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Top 10 Journey Songs

From the ashes of Santana and Frumious Bandersnatch born this beast of a band in San Francisco in 1973. Full of artistic ups and downs, Journey’s strongest times were between 78′ and 87′ when Steve Perry was the lead vocalist.

For some of us, they are the band that wrote “that song from 80’s movies(Song #3),” and for some of us, they’re the summit of our teenage years. Let’s take a look at the top 10 songs of this amazing band!

Table of Contents

1. In My Lonely Feeling / Conversations

Released in one of their earliest albums ‘Journey’, the band influenced by the psychedelic feels of their previous bands, decided to take on a memorable riff that has you bobbing your head for days. 

Here’s a link to the performance at Winterland:

2. Nickel & Dime 

Journey got you covered with this 1977 instrumental, this track is filled with energy and real rock n’ roll. A classic hit from their third album that cannot be skipped! 

Here’s a link to the instrumental: 

3. Look Into The Future

We all like to reminiscence every now and then, or ‘reflect’ for those that don’t want to admit it. With all their emotions literally felt through the song, this song is probably the best option for a get together. 

Here’s a link to the winner of the list: 

4. It’s All Too Much

It’s summer, burgers are nearly done and in the meanwhile you’re nibbling on chips whilst you’re trying to dance in a socially acceptable manner. You just can’t help but shake it with this song! 

Here’s a link to the track: 

Released in their third album, this song meets the criteria of ‘I want a song that’s perfect start to my drive’. 

Here’s a link to your new Sing-A-Long track: 

6. Sweet & Simple

I mean, the song is sweet and simple… 

Here’s a link to something that will have you in your feels: 

7. Natural Thing

Soulful & genuine, the vocals alone will have you in a trance for the whole 3 mins. 

Here’s a link to that long needed shower song: 

Compared to the likes of Hendrix, this rockin’ piece will help you move on and let go of whatever it is that made you want to listen to this in the first place. 

Here’s a link: 

9. Any Way You Want It 

This opening track of Departure is an immense, energy-filled, good vibes track. It is usually used as the last song on any Journey show. Finishing in a  high tune like that is an experience that sticks in a good way. If you haven’t heard this song in 2010 during the heavily saturated world of Glee advertisements everywhere on your screen, then you’re quite lucky. 

Here’s a link to probably one of the second most famous Journey songs:

10. Keep on Runnin’ 

You’re missing out on that Journey tribute that’s going on in town? Don’t fret, this performance will have you feeling like you’re back in 1981! 

Here’s a link to the song: 

11. Lovin’, Touchin’, Squeezin’ 

From the romantic mind of Perry, this extremely personal song about a relationship (which is believed to be inspired by true events) was the band’s first song to break into the Billboard top twenty, and It peaked at number 16.

12. Only The Young 

As you can guess from the title, this song is about the infinite promise and freedom of youth. Unfortunately, there’s a sad story about this song; this song was played to a 16-year-old fan with cystic fibrosis as part of a request from Make a Wish Foundation. Unfortunately, the fan died a day later, leaving the band with a broken heart.

13. Wheel In the Sky 

Started slowly by peaking at number 57 in the US – this song has gone on to become one of the strong Journey classics.

14. Lights 

One of the first Journey songs featuring Steve Parry, this one also started as a minor hit (#68 on charts) but became one of the signature songs.

15. Who’s Crying 

This soulful piece is Dressed in a beautiful piano riff. It is one of the most successful songs of the band. Peking at #4 in the US and becoming the highest UK charting Journey single at the time.

16. Open Arms 

This track is also one of the most successful songs of the band, earning them their highest position on the Billboard 100 (#2). Song was introduced to a wider and more contemporary audience by becoming a staple of many pop artists’ covers, including Mariah Carey.

17. Faithfully 

One of the most powerful Journey songs. Written by Jonathan Cain on the road and was completed very quickly (which the religious Cain puts down to divine intervention). 

18. Separate Ways 

The song tells the story of a couple who have broken up and gone their separate ways but will still always share a connection because of the time they spent together. As some of us know as ” that song from the 80s’ movies.”

19. Don’t Stop Believin’ 

The most iconic song of this band. This amazing song taken from 1981’s Escape is one of the most anthem-like catchy rock songs of all time. 

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Journey - Greatest Hits Album Lyrics

In the shadows of a golden age A generation waits for dawn Brave carry on Bold and the strong

[Chorus:] Only the young can say They're free to fly away Sharing the same desires Burnin' like wildfire

They're seein' through the promises And all the lies they dare to tell Is it heaven or hell? They know very well

A singer in a smokey room A smell of wine and cheap perfume For a smile they can share the night It goes on and on and on and on

Strangers waiting Up and down the boulevard Their shadows searching In the night Streetlights, people Livin' just to find emotion Hidin', somewhere in the night

Workin' hard to get my fill Everybody wants a thrill Payin' anything to roll the dice Just one more time Some will win Some will lose Some were born to sing the blues Oh, the movie never ends It goes on and on and on and on

[Instrumental Interlude]

[Chorus:] Wheel in the sky keeps on turnin' I don't know where I'll be tomorrow Wheel in the sky keeps on turnin'

I've been trying to make it home Got to make it before too long I can't take this very much longer I'm stranded in the sleet and rain Don't think I'm ever gonna make it home again The mornin' sun is risin' It's kissing the day

They say that the road Ain't no place to start a family Right down the line It's been you and me And lovin' a music man Ain't always what it's supposed to be Oh, girl, you stand by me I'm forever yours Faithfully

Circus life Under the big top world We all need the clowns To make us smile Through space and time Always another show Wondering where I am Lost without you

And being apart Ain't easy on this love affair Two strangers learn to fall in love again I get the joy of rediscovering you Oh, girl, you stand by me I'm forever yours Faithfully

Whooa, oh-oh-ooh Whooa, oh-oh-ooh, oh Whooa, oh-oh-oh, oh-whoooooa-oh Faithfully I'm still yours

I do these things... (It's all because of you) I keep holding on, but I'll try (try not to think of you) Love don't leave me lonely I'll be alright without you

There'll be someone else...I keep tellin' myself I'll be alright without you Oh...love's an empty face, I can't replace (you don't need it)

People wonderin' why we broke apart The great pretender here I go again These things I do (It's all because of you)

I'll keep holdin' but I'll try (try not to think of you) All I wanted was to hold you I'll be alright without you There'll be someone else, I keep tellin' myself

I'll be alright without you Love's an empty face...Oh I've got to replace I'll be alright without you There'll be someone else, I keep tellin' myself

Any way you want it That's the way you need it Any way you want it She said, Any way you want it That's the way you need it Any way you want it

I was alone I never knew What good love could do Ooh, then we touched Then we sang About the lovin' things

Ooh, all night, all night Oh, every night So hold tight, hold tight Ooh baby, hold tight Oh, she said,

[Chorus:] As you search the embers Think what you've had, remember Hang on, don't you let go now You know, with every heartbeat, we love Nothing comes easy Hang on, ask the lonely

You've got some fascination With you high expectations This love is your obsession Your heart, your past possession Let down your defences Won't be up to the one who cares

Hang on, ask the lonely When you're feeling love's unfair You just ask the lonely When you're lost in deep despair You just ask the lonely

[Chorus 2x]

One love feeds the fire One heart burns desire Wonder who's cryin' now Two hearts born to run Who'll be the lonely one Wonder who's cryin' now

So many stormy nights So many wrongs or rights Neither could change Their headstrong ways And in a lover's rage They tore another page The fightin' is worth The love they save

Only so many tears you can cry 'Til the heartache is over And now you can say your love Will never die

Whoooooa-oh-whoa Whoooa-oh Ooooooh-whoa, ooh-whooa

Feelin' that it's gone Can't change your mind If we can't go on To survive the tide Love divides

Someday love will find you Break those chains that bind you One night will remind you How we touched And went our separate ways If he ever hurts you True love won't desert you You know I still love you Though we touched And went our separate ways

Troubled times Caught between confusions and pain, pain, pain Distant eyes Promises we made were in vain In vain, vain

If you must go I wish you love You'll never walk alone Take care my love Miss you love

Oooooooooh Someday love will find you Break those chains that bind you One night will remind you If he ever hurts you True love won't desert you You know I still love you

So you think you're lonely Well my friend I'm lonely too I want to get back to my City by the bay Ooh, ooh

It's sad, oh there's been mornings out on the road without you, Without your charms, Ooh, my, my, my

Lovin', touchin', squeezin' each other When I'm alone all by myself You're out with someone else Lovin', touchin', squeezin' each other

You're tearin' me apart Every day, every day You're tearin' me apart Oh what can I say? You're tearin' me apart

It won't be long, yes till you're alone When your lover, oh, he hasn't come home Cause he's lovin' oo, he's touchin', He's squeezin' another

So now I come to you With open arms Nothing to hide Believe what I say So here I am With open arms Hoping you'll see What your love means to me Open arms

Living without you Living alone This empty house seems so cold Wanting to hold you Wanting you near How much I wanted you home

But now that you've come back Turned night into day I need you to stay

[Chorus:] The girl can't help it, she needs more He hasn't found what he's lookin' for They're still standing in the rain He can't help it, and she's just that way And when he calls her She tells him that she still cares Under the moonlight, He wonders why she can't be there...why Why do they go on alone When they're missin' each other

[Chorus:] Send her my love, memories remain Send her my love, roses never fade Send her my love

The same hotel, the same old room I'm on the road again She needed so much more Than I could give We knew our love could not pretend Broken hearts can always mend.

Callin' out her name I'm dreamin' Reflections of a face I'm seein' It's her voice That keeps on haunting me

[Chorus:] Be good to yourself when, nobody else will Oh be good to yourself You're walkin' a high wire, caught in a cross fire Oh be good to yourself When you can't give no more They want it all but you gotta say no

I'm turnin' off the noise that makes me crazy Lookin' back with no regrets To forgive is to forget I want a little piece of mind to turn to

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• Artists - J
• Journey Lyrics
• The Best of Journey Album

Journey - The Best Of Journey Album

Artist: Journey

Album: The Best Of Journey

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Journey’s 10 Best Songs

Sure, "Don't Stop Believin'" -- but there's a whole lot more.

By Gary Graff

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Though it arrives amidst lawsuits , social media sniping and infighting, Journey is turning 50 this year.

During that half century, the group has sold more than 100 million records worldwide, logging 11 platinum-or-better albums (including Diamond certifications for 1981’s Escape and 1988’s Greatest Hits) , earning eight top 10 albums on the Billboard 200 and 25 hits on the Billboard Hot 100. It’s also been a reliable ticket-selling act for most of its career, and in 2017, the band was inducted into the Rock and Roll Hall of Fame.

Journey’s is the story of eras. When the group originally formed in San Francisco in 1973, original manager Herbie Herbert helped bring together guitarist Neal Schon and keyboard player/vocalist Gregg Rolie from Santana, bassist Ross Valory and rhythm guitarist George Tickner from Frumious Bandersnatch and drummer Prairie Prince from The Tubes. Prince would be replaced by David Bowie/Frank Zappa skins man Aynsley Dunbar, while Tickner would leave after Journey’s self-titled first album in 1975. The remaining quartet recorded two more albums before Steve Perry came on board for 1978’s Infinity, which began the band’s run of multi-platinum smashes — also marking the first appearance of Alton Kelley and Stanley Mouse’s iconic scarab logo for the band. Dunbar was replaced by Steve Smith for 1979’s Evolution , and Rolie would leave in 1980 with Jonathan Cain of The Babys joining to help elevate the band to even greater fortunes on Escape and Frontiers .

The palette has been diverse, but there are common elements among Journey’s best songs — sturdy melodies and sing-along choruses, usually leading into one of Schon’s majestic guitar solos. But within that mold there’s also been plenty of invention and clever arrangements that have never been as formulaic as some of the band’s detractors (particularly during their early ‘80s heyday) would have you believe.

Journey has gone through its fair share of lineups, with singer Arnel Pineda on board since 2007 — the longest continuous tenure of any Journey frontman. The group released Freedom , it’s first new studio album in 11 years, in 2022, and despite the current legal fractures (which you can read about in detail here ), still they ride, as the Escape track says — and may they keep on runnin’ for a long time.

With all that in mind, here are our picks for Journey’s 10 best songs — not all of which come from the biggest hits.

"Someday Soon" ( Departure , 1980)

This album track from Rolie’s finally studio effort with the band is a hypnotic tone poem, with a ringing, cushy ambience and a hippie kind of optimism – not to mention the best give-and-take Perry and Rolie achieved during their time together in the band. It’s of course been eclipsed by Journey’s myriad hits (“Any Way You Want It” is the enduring top 40 Hot 100 hit from Departure ), but it’s a gem worthy of discovery.  Listen here.

"Escape" ( Escape , 1981)

The title track from Journey’s Billboard 200-topping studio album straddled the hard rock/pomp attack of the group’s mid-‘70s output with the melodic sensibility of the Perry-Cain axis. Its five-minute length provides room for the arrangement to stretch out and flow from one song part to the next, with a crunch that was part of Journey’s palette at the time. Listen here.

"Of a Lifetime" ( Journey , 1975)

The Journey of 1973-77 was certainly a different creature than the hitmaking colossus so many know and love. The group’s initial lineups flexed instrumental muscles, smoothly knitting together a number of styles more interested in the journey (ba- dum ) than any commercial destination. The first track from its first album is a prototype, leaning into blues, psychedelic rock and a touch of Latin, with the first of what would become many standout Schon solos, and a tuneful sturdiness delivered by Rolie’s soulful vocal. Listen here.

"Faithfully" (Frontiers , 1983)

The melody of this top 20 Hot 100 hit came to Cain in a dream on a tour bus, and his paean to the struggle between home and the road was written in a half-hour. The result was a swoon-inducing ballad tailor-made for a sea of lighters (back then) and cellphone flashlights (now), capturing one of Perry’s best recorded performances and one of Schon’s most inspired solos. One of its great side stories is that Prince contacted Cain after he wrote “Purple Rain,” concerned that it might be too similar to “Faithfully.” Cain determined it wasn’t, but joked to Billboard that, “After seeing what it became, I should have asked for a couple of points….”

"Ask the Lonely" (single, 1983)

Recorded for Frontiers , this one wound up in the romcom Two of a Kind (starring the Grease duo of John Travolta and Olivia Newton-John) and rocked its way to No. 3 on the Mainstream Rock Airplay chart. Like “Only the Young,” which wound up in Vision Quest two years later, it showed that Journey was on roll – and well-suited for big soundtrack moments. Listen here.

"Who's Crying Now" ( Escape, 1981)

The best of Journey’s swoon songs — started by Perry while driving into Los Angeles and finished with Cain — has a subtlety and dynamic build that sets it apart from the many others of its ilk they’d create. The verse slips into the chorus with a soulful ease, and Schon’s guitar accents deftly build up to his searing solo at the end. The Escape single reached No. 4 on the Hot 100. Listen here.

"Feeling That Way" ( Infinity , 1978)

If fans at the time wondered how Steve Perry and Gregg Rolie would co-exist, this was the answer — an ebb-and-flow tradeoff that proved they could complement each other as lead singers as well as harmonize smoothly together (first evidenced by Infinity ‘s lead track “Lights”). Its medley-like pairing with the next track, “Anytime,” was gravy that would become a motif on the next few Journey albums. Listen here.

"Just the Same Way" ( Evolution , 1979)

Journey’s fifth album had a punchier sound than Infinity — though they shared producer Roy Thomas Baker — which worked to the benefit of the album’s first single. Led by Rolie’s piano and muscular lead vocal, with Perry responding on the choruses and bridge, it reached No. 58 on the Hot 100 in 1979. In a perfect world this would have been as big as anything from Escape or Frontiers, but it’s still a convincing introduction to the Rolie era of the band. Listen here.

"Don't Stop Believin'" ( Escape , 1981)

More than a billion Spotify streams, a Library of Congress National Recording Registry placement and plays at virtually every sporting event around the world don’t lie — this one is Journey’s pinnacle of success. Created during a rehearsal at the group’s warehouse HQ in Oakland, Calif., it gave us the “streetlight people” of Hollywood’s Sunset Strip and put the non-existent South Detroit on the map. And it saves the chorus for the song’s end, after the guitar solo. A cross-generational hit? Believe it, gleefully.

"Stone in Love" ( Escape , 1981)

Schon reportedly called this “Stoned in Love” when he wrote the riff, and it’s certainly an addictive track that’s the best roll-down-the-windows-and-crank-it-up Journey fix you could ask for — not to mention a frequent show opener. A No. 13 Mainstream Rock Airplay hit in 1981, the song is practically a deep cut today. But its anthemic chorus is a spirit-lifter and the dynamic breakdown that segues into the song-closing guitar solo harks back to the ambitious musicality of the first few albums. “Stone” is a gem that still shines bright. Listen here.

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The Best Journey Songs Of All Time

What is Journey's biggest hit? Here are the best Journey songs of all time, ranked by fans everywhere. Journey are indisputably known as one of the greatest rock bands to ever walk the Earth, with former lead singer Steve Perry even crowned "the voice" by many industry moguls. Established in San Francisco, CA, in 1973, Journey has sold out countless concert tours worldwide throughout their five decade career. The arena rock band's legendary music and unparalleled performance style ultimately led to their Rock & Roll Hall of Fame induction in 2017. Some of Journey's top songs include "Don't Stop Believin'" ( Escape , 1981), "Any Way You Want It" ( Departure , 1980), "Lights" ( Infinity , 1978), "Separate Ways (Worlds Apart)" ( Frontiers , 1983), and "Wheel In The Sky" ( Infinity , 1978).

From their new and latest music to their older popular songs, this Journey playlist features all of their greatest hits, according to the fans. Do your favorite Journey songs crack the top 10? Vote up the best songs by Journey, and don't forget to show their underrated tracks love as well.

Don't Stop Believin'

Best Lyrics:

Strangers waiting Up and down the boulevard Their shadows searching in the night Streetlights, people Living just to find emotion Hiding somewhere in the night

Stone in Love

In the heat with a blue jean girl Burning love comes once in a lifetime She found me singing by the rail road tracks Took me home, we danced by the moonlight

Those summer nights are calling Stone in love Can't help myself, I'm falling

Feeling That Way

Opened my eyes to a new kind of way All the good times that you saved Are you feeling You feeling that way too Or am I just Am I just a fool

When the lights go down in the City And the sun shines on the bay Ooh, I wanna be there in my City, oh Oh, oh, oh

Wheel in the Sky

Winter is here again, oh lord Haven't been home in a year or more I hope she holds on a little longer Sent a letter on a long summer day Made of silver, not of clay I've been runnin' down this dusty road

Wheel in the sky keeps on turnin' I don't know where I'll be tomorrow

And being apart ain't easy on this love affair Two strangers learn to fall in love again I get the joy of rediscovering you Oh girl, you stand by me I'm forever yours, faithfully

Separate Ways (Worlds Apart)

Someday, love will find you Break those chains that bind you One night will remind you How we touched and went our separate ways

If he ever hurts you True love won't desert you You know I still love you Though we touched and went our separate ways

Send Her My Love

Callin' out your name I'm dreamin' Reflections of a face I'm seein' It's her voice That keeps on haunting me

Send her, send her my love Roses never fade Memories remain

Any Way You Want It

She said, any way you want it That's the way you need it Any way you want it

I was alone I never knew What good love could do Ooh, then we touched Then we sang About the lovin' things

Only the Young

Shadows of a golden age A generation waits for dawn Brave carry on Bold and the strong

Only the young can say They're free to fly away Sharing the same desire Burnin' like wildfire

Who's Crying Now

One love, feeds the fire One heart, burns desire I wonder who's crying now? Two hearts, born to run Who'll be the lonely one? I wonder who's crying now?

Ask The Lonely

You've got some fascination With you high expectations This love is your obsession Your heart, your past possession Let down your defenses Won't be up to the one who cares

Touchin', Lovin', Squeezin'

It won't be long, yes, till you're alone When your lover, oh, he hasn't come home 'Cause he's lovin' who he's touchin', he's squeezin' another

He's tearin' you apart Ooh, every day, every day

Just The Same Way

Take a chance now the timing's right. You're free to leave the key to my life. Stay with me. Won't you stay the night, In the mornin' feelin' fine, yeah.

That's the same way you love me. 

Girl Can't Help It

If he could hold her, so close in his arms again If she could show him The letter her heart forgot to send why They're livin' dreams on their own Ooh they'll never stop running

The girl can't help it, she needs more He hasn't found what he's lookin' for They're still standing in the rain He can't help it, and she's just that way

Still They Ride

Spinning 'round, in a spell It's hard to leave this carousel 'Round and 'round And 'round and 'round

Still they ride, on wheels of fire They rule the night Still they ride, the strong will survive Chasing thunder

Be Good To Yourself

Runnin' out of self-control Gettin' close to an overload Up against a no win situation Shoulder to shoulder, push and shove I'm hangin' up my boxin' gloves I'm ready for a long vacation

Be good to yourself when, nobody else will Oh be good to yourself You're walkin' a high-wire, caught in a crossfire

I'll Be Alright Without You

I'll be alright without you Oh love's an empty face, I can't replace (You don't need it) People wonderin' why we broke apart The great pretender here I go again These things I do (It's all because of you) I'll keep holdin' but I'll try (Try not to think of you)

Mother, Father

Through bitter tears And wounded years, those ties Of blood were strong So much to say, those yesterdays So now don't you turn away.

Hey, mother, father, sister Hey, come back, tryin', believein' Hey, mother, father, dreamer

The Party's Over (Hopelessly In Love)

So I will tell you this, Our love is in a fix. Just what more can I do. When I'm hopelessly in love with you?

When You Love A Woman

When you love a woman You see your world inside her eyes When you love a woman (Well) You know she's standing by your side A joy that lasts forever There's a band of gold that shines Waiting somewhere, oh, yeah

After The Fall

But a head strong stubborn man Only works it out the best he can Valentines he never sent There's not enough time he's a working man

Can't stop falling Heartaches calling Finds you after the fall

I see your face at the movies I hear your voice on the radio You're making love on the silver screen I want you more than you will ever know Temptation...Infatuation

Suzanne, don't walk away

Why Can't This Night Go On Forever

Lost in twilight, the memories Precious moments, you and me We've been old friends, all through the years Picture postcards, sharing tears

What's in our hearts, there's never time, to say Need you tonight, lover don't fade away I've seen your city lights As I walk away Why can't this night...go on forever

After All These Years

A faded wedding photograph You and me in our first dance Our eyes are closed We're lost in one sweet embrace Since those days the world has changed But our love remains the same God knows we've had our share of saving grace

Where Were You

I didn't know what the hell was goin' on, Someday you're gonna break. So don't try to get yourself straight, You're just a little too late.

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14 best journey songs of all time (greatest hits).

Welcome to the mesmerizing world of Journey, a band that has left an indelible mark on the landscape of rock music.

With their anthemic sound and soaring melodies, Journey has become synonymous with timeless classics that have resonated with fans for generations.

Their music has become the backdrop to countless memories, evoking a sense of nostalgia and pure joy.

So, fasten your seatbelts and prepare for an exhilarating ride as we explore the 14 best Journey songs of all time.

Get ready to sing along, feel the music coursing through your veins, and experience the power of one of the greatest rock bands in history.

1. “After The Fall”

Prepare to embark on an unforgettable musical Journey with “After The Fall”.

This timeless classic rock song by Journey captivates listeners with its emotive music and meaningful lyrics, evoking a range of emotions that resonate deeply.

The powerful vocals and captivating chords of “After The Fall” create an anthemic experience that leaves a lasting impact.

With its depiction of life’s challenges and a message of hope in the face of adversity, the song strikes a chord with listeners, inspiring them to persevere.

Whether you interpret it as a metaphorical voyage through life’s ups and downs or a literal Journey to new destinations, “After The Fall” guarantees an unforgettable experience that will stay with you long after the song ends.

2. “Any Way You Want It”

Ready to hit the road with some serious tunes?

“Any Way You Want It” is sure to get you there!

This iconic Journey song, released in 1980, is one of their greatest hits and an absolute classic.

It has become a staple of classic rock radio stations, and featured in movies, TV shows, and commercials.

The song is instantly recognizable, with its signature guitar riff and lyrics about freedom and living life on your own terms.

The combination of the heavy guitar and the lyrics make it an instant sing-along anthem, and it’s sure to inspire and energize you on the road.

3. “Send Her My Love”

“Send Her My Love” is a powerful ballad that’ll tug at your heartstrings and make you feel the emotion of the lyrics.

Written and performed by Journey, the song was released in 1983 as the lead single off the band’s Frontiers album.

The lyrics tell the story of a man who’s coming to terms with the fact that his relationship with his significant other is over.

Despite his sadness, he sends his love to her in the hopes that it’ll help her find the happiness that he can no longer provide.

The song’s heartfelt vocals and memorable guitar licks are sure to bring a tear to anyone’s eye.

4. “Suzanne”

One of Journey’s most powerful ballads, “Suzanne”, is a tender love song that captures the emotion of saying goodbye to a loved one.

The song’s lyrics are full of emotion, as the narrator expresses his sadness at having to part ways with his beloved.

The song’s melody is equally powerful, with a slow, melancholic rhythm that conveys the narrator’s sorrow.

The song’s chorus is especially poignant, as the narrator sings of his longing for his beloved to return.

The song’s message is one of hope, as the narrator expresses his faith that his beloved will come back to him.

“Suzanne” is a timeless classic that will continue to resonate with listeners for years to come.

5. “Girl Can’t Help It”

Feeling the emotion of saying goodbye to a loved one?

Then you’ll love Journey’s classic hit, “Girl Can’t Help It”, which captures those feelings perfectly.

This song has been a part of Journey’s repertoire since 1986, and it’s become a fan favorite over the years.

The lyrics tell a story of a person who’s struggling to accept a goodbye and the emotions that come with it.

The instrumentation is also a standout, with its bright, rock-tinged sound that complements the lyrics perfectly.

The combination of the lyrics and the music makes “Girl Can’t Help It” an enduring classic that captures the sentiment of saying goodbye like no other.

6. “Lovin’, Touchin’, Squeezin'”

If you’re looking for a rock anthem that’ll have you singing along, Journey’s “Lovin’, Touchin’, Squeezin'” is the perfect choice!

Released in 1979, the track was their fifth single from the album Evolution and went on to become one of their most successful charting songs.

The lyrics, written by lead singer Steve Perry and guitarist Neal Schon, are a celebration of a passionate relationship and the joys that come with it.

Musically, the song is an upbeat rock number, featuring Schon’s signature guitar riffs, a propulsive rhythm section, and Perry’s powerful vocal performance.

The song was also a live favorite, as the band often performed it with an extended instrumental break that allowed the audience to sing along.

All these elements combined make “Lovin’, Touchin’, Squeezin'” a timeless classic and an essential addition to any playlist of the greatest Journey songs of all time.

7. “I’ll Be Alright Without You”

You’ll be mesmerized by Journey’s “I’ll Be Alright Without You”.

It’s an upbeat rock anthem that showcases Steve Perry’s heartfelt lyrics and Neal Schon’s driving guitar riffs.

Beginning with an uplifting guitar riff, the song quickly builds to a powerful chorus, propelled by passionate vocals of Perry.

The lyrics speak of finding strength and inner peace in spite of heartache, as the narrator reassures them that they’ll be alright without the one they love.

The strong instrumental accompaniment, including Schon’s memorable guitar solos, punctuates the song and adds an extra layer of emotion.

“I’ll Be Alright Without You” is a song that speaks to the power of resilience in the face of adversity and is sure to leave an impression on listeners.

8. “Faithfully”

As you reminisce about the remarkable journey you’ve shared, there’s one song that perfectly embodies the essence of your voyage.

“Faithfully” by Journey, a beloved classic rock anthem, encapsulates the spirit of staying true to the journey, even during the most challenging moments.

This timeless song expresses the importance of unwavering dedication and commitment to the chosen path, instilling hope and determination to persevere, regardless of the obstacles faced.

With its captivating melody and heartfelt lyrics, “Faithfully” resonates with a sense of resilience, becoming an essential addition to any cherished collection of Journey’s greatest hits.

9. “When You Love A Woman”

You can feel the emotion of love and devotion in the powerful lyrics of Journey’s “When You Love A Woman”, a song that speaks to the joys and struggles of a relationship and the importance of cherishing every moment.

The song opens with an acoustic guitar and leads into a soaring chorus of electric guitars and drums, highlighting the passionate sentiment of the lyrics.

Steve Perry’s emotive vocal delivery is a perfect complement to the story he tells of a man so deeply in love that he would do anything to make the woman in his life happy.

As the lyrics suggest, when you truly love someone, it’s not just an emotion but a commitment that requires hard work and effort, and the song captures this sentiment beautifully.

Throughout the song, the band builds the energy to a crescendo, culminating in a powerful guitar solo that encapsulates the passionate nature of the song.

“When You Love A Woman” is an iconic Journey song that celebrates the highs and lows of a meaningful relationship.

10. “Only The Young”

As you continue your journey, you may find yourself wanting to take a break and reflect on the experiences you’ve had so far.

One song that can help you do that is “Only The Young” by Journey.

This song is a powerful reminder that life is short and that we should make the most of it while we can.

The lyrics are full of hope and optimism, encouraging us to take risks and live life to the fullest.

The song also has a strong message of resilience, reminding us that no matter what life throws at us, we can always find a way to keep going.

With its uplifting message and catchy melody, “Only The Young” is sure to be one of the greatest Journey songs of all time.

11. “Don’t Stop Believin'”

Experience the power of resilience and hope with Journey’s classic hit “Don’t Stop Believin'”!

Let its uplifting message and catchy melody motivate you to keep going and make the most of life.

With its iconic opening guitar riff and Steve Perry’s powerful vocals, “Don’t Stop Believin'” is a timeless classic that has been inspiring people for decades.

The song’s lyrics are a reminder to never give up and to keep striving for your dreams, no matter how difficult the journey may be.

The song’s message of hope and perseverance is one that resonates with people of all ages and backgrounds, making it one of the most beloved songs of all time.

12. “Separate Ways (Worlds Apart)”

Continuing with the theme of Journey songs, let’s take a look at one of their bigger hits, “Separate Ways (Worlds Apart)”.

This song was released in 1983 and has become one of the band’s most recognizable anthems.

It features a driving beat and memorable lyrics about the pain of separation and the hope that a broken relationship can still be saved.

Through its chorus, it conveys a sense of determination and resilience in the face of adversity.

It’s a song that speaks to anyone who has experienced a personal tragedy and is sure to be a classic for generations to come.

13. “Who’s Crying Now”

With its powerful, emotive lyrics, “Who’s Crying Now” is a song that captures the heartache of love lost and the bittersweet realization that it may never be regained.

The song was released by the band Journey in 1981.

It details the emotional roller-coaster of a break-up and the pain of having to accept that love can be fleeting.

The lyrics explore the idea that even after a relationship has ended, both parties still feel the pain of the breakup, with neither one having the courage to make the first move toward reconciliation.

The song’s upbeat yet melancholy tone perfectly captures the feeling of a broken heart, making it one of the most poignant and memorable songs in all of music.

14. “Open Arms”

“Open Arms” is a beautiful ballad that captures the longing for a lost love, and the hope that one day they’ll be reunited.

Performed by the band Journey and written by Jonathan Cain and Steve Perry, the song is a classic example of how a simple melody can be used to express such powerful emotion.

Its lyrics are deep and meaningful, as they evoke the feelings of sadness and loneliness that come with a broken relationship, but also the joy and optimism of reuniting with a lost loved one.

The song is also musically powerful, with its slow and gentle rhythm and the soaring guitar solos that give the piece its signature sound.

“Open Arms” is an enduring classic that will remain a staple of Journey’s greatest hits for many years to come.

Best Journey Songs – Final Thoughts

You can’t go wrong with any of these 14 best Journey songs of all time.

Whether you’re singing along to “Don’t Stop Believin'” or getting lost in the emotional ballad of “Open Arms”, these songs are sure to take you on a musical journey.

They’ve each stood the test of time and remain some of the greatest hits in rock history.

So grab some headphones and take a journey with these timeless classics.

You won’t regret it.

Put on your favorite song and let the music take you away.

It’s time to experience the beauty of Journey’s music and all it has to offer.

You may also like: Best Rock Songs of All Time

Will Fenton

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Ranking All 52 Journey Songs From the ’80s

Journey moved more than 6 million albums in America in the '70s, most of them after Steve Perry joined in time for 1978's Infinity . Not bad.

Then their second proper studio album of the following decade, 1983's Frontiers , sold more than that all but itself. By then, however, they'd amassed so much commercial momentum that this LP was actually considered something of a letdown.

Journey kicked off the '80s with a trio of very different farewell projects as co-founder Gregg Rolie left the band. The Top 10 hit Departure arrived first as a proper studio album, selling three million copies. Journey followed that with Dream, After Dream (a little-heard largely free-form import movie soundtrack) and Captured , a double-platinum Top 10 live sendoff with two new songs.

Then Jonathan Cain supercharged the band's more recent pop-leanings, bringing along a new sensibility (and a song idea for their highest-charting single). Perry was still their honeyed frontman and Neal Schon was still their soaring guitarist – but something fundamental had changed.

READ MORE: Top 10 Post-Steve Perry Journey Songs

The chart-topping Escape proceeded to reel off three Top 10 hits, while moving a career-best 10 million copies in the United States alone. Prior to that, they'd never had a song go higher than the No. 16 finish for 1979's "Lovin', Touchin', Squeezin.'"

Journey couldn't quite reach those heights again, concluding the decade with 1986's double-platinum Raised on Radio . But they still spun off four more Top 20 hits.

Along the way, they issued a little more than 50 proper songs in the '80s, including B-sides, bonus tracks and stand-alone releases. Here's how they ranked, with comments and insight from my new Amazon best-selling rock and pop band bio, Journey: Worlds Apart : No. 52. "Back Talk" From: Frontiers (1983)

This song almost single-handedly kept Frontiers from becoming Journey's best '80s album . That's enough to earn this spot. No. 51. "Departure" From: Departure (1980)

Pretty but insubstantial, this brief instrumental was tucked into the middle of co-founding member Gregg Rolie's last proper studio effort with Journey. No. 50. "I'm Cryin'" From: Departure (1980)

Steve Perry usually had a canny ability to convey emotion. "I'm Cryin'," however, slipped off into abject mawkishness. No. 49. "Positive Touch" From: Raised on Radio (1986)

The demos for this album were completed with a click track rather than in a room together as Journey had typically done in the past. That left drummer Steve Smith to either copy these metronomic sounds – heard to teeth-grating effect on "Positive Touch" – or to stay home. Partway through the sessions, it became the latter. No. 48. "Liberty" From: Time3 (1992)

A Frontiers -era leftover for those who wondering what Journey would sound like as a country band. No. 47. "Troubled Child" From: Frontiers (1983)

Another Side Two dud. Replace this with "Only the Young" or "Only Solutions," and all is forgiven.

No. 46. "Happy to Give" From: Raised on Radio (1986)

Perry had trouble nailing the vocal on this too-atmospheric ballad, which should have told them something. (In fact, it got to the point where Cain started calling "Happy to Give" Perry's "pet song.") It's understandable: "Happy to Give" grew out of a soundtrack idea Cain had, and it sounds like it. Journey never played the song live. No. 45. "La Raza Del Sol" From: B-side of "Still They Ride" (1981)

The song's heart is in the right place, as Cain finds inspiration in the plight of immigrant California farm workers. Unfortunately, that narrative is surrounded by a meandering music bed that sounds like a rightly discarded leftover from their pre-Perry days. No. 44. "Mother, Father" From: Escape (1981)

An overwrought, understandably disjointed song that was pieced together from two separate ideas by Perry and Schon, then completed with another interlude written by Schon's dad. No. 43. "All That Really Matters" From: Time3 (1992)

Jonathan Cain took over the mic for this Frontiers outtake, returning to a sound that's more in keeping with his earlier tenure in the Babys . That's fine, but it's not Journey. No. 42. "Homemade Love" From: Departure (1980)

Despite discovering a newfound chart prowess, Journey was still prone to longing looks back to their earliest musical excesses. In keeping, this sludgy, clumsily salacious song couldn't have sounded more out of place on Departure . Positioning "Homemade Love" as the album-closing song made even less sense. No. 41. "Dixie Highway" From: Captured (1981)

"Dixie Highway" sounds like what it was: a throwaway track written on Journey's tour bus while traveling the eponymous interstate into Detroit. It was perhaps interesting enough to be tried out live, but not interesting enough to make it onto a studio album.

No. 40. "Keep On Runnin'" From: Escape (1981)

A pedestrian rocker, "Keep on Runnin'" is the only stumble on Side One of Journey's biggest-ever selling album. No. 39. "Dead or Alive" From: Escape (1981)

The second of two throwback-style songs on Escape that seek to approximate Journey's more rugged, fusion-leaning '70s-era, and the lesser of the pair. That "Dead or Alive" came directly after the too-similar "Lay It Down" didn't do the song any favors, either. No. 38. "Escape" From: Escape (1981)

Cain and Perry are credited as co-composers, but the title track from Escape still feels like the first of what became a series of not-always-successful attempts by Neal Schon to balance Journey's new knack for balladry with ballsier rock songs. That's certainly the role it played in contemporary setlists after he became the band's sole remaining original member. No. 37. "Line of Fire" From: Departure (1980)

A perfunctory rocker best remembered for a sound effect at roughly the 2:10 mark that Perry cribbed from Junior Walker's chart-topping 1965 R&B hit "Shotgun ." No. 36. "Precious Time" From: Departure (1980)

Rolie adds a gurgling harp squall, but not much else stands out.

No. 35. "Lay It Down" From: Escape (1981)

Steve Smith approximates early drummer Aynsley Dunbar's thudding, heavy-rock approach while Schon swirls into the stratosphere on one of two songs from Escape that could have seamlessly fit into a Rolie-era album. No. 34. "Chain Reaction" From: Frontiers (1983)

Schon finds a fusible groove, then joins Perry for a gutty vocal interplay. But "Chain Reaction" ends up getting lost somewhere along the way. No. 33. "Once You Love Somebody" From: Raised on Radio (1986)

They tried for a bluesy feel on a song echoing the relationship troubles that both Perry and Cain were then experiencing, but there's simply not enough grit to this. No. 32. "Natural Thing" From: B-side of "Don't Stop Believin'" (1981)

Your average classic rock radio-loving fan might not peg Steve Perry as a died-in-the-wool R&B guy who can totally pull off this sometimes very un-Journey style. Tell them to start here. No. 31. "Rubicon" From: Frontiers (1983)

This song drove a seemingly permanent wedge in the band. Schon said he was playing "Rubicon" when Perry walked over and turned down his amp . He argued that fans wanted to hear his voice rather than all of those guitars. They put out only two more albums together, and it took them 13 years to do it.

No. 30. "Frontiers" From: Frontiers (1983)

The second-best song on this album's deflating flip side. Singing in a clipped, coolly detached tone, Perry offers a great put-down for heartless generals and politicians: " War is for fools; crisis is cool ." No. 29. "It Could Have Been You" From: Raised on Radio (1986)

Schon's riffy contributions work in brilliant counterpoint to Perry's poignancy, underscoring why this partnership meshed so easily – and so well. No. 28. "Where Were You" From: Departure (1980)

There's a reason Journey opened their concerts with "Where Were You" for so long. It simply crackles with energy. They were just coming off an opening gig with AC/DC at this point, and the headliner's knack for outsized, riffy rockers obviously rubbed off. No. 27. "Little Girl" From: B-side of "Open Arms" (1981)

"Little Girl" was the the only proper song from 1980's Dream, After Dream , a soundtrack that's not part of the band's main catalog since it's otherwise filled with incidental music for a now-forgotten foreign film. Elsewhere, the instrumentals provide an untimely restatement of their old penchant for prog and fusion, considering Journey was already on a pop-chart roll. Dream After Dream disappeared without a trace once Journey issued  Escape , and the too-often-overlooked "Little Girl" only saw U.S. release as the B-side to their "Open Arms" single. No. 26. "Raised on Radio" From: Raised on Radio (1986)

Radio holds a talismanic place in Perry's imagination for two reasons. His absent father owned a station. At the same time, it's a constant presence in the youthful places where he returns, time and time again, for creative sustenance. If things had gone another way, Perry has said he could see himself as a DJ, rather than a huge pop star. No. 25. "Ask the Lonely" From: Two of a Kind (1983)

Jonathan Cain once said Perry could write love songs in his sleep , and this only-okay leftover is an example of that assembly line-type approach. Yet, he gives his whole heart to every line. "This is my big theory on Steve Perry: Beyond being a great vocalist, I think the secret and maybe why generations connect with him is he is an empath," former Rolling Stone editor David Wild told me. By the end, "Ask the Lonely" still proves to be a better choice that most of what appeared on the back end of Frontiers .

No. 24. "Why Can't This Night Go on Forever" From: Raised on Radio (1986)

Written in tribute to their fans, "Why Can't This Night Go on Forever" moved past its quite overt "Open Arms" / "Faithfully"-style ambitions on the strength of performances by Schon and Perry.

No. 23. "The Eyes of a Woman" From: Raised on Radio (1986)

Steve Smith only appeared on three Raised on Radio tracks, but that doesn't mean he didn't have an undeniable impact. His anticipatory rhythm builds this quiet tension on the underrated "The Eyes of a Woman," as Schon's echoing chords surround the vocal. Perry has called this one of his favorite Journey songs, and that might be because "The Eyes of a Woman" is one of the very few here that fully recalls their Escape / Frontiers -era midtempo sound.

No. 22. "Suzanne" From: Raised on Radio (1986)

If Steve Perry sounds a little overwhelmed on the second single from this album, there's a reason for that. This No. 17 hit was written in tribute to an actual crush – framed as a fantasy encounter with a film star who also had a singing career. He never revealed her name.

No. 21. "Edge of the Blade" From: Frontiers (1983)

Side Two of Frontiers gets off to a roaring start. Buckle up, though. As things progress, you're in for a bumpy ride.

No. 20. "Be Good to Yourself" From: Raised on Radio (1986)

A throwback Top 10 rocker, "Be Good to Yourself" had little in common with the sleeker, more adult-contemporary feel found elsewhere on Raised on Radio . It didn't make for the most representative lead single, but manager Herbie Herbert insisted – because "Be Good to Yourself" sounded the most like Journey on their previous two albums.

No. 19. "I'll Be Alright Without You" From: 'Raised on Radio' (1986)

Schon, who earned a co-writing credit with Cain and Perry, told me he tried out a then-new guitar in search of a distinct sound for this song. Best known for using a 1963 Fender Stratocaster, Schon experimented with a graphite Roland 707 to see if he could get a different, more even tone. It worked: "I'll Be Alright Without You" remains Journey's penultimate Top 20 hit, followed by 1996's "When You Love a Woman." Cain, like Perry, was going through a breakup and called this track the other half of the emotions expressed in "Once You Love Somebody."

No. 18. "Only Solutions" From: Tron (1982)

Unjustly forgotten, and barely used in the film at all, the hooky "Only Solutions" would have greatly enlivened what turned out to be a letdown on Side Two of Frontiers .

No. 17. "People and Places" From: Departure (1980)

A circular vocal effect makes the song's larger point, as Perry and Schon share a vocal that examines life's maddening duality.

No. 16. "Faithfully" From: Frontiers (1983)

Journey was in the midst of a two-leg, 132-show tour in support of Escape and Jonathan Cain was feeling disconnected from his then-wife. Cain noticed the moon above their tour bus and, to him, "it looked like the midnight sun." He wrote that down then fell asleep. Upon awaking, Cain said the rest of "Faithfully" came to him in a rush. He wrote it in his own key, and that allowed Perry to explore a different vocal timbre. "'Faithfully' is to die for. I mean, Jonathan Cain's lyrics are amazing, and Steve Perry gave it everything he had," original MTV VJ Martha Quinn told me. "From the opening lines, he's just absolutely dripping with emotion. Every time you put the needle down, you can just feel it." Journey finished the song with a memorable back-and-forth between Perry and Schon, also completely unrehearsed.

No. 15. "Walks Like a Lady" From: Departure (1980)

A great example of the way Journey songs evolved in the studio. Perry brought in a rough sketch, Schon added a blues-inspired riff, then Smith picked up his brushes. All that was left to complete things was Rolie's greasy Hammond B3 groove, and he said it's one of his favorites.

No. 14. "Girl Can't Help It" From: Raised on Radio (1986)

Perry essentially took control of Journey in the run-up to this album, switching out band members for sidemen with whom he'd worked before then serving as the project's de facto producer. That led them to some song treatments that moved well away from anything Journey had done before, or since. "Girl Can't Help It," one of three Top 40 singles from Raised on Radio , was another exception. This was classic Journey, spit-shined up for a new era.

No. 13. "After the Fall" From: Frontiers (1983)

Perry began this song on the bass, perhaps an early indication of the changes in store for Journey. By the time they released 1986's Raised on Radio , Ross Valory had been replaced by Randy Jackson, later of American Idol fame. Smith departed too, but not before proving himself utterly invaluable here.

No. 12. "Good Morning Girl" / "Stay Awhile" From: Departure (1980)

Inextricably linked by their successive appearances on Departure , these two songs showcased Perry's dual gifts: "Good Morning Girl" was a fragile, impossibly beautiful ballad that emerged from a jam session with Schon, while "Stay Awhile" showed off his R&B chops.

No. 11. "Who's Crying Now" From: Escape (1981)

The initial single from Escape , a No. 4 hit, perfectly illustrates how Cain's new presence impacted Perry's writing style, then forever changed Journey. The first inklings of the track came to Perry as he was driving up to San Francisco on Route 99. But "Who's Crying Now" was a song with no real direction until Cain suggested the title. They worked out a cool b-section featuring only voice and keyboard, and their very first co-written composition was completed. "He helped me go to another place as a writer," Perry later gushed in Joel Selvin's Time3 liner notes. Inspired, Perry also fought to keep Schon's extended guitar solo on the single.

No. 10. "Someday Soon" From: Departure (1980)

The final major vocal collaboration featuring Perry and Rolie and, still, one of the more memorable for its thoughtful optimism. There were plenty of reasons for this upbeat outlook, even though "Someday Soon" appeared as Rolie exited. Departure reached the Billboard Top 10, then the band's highest-charting effort ever. Meanwhile, a subsequent, wildly successful tour was chronicled on 1981's Captured . But why weren't there more of these duets? "I didn't want to quit singing, but it got diminished, there's no doubt," Rolie told me. "I don't think Perry really liked me singing. 'I'm the singer.' Well, OK. But my answer to that is, you know, the Beatles did great with four singers. Four, right? Not one."

No. 9. "Open Arms" From: Escape (1981)

Jonathan Cain brought this to Journey after John Waite , the frontman in Cain's former band the Babys, rejected an early version. Schon didn't really want "Open Arms" either, but Perry intervened. He knew just what to do with it. "He was fascinating to write with because he's such a technician. I'd never worked with a vocal perfectionist," Cain told me. "I mean, he would memorize every line as we wrote it, then his voice — he'd put it in the register we wanted and deliver it how we wanted it. Steve rehearsed everything as we wrote it, so then when we got into the studio or rehearsal, he knew where it lived in his range. He was very specific about what words he wanted to say. I was kind of taken with it." That helped turn "Open Arms" a soaring paean to renewal. Oh, and Journey's highest-charting single ever.

No. 8. "Still They Ride" From: Escape (1981)

Cain and Schon earned co-songwriting credits on the lonesome "Still They Ride," and Steve Smith showed off an accomplished dexterity. But this song belonged in no small part to Perry. Its main character, Jesse, never left the town of his youth, and still drives through its darkening streets looking for some connection. Perry has admitted that this dreamer who refuses to give up on his youthful reverie works as a metaphor for himself. If you'd found yourself in mid-century Hanford, California, you might have seen Journey's future singer doing the same thing. Along the way, a touchingly emotional trip back to Perry's San Joaquin Valley youth showed that the seemingly ageless Escape could still produce a Top 20 single, more than a year after its release.

No. 7. "The Party's Over (Hopelessly in Love)" From: Captured (1981)

"After I left," Gregg Rolie told me, "it became more pop rock. It was a little heavier when I was in it." That transformation started with "The Party's Over," a Top 40 studio song tacked onto a live project which marked Rolie's exit. Journey's original keyboardist doesn't even appear on the track. Instead, the session featured Stevie "Keys" Roseman, who was later part of VTR with Ross Valory and George Tickner. He'd been working on a later-shelved project with Tickner, Valory and Schon in the next studio. He still hopes to have the old masters "baked so they can be released in some format," Roseman told me. "Neal played a couple of unbelievable solos that still need to be heard."

No. 6. "Stone in Love" From: Escape (1981)

Schon had a tape recorder going while he fooled around with the guitar during a party at his house in San Rafael. Perry and Cain did the rest. "Stone in Love" subsequently charted in the U.K., but never appeared on the main Cashbox or Billboard charts in America. After the release of "Open Arms" and "Still They Ride," however, it provided a welcome reminder that Journey had not given themselves completely over to balladry.

No. 5. "Separate Ways (Worlds Apart)" From: Frontiers (1983)

Cain and Perry looked on, feeling a little helpless, as Valory and Schon endured painful divorces. "There's got to be a more soulful way of looking at this," Perry countered in the Time3 liner notes. Just like that, the pair had the makings of the Top 10 opening single from Frontiers . "Separate Ways (Worlds Apart)" so energized Journey that they began performing it onstage before Perry had completely learned the words. Then they filmed a video that sharply divided some fans. "Rock aficionados may have said, 'Oh, that was cornball,'" Martha Quinn told me. "Well, ask people that are still doing send-ups today, down to every last camera angle. Those people love that video. That's something else you couldn't have predicted that would have stood the test of time — but it has. People love it."

No. 4. "Send Her My Love" From: Frontiers (1983)

One of four Top 40 hits found on the album, the lonesome No. 23 anthem "Send Her My Love" is notable for an ambient turn by Schon (he used a high-end Lexicon 480L echo unit) and perhaps the most intriguing drumming contribution on Journey's string of familiar ballads from Steve Smith. A jazz lover who later founded his own combo, Smith added a slyly involving polyrhythm lifted from Miles Davis' "In a Silent Way." "The drummer on that was Tony Williams," Smith told me, "and he played quarter notes with a cross-stick on the snare drum — a very hypnotic groove." Same here.

No. 3. "Only the Young" From: Vision Quest (1985)

Another song that, had it been included, might have pushed Frontiers past Escape as Journey's best Cain-era album. Instead, "Only the Young" appeared much later on this soundtrack, and by then Kenny Sykaluk – a 16-year-old fan suffering from cystic fibrosis – had already died after becoming the first person to hear it . The song is now credited with bringing Journey back together after a period of solo projects. "Only the Young" eventually opened every concert on Journey's subsequent tour, too. Still, it will be forever associated with Sykaluk's brave fight.

No. 2. "Any Way You Want It" From: Departure (1980)

Perry said the vocal and guitar interplay on "Any Way You Want It" was inspired by the performances of Phil Lynott , after Thin Lizzy opened for Journey. So, Perry sang "she loves to laugh," and Schon responded with a riff. Perry sang "she loves to sing," and Schon responded again. Then "she does everything" led into another guitar riff — just like Thin Lizzy might have. Perry and Rolie then brought a tight focus to the bursts of shared vocals that close things out, fashioning Journey's second-ever Top 40 hit – but not before Rodney Dangerfield's character in Caddyshack broke out in a hilariously awkward dance as "Any Way You Want It" blared out of a golf bag radio.

No. 1. "Don't Stop Believin'" From: Escape (1981)

It wasn't the biggest song of the year. In fact, "Don't Stop Believin'" finished at No. 72 on Billboard magazine’s year-ending Hot 100 singles of 1982. It wasn’t even the biggest song from Escape , which spun off not one but two songs that finished higher on the charts. It didn’t have a typical song structure, not referencing the title until 3:22 in, after three verses, two pre-choruses, and some abbreviated instrumental passages. It's set in a place — South Detroit — that doesn’t actually exist. So how did this become Journey's defining moment? "Who wants to keep believing? That would be everybody, you know?" Jonathan Cain told me. "And I think it's a certain song in uncertain times. You have this certainty about that song, and it has this rhythm to it that's just very assuring and very sure of itself. From the beginning piano line, it speaks — and it speaks to hope. I think people are looking for hope."

Nick DeRiso is author of the Amazon best-selling rock band bio 'Journey: Worlds Apart,' available now at all major booksellers' websites .

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Gallery Credit: Nick DeRiso

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Taylor Swift Shares Emotional New Lyrics From The Tortured Poets Department

The singer’s 11th studio album will debut later this month

As we anxiously await the April 19 release of her 11th studio album, The Tortured Poets Department , the singer made sure to give us a sneak peek, sharing lyrics from an upcoming track.

They read: “Crowd goes wild at her fingertips, half moonshine, full eclipse.” It is absolutely not a coincidence that she dropped these lines on Monday, the same day the solar eclipse took place, but we will have to wait 10 more days to discover their true meaning.

Swift’s reveal comes a couple of days after she released a five-part playlist on Apple Music composed of tracks from her own catalog and chronicling the five stages of heartbreak: denial, anger, bargaining, depression, and acceptance.

On the denial playlist, the pop star includes hits like “Lavender Haze” and “Treacherous (Taylor’s Version).” She explained: “This is a list of songs about getting so caught up in the idea of something that you have a hard time seeing the red flags, possibly resulting in moments of denial and maybe a little bit of delusion. Results may vary.”

Swift announced the release of The Tortured Poets Department at the 2024 Grammys in February. “Okay, this is my 13th Grammy, which is my lucky number—I don’t know if I had ever told you that,” she joked onstage, accepting her award for Best Pop Vocal Album, for 2022’s Midnights . “I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years, which is that my brand-new album comes out on April 19. It’s called The Tortured Poets Department .”

The album is believed to be a musical journey through her stages of grief following the end of her relationship with ex Joe Alwyn —a theory that was only strengthened when Swift released the track list , which features song titles like “So Long, London,” “My Boy Only Breaks His Favorite Toys,” “But Daddy I Love Him,” “I Can Fix Him (No Really I Can),” “loml,” “I Can Do It With a Broken Heart,” and “The Smallest Man Who Ever Lived.”

Rosa Sanchez is the senior news editor at Harper's Bazaar, working on news as it relates to entertainment, fashion, and culture. Previously, she was a news editor at ABC News and, prior to that, a managing editor of celebrity news at American Media. She has also written features for Rolling Stone, Teen Vogue, Forbes, and The Hollywood Reporter, among other outlets. 

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Rock Wars: Journey says “Don’t stop Believin'.” John Mayer has a better idea.

If you want to know what’s really going on in the world, one of the best places to look is in the lyrics of popular songs. Not the moon-June stuff that corporate radio feeds America every day, but real lyrics about real subjects. 

Right now, though, who speaks with this kind of ambition in his or her popular song lyrics? With desperate refugees with no place to live, lone-wolf terrorists blowing stuff up and billionaire wage thieves running amok around the globe, does any contemporary rock writer tackle subjects like those? Or is it just party-down and getting even with heartbreakers? Anyone?

OK, there is one writer but don’t laugh when I tell you who. The troubadour in question is the unlikely John Clayton Mayer. Not the current version, famous for saying awkward things in interviews, but the John Mayer from his first two Columbia releases, when he wrote about real, “heavier” subjects. 

In those cuts, Mayer made a lot of points with his lyrics. He made the connection between lousy fathers and unhappy daughters. He popularized the term “quarter-life crisis.” And he pointed out that the world was an agreed-upon fabrication. “There’s no such thing as the real world,” he wrote in “The Real Thing,” “just a lie you have to rise above.”

But Mayer’s most compelling lyric from that era is especially relevant today. The song is called “Belief” from the album “Heavier Things” and talk about meaty lyrics: In the song Mayer expresses doubts that people’s opinions can ever be changed because of “something someone yelled real loud one time,” and whether one’s mind could be changed “by words on a sign.” He says no, at least he can’t remember a time that ever happened in the real world. 

The belief-cake is already baked, he seems to say. And that may not be good. Mayer warns that if everyone “believes,” it is going to be difficult to argue with anyone logically. 

Minds that are rigid can protect you, he admits, in an ignorance-is-bliss subtext, but getting another true believer to believe what you believe is like “punching under water,” not reliably effective. Maybe, he argues, it’s a matter of chemistry of the brain that solidifies these beliefs, in which case, well, the less we sing about it the better.

All of this discussion matters very much today. Contemporary ideologues who see everything through a particular belief system, whether it’s religious, political or both, are using up precious time we could be using to solve our problems and, in fact, may be making things worse: “We’re never gonna win the world; we’re never gonna stop the war,” he says. “We’re never gonna beat this if belief is what we’re fighting for.” 

Those calling for Civil War or a holy one, for example, or relying on one political philosophy to fit all situations, are all talking past one another. And worse news, the costs of being inflexible are soaring. 

Mayer ends the song by asking “What put a hundred thousand children in the sand?” and, killer phrasing here: “What put a folded flag inside a mother’s hand?” It’s belief. It’s knowing absolutely that you are right and have the answer and there is no need to listen to anything else.

As Mayer writes, we’ll never win in that situation. It may not be much of a battle hymn, but at least let’s hope it’s catchy.

Stewart Weiner is a longtime west coast writer and editor and publisher of the art book “RadioEYES: Great Rock Lyrics Set to Art.” He can be reached at  [email protected]

Taylor Swift built an empire on relatable lyrics. Will her billionaire status change that?

For Swifties, it was never a matter of if Taylor Swift would become a billionaire, but when.

In its  latest rich list, Forbes estimates Swift has a $1.1 billion fortune and says the megastar is the first artist to achieve billionaire status solely from songwriting and performing.

Other artists who have hit the milestone – including Rihanna and Jay-Z – earned their massive wealth in part thanks to fashion and cosmetics brands, alcohol companies or entertainment holdings.

In mere weeks Swift will treat her fans to yet another album – The Tortured Poets Department – which will fuel another merchandising spectacle.

But by building an empire on her vulnerable lyrics and "big sister" persona, will Swift's new billionaire status impact how Swifties relate to their idol?

The (super rich) girl next door

"Taylor has an amazing relationship with her fans, or at least an amazing illusion of a relationship with her fans," says Georgia Carroll, who holds a PhD in Sociology from the University of Sydney where she specialised in fandom.

"It's something she's cultivated since the earliest days of her career, where she's really presented herself as not quite a girl next door, but kind of as the aspirational big sister or cool friend who is going through the same things as you are."

Swift's sprawling discography captures the plethora of emotions and experiences, from the giddiness of first love (Fearless, Speak Now) to the rollercoaster that is your 20s (Red, 1989) to darker, more adult themes (Reputation, Midnights).

"She's taken her fans on this lifelong journey where it does feel as though you're kind of getting this peek into her life and her diary, which really builds a connection with her fans," Dr Carroll says.

This all feeds back into the concept of parasocial relationships, which is, as Dr Carroll explains, "anytime a fan feels as though they know a celebrity because of messages through the media, from social media and, in Taylor's instance, through her music."

"So you feel as though you actually know her even though she's a stranger."

'You can see those dollar signs rolling in'

Since 2019, Swift has released eight albums – four being re-releases – and her next album is due out this month.

In 2023 her Eras Tour hit the $1 billion mark after selling a staggering 4.35 million tickets across 60 tour dates, according to the Associated Press.

To add to its success, the concert film grossed a further $261 million worldwide and secured the highest opening weekend for a concert film.

For Dr Carroll, "nobody is surprised" about Swift's new billionaire status.

"It's been something that has been on the cards for quite a while especially with the Eras Tour and the Eras Tour film making her so much money and all of the stories around the records that they've broken and her economic impact," she says.

"In the last five years she's released this crazy amount of content which obviously has multiple album versions, multiple vinyl versions, merchandise alongside it.

"It's been this trajectory in the last five years, but especially the last 12 to 18 months, where you can see those dollar signs rolling in for her."

Swift's strategy of releasing limited edition versions of vinyl albums – each with a different cover, colour or bonus track – has drawn criticism over the years.

The debate fired up again this week when Billie Eilish expressed her frustration at overconsumption in the music industry.

"It's some of the biggest artists in the world making f**king 40 different vinyl packages that have a different unique thing just to get you to keep buying more. It's so wasteful," she told Billboard .

Eilish later clarified her comments and said she wasn't singling anyone out.

'Do I need to give a billionaire more of my money?'

Dr Carroll says while Swifties have a strong connection to their idol, it's the current economic environment that may have them pausing for thought rather than Swift's billionaire status.

"We have The Tortured Poets Department coming out in three weeks so that's going to come with a new wave of merchandise and then the Eras Tour is starting up again in Europe," she said.

"I think we are reaching the point where fans are kind of like, 'The cost of living is going up, my rent is increasing, my mortgage is increasing, do I need to give a billionaire more of my money?'"

"But at the same time, her fans are so connected to her and so willing to support her that they see it as their choice."

"The argument I make is that the way her marketing is structured, they are in a way manipulating the fans, but it is the fans' choice at the end of the day and the fans can say, 'You know what, I can't afford this.'

"The argument the fans make is that it makes them happy and they like supporting her."

Dr Carroll adds the biggest impact Swift's billionaire status will have is by giving critics "more of a provable backbone."

"I think it's going to just give legs to any critiques and arguments that exist and the discussions that are had by people who aren't necessarily in the fandom."

But Dr Carroll says when it comes to fans spending money, "not so much [do] they see it as supporting A Billionaire with a capital A-B".

"They see it as supporting Taylor Swift, somebody who has been there for them over the years and who has brought them joy and brought their life meaning and they want to kind of continue that relationship."

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WHERE BLACK CULTURE, COMMUNITY AND CONSCIOUSNESS MEET

Sign up for essence newsletters the keep the black women at the forefront of conversation., how ‘art, beats + lyrics’ transformed from touring art show to cultural phenomenon.

For 20 years, Art, Beats + Lyrics has captivated audiences nationwide by amplifying the voices of both renowned and emerging visual artists. To celebrate this milestone, its primary figures—Jabari Graham and Dwayne “Dubelyoo” Wright—hosted a special weekend in its home city of Atlanta, and also released the highly-anticipated film that documents the brand’s journey from day one.

Directed by independent filmmaker Bill Horace, the documentary shares an intimate look at AB+L’s two-decade-long commitment to artistic innovation and cultural diversity, highlighting the transformative power of art, music, and community. It also chronicles the respective journeys of Graham and White, and how they connected after Jabari’s first Art, Beats + Lyrics showcase at The Five Spot in Little Five Points.

A few months later, the two increased the cultural reach of Art, Beats + Lyrics in an unprecedented event at the city’s High Museum of Art. After a 3-year string of fruitful events, they were approached by Jack Daniel’s Tennessee Honey to become a sponsor—a partnership that still exists to this day. What began as an exhibition for and by creatives birthed from hip-hop culture, turned into a yearly event that has sold out venues across the country.

“We’re still working, man,” Graham says regarding the success of his traveling art show. “We’re still doing this thing. We’re still active. So it is still an everyday hustle, and we’ve still got some more shows to do and we want to try to go to 25 or even 30 years.”

“Like what Jabari’s saying, we’re in the middle—actually the first third of a tour,” White adds. “So in the midst of all the celebration, we’re like, ‘Hey, we still got a show on Saturday.’ But it is cool to see some of the people that were around when we started when they were younger. Now they’re older, more mature; they have kids—People that had kids back then, now their kids can go to the show. So it’s cool to see everything sort of come full circle on that end, because our show has become a multi-generational thing.”

Horace, who is an enthusiast for counterculture documentaries, was tapped by Vox Creative and came up with a pitch that wowed the two AB+L leads immediately. As a young Black filmmaker, being able to helm this project was a microcosm of the prime initiative of Art Beats + Lyrics itself—to provide opportunities for creatives of color that may have been overlooked for reasons oftentimes outside of their control. 

“They open doors for artists who are in a lot of cases underrepresented in galleries and in these ‘high art’ spaces, museums, etcetera,” Horace says of the brand’s impact. “They give these people, whose art in a lot of cases only exists on the streets, only exists in public forums, a platform and a gallery that’s going to travel the country. A lot of times it gets eyes on their work and gets them exposure, and a lot of times, it’s tangible.”

The director adds, “I think they really are helping to give artists a chance and opening doors for people. Creating an avenue for people, helping them out.” In addition to AB + L’s story, the film focuses on three artists—Shawn Stewart, Sydney James, and Lisette “Arrrtaddict” Correa—as they prepared for the 20th anniversary tour. These stories provided audiences with a look into the drive that the show’s artists possess, and the perseverance that it takes to succeed.

“The creative community here is one that is thriving and people are continuously working,” Graham explains. “That’s something we just wanted to show and say, ‘Hey, the creatives out here, they’re out there helping navigate their own path, whether it’s in the gallery world or outside of the gallery world or commercial or doing murals or whatever. They’re out there working, and that’s the kind of artists we have in our show.’”

During their decades-long journey, Graham and White transformed a national exhibition into so much more. Attendees can enjoy art, dance the night away, and witness performances from the seminal artists of the time, along with legendary musicians building upon their legacy. Most importantly, an AB+L show fosters community like none other. The Hulu documentary–which was released on March 29—perfectly encapsulates how the brand has evolved throughout the years, and how its producer and curator are laying the foundation for the future.

Amongst all the messaging that Art, Beats + Lyrics has to offer, its poignant, perhaps, isn’t about art at all. Applying to any walk of life, that with hard work and focused dedication, one can craft the life they want to live.

“You can make your own,” White tells ESSENCE. “Jabari says it all the time, ‘You can take a risk on yourself and have your own career.’ And that’s one of the things we want to make sure people come away with, that you don’t have to subscribe to what people tell you a career in the arts is. You can make your own career.”

Art, Beats + Lyrics is now streaming on Hulu.

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Air Supply Getting Movie Biopic Treatment With ‘All Out of Love’ (EXCLUSIVE)

By Brent Lang

Executive Editor

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Air Supply may be the latest chart-topping musical act to get the big screen treatment.

Altit Media Group said it plans to make biopic about the band that will, in a nod to one of the group’s biggest hits, be entitled,  “All Out of Love: The Air Supply Story.” The film will be released in summer 2025 to celebrate Air Supply’s 50th anniversary. Filming is set to take place in Australia and the U.K. during the fourth quarter of 2024.

Hollywood has been on a hot streak when it comes to biopics about music legends, with recent releases like “Elvis” and “Bob Marley: One Love” scoring with audiences. Studios have announced upcoming films about the Beatles and the Bee Gees, as the popularity of the genre grows.

According to the producers, “All Out of Love: The Air Supply Story” will explore “the highs and lows of the band’s career and their rise to international fame.” It follows Russell and Hitchcock, the two founding members of Air Supply, as they pursue their musical dreams, rising from humble beginnings in Australia to a breakthrough in the United States.

Altit Media Group’s Dean Altit will produce the film, with Barry Siegel, Jesse Weiner and Julia Xu serving as executive producers.

Air Supply’s Hitchcock said, “What a great occasion to celebrate our 50th Anniversary! And a personal thrill for me to see Graham’s songs be the basis for the biopic.” Air Supply’s Russell added, “We are absolutely thrilled that the Air Supply story will now be made into a biopic and set for release in 2025, the year of our 50th anniversary. The timing is so perfect.”

Altit’s producing credits include “Not Without Hope” starring Zachary Levi and Josh Duhamel, “The Misfits”   starring Pierce Brosnan and   “The Good Neighbor” starring Jonathan Rhys Meyers. He recently wrapped production on “Home Sweet Home Rebirth” starring Michele Morrone and Urassaya Sperbund, adapted from the popular video game franchise “Home Sweet Home.”

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Rupi Kaur to Publish 10th Anniversary Edition of milk and honey : ‘Incredibly Fulfilling Journey’ (Exclusive)

Kaur’s poetry collection, published when she was just 21, became one of the highest-selling poetry books of the 21st century

Baljit Singh, Cover design by Leah Meddaoui with assistance from Jessica Huang and Mahsa Sajadi

It’s been 10 years since Rupi Kaur self-published her breakthrough poetry collection milk and honey , and the writer still has more to share. Kaur is celebrating the anniversary of her collection’s initial publication with a new edition of the beloved book. PEOPLE can exclusively reveal the cover of the 10th Anniversary Collector’s Edition of milk and honey , which will be published by Andrews McMeel Publishing (AMP) this fall. Kaur wrote and self-published milk and honey in 2014 when she was just 21 years old. The book incorporated her sparse, profound prose and minimalist line illustrations and sold over 6 million copies worldwide, making it one of the highest-selling poetry books of the 21st century.

“I wanted to put this 10-year anniversary collector’s edition of milk and honey together as a thank you to my readers,” the author says in a statement. “It symbolizes the unexpected success from self-publishing as a college student a decade ago, to the incredibly fulfilling journey I’ve been on with my readers ever since.”

“I’m excited to share a brand-new chapter of poetry with this edition, and hope milk and hone y will continue to impact readers new and old, as it has for me,” she continues. The commemorative edition of milk and honey blends the old with the new, including an additional chapter of poetry and illustrations, as well as a fresh introduction by Kaur. It also features a collage of behind-the-scenes photos detailing milk and honey ’s decade-long journey and handwritten diary entries and annotations by Kaur.

Cover design by Leah Meddaoui with assistance from Jessica Huang and Mahsa Sajadi

Kaur’s success didn’t end with milk and honey . She published the poetry collections the sun and her flowers in 2017 and home body in 2020, as well as the poetry exercise book Healing Through Words in 2022. Kaur also performed works from her collections during a sold-out world tour, which was filmed for her Amazon Prime special Rupi Kaur Live .

“ This exceptional new edition is a celebration of the trajectory of the book that transformed the poetry category and has impacted so many,” says Kirsty Melville, AMP President and CEO of Andrews McMeel Universal. “We are thrilled with the opportunity to present it to readers who treasure the original milk and honey as well as to the many new readers who will eagerly anticipate its publication.” Never miss a story — sign up for  PEOPLE's free daily newsletter  to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories.  The special edition is forthcoming from Andrews McMeel Publishing on Oct. 1 and is now available for preorder .

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WWE WrestleMania 40: Seth Rollins enlists the Mummers of Philadelphia for extravagant entrance

Rollins recruited philly mainstays for his over-the-top entrance at this year's festivities.

Seth Rollins might have pulled off his most spectacular entrance yet. Rollins' flamboyant flair hit an all-time high as he strutted down the ramp at WrestleMania 40 surrounded by the Philadelphia Mummers.

Rollins recruited the iconic Philly parade performers to accompany him to the ring on Sunday night for his world heavyweight title defense against Drew McIntyre. Rollins and the folk group hit the stage dressed in traditional Mummers garb as thousands of fans sang his theme song. WrestleMania and pageantry go hand-in-hand, but this was a particularly effective WrestleMania entrance.

PHILA-FREAKIN-DELPHIA! @WWERollins arrives on #WrestleMania XL Sunday with the Mummers of Philadelphia! pic.twitter.com/mOsgCNJX2G — WWE (@WWE) April 7, 2024

The Mummers Parade is held each year on New Year's Day in Philadelphia, dating back to 1901. A surprise guest on Saturday night is very familiar with the parade and the festival. Former Eagles star Jason Kelce, who helped make the save for Rey Mysterio on Saturday night , dressed as a Mummer during the Eagles Super Bowl victory parade in 2018.

WrestleMania 40 takes place at Lincoln Financial Field in Philadelphia on Saturday and Sunday. McIntyre defeated Rollins for the world heavyweight championship in the Night 2 opening match. CM Punk attacked McIntyre afterwards, allowing Damian Priest to cash in his Money in the Bank briefcase and become world champion.

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The 5 Best Drake Songs: A Musical Journey

W elcome to a musical adventure where we explore the top 5 songs by the sensational artist Drake. His music transcends ages, touching the hearts of everyone, from kids to adults. In this journey, we'll discover why these songs are so unique and how they connect with listeners worldwide. Whether you're a long-time fan or new to Drake's music, this exploration promises to be exciting and enlightening!

"Hotline Bling" – The Phenomenon

The beat that captures hearts.

"Hotline Bling" is a song that needs no introduction. Its unique beat and memorable music video have made it an iconic part of pop culture. The song talks about the changes in a relationship, with Drake expressing his feelings in simple yet impactful words. The beauty of "Hotline Bling" lies in its relatability – it's a tune that resonates with anyone who has experienced the evolution of a relationship. Plus, its catchy rhythm makes it impossible not to sway along!

"God's Plan" – The Message of Kindness

More than just lyrics.

In "God's Plan," Drake goes beyond the usual themes of fame and success. This song stands out for its message about the importance of kindness and generosity. The lyrics and a heartwarming music video in which Drake gives back to the community create a powerful narrative. It's a reminder that being kind truly matters amidst life's ups and downs. "God's Plan is a song that uplifts and inspires.

"In My Feelings" – The Viral Sensation

A dance craze like no other.

Then, there's the unforgettable "In My Feelings." This song became a global phenomenon, sparking a viral dance challenge that swept social media. Its catchy chorus, "Kiki, do you love me?" became a line that everyone, young and old, could sing along to. The song's blend of hip-hop and bounce genres showcases Drake's ability to create a tune that's not just musically appealing but also culturally influential.

"One Dance" – The Ultimate Party Anthem

A fusion of beats.

"One Dance" is a track that instantly gets feet tapping. Its blend of Afrobeats, dancehall, and UK funky creates an irresistible rhythm. The song's energy is contagious, making it a staple on dance floors worldwide. Its global appeal lies in its fusion of different musical styles, highlighting Drake's versatility as an artist. "One Dance" celebrates music's power to unite people across various cultures.

"Started From the Bottom" – The Anthem of Perseverance

A story of resilience.

"Started From the Bottom" is an autobiographical track that charts Drake's journey from humble beginnings to global fame. This song resonates with anyone who has ever had a dream and worked tirelessly to achieve it. Its straightforward lyrics and catchy beat make it a powerful anthem of hope and determination. The song is a testament to Drake's storytelling ability, proving that music can be entertaining and inspiring.

Wrapping it up

Drake's music is more than just a collection of songs; it's a mosaic of emotions, stories, and rhythms uniquely connecting with listeners. From the catchy beats of "Hotline Bling" to the inspiring lyrics of "Started From the Bottom," his top 5 songs showcase his exceptional range as an artist. They remind us of the power of music to evoke emotions, start conversations, and bring people together.

As we wrap up our musical journey, it's clear that Drake's impact on the music world is profound. His songs are not just hits; they are cultural milestones that continue to influence and inspire. Thank you for joining me in exploring the magic of Drake's music. Stay tuned for more exciting journeys into the world of music!

The Ultimate Celebrity Investor Revealed

Travis scott net worth.

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Dragon’s Dogma 2 is all about the journey — of figuring out how to even play it

Capcom’s fantasy RPG has its flaws, but confidently overcomes them

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The blemishes of beloved video games are sometimes referred to as their “jank.” The term encapsulates things in a game that may be slightly broken or inherently peculiar — aspects that should be detrimental to the experience, but aren’t. Ideally, these broken bits are overshadowed by a game’s superior elements, be they intricate combat systems, rich stories, or unique worlds.

To call what makes Dragon’s Dogma 2 special “jank” is unfair to Capcom’s new role-playing game. But Dragon’s Dogma game director Hideaki Itsuno certainly flirts with jank in the latest incarnation of his medieval fantasy series, all in pursuit of vision . Central to that vision, Itsuno says , is “to be in a place where your destination is within sight and not too far away, yet you feel excited about the path there.”

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The path in Dragon’s Dogma 2 is its biggest draw. Travel is done almost exclusively on foot, with fast-travel options being extremely limited and slow-travel options (in an ox-driven cart) slightly less limited. What may seem like an annoyance in a modern open-world game, where convenience of travel has become the norm, eventually becomes pleasing, the way real-world hikes can be. The game world is packed with sights to see, hidden caves to explore, and hundreds of monster encounters. Curiosity has driven me to explore the game’s forests and deserts, finding new treasure and new threats, all at a light jogging pace.

The game’s sense of adventure goes beyond the geographical. It’s also a journey of reckoning with the game’s esoteric and opaque mechanics, some of which seem designed to test players’ resolve. Dragon’s Dogma 2 is not particularly difficult in the way action-RPGs like Dark Souls and Nioh are, but it is challenging in that it requires me to meet it on its terms. Figuring out its quirks makes it special; reevaluating how an open-world game can play leads to discovering its joy.

Moving through this fantasy world and uncovering its huge map, discovering hidden secrets along the way, is a big part of what makes Dragon’s Dogma 2 so intoxicating over dozens of hours. The unremarkable fantasy world of Vermund is full of threats large and small, from packs of wolves and malicious goblins to giant griffins and ogres that can be climbed in hard-fought battles. As promised by its title, there are dragons to fight too, though these battles are rare and special.

Combat drives the game ; there is a variety of battle styles to learn, from the straightforward warrior, who wields sword and shield, to more complicated vocations like magick archer, a bow-wielding spellcaster, and the trickster. Adding to the uniqueness of Dragon’s Dogma 2 ’s combat system are pawns, computer-controlled characters who will aid you in battle. Pawns are hired from other players in a sort of passive multiplayer component of the game. You may encounter and hire one on one of the many long walks you take in Dragon’s Dogma 2 , or you can enter a sort of interdimensional portal called the Rift and select one, as if you were the hiring manager at your job. Your merry little band of pawn followers have their own fighting styles and their own personalities; some are aggressively violent or driven to ransacking treasure, while others are kind and helpful, constantly coming to your aid with curatives.

Pawns add an asynchronous multiplayer element to the game that goes beyond just swapping hired hands back and forth. Through pawns, you’ll learn how other players play, what discoveries they’ve made in their worlds, and even how others treat the pawns they hire. Over the course of your adventure, your main pawn will likely be hired by someone else, and they’ll return to you with rewards for their service. Upon their return, pawns will provide you with Yelp-like reviews of the players who hired them. These are ultimately light touches in the overall experience of Dragon’s Dogma 2 , but they’re another fascinating layer in the unique construction of the game.

You’ll even get a sense of other players’ tastes by way of how they’ve customized their own pawns. A lot of them are minimally dressed and showing lots of skin, so be warned if you have delicate sensibilities. But also expect a few giggles as you look at other players’ pawns; they like to recreate celebrities — I hired “Taylor Swift” as a pawn once — and famous fictional characters. Opting into online play is a choice, though. You can forgo that option if you want, hiring only officially made pawns created by developer Capcom.

Pawns also occasionally display a bit of jank. They’ll follow you wherever you go, sometimes off the side of a cliff face, hilariously falling to their death. They’ll get caught up in battles you may not be aware of, and you’ll need to backtrack to revive them. In a fascinating game design decision, pawns can also become infected with a virus that spreads among these non-playable characters. Pawns who contract a disease known as Dragonsplague , an affliction you’ll hear about dozens of times from your chatty pawns, can lead to mass devastation in the game.

Dragon’s Dogma 2 is a strange mixture of systems. From its unique pawn mechanics to a perplexing save system , it’s not designed to be player-friendly. It rewards curiosity, and sometimes choosing the most difficult road. It has pronounced flaws: It runs at a chunky frame rate at times; the game’s map and UI are clumsy; and many mechanics and quests are poorly explained. It has jank . But it overcomes its shortcomings with confidence and vision, giving players freedom to discover the world at their pace and forge memorable and personal stories.

Early in my experience with Dragon’s Dogma 2 , I found myself exploring far from my home base, the castle town of Vernworth. The sun set and I became lost in the woods, looking for a group of monsters to cull as part of a task. I was taken by surprise by a spellcasting necromancer who commanded a small army of skeleton warriors. Over the course of a 10-minute battle, these undead foes eventually overcame us, as my character and my pawns fell one by one. I learned then that I was underpowered for such a fight, unprepared to face the deadlier nighttime monsters of Vermund’s wilderness. I learned the importance of rest, either by camping or saving my progress at an inn in one of the game’s smattering of towns.

Later, I would encounter powerful drakes and angry minotaurs who would also trounce me and my troupe. I was smashed out of the sky by a griffin as I rode a wooden gondola across a ropeway. I fought alongside a warrior named Sigmund as we battled a lesser drake atop a crumbling tower. These battles would become more memorable than the main story of Dragon’s Dogma 2 , the game’s weakest component.

Although the game’s story starts strongly, it doesn’t end up being the point. You are cast as an Arisen, a chosen one whose heart has been claimed by a dragon and who is destined to rule the kingdom of Vermund. Jailed and left to rot as a slave laborer, you then learn that someone else has laid claim to being the Arisen as part of a shadowy conspiracy, denying you your rightful place on the throne. Over the course of a few missions given to you by sympathetic believers in your destiny as the Arisen, you can eventually root out the imposter. But Dragon’s Dogma 2 ’s narrative stutters and spurts as it moves past its premise, and the story laid out by its writers meanders. By the end of the game, I had lost interest in getting my revenge and largely forgotten why I should even care about the villains who had crossed me. The smaller, more emergent stories that come from side quests and exploration compelled me, not the ultimately messy and unsatisfying plot.

By the end of the game, I had uncovered much of its huge world, increasingly discovering that there’s not much variety in the monsters that I fight. At this point, I’ve battled hundreds of goblins, dozens of bandits and harpies, handfuls of ogres, minotaurs, and cyclops. Battles have begun to feel increasingly dull as a result; it’s a huge world with too little variety in the things I fight.

It’s the exploration that kept me going, even as I almost accidentally “beat” the game before I was emotionally ready to do so. I saw the conclusion within sight, and so I retreated to take a more circuitous path. The spectacle that comes from fighting giant brass statues or talking dragons isn’t nearly as attractive as discovering a well-hidden enclave of elves — who don’t even speak my language! — or a giant sphinx armed with challenging riddles .

Dragon’s Dogma 2 is the best video game adventure I’ve experienced since Elden Ring , a far more approachable open-world game that has no doubt colored how players perceive this year’s big fantasy RPG. (It certainly did for me.) But like another FromSoftware game, the original Demon’s Souls , I found that once I had accepted Dragon’s Dogma 2 ’s peculiarities and deciphered what it was asking of me, I fell deeply in love. Dragon’s Dogma 2 awakens those old feelings of learning to overcome my expectations of what a game should be, then discovering new types of experiences along the way. That’s the best kind of journey.

Dragon’s Dogma 2 was released March 22 on PlayStation 5, Windows PC, and Xbox Series X. The game was reviewed on PlayStation 5 using a pre-release download code provided by Capcom. Vox Media has affiliate partnerships. These do not influence editorial content, though Vox Media may earn commissions for products purchased via affiliate links. You can find additional information about Polygon’s ethics policy here .

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