 2013.

Scheffler opened at +950 last summer and was still priced at +850 at BetMGM Sportsbook before breaking his victory drought at the Arnold Palmer Invitational presented by Mastercard. The Texan followed up with a come-from-behind win in his title defense at THE PLAYERS, seeing his price initially drop to +550.

But as he suits up for the Texas Children’s Houston Open, seeking to become the first player to win three straight TOUR starts since 2017, Scheffler has tightened to +450 with BetMGM, the shortest Masters price since Woods was +350 ahead of the 2013 tournament. Woods finished T4 at Augusta National Golf Club that year.

Tony Finau talks about Scottie Scheffler’s recent success

The betting favorite hasn’t won at the Masters in 13 years. Scheffler won the Masters in 2022 as a +1600 pre-tournament option.

Interestingly, Woods sits a +10000 chance should he take his place in the field. The 82-time TOUR winner hasn’t played since withdrawing from The Genesis Invitational in February because of illness. While he is yet to confirm his place, he has not indicated he won’t play. There is no entry deadline for Woods, as the Masters does not have alternates.

Woods has 12 top-fives at the Masters including wins in 1997, 2001, 2002, 2005 and 2019. He withdrew last year after making the cut.

Scheffler’s odds also represent the shortest major championship numbers since Jordan Spieth was +500 ahead of The Open Championship 2015, after having won the Masters and U.S. Open earlier that season. Spieth missed a playoff by one shot that year at St. Andrews and also was runner-up at the PGA Championship before winning the FedExCup.

While the 2022 champion at Augusta National is the favorite, the defending champion Jon Rahm is next on the betting boards at +1000. He is joined there by Rory McIlroy who is still a green jacket short of a career Grand Slam. While McIlroy was runner-up in 2022, he missed the cut a year ago.

FedExCup champion Viktor Hovland is next at +1800. He’s finished inside the top 32 in each of his four appearances, with a T7 in 2022 the high point. Spieth, a winner in 2015, is also +1800. His history at the Masters is sublime, with six total top-fives.

THE PLAYERS runner-up Xander Schauffele and current PGA champion Brooks Koepka sit at +2000. Schauffele was T3 a year ago, his third top-10 at the Masters including a runner-up in 2019. Koepka was T2 for the second time in his career in 2023.

Ludvig Åberg and U.S. Open champion Wyndham Clark headline the first-time Masters participants at +2500. Not since Fuzzy Zoeller in 1979 has a Masters debutant won the title. Åberg is in the unique position of having won on the PGA TOUR and DP World Tour, plus being part of a winning Ryder Cup, before playing a major championship. Clark won the AT&T Pebble Beach Pro-Am this season before finishing runner-up to Scheffler at Bay Hill Club & Lodge and TPC Sawgrass.

Ludvig Åberg captures first PGA TOUR win at The RSM Classic

The Masters field currently stands at 86 anticipated players, with room for a few more invitees. The top 50 in the Official World Golf Rankings after this week will qualify, as will the winner both in Houston and next week in San Antonio for the Valero Texas Open.

Odds are always subject to change, but here is how things look via BetMGM ahead of the opening round in Houston – with Scheffler likely making his final pre-Masters start, while McIlroy and others are expected to tee it up next week in the Valero Texas Open:

• +450: Scottie Scheffler
• +1000: Rory McIlroy, Jon Rahm
• +1800: Viktor Hovland, Jordan Spieth
• +2000: Xander Schauffele, Brooks Koepka
• +2200: Patrick Cantlay, Will Zalatoris
• +2500: Justin Thomas, Ludvig Åberg, Wyndham Clark, Cameron Smith
• +2800: Collin Morikawa, Hideki Matsuyama, Joaquin Niemann
• +3300: Cameron Young, Tony Finau, Jason Day, Dustin Johnson, Bryson DeChambeau
• +3500: Max Homa
• +4000: Matt Fitzpatrick, Shane Lowry
• +5000: Sam Burns, Tommy Fleetwood, Sahith Theegala, Min Woo Lee, Tyrrell Hatton
• +5500: Sungjae Im
• +6600: Tom Kim, Corey Conners, Brian Harman, Justin Rose, Rickie Fowler, Patrick Reed
• +8000: Adam Scott, Cam Davis, Russell Henley
• +10000: Tiger Woods, Chris Kirk, Si Woo Kim, J. T. Poston, Eric Cole, Nick Taylor, Nicolai Højgaard, Phil Mickelson
• +12500: Keegan Bradley, Adam Hadwin, Adam Schenk, Sepp Straka, Jake Knapp
• +15000: Ryan Fox, Lee Hodges, Erik van Rooyen, Luke List, Lucas Glover, Sergio Garcia, Bubba Watson, Adrian Meronk, Harris English, Matthieu Pavon, Thørbjorn Olesen
• +20000: Kurt Kitayama, Gary Woodland, Taylor Moore, Nick Dunlap, Austin Eckroat, Denny McCarthy, Ryo Hisatsune
• +25000: Danny Willett, Charl Schwartzel, Emiliano Grillo
• +30000: Christo Lamprecht
• +40000: Camilo Villegas
• +50000: Zach Johnson, Jasper Stubbs, Grayson Murray
• +100000: Fred Couples, Vijay Singh, Mike Weir, Neal Shipley, Stewart Hagestad
• +500000: Jose Maria Olazabal, Santiago de la Fuente

Senior Writer, Golfbet Follow Ben Everill on Twitter .

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Sabrina Carpenter Says Being on the Eras Tour 'Feels Like a Broadway Show': 'I Feel So Lucky That I Get to Watch Taylor'

"It makes me want to tour the world again, which is a good feeling," the pop star said of joining Swift out on the road

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Like Swifties across the globe, Sabrina Carpenter is in complete awe of the Eras Tour .

In a recent interview with Cosmopolitan , the pop star, 24, opened up about opening for Taylor Swift 's career-spanning concert at stadiums around the world. The "Nonsense" singer compared the Eras Tour's top-notch performances and spectacle to feeling "like a Broadway show," and shared how "lucky" she feels to get to watch the pop superstar, 34, up on stage.

"It almost feels like a Broadway show because everything is so synchronized but at the same time feels so in the moment," Carpenter told the magazine of Swift's acclaimed live show.

"That’s an art," the "Feather" singer added. "It’s really hard to teach. It’s really hard to learn."

Hector Vivas/TAS23/Getty Images for TAS Rights Management

The pop artist explained that watching the Grammy winner — whom she supported in Mexico, Argentina, Brazil, Japan, Australia and Singapore — every night left her feeling motivated. "I feel so lucky that I get to watch Taylor perform every time," she shared. "It makes me want to tour the world again, which is a good feeling."

The Emails I Can't Send artist explained, "After a show, I think a lot about what I want to do differently the next time and what I want to do with my own show in two years."

Carpenter also noted that she enjoyed visiting places that she hadn't previously been to on the tour. While the singer/actress admitted that traveling so much in the past few months has taught her that she has to work on "getting everything to quiet down," she said that the opportunity has also left her inspired.

"I’m grateful for my inability to turn my brain off at times because that’s when I come up with ideas," the singer-songwriter said. "I feel creative. I feel excited."

John Shearer/Getty Images

Carpenter told Cosmopolitan that the Eras Tour was a learning experience not just because she got "to watch one of the greatest performers ever night," but because she felt as though she could use the opportunity to grow as a performer herself.

Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

Brendan Wixted for Cosmopolitan

"My favorite thing to do has always been to watch people who look so comfortable in their bodies onstage, like Madonna and Britney [Spears] and Prince ," Carpenter shared. "Sometimes when you don’t have a mirror in front of you and you can’t actually see how you look, a lot of the learning comes from watching a video back and thinking, 'Oh, I thought I was giving more than I was actually giving .' "

For the former Disney Channel star, that mean learning "to be larger than life in some capacity," given how small her 5-foot frame felt on the stage.

Marcelo Endelli/TAS23/Getty Images for TAS Rights Management

After first joining Swift in late 2023 for several shows in Mexico City, and then playing her first two legs of 2024 international dates, Carpenter recently wrapped her stint as the opening act on the Eras Tour.

Shortly after the "Because I Liked a Boy" singer and the hitmaker finished their final dates together in Singapore, Carpenter posted to Instagram to share a thoughtful farewell post to the tour .

"That’s a wrap for us on the eras tour :’)" she began the caption of a post featuring photos of her and Swift on the road together.

"Sitting at home reflecting on what a whirlwind this was and how very honored I feel to have been part of it," she continued. "I want to thank every crowd for being so welcoming and generous to us and making some of the most impressive friendship bracelets I’ve ever received."

After shouting out the "hardworking" crew, Carpenter wrote, "And the most thank you’s I’ve ever thank you’d to Taylor."

"I feel so lucky to witness the magic that is you and this tour," the musician added. "There is truly no one like you and there never will be! I love you with all my heart and I will cherish this taybrina era (and all the eras) till the end of time 💞💞💞."

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2024 Houston Open: Live stream, watch online, TV schedule, channel, tee times, golf coverage, radio

The pga tour travels to the lone star state as some players make final preparations for the first major of the year.

A dramatic Florida swing has come and gone, giving way for the return of the 2024 Houston Open. Not on the PGA Tour schedule in 2023, the Houston Open has found its way back on the calendar and will welcome a number of heavy hitters to Memorial Park Golf Course for the fourth time.

Leading the way is the man who owned the Florida swing: Scottie Scheffler. A winner at the Arnold Palmer Invitational and the Players Championship in his last two starts, the world No. 1 has eyes on his third straight victory this week. Scheffler was unable to rattle off three in a row in 2022 but hopes to join players like Dustin Johnson, Rory McIlroy and Tiger Woods by winning three consecutive starts.

Scheffler has performed well at Memorial Park in his career and is the heavy favorite to claim the title, but Wyndham Clark may have something to say. A runner-up to Scheffler at both Bay Hill and TPC Sawgrass, the reigning U.S. Open champion has entered the conversation of being a top-five player in the world.

Clark eyes his second win of the season after claiming the AT&T Pebble Beach Pro-Am. His fellow Americans Tony Finau, Sahith Theegala and Will Zalatoris all hope to enter the winner's circle for the first time in 2024, with Finau being the last man to win at Memorial Park in the Fall of 2022.

All times Eastern; streaming start times approximated   

Round 1 - Thursday

Round starts:  8:15 a.m.

PGA Tour Live:  8:15 a.m. -  7 p.m. --  PGA Tour Live

Live TV coverage:  4-7 p.m. on Golf Channel Live streaming:  4-7 p.m. on Peacock

Radio:  1-7 p.m. --  PGA Tour Radio  

Round 2 - Friday

Round 3 - saturday.

Round starts:  11 a.m.

PGA Tour Live:  11 a.m. -  6 p.m. --  PGA Tour Live

Early TV coverage:  1:30 - 3:30 p.m. on Golf Channel,  fubo  (Try for free) Live streaming:  1:30 - 3:30 p.m. on Peacock

Live TV coverage:  3:30 - 6 p.m. on NBC Live streaming:  3:30 - 6 p.m. on Peacock

Radio:  1-6 p.m. --  PGA Tour Radio  

Round 4 - Sunday

Early TV coverage:  1 - 2:30 p.m. on Golf Channel,  fubo  (Try for free) Live streaming:  1 - 2:30 p.m. on Peacock

Live TV coverage:  2:30 - 6 p.m. on NBC Live streaming:  2:30 - 6 p.m. on Peacock

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