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A young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves. A young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves. A young man must stop the Lord of Darkness from destroying daylight and marrying the woman he loves.

• Ridley Scott
• William Hjortsberg
• 366 User reviews
• 148 Critic reviews
• 30 Metascore
• 1 win & 12 nominations total

• Meg Mucklebones

• (as Ian Longmuir)
• (as Mike Crane)
• Dancing Black Dress

• Mummified Guard
• Faerie Firelight Dancer (Director's Cut)
• All cast & crew
• Production, box office & more at IMDbPro

Six Epic Fantasy Tales You Can't Miss

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• Trivia Tom Cruise reportedly wasn't happy with the American cut of this movie and wouldn't talk about it for years because of it. He very much encouraged fans to go with the Director's Cut.
• Goofs Throughout the movie, the Unicorns have mismatched genders. It can clearly be seen when the animals rear up in the air. One example of this is when Brown Tom is guarding the "mare", and Lily trudges through the snow, frightening the horse.

Darkness : The dreams of youth are the regrets of maturity.

• Alternate versions There are at least four different versions of this picture: the original European release (94 min.), the American theatrical release (89 min.), a network TV version (94 min.) and a director's cut (113 min.)
• Connections Edited into Nostalgia Critic: Garfield: A Tail of Two Kitties (2017)
• Soundtracks Is Your Love Strong Enough Written and Performed by Bryan Ferry Produced by Rhett Davies and Bryan Ferry Mixed by Bob Clearmountain

User reviews 366

• Dec 24, 2006
• What is Legend about?
• What are the differences between the Theatrical Version and the Director's Cut?
• April 18, 1986 (United States)
• United States
• United Kingdom
• Silver Springs - 5656 E. Silver Springs Boulevard, Ocala, Florida, USA (underwater sequences)
• Legend Production Company
• Embassy International Pictures
• See more company credits at IMDbPro
• $24,500,000 (estimated)
• $15,502,112
• Apr 20, 1986
• $16,837,628

Technical specs

• Runtime 1 hour 34 minutes

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Cast & Crew

Princess Lily

David Bennent

Alice Playten

Dark and often scary '80s fantasy hasn't aged well.

• Average 5.1

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© 1985 Universal City Studios, Inc. All rights reserved.

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Rotten Tomatoes® Score

Don't let the rotten rating fool you, Legend is a cult classic with more than enough to entertain above and beyond Tim Curry's extreme makeover. This is an arthouse indulgence from Ridley Scott that may feature Tom Cruise, but still manages to impress.

Though Legend may never achieve full-on classic motion picture status, the more fleshed-out director's cut proves that Ridley Scott's lovingly-crafted fairytale always deserved better than it got from both film critics and paying audiences alike.

Legend remains a stunning faerie floss fantasy. Ninety-five minutes of lovingly crafted, 'super real' escapism.

This is a fantasy painting come to life as a movie. If you know anything about fantasy paintings, you'll also know that most fantasy paintings don't have a story or plot to them.

The film has glaring faults that cannot be overlooked so while Arrow does a superb job packaging this release, the movie itself could use a makeover.

The deficits remain as voluminous and ghastly as ever.

Legend is a disaster in a lot of ways, but it's an attractive one that's a lot more fun than many other serious movies.

It's all flash and no flesh. But in the hands of a visual director like Scott, sometimes that's enough.

Legend is not without whimsical touches, but it surely could have used more humor and invention.

You are caught up in a morality play... the deepest significance of which the makers of this PG movie are apparently betting the adolescents of America will instinctively comprehend.

Additional Info

• Genre : Fantasy
• Release Date : April 18, 1986
• Languages : English
• Captions : English
• Audio Format : Stereo

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Legend (1986) Stream and Watch Online

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Looking to watch ' Legend ' in the comfort of your own home? Discovering a streaming service to buy, rent, download, or watch the Ridley Scott-directed movie via subscription can be a challenge, so we here at Moviefone want to take the pressure off. We've listed a number of streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'Legend' on each platform when they are available. Now, before we get into the various whats and wheres of how you can watch 'Legend' right now, here are some finer points about the Embassy International Pictures, Legend Production Company, Universal Pictures, 20th Century Fox fantasy flick. Released April 18th, 1986, 'Legend' stars Tom Cruise , Mia Sara , Tim Curry , David Bennent The PG movie has a runtime of about 1 hr 34 min, and received a user score of 62 (out of 100) on TMDb, which collated reviews from 1,164 well-known users. Want to know what the movie's about? Here's the plot: "Set in a timeless mythical forest inhabited by fairies, goblins, unicorns and mortals, this fantastic story follows a mystical forest dweller, chosen by fate, to undertake a heroic quest. He must save the beautiful Princess Lili and defeat the demonic Lord of Darkness, or the world will be plunged into a never-ending ice age." 'Legend' is currently available to rent, purchase, or stream via subscription on AMC on Demand, Spectrum On Demand, Apple iTunes, Microsoft Store, Vudu, Google Play Movies, YouTube, and Amazon Video .

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LEGEND (1985) Theatrical Version

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Watch Legend

• 1 hr 34 min
• 6.3   (71,747)

Legend is a fantasy adventure movie released in 1985, directed by prolific filmmaker Ridley Scott, who directed Alien, Blade Runner, and Gladiator among others. The movie features Tom Cruise as Jack, a forest dweller who lives in a magical forest filled with fairies, unicorns, and other mystical creatures. Jack is in love with Princess Lili, played by Mia Sara, who is fascinated by the dark powers that reside in the mysterious forest.

The plot of Legend revolves around the conflict between darkness and light. The devilishly handsome Lord of Darkness, played by Tim Curry, seeks to ensnare Lili and bring about eternal night by destroying the unicorn which is a symbol of light and purity. Jack is forced to embark on a heroic quest to rescue the princess and save the world from being plunged into eternal darkness.

Legend is one of the few movies from the 1980s that solely depends on practical effects and makeup which were masterfully executed by makeup artist Rob Bottin, who also worked on The Thing and RoboCop. The stunning visuals, with a mix of practical effects, makeup, and matte paintings, create a magical and surreal atmosphere that takes the viewers on a journey through the dark and mysterious forest.

The movie's soundtrack was composed by the electronic music pioneer Tangerine Dream, which further establishes the dream-like quality of the movie. The score features haunting melodies that complement the mysterious and mythical elements of the movie. The use of traditional musical instruments and the innovative electronic sounds create a unique soundscape that matches the fantasy world depicted on screen.

The movie's cast is made up of some of Hollywood's biggest stars at the time, with Tom Cruise in the lead role. This was one of his earliest leading roles, and he played it with great energy and charm. The young and talented Mia Sara played the princess, who is naive and innocent but also has a strong sense of adventure. She balances the character's vulnerability and her determination to stand up for what she believes in. Tim Curry played the Devil, in one of his most memorable and iconic roles. His performance as the menacing Lord of Darkness, with his horned head, goat legs, and glowing eyes, is terrifying yet captivating.

Overall, Legend is a fantasy classic that is widely regarded as one of the best fantasy movies of the 1980s. With its imaginative visuals, haunting score, and strong performances, it manages to transport the viewers into a mystical world that is both enchanting and terrifying. It is a testament to Ridley Scott's cinematic vision, which combined with the brilliant makeup, music, and storytelling, results in a movie that truly stands the test of time.

Legend is a 1986 adventure movie with a runtime of 1 hour and 34 minutes. It has received mostly poor reviews from critics and viewers, who have given it an IMDb score of 6.3 and a MetaScore of 30.

• Genres Adventure Fantasy
• Cast Tom Cruise Mia Sara Tim Curry
• Director Ridley Scott
• Release Date 1986
• MPAA Rating PG
• Runtime 1 hr 34 min
• Language English
• IMDB Rating 6.3   (71,747)
• Metascore 30

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Broadcast cameras captured the moment NHRA legend John Force’s car burst into flames during a race Sunday; a terrifying crash the 75-year-old survived seemingly unscathed. ESPN reported that Force was flown to a hospital by helicopter for observation, but, perhaps miraculously, was not seriously injured in the incident. Force’s car was driving in excess of 300 mph at the time of the crash, which occurred just as he crossed the finish line in Dinwiddie, Virginia. His team blamed the crash on “catastrophic engine failure” in a statement after the incident. NRHA said Force was alert in a statement afterwards but he was still taken to hospital and evaluated. Despite his age, Force is among the world’s greatest drag racers and won his 157th competition in New Hampshire just three weeks ago. Sunday’s crash is the second significant one in his decades-long career, with the other taking place in Texas in 2007. Force, who was 58 at the time, was seriously injured in that incident. Austin Prock, who went on to win Sunday’s event, reportedly told reporters that he was taking the trophy straight to the hospital to be with Force. “I know he'll be back,” Prock said of his colleague.

As ‘Chinatown’ Turns 50, Robert Towne Reflects on His Netflix Prequel Plans With David Fincher and Writing Jack Nicholson’s Most Iconic Role

There are the classics — and then there’s “ Chinatown .” First released on June 20, 1974, the seminal noir feature was a resounding success at its time: a big hit for producer and Paramount heavy Robert Evans, a renowned return to Hollywood for director Roman Polanski and an Academy Award winner for screenwriter Robert Towne , plus Oscar nominations for stars Jack Nicholson and Faye Dunaway.

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In the years since, Towne has consistently affirmed that he now believes Polanski’s reimagined ending is the appropriate one. Now in his 80s, the screenwriter has even returned to “Chinatown” himself, working with Fincher to script a prequel series that explores Gittes’ days as a newly minted detective patrolling the neighborhood that would come to haunt him.

“All I’m likely to say is yes, all the episodes have been written for Netflix,” Towne writes in an interview with Variety . “Working with a force of nature like David Fincher, tho’ occasionally humbling, is never less than enlightening.”

“When David and I first started talking we agreed we wouldn’t try to replicate Noah Cross,” Towne says about the villain of the series. “But we did want to keep in mind that the crimes that history considers monstrous are those that will not remain in the past but insist on visiting the future, and I think we managed that.”

In particular, Towne and Fincher’s scripts explore the relationship between a young Gittes and fellow officer Lou Escobar. Played by Perry Lopez in the 1974 film, Escobar is more obstacle than ally to Gittes in that story. But their shared history as police partners patrolling Chinatown, as well as Escobar’s presence during the tragedy that shakes Gittes, are both alluded to throughout the film.

“Chinatown, with all its implications for an evolving Los Angeles, is central to understanding the evolving Jake Gittes, as is his friendship with and dependence on his partner Lou Escobar,” Towne says. “It was enlightening to delve into their backstory, Escobar’s in particular. Small details that are touched on in the film are given life and breadth in a way that surprised even me.”

The as-yet-unrealized Netflix series wouldn’t be Towne’s first continuation of “Chinatown” though. A sequel, “The Two Jakes,” was penned by the screenwriter and directed by Nicholson himself. In the years ahead of production, Nicholson referred to “The Two Jakes” as part of a “triptych” of features, alluding to a potential third entry in a so-called “Chinatown” trilogy, which would have continued tracking the development and corruption of 20th century Los Angeles.

“‘Chinatown’ for me began when I was living in Benedict Canyon and some developer bought up acreage in nearby Deep Canyon and started a rapacious building concern. Land was being destroyed because of greed,” Towne says.

“The Two Jakes” was released in 1990: the same year as another belated (but more awards-friendly) bite at the New Hollywood apple, Francis Ford Coppola’s “The Godfather Part III.” The sequel finds Gittes resettled in 1948 L.A. after serving in WWII. Now the owner of his own office building and a member of a country club, the private eye has grown complacent and, as the New York Times put it in its review , “older (and wider).” But when a new real estate conspiracy centered on oil deposits arises, Gittes becomes possessed by his latent morality once again, uncovering surprising ties back to the Cross case that haunts him.

Towne and Nicholson have both been quoted as saying a third Gittes story would’ve been set after California enacted no-fault divorce, meaning a marriage could be legally terminated without requiring one party to prove wrongdoing by the other. Naturally, such a law could’ve put an end to Gittes’ line of detective work; investigating and photographing infidelities is his bread-and-butter.

While Towne has refuted the notion that “Chinatown” was originally conceived as the start of a trilogy, he does affirm that a third Gittes film was considered a possibility. However, when asked about “Gittes vs. Gittes,” the screenwriter shares that he stopped considering story ideas after finishing the screenplay for “The Two Jakes” and then exiting the sequel before filming commenced.

“The questions tho’ intriguing have no answer, at least none that I can give. My involvement in ‘The Two Jakes’ ended before Jack directed the film. And with it any speculation as to where Jake Gittes might be, and what he might be doing at a future date,” Towne says. “A character doesn’t just appear fully formed like Athena from the head of Zeus. How he or she evolves or devolves is — let’s face it — the principal craft of the screenwriter. Jake Gittes was in his late thirties in ‘Chinatown.’ And whatever I may have speculated in my own late 30s is most likely not what I’d venture to create now.”

“Which is why I’m fond of the prequel that places Gittes newly in Los Angeles. … It is to this young Jake Gittes that I am particularly drawn,” Towne continues. “Because for all his bravado — his not playing by the rules, his penchant to be in charge — he controls events far less than events control him. And by the time he figures it out, it’s much too late to do anything about it, which seems to me the plight of the very young and the very old.”

Towne has also spoken over the years about how Nicholson’s persona was a formative influence in his writing of Gittes. The pair’s history dates back to a performance class in the late 1950s, taught by then-blacklisted actor Jeff Corey. The two became friends and lived together as roommates before Towne wrote the screenplay for Hal Ashby’s “The Last Detail” and with it, one of Nicholson’s most memorable roles. The character of Gittes was similarly calibrated for the actor.

“From the moment I laid eyes on him, I knew Jack was gonna be a star. … I wouldn’t have been able to envision anyone else in the part,” Towne says. “It wasn’t just his capacity for indignation, an innate sense that the world may not be fair but that it damn well  should  be. It was also his passion for clothing, a certain eye for the finer things, a disregard for — even aversion to — the ordinary.”

“Having a real person to write for simply makes my task easier and more enjoyable,” Towne says. “I’d known Goldie Hawn since ‘Shampoo’ and through her later got to know Kurt Russell, the best-hearted bad boy you’re likely to meet. Nick Frescia was meant to be Kurt. Or, look at Tom Cruise. He’s a terrific actor who’s played multiple roles, but just like seeing [James] Cagney walking or Jimmy Stewart walking, you know it’s Tom from the first shot, that ferocious energy, and so if you’re writing for him, you’re halfway there in terms of character.”

A lifelong screenwriter, Towne has seen the film industry transform from the New Hollywood to streaming. Writing for Lapham’s Quarterly in the mid-’90s, he posed an existential question about his profession that only seems more pertinent in the splintered attention spans of the digital age: “It’s tough to write effectively without common ground between you and your audience. Shared beliefs, like shared experience and shared myths, provide that ground. … For me, this is the problem the contemporary screenwriter faces: How can he tell a compelling story when there’s nothing the audience believes to be self-evident?”

“I’m not certain of my state of mind when I said that, but what I will say now is that storytelling doesn’t stop simply because a culture uses different mechanisms,” Towne says when asked about the article. “Audiences still want to believe. They’re simply more sophisticated, they’ve grown used to the medium of film so they’re not so easily beguiled.”

The new 4K Ultra Blu-Ray of “Chinatown” is now available from Paramount Presents.

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Set in a timeless mythical forest inhabited by fairies, goblins, unicorns and mortals, this fantastic story follows a mystical forest dweller, chosen by fate, to undertake a heroic quest. He must save the beautiful Princess Lili and defeat the demonic Lord of Darkness, or the world will be plunged into a never-ending ice age.

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Product Description

• Feature Commentary With Director Ridley Scott
• Lost Scenes
• Bryan Ferry "Is Your Love Strong Enough" Music Video
• Photo Galleries

Product details

• Aspect Ratio ‏ : ‎ 2.35:1
• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ Unrated (Not Rated)
• Product Dimensions ‏ : ‎ 7.5 x 5.5 x 0.75 inches; 0.01 ounces
• Item model number ‏ : ‎ 17142182
• Director ‏ : ‎ Ridley Scott
• Media Format ‏ : ‎ Multiple Formats, AC-3, Color, Dolby, DTS Surround Sound, NTSC, Subtitled, Widescreen
• Run time ‏ : ‎ 1 hour and 54 minutes
• Release date ‏ : ‎ May 31, 2011
• Actors ‏ : ‎ Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten
• Subtitles: ‏ : ‎ English
• Producers ‏ : ‎ Arnon Milchan
• Language ‏ : ‎ English (Dolby Digital 2.0 Stereo), English (Dolby Digital 5.1), English (DTS 5.1)
• Studio ‏ : ‎ Universal Pictures Home Entertainment
• ASIN ‏ : ‎ B004QSQMKE
• Writers ‏ : ‎ William Hjortsberg
• Country of Origin ‏ : ‎ USA
• Number of discs ‏ : ‎ 1
• #163 in Action & Adventure DVDs

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