original star trek movie cast

Star Trek: The Motion Picture (1979) Cast and Crew

Star Trek: The Original Series Collection

Star Trek: Original Motion Picture Collection contains the first six Original Series films starring the U.S.S. Enterprise's cast and crew from the 1960s TV series of the same name.

Movie Recommendations

Featured News

Movie Reviews

Follow Moviefone

Movie trailers.

Join or Sign In

Sign in to customize your TV listings

By joining TV Guide, you agree to our Terms of Use and acknowledge the data practices in our Privacy Policy .

• TV Listings
• Cast & Crew

Star Trek: The Motion Picture - Full Cast & Crew

• 50   Metascore
• 2 hr 12 mins
• Drama, Action & Adventure, Science Fiction
• Watchlist Where to Watch

Captain Kirk reunites with his old crew after five-years working a desk job and confronts an energy cloud that turns out to be a sentient being during his first new mission as the leader of The Enterprise.

Screenwriter

Assoc. producer, cinematographer, production company, art director, set decorator, sound effects, sound/sound designer, supervising sound editor, special effects, visual effects, production designer.

The Cast Of Star Trek: Then And Now

Over 50 years since it first aired, Star Trek remains a cultural juggernaut – from the J.J. Abrams -driven big-screen saga, to the forthcoming return of The Next Generation , and the continuation of Star Trek Discovery on Netflix (where you can also find every episode of every Trek show, including the animated series). In salute to Gene Roddenberry's groundbreaking, iconic show, we take stock of those original actors who paved the way for everything that followed.

William Shatner

Cast as captain of the starship Enterprise, it was Shatner who set the standard as James T. Kirk. Born in 1931 in Canada, and having a career that has spanned television, stage, screen, novels, video games, comic books, music and lord knows what else, this is a an 85-year-old who will not stop until he drops, and even then he’d probably argue, “What does God need with a starship…captain?”

Leonard Nimoy

Mr. Spock was far from the first television sidekick to equal if not eclipse a TV show’s main star. Given what Shatner brought to Kirk, it’s says a lot about Leonard Nimoy’s ability that he could make a character in complete control (most of the time) of his emotions come across as more than a cardboard cut-out. He never allowed Spock’s quiet dignity to fade away, even when reprising the role as recently as in J.J. Abrams’ Star Trek Into Darkness . Born in 1931, Nimoy enjoyed a working life in theatre, on TV and film (as both actor and director), and as an author, recording artist and photographer. He died on February 27, 2015, and received a touching tribute in Star Trek Beyond .

DeForest Kelley

If there was one actor who brought the most humanity to Star Trek , it had to be the late DeForest Kelley as Dr. Leonard 'Bones' McCoy. Born in 1920, he had built a career playing TV bad guys, usually in Westerns, which is what made it so surprising when Roddenberry cast him as The Enterprise's chief medical officer and Kirk’s conscience. After Star Trek finished its run, Kelley took on a couple of roles, but pretty much retired except for conventions, the first six big screen Star Trek adventures and a guest spot on the premiere episode of The Next Generation . He died on June 11, 1999.

James Doohan

He gave the engines all they had…and then some. It’s why James Doohan’s chief engineer, Montgomery 'Scotty' Scott,” was the best in the fleet. Born in in Canada in 1920, Doohan enjoyed a career in Canadian radio and television before making the shift to America. Like many of his co-stars, following the end of Star Trek he found himself typecast and other acting opportunities difficult to come by. He scored character roles here and there, and, of course, reprised the role of Scotty in the feature films based on the show. He died on July 20, 2005.

Nichelle Nichols

She opened those hailing frequencies like a boss, making communications officer Uhura an essential member of the Enterprise bridge crew. Born in 1932, Nichols took on the laudable challenge of being an African American actress on television at a time when America was struggling with civil rights. As such, she became a symbol and an inspiration for many African-American women. Early in her career she enjoyed some success as a dancer and singer, eventually making her way to television, where she met Gene Roddenberry on The Lieutenant . When he was casting Trek , he knew he wanted her to be a part of it. For some years following the series acting roles were sparse, but she did parlay the growing popularity of Trek into a job at NASA, where she recruited minority and female personnel to the space agency.

George Takei

Like his co-stars, George Takei , born in 1937, spent many years trying to shake off the persona of Enterprise helmsman Hikaru Sulu. But after embracing all of what Star Trek represented, Takei enjoyed something of a career renaissance. He acted in mostly small roles before Trek , co-starred in John Wayne’s The Green Berets . Besides reprising the role of Sulu in six feature films, he immersed himself in California politics, became an author, and in recent years seems to be almost everywhere , appearing on a wide variety of TV shows and most recently on stage in the musical Allegiance , set during the Japanese American interment of World War II, which Takei himself experienced as a child.

Walter Koenig

He joined Star Trek in its second season and, as navigator Pavel Chekov, was supposed to be the 23rd Century’s answer to the youth-appealing Monkees or The Beatles. Koenig was another actor who had come to Roddenberry’s attention through The Lieutenant , and was brought aboard the Enterprise in 1967, where he served through the remainder of the series and seven feature films (he joined Shatner and Doohan in 1994’s Star Trek: Generations ). In between he worked as a television writer, gained popularity for his portrayal of Alfred Bester in the series Babylon 5 and appeared in a number of films. He also wrote a number of books – both fiction and non-fiction – and worked in comics as well.

Notable Movie Guest Stars

Stephen collins.

He portrayed Commander Willard Decker in Star Trek: The Motion Picture . Born in 1947, Collins is best known for roles in in TV shows such as Tales of the Gold Monkey , No Ordinary Family and Revolution , as well as the films The First Wives Club and Because I Said So . He also spent eleven seasons as the patriarch on 7th Heaven .

Kirstie Alley

Born in 1951, Alley portrayed Vulcan/Romulan hybrid Lt. Saavik in 1982’s Star Trek II: The Wrath Of Khan . Following the film she co-starred in the long-running Cheers , and went on to such shows as Veronica’s Closet and Kirstie , a number of guest star appearances and starring roles in films Look Who’s Talking, It Takes Two, For Richer or Poorer and Accidental Love .

Ricardo Montalban

Montalban guest-starred on the original Star Trek in the 1967 episode “Space Seed,” portraying 20th Century genetic superman Khan Noonien Singh. Revived from suspended animation, Khan attempted to take control of the Enterprise and, instead of being sent to prison, was given a planet to tame by Kirk. After that, Montalban (born in 1920 in Mexico), just as he had before that show, appeared in a wide variety of TV series, television movies and feature films, but is largely remembered for playing Mr. Roarke in Fantasy Island and Zach Powers in Dynasty and The Colbys . In 1982 he reprised the role of Khan in Star Trek II: The Wrath of Khan , in which, as the title suggests, his genetic superman and his people escape the planet they had been left on, seeking vengeance against Kirk. Montalban died on January 14, 2009.

Christopher Lloyd

As the Klingon Kruge, Christopher Lloyd looked to be having a grand old time chewing the soundstage scenery with Shatner in 1984’s Star Trek III: The Search For Spock . Lloyd’s long list of credits include the TV series Taxi , as well as Who Framed Roger Rabbit? . He is undoubtedly most beloved for his role as Dr. Emmett Brown in the Back To The Future trilogy.

Robin Curtis

When contractual issues came up between Kirstie Alley and Paramount following Wrath Of Khan , Robin Curtis stepped in to play Lt. Saavik for Star Trek III: The Search For Spock and, briefly, Star Trek IV: The Voyage Home . Prior to her tour of duty on the Enterprise, she guest starred on some TV shows, appeared in several films and amassed an impressive number of regional and national theatre stage roles. Between acting gigs, she's also worked as a real estate agent.

Catherine Hicks

In the years prior to endearing herself to Star Trek fans as marine biologist Gillian Taylor in Star Trek IV , Catherine Hicks (born in 1951) had spent three years on the soap opera Ryan's Hope , starred in several short-lived series, was Emmy-nominated for her role as Marilyn Monroe in the TV movie Marilyn: The Untold Story and would go on to star in Child's Play . Most notably she co-starred with Commander Decker (actually Stephen Collins) in 7th Heaven , which ran for eleven seasons beginning in 1996.

Laurence Luckinbill

Did you know Spock had a half-brother named Sybok? Nope, neither did we. Even Kirk had no idea, but that was one of the revelations of 1989's Star Trek V: The Final Frontier , and it was Sybok who hi-jacked the Enterprise so everyone could meet (not) God. Laurence Luckinbill, born in 1934, has a long history of roles on television, stage and in film. He also happens to be married to Lucie Arnaz, daughter of Lucille Ball (who gave the green light for the original Star Trek in the first place) and Desi Arnaz.

Christopher Plummer

Not that we didn't already know that Canadian-born Christopher Plummer could perform Shakespeare, but that point was really driven home in 1991's Star Trek VI: The Undiscovered Country , for which he portrayed Klingon general Chang and which should have provided the Bard co-writing credit, given the number of quotes utilised. Born in 1929, Plummer's extensive film credits (not to mention his acclaimed stage work) includes The Sound Of Music , Battle Of Britain , Waterloo, Inside Man , Up , The Imaginarium Of Doctor Parnassus and The Girl With The Dragon Tattoo .

Kim Cattrall

Admittedly it wasn't Sex In The Starship , but the Liverpool-born Kim Cattrall definitely brought a lot of sexual energy to her role as the Vulcan Valeris in Star Trek VI , serving as part of a conspiracy to destroy a newly brokered peace between the Federation and the Klingon Empire. Born in 1956, her film career began in 1975 with Rosebud and went on to include such efforts as Ticket To Heaven, Porky's , Police Academy , Big Trouble In Little China , and Midnight Crossing . She is, of course, most famous for portraying Samantha Jones in the TV series Sex And The City and the two feature films spun off from it.

Head to Empire's 10 Essential Star Trek Articles

• Tickets & Showtimes
• Trending on RT

TAGGED AS: movies , Star Trek

(Photo by Paramount)

All Star Trek Movies Ranked by Tomatometer

Star Trek (2009) is back in theaters for Rotten Tomatoes’ 25th anniversary screening series at AMC — get tickets now !

We’re boldly ranking the Star Trek movies by Tomatometer, from the original film series (1979’s The Motion Picture to The Undiscovered Country ), into the handoff to films featuring the Next Generation cast ( Generations to Nemesis ), and through to the reboot series (2009’s Trek to Beyond ). – Alex Vo

Star Trek (2009) 94%

Star Trek: First Contact (1996) 93%

Star Trek Beyond (2016) 86%

Star Trek II: The Wrath of Khan (1982) 87%

Star Trek Into Darkness (2013) 84%

Star Trek VI: The Undiscovered Country (1991) 83%

Star Trek IV: The Voyage Home (1986) 82%

Star Trek III: The Search for Spock (1984) 78%

Star Trek: Insurrection (1998) 55%

Star Trek: The Motion Picture (1979) 53%

Star Trek Generations (1994) 48%

Star Trek: Nemesis (2002) 38%

Star Trek V: The Final Frontier (1989) 21%

Related news.

All Alien Movies Ranked

The Most Anticipated Movies of 2024

All Marvel Movies Ranked: See MCU Movies By Tomatometer

More Countdown

All Zendaya Movies Ranked by Tomatometer

Video Game TV Shows Ranked by Tomatometer

Movie & TV News

Featured on rt.

April 26, 2024

Top Headlines

• All Zendaya Movies Ranked by Tomatometer –
• Video Game TV Shows Ranked by Tomatometer –
• All Alien Movies Ranked –
• All Marvel Movies Ranked: See MCU Movies By Tomatometer –
• DC Animated Movies In Order: How to Watch 54 Original and Universe Films –
• The Best TV Seasons Certified Fresh at 100% –

The Original 'Star Trek' Movies, Ranked by Letterboxd

Beam this list up, Scotty!

Star Trek : The Original Series is fondly regarded by fans as the show which started the mission to boldly go where no one has gone before. It introduced some of the best characters in the franchise, such as James T. Kirk, Spock and Dr. Leonard McCoy. After their success on television, putting these characters onto the big screen seemed like a logical next step, and this finally happened with the 1979 movie Star Trek: The Motion Picture .

A total of six films would be made about the original crew of the USS Enterprise under Captain Kirk's ( William Shatner ) command, featuring elements of time travel, politics, religion, and exploration. The films showed the characters getting older and having to come to terms with the changes happening around them, both in Starfleet and in the wider galaxy.

6 'Star Trek V: The Final Frontier' (1989)

Letterboxd score 2.5/5.

A rogue Vulcan takes control of a planet being developed peacefully by the Federation, Romulan, and Klingon governments as a sign of their commitment to better relations. The Enterprise is called in to help, and things quickly go wrong when they discover that the Vulcan responsible is actually Apock's half-brother, Sybok (Laurence Luckinbill ). Using his Vulcan telepathic abilities to help people deal with their trauma, he gathers a cult around him and uses his followers to take control of the Enterprise to transport him to the Great Barrier, an anomaly at the center of the galaxy, believing he will find enlightenment there.

The movie is something of a divisive entry for fans, particularly for its unique sense of humor. It's certainly the most comedy-inspired movie in the series, with a lot of the laughs coming from the excellent banter between the three main actors, who clearly know their own and each other's characters so well that they can play around for the comedy and get away with it. A lot of fans felt it went too far, however, and was the least successful, both critically and commercially, of the six films. Taking such a beloved franchise in a comedy direction was always going to be difficult, but it does provide something different and lets the actors try out their comedy skills to good effect.

Star Trek V: The Final Frontier

Captain Kirk and his crew must deal with Mr. Spock's long-lost half-brother who hijacks the Enterprise for an obsessive search for God at the center of the galaxy.

WATCH ON PRIME VIDEO

5 'Star Trek: The Motion Picture' (1979)

Letterboxd score 3.2/5.

A powerful force is sweeping across the galaxy, destroying anything it comes into contact with. Desperate to stop it before it reaches Earth, Starfleet gives Admiral James T. Kirk command of his old ship and sends him to investigate. They discover it's actually Voyager 6, a probe launched from Earth in the 20th century, which has become self-aware during its journey across the galaxy and has returned home to try and find out the reason for its existence.

This was the first cinematic outing for the original crew of the Enterprise , and marked something of a return for the Star Trek franchise, which had been largely dormant since the Original Series had ended in 1969. It received a mixed reception from fans on its release , with criticism for its plot and the slow pace of the story, while its over reliance on special effects to fill the time has led to it looking more dated than the other movies. Despite this, it helped to revive interest in the franchise and was the first of a six-film series following the original crew of the Enterprise , which continued with the much better received Star Trek II: The Wrath of Khan .

Star Trek: The Motion Picture

4 'star trek iii: the search for spock' (1984).

After the events of The Wrath of Khan, Lieutenant Savik ( Robin Curtis ) and Kirk's son David ( Merritt Butrick ) travel to the newly terraformed planet of Genesis. The world was created after Khan ( Ricardo Montalban ) detonated the Genesis torpedo, and is where Spock ( Leonard Nimoy ) was laid to rest. They discover that his body has been reborn along with the lifeless planet, but are captured by Klingon Captain Kruge ( Christopher Lloyd ), who want to learn about the planet's secrets. Meanwhile, Kirk leads the Enterprise back to Genesis to recover Spock's body and lay him to rest on Vulcan, bringing him into conflict with the Klingon crew.

Bringing Spock back made a big U-turn on the previous movie when he sacrificed himself to save the Enterprise , and it's one of the more direct sequels, leaning heavily on The Wrath of Khan's story. It was smaller in scale than other movies, mainly focusing on the stalemate between the Enterprise and the Klingon bird of prey as they sit damaged in space, with Kirk and the Klingon captain both trying to bluff their way into a better negotiating position. It also showed Kirk's dedication to his friend as he risked everything to bring Spock to Vulcan where he could be laid to rest with the proper Vulcan rituals.

Star Trek III: The Search for Spock

Admiral Kirk and his bridge crew risk their careers stealing the decommissioned U.S.S. Enterprise to return to the restricted Genesis Planet to recover Spock's body.

'Star Trek: The Original Series': The 10 Most Powerful Characters, Ranked

3 'star trek vi: the undiscovered country' (1991), letterboxd score 3.6/5.

After a devastating natural disaster threatens the Klingons' survival, they push for a peace agreement to end the long-standing hostility they can no longer afford to keep up. Acting as host to the Klingon chancellor would be a hard task for any Starfleet captain, but especially for James T. Kirk, given his personal history with them, after they murdered his son David. When he and Dr. McCoy ( DeForest Kelley ) are framed for assassinating the chancellor , leading to their trial and imprisonment by the Klingons, it looks like a peace settlement might be further away than ever.

This was the last entry in the six film series and the final time all seven of the main original characters would appear together in a Star Trek project. Bringing about peace between the Federation and the Klingons was a fitting way to end Kirk's run as captain of the Enterprise . The Klingons had often served as his adversary, and their change from enemy to ally showed how much the galaxy had changed during his time in Starfleet , while also tying in to the new adventures of The Next Generation , which featured Klingon Commander Worf as part of the bridge crew. It's not the best film in the series, but it has a strong, original story, and provides a satisfying end to the voyages of the starship Enterprise with one of its most enduring crews.

Star Trek VI: The Undiscovered Country

2 'star trek iv: the voyage home' (1986), letterboxd score 3.7/5.

After Spock's resurrection, the crew of the Enterprise are on their way back home in a captured Klingon bird of prey when they receive news of an alien probe threatening Earth with freak weather events, and the only way it can be communicated with is by the call of the humpback whale, a species that has been made extinct. With no one else able to help, Kirk makes the decision to travel back in time to when these creatures still existed and bring one back to the 23rd century.

This was the third movie in what could be considered a trilogy, following the story arc through The Wrath of Khan and The Search For Spock , following Spock's death, rebirth, and attempts to regain his former character. This has become one of the best-loved movies featuring the original Star Trek cast, and it's easy to see why. It makes good use of its time-travel storyline, as the crew have to try and fit in with life in 1980s San Francisco after coming from a society that doesn't even use money. Most of the humor is perfectly executed, in large part because of the actors' familiarity with their characters, allowing them to use things like Spock's logical personality and their unfamiliarity with outdated technology to provide comedy that never feels forced.

Star Trek IV: The Voyage Home

1 'star trek ii: the wrath of kahn' (1982), letterboxd score 3.9/5.

Now an admiral in Starfleet, Kirk is struggling to come to terms with his advancing age. He goes along with a crew of new recruits on what should be a routine training cruise. He's contacted by Carol Marcus ( Bibi Besch ), an old love interest who's helping to develop a terraforming technology known as Genesis, who needs his help. He goes to meet her and comes into contact with Khan, an enemy he met years earlier and who he marooned on a planet. During a fight, Khan's ship is damaged, and he detonates the Genesis torpedo, which will wipe out all life nearby. To save the ship, Spock sacrifices himself to fix the hyperdrive so that the rest of the crew can make it out alive.

This is one of the most popular films in the Star Trek franchise, and is seen as a big improvement over the Motion Picture, helping to move the franchise in a new, more realistic direction, setting the style for future projects . A lot of credit for the movie's success has to go to Ricardo Montalban and his incredible performance as the genetically enhanced superhuman Khan, proving a perfect antagonist to James Kirk. He was a favorite villain with Trek fans, having appeared on an episode of the original series, "Space Seed," where he attempts to take control of the Enterprise , resulting in Kirk exiling him to the planet Ceti Alpha V.

Star Trek 2: The Wrath of Khan

With the assistance of the Enterprise crew, Admiral Kirk must stop an old nemesis, Khan Noonien Singh, from using the life-generating Genesis Device as the ultimate weapon.

Star Trek movies in order: Chronological and release

Untangle the different timelines and get the popcorn: Here are the Star Trek movies in order — both chronological and release.

• Chronological order
• Prime Timeline

The Original Series movies

The next generation movies.

• Kelvin Timeline
• Release order

Upcoming Star Trek movies

We've got a guide to watching the Star Trek movies in order, decloaking off our starboard side!

So long as movies stick numbers on the ends of their titles, it’s easy to watch them in order. Once they start branching out, however, things can get a little muddled, especially when reboots come along and start the whole process over from scratch. 

You may have heard that the even-numbered ones are good and the odd-numbered ones are not. That’s spot on for the films starring the cast of The Original Series (aka Kirk and friends) falls apart once you reach the tenth entry in the series. It would probably be worth your while to have this list of the Star Trek movies, ranked worst to best around to steer clear of the clunkers. Look, we’re not going to pretend everything here is worth two hours of your day, we’re just letting you know which came out after which.

Should your Trek appetite remain unsatiated after your movie watchathon, feel free to pull from either our list of the best Star Trek: The Original series episode s or best Star Trek: The Next Generation episodes . Either one will set you up for a weekend jam-packed with great Trek moments. Consult our Star Trek streaming guide for all the details on where to watch the movies and shows online 

Star Trek movies: Chronological order

Below is the quick version of our list if you just need to check something to win an argument, but it comes with a lot of in-universe time travel-related caveats that we'll explain below.

• Star Trek: The Motion Picture
• Star Trek II: The Wrath of Khan
• Star Trek III: The Search for Spock
• Star Trek IV: The Voyage Home
• Star Trek V: The Final Frontier
• Star Trek VI: The Undiscovered Country
• Star Trek: Generations
• Star Trek: First Contact
• Star Trek: Insurrection
• Star Trek: Nemesis
• Star Trek Into Darkness
• Star Trek Beyond

Star Trek: Prime Timeline

The first thing you need to know about the Star Trek films is that while they travel back and forth in time, they also diverge into two (for now) different timelines. The films of the original crew (well, the first iteration of them, anyway – more on that later) are all in what is known as the Prime Timeline. 

Within the Prime Timeline, the movies are then split between The Original Series movies and The Next Generation movies.

1. Star Trek: The Motion Picture

• Release date: December 8, 1979
• Cast: William Shatner, Leonard Nimoy, DeForest Kelley

This is the film that brought the voyages of the U.S.S. Enterprise to the big screen. An energy cloud is making its way toward Earth, destroying everything in its path. Kirk and crew intercept it and discover an ancient NASA probe at the heart of the cloud. Voyager – known as V’ger now – encountered a planet of living machines, learned all it could, and returned home to report its findings, only to find no one who knew how to answer. It’s a slow-paced film, and the costumes are about as 70s as they come, but there’s classic Star Trek at the heart of this film.

2. Star Trek II: The Wrath of Khan

• Release date: June 4, 1982
• Cast: William Shatner, Leonard Nimoy, Ricardo Montalban

Ask a Star Trek fan what the best Star Trek movie is and more often than not, you’ll get Khan as your answer. A sequel to the events of the “Space Seed” episode of The Original Series, Khan is a retelling of Moby Dick with Khan throwing reason to the wind as he hunts his nemesis, James T. Kirk. Montalban delivers a pitch-perfect performance, giving us a Khan with charisma and obsession in equal parts.

3. Star Trek III: The Search for Spock

• Release date: June 1, 1984

Spock might have died in The Wrath of Khan, but this third entry set up the premise for his return, with the creation of the Genesis planet. Essentially a heist movie in reverse, Search for Spock has the crew defying orders from Starfleet in an attempt to reunite Spock’s consciousness with his newly-rejuvenated body. It’s not a great movie, but it does include two very important events: the rebirth of Spock and the death of Kirk’s son at the hands of the Klingons. That’ll be important a few flicks from now.   

4. Star Trek IV: The Voyage Home

• Release date: November 26, 1986
• Cast: William Shatner, Leonard Nimoy, Catherine Hicks

If Star Trek fans don’t say Khan is the best Star Trek movie, odds are very high they say Voyage Home is. It’s a funny film where the mission isn’t destruction, but creation – or more accurately, repairing the devastating effects of humankind’s ecological short-sightedness. 

A probe arrives at Earth, knocking out the power of everything in its path as it looks for someone to respond to its message (yeah, it happens a lot). This time, however, the intended recipient is the long-extinct blue whale. To save Earth, Kirk and co. go back in time to 1980s San Francisco to snag some blue whales. The eco-messaging isn’t exactly subtle, but it doesn’t get in the way of a highly enjoyable movie.

5. Star Trek V: The Final Frontier

• Release date: June 9, 1989

A writers’ strike and Shatner’s directorial skills (or lack thereof) doomed this film before a single scene was shot. The core plot is actually pretty good: Spock’s half-brother hijacks the Enterprise so that he can meet God, which he believes to be… himself. Some Star Trek fans have an odd fondness for this movie, as it showcases the camaraderie of Kirk, Spock, and McCoy when they’re off-duty.

6. Star Trek VI: The Undiscovered Country

• Release date: December 6, 1991
• Cast: William Shatner, Leonard Nimoy, Christopher Plummer

Right, so if that Star Trek fan you’ve been talking to doesn’t choose either Khan or Voyage Home as the best Star Trek movie ever, they almost certainly name Undiscovered Country (and if they don’t, they have highly questionable taste, frankly). The Klingon moon of Praxis explodes, putting the entire Klingon race at risk. The Enterprise hosts a diplomatic entourage of Klingons, much to Kirk’s discomfort. 

Remember how Klingons murdered Kirk’s son? Well, he certainly hasn’t forgotten. Kirk’s lingering rage makes him the perfect patsy for the murder of the Klingon Chancellor, sending him and McCoy to a prison planet and setting the stage for war. Christopher Plummer is perfection as a Shakespeare-quoting Klingon general with no taste for peace.

7. Star Trek: Generations

• Release date: November 18, 1994
• Cast: Patrick Stewart, Jonathan Frakes, Brent Spiner

And thus the torch is passed from the crew of The Original Series to that of The Next Generation. It’s a bit of a fumble, to be honest, but they all did their best to get Kirk and Picard into the same film and have it make sense. Malcolm McDowell plays Soran, a scientist who will stop at nothing to control the Nexus, a giant space rainbow that exists outside of space-time. 

Soran lost his family when his home world was destroyed and he wants to re-join them (or at least an illusion of them) in the Nexus. He’s not so much a villain as a tragic figure, but the Nexus makes a meeting between Kirk and Picard possible. Not all that sensible, but possible.

8. Star Trek: First Contact

• Release date: November 22, 1996
• Cast: Patrick Stewart, Brent Spiner, Alice Krige

Okay, no, for real, if your Star Trek pal didn’t pick Khan or Voyage Home or… oh, nevermind. Cueing off the iconic two-part episode “Best of Both Worlds,” in which Picard is assimilated by the Borg, First Contact sees the collective traveling back in time in order to disrupt First Contact, the day Earth’s first foray into space attracted the attention of the Vulcans, kicking off the events that would eventually lead to Starfleet’s victory over the Borg. The Borg Queen torments Picard with visions of the past and tempts Data with humanity, going so far as to give him some human skin. 

The fight with the Borg aboard the Enterprise is thrilling, and the work on the surface to get first contact back on track is fun. Plus, there’s just nothing like Patrick Stewart turning it up to 11 as he lashes out at the enemy that haunts his dreams.

9. Star Trek: Insurrection

• Release date: December 11, 1998
• Cast: Patrick Stewart, Jonathan Frakes, F. Murray Abraham

Essentially an episode inflated for the big screen, Insurrection is about the Federation conspiring to displace a planet’s population in order to harvest the planet’s unique resource – super healing metaphasic particles. In addition to the rejuvenating natural resource, the Ba’ku also have access to exceptional technology, which they shun in favor of a more simple lifestyle. 

Data malfunctions, the villains are Federation allies (and former Ba’ku!), Picard gets to knock boots with a local – Insurrection is the very definition of “fine.” Chronologically, Insurrection is relevant for rekindling the romance between Riker and Troi, but not much else.

10. Star Trek: Nemesis

• Release date: December 13, 2002
• Cast: Patrick Stewart, Brent Spiner, Tom Hardy

Before he mumbled his way into our hearts as Bane, Tom Hardy was Shinzon, a clone of Picard the Romulans created in an eventually abandoned attempt to infiltrate Starfleet. Shinzon is dying, and all that will save him is a transfusion of Picard’s blood. Unfortunately, Shinzon also happens to be a megalomaniac who happens to want to destroy all life on Earth and maybe a few other planets, too, if he’s feeling saucy. 

Nemesis is notable mostly for killing Data with a noble sacrifice, only to resurrect him moments later in a duplicate body found earlier by the Enterprise crew.

Star Trek: Kelvin Timeline

The last of the Prime Timeline movies failed to impress at the box office, so it was a few years before anyone tried to bring the Enterprise back to the big screen. Rather than lean on any of the TV crews, this new slate of movies would serve as a reboot, welcoming new audiences while honoring long-time fans. Welcome to the Kelvin Timeline. (For all the ins and outs, check out our Star Trek: Kelvin Timeline explained article).

11. Star Trek

• Release date: May 8, 2009
• Cast: Chris Pine, Zachary Quinto, Karl Urban

Back to the beginning! Star Trek introduces us to James T. Kirk, Spock, and “Bones” McCoy as they meet and join the crew of the U.S.S. Enterprise. Though the plot is a relatively straightforward affair of a Romulan named Nero trying to destroy the Earth. His anger borne out of grief, what matters most is how it all came to be. In the future, Spock – the Prime Timeline version – tries to save Romulus from being destroyed by a supernova, but fails. Both his ship and Nero’s are kicked back in time, setting off a chain of events that diverge from the original, “true” timeline. 

The name “Kelvin” refers to the U.S.S. Kelvin, the ship heroically captained by Kirk’s father, which is destroyed in the opening moments of the movie.

12. Star Trek Into Darkness

• Release date: May 16, 2013
• Cast: Chris Pine, Zachary Quinto, Benedict Cumberbatch

The benefit of the Kelvin Timeline is that it not only allows Star Trek to explore canon material – such as Khan (he of the Wrath) – but to do something completely new with it. Khan features heavily in Into Darkness, but he has no beef with Kirk. Instead, a Starfleet Admiral is threatening the lives of Khan’s crew, forcing them to craft weapons of mass destruction. 

Khan inevitably eludes captivity and strikes out against Starfleet, killing Captain Pike (and a bunch of others) in the process. Kirk and company eventually take Khan down, but not before Kirk sacrifices himself to save his crew. Don’t worry, these things don’t last in either Star Trek timeline, as Kirk gets better moments later thanks to *checks notes* Khan's super blood.

13. Star Trek Beyond

• Release date: July 22, 2016
• Cast: Chris Pine, Zachary Quinto, Idris Elba

Beyond leans into the camaraderie of Kirk, Spock, and McCoy now that they’ve had some time together, much to the movie’s benefit. The Enterprise is lured to Altamid under false pretenses, leading to much of the crew being marooned on the planet. The architect of the deception was Krall, who wants an opportunity to return to a galaxy where war is the order of the day. 

Beyond is a significant point in the timeline for two reasons. First, it sadly marked the death of Spock Prime due to the passing of Leonard Nimoy. Second, it culminates in the Enterprise embarking on the five-year-mission that started everything back in 1966.

Star Trek movies: Release order

If you can't be bothered remembering two different orders for the Star Trek movies then we've got good news for you — the release order is identical to the chronological order that we've shown above (accounting for the Kelvin timeline as it's own entity anyway).

The full run of Star Trek films currently tops out at 13 entries; the fate of the 14th was hidden within a nebula of conflicting information. “Star Trek 4” was slated for December 22, 2023, but given that filming had yet to begin as of July 2022, it seems inevitable that date will change. Back in February 2022, Paramount that the principal cast would be returning for the fourth installment of the Kelvin timeline, a claim quickly disputed by the agents of those selfsame actors. Awkward.

Soon after, however, Chris Pine eventually signed on the dotted line, and his shipmates reached their own agreements. As of right now, Kirk (Pine), Spock (Zachary Quinto), McCoy (Karl Urban, assuming he can make it work around filming of The Boys), Scotty (Simon Pegg), Uhura (Zoe Saldaña), and Sulu (John Cho) are all ready to beam up and get filming. Sadly, this will be the first of the Kelvin films to not feature Anton Yelchin as Pavel Chekov. Yelchin died in an accident at his home in 2016. It’s currently unclear if Chekov will be recast or if a different character will take his place on the bridge of the Enterprise.

Though the Kelvin timeline is often referred to as “J.J. Abrams Trek,” he won’t be directing Star Trek 4; Matt Shakman will take on that responsibility, leaving Abrams to produce. As for what it will be about, that’s anyone’s guess, but Chris Pine told Deadline he hopes this one tells a smaller story that appeals to the core Trek audience. “Let’s make the movie for the people that love this group of people, that love this story, that love Star Trek,” he said. “Let’s make it for them and then, if people want to come to the party, great.” It’s a strategy that makes sense; the disappointment with recent Trek films hasn’t been their content so much as their box office. A Trek film with a smaller scope (and budget) would almost certainly have a very healthy profit margin while also resonating with the fanbase.   

With no new announcements coming from San Diego Comic-Con 2022, it seems that we’ll have to wait for any more insight into the next Star Trek film. Sill, recent comments from Paramount CEO Brian Robbins have us cautiously optimistic: “We’re deep into [Star Trek 4] with J.J. Abrams, and it feels like we’re getting close to the starting line and excited about where we’re going creatively,” he told Variety . 

Join our Space Forums to keep talking space on the latest missions, night sky and more! And if you have a news tip, correction or comment, let us know at: [email protected].

Get the Space.com Newsletter

Breaking space news, the latest updates on rocket launches, skywatching events and more!

Susan Arendt is a freelance writer, editor, and consultant living in Burleson, TX. She's a huge sci-fi TV and movie buff, and will talk your Vulcan ears off about Star Trek. You can find more of her work at Wired, IGN, Polygon, or look for her on Twitter: @SusanArendt. Be prepared to see too many pictures of her dogs.

'Star Trek: Discovery' S05, E05 is a quality installment, but it's weighed down by another anchor of nostalgia

Netflix releases official trailer for Jennifer Lopez mech combat sci-fi film 'Atlas' (video)

Watch live today as NASA astronauts fly to launch site for 1st crewed Boeing Starliner mission to ISS

Most Popular

• 2 Stellar detectives find suspect for incredibly powerful 'superflares'
• 3 'Star Trek: Discovery' S05, E05 is a quality installment, but it's weighed down by another anchor of nostalgia
• 4 China launches 3 astronauts to Tiangong space station on Shenzhou 18 mission (video)
• 5 Across the universe, dark matter annihilation could be warming up dead stars

• Today's news
• Reviews and deals
• Climate change
• 2024 election
• Fall allergies
• Health news
• Mental health
• Sexual health
• Family health
• So mini ways
• Unapologetically
• Buying guides

Entertainment

• How to Watch
• My watchlist
• Stock market
• Biden economy
• Personal finance
• Stocks: most active
• Stocks: gainers
• Stocks: losers
• Trending tickers
• World indices
• US Treasury bonds
• Top mutual funds
• Highest open interest
• Highest implied volatility
• Currency converter
• Basic materials
• Communication services
• Consumer cyclical
• Consumer defensive
• Financial services
• Industrials
• Real estate
• Mutual funds
• Credit cards
• Balance transfer cards
• Cash back cards
• Rewards cards
• Travel cards
• Online checking
• High-yield savings
• Money market
• Home equity loan
• Personal loans
• Student loans
• Options pit
• Fantasy football
• Pro Pick 'Em
• College Pick 'Em
• Fantasy baseball
• Fantasy hockey
• Fantasy basketball
• Download the app
• Daily fantasy
• Scores and schedules
• GameChannel
• World Baseball Classic
• Premier League
• CONCACAF League
• Champions League
• Motorsports
• Horse racing
• Newsletters

New on Yahoo

• Privacy Dashboard

The Original ‘Star Trek’ Cast: Where They’ve Boldly Gone, Then and Now

• Oops! Something went wrong. Please try again later. More content below

You may have caught the classic sci-fi series Star Trek during its original run in the mid-1960s or, if not, then you caught it in reruns throughout the 1970s or '80s. But whenever it was that you discovered the starship Enterprise and its crew, it seems pretty impossible to believe you could have imagined it still being part of the popular conversation nearly 60 years after it made its debut. Or , even more incredibly, that one of the Star Trek cast members would actually make his way into space.

(Click through to our sister site to learn behind-the-scenes secrets of the original Star Trek .)

The original Star Trek series made … well, stars out of its cast, who must have been just as amazed as the audience to find their lives and careers intersecting repeatedly following the show's cancellation in 1969. They first reunited for 1973 to 1974's Saturday morning Star Trek: The Animated Series , and went on to appear in six movie adventures between 1979's Star Trek: The Motion Picture and 1991's Star Trek VI: The Undiscovered Country .

What follows is a look at those beloved actors in the Star Trek cast between and beyond their journeys to the final frontier.

William Shatner as Captain James T. Kirk

Coming from a background that included acclaimed roles on stage ( The World of Suzie Wong, A Shot in the Dark ), screen ( The Brothers Karamazov, Judgment at Nuremberg) and television ( The Twilight Zone, The Outer Limits, For the People ), William Shatner was deemed the right man to captain the starship Enterprise and he did so brilliantly. But when the show ended in 1969, things weren't so easy, and although he starred in the short-lived series The Barbary Coast , he had to pay the bills by participating on game shows, guest starring on different TV series, starring in low budget movies and appearing in TV and radio commercials.

A lifeline was thrown to him in the form of 1979's Star Trek: The Motion Picture , the success of which essentially relaunched his career.

Not only would Shatner star in six other films in the franchise, but he was featured in the title role of the police drama T.J. Hooker (1982 to 1986), hosted Rescue 911 (1989 to 1996), produced and starred in the TekWar series (1994 to 1996) — based on his own science fiction book series under the same umbrella title — achieved critical acclaim and an Emmy for Outstanding Supporting Actor in a Drama Series for his role as Denny Crane in Boston Legal (2004 to 2008), performed a one-man show on Broadway, narrated countless documentaries and TV specials, recorded albums, and authored a couple of dozen fiction and non-fiction books .

Oh, and in 2021 he became the oldest person to go into space , doing so aboard the Blue Origin NS-18 . For fans of Star Trek it was a a thrill, but for Shatner himself the response was not one that would have expected.

"This was an immensely powerful awakening for me," he said on stage at a convention. "It filled me with sadness. I realized that we had spent decades, if not centuries, being obsessed with looking away, with looking outside. I did my share in popularizing the idea that space was the final frontier. But I had to get to space to understand that Earth is and will stay our only home. And that we have been ravaging it, relentlessly, making it uninhabitable."

Again, not what one would have expected.

Leonard Nimoy as Mr. Spock

Leonard Nimoy , who would have seemingly been the most typecast from Star Trek having played Mr. Spock, actually went on to the most successful career of all the cast members during the 10-year period between the end of the original series and the release of Star Trek: The Motion Picture .

In 1969 he immediately shifted over to a co-starring role in the hit series Mission: Impossible for 49 episodes, playing make-up genius Paris. Following his departure in 1972, he played the lead in the national touring company of the musical Fiddler on the Roof , portrayed another "logical" character in the form of Sherlock Holmes, offered up his take on Vincent Van Gogh in the one-man show Vincent , and starred on Broadway in Equus . He made numerous appearances in episodic series and TV films, and narrated the syndicated show In Search of...

On the big screen he reprised the role of Spock in six films featuring the original cast, and portrayed the character in J.J. Abrams' 2009 reboot as well as the 2013 sequel Star Trek Into Darkness , which would turn out to be his final filmed role. Earlier he segued into directing, doing so for Star Trek III (1984) and Star Trek IV (1986) before taking on Three Men and a Baby (1987), The Good Mother (1988), Funny About Love (1990) and Holy Matrimony (1994).

Between 1973 and 2002 he wrote seven books of poetry, two biographies — I Am Not Spock (1975) and I Am Spock (1995) — and published three books of photography. Additionally, he recorded five albums between 1967's Leonard Nimoy Presents Mr. Spock's Music from Outer Space and 1970's The New World of Leonard Nimoy .

Nimoy was married twice and had two children. He died on February 27, 2015 of complications from COPD at the age of 83.

DeForest Kelley as Dr. Leonard "Bones" McCoy

In essence, Dr. Leonard "Bones" McCoy served as the conscience to Captain Kirk aboard the Enterprise , and as such was perhaps the most humanistic of all the characters. There's a bit of irony there in the sense that actor DeForest Kelley built his acting career on playing villains in Western films and TV shows. His post- Star Trek career was fairly limited, starring in the 1972 film Night of the Lepus , about a battle against giant killer bunnies, and he reprised the role of McCoy in six Star Trek features and the first episode of Star Trek: The Next Generation .

He married Carolyn Dowling in 1945 and was with her until his death on June 11, 1999 at age 79 of stomach cancer.

James Doohan as Montgomery 'Scotty' Scott

Canadian born James Montgomery Doohan had, by his own estimation, appeared on 4,000 radio programs and 450 television shows before he played Scotty for the first time in the second Star Trek pilot, "Where No Man Has Gone Before." Like his co-stars, he brought the character to the big screen in six feature films, co-starring with Shatner and Walter Koenig in the seventh, Star Trek: Generations ; and also appearing in the "Relics" episode of Star Trek: The Next Generation .

Other film credits include Rock Hudson 's Pretty Maids All in a Row and Man in the Wilderness (both 1971), Loaded Weapon 1 (1993) and, in his final film role, Skinwalker: Curse of the Shaman (2005). He co-starred in the Saturday morning live action series Jason of Star Command (1978), and in seven episodes of The Bold and the Beautiful between 1996 and 1997.

Although there were other TV guest spots, he spent much of his time each year doing the convention circuit, which turned out to be fairly lucrative. He wrote his autobiography, Beam Me Up, Scotty: Star Trek's "Scotty" in His Own Words ; and three entries in The Flight Engineer book series.

Married three times, he had a total of seven children. He died on July 20, 2005 of complications from pulmonary fibrosis. He was 85.

Nichelle Nichols as Lt. Uhura

Trying to break through as a black actress in the 1960s was not an easy thing to do, but Nichelle Nichols continued to push, finding small roles in a few films between 1959's Porgy and Bess and 1966's Mister Buddwing .

On TV she could be seen in episodes of Star Trek creator Gene Roddenberry's The Lieutenant , Peyton Place and Tarzan before being hired to play Uhura. Although Nichols was planning on quitting the show after the first season, she was talked out of it by Dr. Martin Luther King, Jr. , and remained with the franchise for much of her life. She played Uhura in six films as well as the fan-made production, Star Trek: Of Gods and Men .

Nichols impact as Uhura was such that NASA worked with her to recruit minority and female personnel for the space agency, her recruitees including the first American female astronaut, Sally Ride; and the first black astronaut, United States Air Force Colonel Guion Bluford. "When I began," the actress pointed out, "NASA had 1,500 applications. Six months later, they had 8,000. I like to think some of those were encouraged by me. The aim was to find qualified people among women and minorities, then to convince them that the opportunity was real and that it also was a duty, because this was historic. I really had this sense of purpose about it myself."

In subsequent years, she provided her voice to a number of TV animated characters, including playing herself on Futurama and The Simpsons ; there was a recurring role on Heroes and the soap opera, The Young and the Restless ; and film parts in later years included The White Orchid and American Nightmares (both 2018) and Unbelievable!!!!! (2020). Additionally, she recorded three albums, penned her autobiography ( Beyond Uhura ) and wrote a pair of sci-fi novels, Saturn's Child and Saturna's Quest . Married twice, she has one son (Kyle Johnson). In 2015, Nichols suffered a minor stroke and, three years later, was diagnosed with dementia. She died of heart failure on July 30, 2022 at 89 .

George Takei as Sulu

George Takei — born Hosato Takei — certainly diversified following Star Trek . Not only did he make appearances on a variety of television series (including The Six Million Dollar Man, Ironside, Marcus Welby, M.D. and Kung Fu ), but he co-wrote the 1979 science fiction/swashbuckler novel Mirror Friend, Mirror Foe and threw his hat into the Los Angeles political arena — and not for the last time.

While Takei has been able to work fairly consistently in film and television — beyond the six Star Trek films he appeared in — he's stayed busy with myriad projects, including the 2012 musical Allegiance , which explores his own experiences and research into the Japanese American internment of World War II.

Prior to that, he co-wrote the graphic novel They Called Us Enemy , which focused on his family's internment. In addition, he took on reality shows such as The Apprentice and I'm a Celebrity ... Get Me Out of Here! . He wrote 1994's To the Stars: The Autobiography of George Takei , and followed with two additional non-fiction tomes.

In 2005, he came out as gay and emphasized that he and partner Brad Altman had been, at that point, in a relationship for 18 years (the duo also became the first same-sex married couple in West Hollywood three years later). Since then he has been involved in quite a number of campaigns demanding equal rights for members of the LGBT community.

Walter Koenig as Chekov

Walter Koenig, like his costars, did his fair share of episodic television work following his two seasons as Chekov in the Star Trek cast, co-starred in the Gene Roddenberry television pilot, The Questor Tapes ; had a recurring role on the sci-fi series Babylon 5 and reprised the role of Chekov in seven Star Trek films.

Additionally, he served as an acting teacher, directed plays, wrote novels and penned the scripts for such primetime television fare as Family and What Really Happened to the Class of '65?. On top of that, there are the screenplays for I Wish I May, You're Never Alone When You're a Schizophenic and several one-act plays. His most recent film roles are Who is Martin Danzig? (2018) and Unbelievable!!!!! (2020).

Koenig has written a trio of memoirs ( Warped Factors: A Neurotic's Guide to the Universe , Chekov's Enterprise and Beaming Up and Getting Off: Life Before and Beyond Star Trek ), the sci-fi novel Buck Alice and the Actor-Rabbit , and the comics Raver and Walter Koenig's Things to Come . He was married to Judy Levitt from 1965 until her death in in 2022. They have two children.

For more 1960s TV nostalgia, keep reading!

‘Three’s Company’ Cast: Behind the Scenes Secrets and Follow the Stars Through Time

‘Gilligan’s Island’ Cast: Surprising Facts About the Stars of the Beloved Castaway Comedy

10 Magical Behind-the-Scenes Facts About ‘I Dream of Jeannie’

Recommended Stories

Nfl draft: packers fan upset with team's 1st pick, and lions fans hilariously rubbed it in.

Not everyone was thrilled with their team's draft on Thursday night.

NFL Draft: Bears take Iowa punter, who immediately receives funny text from Caleb Williams

There haven't been many punters drafted in the fourth round or higher like Tory Taylor just was. Chicago's No. 1 overall pick welcomed him in unique fashion.

NFL to allow players to wear protective Guardian Caps in games beginning with 2024 season

The NFL will allow players to wear protective Guardian Caps during games beginning with the 2024 season. The caps were previously mandated for practices.

NFL Draft: Spencer Rattler's long wait ends, as Saints draft him in the 5th round

Spencer Rattler once looked like a good bet to be a first-round pick.

Cowboys owner Jerry Jones compared his 2024 NFL Draft strategy to robbing a bank

Dallas Cowboys owner Jerry Jones made an amusing analogy when asked why the team selected three offensive lineman in the 2024 NFL Draft.

Michael Penix Jr. said Kirk Cousins called him after Falcons' surprising draft selection

Atlanta Falcons first-round draft pick Michael Penix Jr. said quarterback Kirk Cousins called him after he was picked No. 8 overall in one of the 2024 NFL Draft's more puzzling selections.

Korey Cunningham, former NFL lineman, found dead in New Jersey home at age 28

Cunningham played 31 games in the NFL with the Cardinals, Patriots and Giants.

NFL Draft: Brenden Rice, son of Hall of Famer Jerry Rice, picked by Chargers

Brenden Rice played the same position as his legendary father.

Based on the odds, here's what the top 10 picks of the NFL Draft will be

What would a mock draft look like using just betting odds?

NFL Draft fashion: Caleb Williams, Malik Nabers dressed to impress, but Marvin Harrison Jr.'s medallion stole the show

Every player was dressed to impress at the 2024 NFL Draft.

This Was Anton Yelchin's Favorite Episode From Star Trek: The Original Series

J.J. Abrams' 2009 "Star Trek" feature film wasn't so much an adaptation of the 1966 TV series as it was a film version of how non-Trekkies view the franchise. To explain: on the TV series, Captain Kirk (William Shatner) is typically depicted as being judicious, stern, and decisive. Because of the few times Kirk solved problems with his fists, however, he has gained a (perhaps unfair) reputation for being a reckless cowboy, an insufferable lothario, and a flippant charmer. Abrams' version of Kirk (Chris Pine) rolled with those misconceptions, making a "high-octane" version of the character. Indeed, all the characters are now broader, more passionate versions of themselves. This is in addition to each of them being secret super-geniuses, deeply expert in at least one field of science, language, medicine, or engineering.

Case in point, Chekov (Anton Yelchin) knows how to operate a transporter in such a way that he can snatch crewmates right out of the air as they plummet through a planet's atmosphere below. Everything in the 2009 "Star Trek" is shifted into overdrive, with whirling cameras, shouting, fighting, and desperate last-minute escapes. Abrams turned "Star Trek" into an action movie. 

That said, many of the new cast members did their "Star Trek" homework, watching old episodes of the original series and using their forebears as models for the latest versions of their characters. Yelchin in particular closely emulated Walter Koenig, and was even careful to imitate Koenig's unique Russian accent, even if it wasn't wholly accurate. 

In 2009, TrekMovie interviewed the late Yelchin about playing Chekov, asking the actor — perhaps naturally — what his favorite episode of the original series was. Surprisingly, Yelchin was very fond of "Who Mourns for Adonais?," the episode wherein the Enterprise crew faces off against the Greek god Apollo.

Yelchin thought that 'Who Mourns for Adonais?' was 'fascinating'

"Who Mourns for Adonais?" (September 22, 1967) begins with the Enterprise being grabbed in space by a giant green human hand. Kirk and company beam down to a nearby planet to find Apollo (Michael Forest) living there. This appears to be the actual god Apollo of Greek myth, and he demands that the Enterprise crew worship him, just like he used to be worshiped back on Earth. Kirk, Chekov, and the others surmise that Apollo is actually an ancient alien that once visited Earth thousands of years ago, and the locals assumed he was a god. Kirk explains to Apollo that humans have outgrown the need for gods, and Apollo is sad. After Apollo ascends to join the other "gods," Kirk admits that even without the benefit of divinity, modern civilization still owes a lot to ancient Greek culture. The title is a reference to an 1821 Percy Shelley elegy about John Keats.

Yelchin probably liked "Adonais" because Chekov has a lot to contribute. He was part of the episode's landing party, and he was active and contributive. In Yelchin's words: 

"Probably the one with Apollo. I think is such an intelligent episode. It is an episode where the basic point is that humanity ... looking at it in terms of the '60s when men are their own gods, and look at where they brought their universe to. It was such a fascinating, touching, weird thing to have an episode. Where men come to a planet where a god wants to be a god again." 

No such heady concepts were included in the 2009 film, as it was, as mentioned, an action picture. But It's nice to see that Yelchin found some of the original Trek concepts to be interesting. 

'Amok Time' - a.k.a. the pon farr episode

Yelchin also liked "Amok Time," saying, "I also love the episode where Spock is PMSing and where Kirk has to fight Spock."

That's an indelicate way of describing pon farr, a Vulcan phenomenon where their bodies sexually activate once every seven years. While undergoing pon farr, Vulcans become unbearably horny, but also very angry and animalistic. They are moved to mate. In "Amok Time" (September 15, 1967) , Spock (Leonard Nimoy) undergoes pon farr and returns to Vulcan to marry his betrothed T'Pring (Arlene Martel). T'Pring finds that Kirk is a more appealing mate, however, and Kirk and Spock have to fight in a Vulcan gladiatorial arena for her hand. It's a notable episode of "Star Trek" because of the amount of Vulcan lore it introduced into the franchise, but many — like Yelchin — seem attached to the episode's silly, horny violence. 

Yelchin also admitted that he did more research than some of his co-stars. He read "The Star Trek Encyclopedia" by Mike and Denise Okuda, and watched every episode of the show. Chris Pine, it seems, began watching the series, but stopped partway through the first season. "I kept going. I loved it," Yelchin said. "I even watched the episodes that Chekov wasn't in. The ones that he was in I found interesting, like when they go to a bar in 'The Troubles With Tribbles' and they have a drink, I liked that." 

Yelchin also played Chekov in "Star Trek Into Darkness" in 2013 and in "Star Trek Beyond" in 2016, released posthumously .

Advertisement

Supported by

Original ‘Star Trek’ Enterprise Model Is Found After Being Missing for Decades

The 33-inch model surfaced on eBay after disappearing around 1979. An auction house is giving it to the son of Gene Roddenberry, the creator of “Star Trek.”

• Share full article

By Emily Schmall

The first model of the U.S.S. Enterprise, the starship that appeared in the opening credits of the original “Star Trek” television series , has been returned to Eugene Roddenberry Jr., the son of the creator of the series, decades after it went missing.

“After a long journey, she’s home,” Mr. Roddenberry wrote on social media on Thursday.

For die-hard Trekkies, the model’s disappearance had become the subject of folklore, so an eBay listing last fall, with a starting bid of $1,000, didn’t go unnoticed.

“Red alert,” someone in an online costume and prop-making forum wrote, linking to the listing.

Mr. Roddenberry’s father, Gene Roddenberry, created the television series, which first aired in 1966 and ran for three seasons. It spawned numerous spinoffs, several films and a franchise that has included conventions and legions of devoted fans with an avid interest in memorabilia.

The seller of the model was bombarded with inquiries and quickly took the listing down.

The seller contacted Heritage Auctions to authenticate it, the auction house’s executive vice president, Joe Maddalena, said on Saturday. As soon as the seller, who said he had found it in a storage unit, brought it to the auction house’s office in Beverly Hills, Calif., Mr. Maddalena said he knew it was real.

“That’s when I reached out to Rod to say, ‘We’ve got this. This is it,’” he said, adding that the model was being transferred to Mr. Roddenberry.

Mr. Roddenberry, who is known as Rod, said on Saturday that he would restore the model and seek to have it displayed in a museum or other institution. He said reclaiming the item had only piqued his interest in the circumstances about its disappearance.

“Whoever borrowed it or misplaced it or lost it, something happened somewhere,” he said. “Where’s it been?”

It was unclear how the model ended up in the storage unit and who had it before its discovery.

The original U.S.S. Enterprise, a 33-inch model, was mostly made of solid wood by Richard C. Datin, a model maker for the Howard Anderson Company, a special-effects company that created the opening credits for some of the 20th century’s biggest TV shows .

An enlarged 11-foot model was used in subsequent “Star Trek” television episodes, and is now part of the permanent collection of the Smithsonian National Air and Space Museum , where it was donated by Paramount Studios in 1974.

Mr. Roddenberry, who said he gave the seller a “reward” for its recovery but did not disclose the terms, assembled a group of “Star Trek” production veterans, model makers and restoration specialists in Beverly Hills to authenticate the find.

The group included a “Star Trek” art supervisor, Michael Okuda, and his wife, Denise, an artist on “Star Trek” television series and films, and Gary Kerr, a “Trek x-pert” who served as technical consultant for the Smithsonian during a 2016 restoration of the 11-foot model.

“We spent at least an hour photographing it, inspecting the paint, inspecting the dirt, looking under the base, the patina on the stem, the grain in the wood,” Mr. Roddenberry said.

“It was a unanimous ‘This is 100 percent the one,’” he said.

Gene Roddenberry, who died in 1991 , kept the original model, which appeared in the show’s opening credits and pilot episode, on his desk.

Mr. Kerr compared the model to 1960s photos he had of the model on Mr. Roddenberry’s desk.

“The wood grain matched exactly, so that was it,” he said on Saturday.

The model went missing after Mr. Roddenberry lent it to the makers of “Star Trek: The Motion Picture,” which was released in 1979, Mr. Maddalena said.

“This is a major discovery,” he said, likening the model to the ruby slippers from “The Wizard of Oz,” a prop that was stolen in 2005 and recovered by the F.B.I. in 2018, and that Heritage Auctions is selling.

While the slippers represent hope, he said, the starship Enterprise model “represents dreams.”

“It’s a portal to what could be,” he said.

Emily Schmall covers breaking news and feature stories and is based in Chicago. More about Emily Schmall

Explore More in TV and Movies

Not sure what to watch next we can help..

Sydney Sweeney and Glen Powell speak about how “Anyone but You” beat the rom-com odds. Here are their takeaways after the film , debuting on Netflix, went from box office miss to runaway hit.

The vampire ballerina in the new movie “Abigail” has a long pop culture lineage . She and her sisters are obsessed, tormented and likely to cause harm.

In a joint interview, the actors Lily Gladstone and Riley Keough discuss “Under the Bridge,” their new true-crime series  based on a teenager’s brutal killing in British Columbia.

The movie “Civil War” has tapped into a dark set of national angst . In polls and in interviews, a segment of voters say they fear the country’s divides may lead to actual, not just rhetorical, battles.

If you are overwhelmed by the endless options, don’t despair — we put together the best offerings   on Netflix , Max , Disney+ , Amazon Prime  and Hulu  to make choosing your next binge a little easier.

Sign up for our Watching newsletter  to get recommendations on the best films and TV shows to stream and watch, delivered to your inbox.

FlickSphere

21 Things About Star Trek That Fans Hesitate to Acknowledge

Posted: April 27, 2024 | Last updated: April 27, 2024

Star Trek Reused the Same Sets Often

There were some sexist vibes.

Star Trek Was Forced to Move With the Times

We’ve All Fancied an Alien on Star Trek at Some Point in Our Lives

Drama in Deep Space Nine’

Star Trek Voyager Criticized for Having a Female Captain

The Story Lines Weren’t Always Great

Some of the Costumes Were Not Good

We Want Captain Picard Back

Most Fans Preferred the TV Series to the Movies

We Have all Tried to Speak Klingon

Sometimes, Star Trek Was Scary

The Theme Tune Was Awesome

Star Trek’s Original First Officer Was a Woman

Spock Impressions

Some of the Tech from the Trek Has Already Become a Reality

William Shatner and Leonard Nimoy Both Got Tinnitus

Spock’s Vulcan Salute is a Special Blessing in Hebrew

Star Trek Didn’t Only Recycle its Sets; It Also Recycled Actors

The Star Trek Brand Has Become Over-Commercialized

18 Formerly Beloved TV Shows That Would Flunk the Political Correctness Test Today

18 Films That Went Too Woke in the Last Decade

Empty Screens: 18 Movies Where Almost Nothing Really Happens

More for You

The most dangerous state to drive in in the US, according to data—plus, see where your state ranks

Scientists have discovered the maximum age a human can live to

How Much Beer You'd Have To Drink To Equal A Single Shot Of Liquor

Cuban mercenaries eliminate Russian regiment commander in Donetsk region

We Ordered 7 Fast-Food Breakfast Sandwiches to Find the Best One

2 New Pokemon Squishmallow Plushes Officially Revealed

29 common human foods you may not realize are poisonous to your dog

Unsellable Houses' Lyndsay Lamb Says Buyers Are Moving Away From This Color Trend

Immune Cells Patrolling The Human Eye Are Not What Scientists Thought

Corn Makes This Pasta Sauce So Silky Smooth, Without Any Cream

Martin Lewis issues warning to people choosing air fryer over oven

The Coolest Car From the Year You Were Born (1945-1995)

Experts Say These Are The 5 Worst Foods For Your Cholesterol

She helps hoarders clean up, and she has thoughts on your mess

I'm a sniper in the US Army, and Hollywood doesn't show you the hardest part of my job

Kirk Cousins comments on Falcons' decision to draft QB Michael Penix Jr.

Best pressure cookers 2024 to make dinner fast

These Massive Companies Are Laying Off Hundreds of Employees

Common Foods That Are Illegal to Grow in Your Backyard

This is the ideal sleep temperature for older adults, new study finds

WATCH: Colin Jost roasts the room at White House Correspondents’ Dinner

How Gen Z is creating a resurgence of romance novels

Emily Henry reflects on career, seeing her books adapted for film

Dulé Hill talks PBS series 'The Express Way' that spotlights the arts

Kate Walsh, Whitney White on teaming up for new play 'Jordans'

See the big names set to join 'The Voice' for final playoffs

Ryan Reynolds releases ‘Bluey’-inspired ad for Zillow

Anne Hathaway gives update on status of ‘Princess Diaries 3’

All 3 ‘Lord of the Rings’ movies are headed back to theaters

Eminem announces new album ‘The Death of Slim Shady’

Taylor Swift teases ‘Tortured Poets’ era on tour

Matthew Hussey shares tips to finding love, owning your happiness

Vivica A. Fox on cameo-filled new movie, 'blessed' to be turning 60

Pop culture roundup: ‘The Big Door Prize,’ sexy water, more

Haley joins mom Hoda on TODAY for Bring Your Kids to Work Day

Jim Gaffigan talks 'Unfrosted,' new passion for whiskey-making!

The 3rd Hour of TODAY celebrates Take Your Kids to Work Day

'13 Going on 30' cast shares advice for today’s teens

Carol Burnett recalls short-lived gig working at a movie theater

Beyoncé sends surprise to young fan who wanted to be her friend

Nbc news now, 'star trek' uss enterprise model found on ebay after nearly 50 years.

The original USS Enterprise model used in the introduction of the show "Star Trek" was found after being missing for nearly 50 years. The model went missing in the 1970s and was found being sold on eBay with a starting bid of $1,000.  April 26, 2024

Best of NBC News

Watch Colin Jost roast the room at 2024 White House Correspondents’ dinner

Watch Biden's full remarks at the 2024 White House Correspondents’ dinner 

Nightly News Netcast

Nightly news full broadcast (april 27th).

Nightly News

Cicadas swarm south, with trillions expected for the biggest invasion in centuries.

Third American tourist arrested in three months for bringing bullets to Turks and Caicos

One high school baseball team found a meaningful way to give thanks before graduation

• April 26, 2024 | Michael Dorn Wanted Armin Shimerman To Play The Ferengi That Worf Killed In Star Trek Picard
• April 26, 2024 | Podcast: All Access Gets To Know The Breen In ‘Star Trek: Discovery’ 505, “Mirrors”
• April 25, 2024 | Prep Begins For ‘Star Trek: Strange New Worlds’ Season 3 Finale; Cast And Directors Share BTS Images
• April 25, 2024 | Jonathan Frakes Sees Opportunities With Streaming Star Trek Movies, Weighs In On “Filler Episodes”
• April 25, 2024 | Recap/Review: ‘Star Trek: Discovery’ Reflects On Its Choices In “Mirrors”

Recap/Review: ‘Star Trek: Discovery’ Reflects On Its Choices In “Mirrors”

| April 25, 2024 | By: Anthony Pascale 110 comments so far

Star Trek: Discovery Season 5, Episode 5 – Debuted Thursday, April 25, 2024 Written by Johanna Lee & Carlos Cisco Directed by Jen McGowan

A solid episode with plenty of lore and character development gets weighed down with a bit too much exposition.

No, I didn’t kiss you in the past last week, what makes you say that?

WARNING: Spoilers below!

“Maybe we’re not so different.”

As the crew regroups following the time bug incident that lost them 6 hours, they try to trace the trail of their main rivals in the search for the Progenitor tech. Book takes this time to reflect on the choices he has made in life and how it isn’t too late for Moll; perhaps he can redeem the daughter of his mentor and namesake Cleveland Booker. Stamets and Tilly figure out the trail didn’t disappear into nowhere: Moll and L’ak went through a wormhole. The aperture isn’t big enough for the Disco, so the captain assigns herself to shuttle duty—over the objections of her new XO, who is still struggling a bit. After a little bonding over old Kellerun poetry, she leaves him with “I know you can lead this crew” and heads off with her ex. Returning to their old banter, including some teasing about what happened during her time tour last episode, Book and Michael head through the wormhole. Things get really choppy as they fly through exotic matter “deaf and blind,” losing comms with the Disco, and dodging debris. Skilled piloting and good ol’ Starfleet engineering saves them, but things aren’t so hot for Moll and L’ak, whose ship is spotted cut in half. Their only hope for survival is another relatively intact ship that looks familiar. A 24 th -century scientist hiding a clue in this pocket dimension on a shipwreck from another universe makes as much sense as anything.  It’s the ISS Enterprise—and that’s no typo. If the “Mirrors” title wasn’t clue enough, the ISS does it: Things are about to get Terran, again.

After docking, Michael and Book make their way through the mess of a ship to the bridge with more playful banter. The warp drive has been bricked and all shuttles and escape pods are gone, very out of character for ruthless Terrans. They track three quantum signatures in sickbay, but start with a trace in the transporter room, which looks more like a makeshift refugee camp. A chronicle reveals the crew mutinied after the Terran High Chancellor (aka Mirror Spock) was killed for making reforms. A certain Kelpien rebel leader (aka Mirror Action Saru) led refugees to the Prime Universe, where they abandoned ship. While Book expositions, Michael puts a piece of her badge (and its important Prime Universe quantum signature) in a locket she finds. Pay attention BTW, or you will be confused later. In sickbay, they find Moll and L’ak, Moll and L’ak, and Moll and L’ak—until they take out the holo-emitters so the four former couriers can face off for real. Book tries the “I knew your father” gambit and is immediately rebuffed by Moll’s serious daddy issues. The baddies figure they have the clue so they have all the leverage, but Michael uses that locket as a bluff, claiming she has the real clue. Still, no deal with the Federation is good enough because they need the Progenitor tech to get rid of an Erigah… a Breen blood bounty. That’s right, L’ak is Breen. Holy refrigeration helmet , Batman.

Mirror McCoy was a bit of an evil pack rat.

“You both still have choices .”

Cut to a series of Burn-era flashbacks when Moll was delivering dilithium to the Breen Imperium. The “bucket heads”  are not amused by the wisecracking courier who gets into a fight with one of them, but she turns the tables, revealing she knows he’s a disgraced member of the royal family—and she even knows his name. It’s L’ak, of course. He is intrigued by her plan to skim more latinum, getting payback for being humiliated for this cargo duty demotion. Soon enough, this unlikely pair is hooking up between cargo containers and he even takes off his helmet to show her his face, as well as his “other face.” It turns out the Breen have two: the one we have been seeing with L’ak and a glowing eyed translucent one.  Later, the star-crossed romance is threatened when Moll is drawn to the lure of even more latinum by delivering to the Emerald Chain. Before they can sort out if he should join her, Uncle A-hole shows up, not happy about his nephew’s little interspecies exchange program. He’s also not cool with L’ak using that old face and not the “evolved” glowy face. L’ak is given one chance at redemption: Kill Moll. He picks door number 2, killing some guards but sparing Primarch Ruhn, who declares the Erigah. L’ak knows this means they will never stop hunting him, but Moll is all-in on being a fugitive, so they escape together. Ah, true love.

Back on Mirror Enterprise, the standoff devolves into another quick firefight as the Breen/Human duo chooses not to take the offered off-ramp before going too far down the bad guy road. Moll and Book end up outside force fields that pop up around sickbay, so she reluctantly agrees to a ceasefire. The current Cleveland Booker tries again to connect, but Moll only has bad memories of a brutal childhood of abandonment after her Cleveland left her on her own at age 14. L’ak is all she has. L’ak feels the same about Moll, telling Michael that he would die before being separated, but seems open to the idea of them sharing a cell in the Federation pen. On the bridge, Book pivots to use his relationship with Michael to connect, but Moll’s need to get back to L’ak means no waiting for computer hacking, so she starts yanking out wires. The resulting short does lower the forcefield, but now the ship is out of control. Their shuttle is flung off with the jolt and there’s only eight minutes until the Big E is squished in the little wormhole. Book takes his final shot, handing over his phaser and telling Moll she is the only family he has left. She finally relents and they head to sickbay, where Michael and L’ak have resumed fighting. The captain gets the upper hand and ends up with the clue L’ak was holding and the Breen is left with a knife in his side, but impressed by the locket bluff. Moll arrives and is super pissed, so the Disco duo makes a quick exit before things escalate into yet another phaser fight. This former courier couple’s double date is over.

Uh, can you go back to the other face now?

“Maybe we can shape our own futures too.”

As Moll tries to patch up her boyfriend, Michael and Book work through the problem on the bridge, deciding that the tractor beam as their only hope. Over on the Disco, they detect an oscillating pattern, 3-4-1-4, which means something to Rayner. He now wants the nerds to figure out how to open the wormhole aperture big enough for a ship, offering kegs of Kellerun booze for the best idea. Adira sparks a team effort and Rayner rallies around the crowdsourced solution involving a hexagon of photon torpedoes. “We are only going to get one shot at this. I trust you will all make it count, red alert.” That’s the stuff. With what may be the last seconds of her life, Michael lets Book know she shared a “happy” moment with his past self during the whole time bug incident. Discovery fires the torpedoes and the crew is surprised to see the ISS Enterprise emerge at the last minute from the permanently collapsing wormhole. Everyone releases their tension as the captain informs her crew they saved her… but why is the Enterprise about to fire? A warp pod is launched! It’s Moll and L’ak. Before you can say “plot armor,” they escape to another episode. The captain returns to the Disco to tell Rayner she’s impressed with how he handled the crew during her time away, and he tells her how impressed he was with her subtle “3-4-1-4” message using the Kellerun “Ballad of Krull.” Alien poetry FTW!

In the background of the episode, Tilly has been noticing that Dr. Culber seems out of sorts. Everyone else leans on him, so she offers to be a friendly ear. As things wrap, Hugh takes her up on her offer over drinks at Red’s, admitting that ever since he was possessed by a Trill a few episodes back, he has been feeling a bit off, and he’s beening having some trouble coming to grips with the quest they are on with questions “so big and impossible to grasp.” He is not sure his matter-of-fact husband will understand what Tilly points out is a sort of spiritual awakening. This thread is left unresolved, unlike Adira’s mini-crisis of confidence: They were losing their science mojo due to guilt over the time bug, but got it back through Rayner’s tough love and being the one to come up with the hexagon of torpedoes solution. Things wrap up with Michael and Book looking over their prize, the latest piece of the map and a mysterious vial of liquid hidden inside, ready to set up the next episode once Stamets unlocks its secret. Burnham is starting to see a pattern with these clues and how the scientists who left them were trying to teach lessons along the way to the successful questers. The clue hidden in the ISS Enterprise came from Dr. Cho, a former Terran junior officer who later became a Starfleet Admiral. This happy ending for her and the others from Saru’s band of Mirror refugees fills them with hope as they can’t wait to find out what they will learn when they put the map together. There are just 2 more map pieces and 5 more episodes to go.

I think I have a thing for being possessed—no judgment.

Love stories

This halfway point episode is a bit of a mixed bag. Strong performances were a highlight, bringing extra life to welcome character development for both heroes and villains. But valiant attempts to expand upon franchise lore got weighed down in overly complicated exposition. And for an episode with a strong (and yes, often repeated) theme about choices, some of the directorial choices just didn’t work, potentially leaving some audience members confused or requiring a second viewing to follow the narrative. On the other hand, the episode carried on the season’s reflection on Discovery’s own lore and the evolution of its characters. David Ajala stands out as the episode MVP as he shows Book’s struggle to navigate the emotional complexities of his own choices and those of Moll while desperately trying to forge a new family connection. While some of the action scenes in this episode felt a bit perfunctory, the show is still getting better (for the most part) in finding moments for those character sidebars to talk about their emotional journeys and relationships. That was especially important in this episode, which took a closer look at how the events of the season are impacting some of the key romantic pairings of Book and Michael, Paul and Hugh, and Moll and L’ak.

Eve Harlow—and especially Elias Toufexis—stepped up to add layers and nuance to Moll and L’ak, with Discovery finally embracing how fleshing out adversaries and their motivations goes a long way towards making your plot hold together. The nicely drawn-out reflection of their love story with the rekindling one between Michael and Book adds another layer to the more obvious meaning behind the episode title “Mirrors.” Moll’s single-minded anger and L’ak’s desire for safety now all make sense, as does their unshakable bond. The episode also did a good job weaving in a handful of substories, including Rayner’s growing connection with the crew, with a nice sprinkling of Kellerun lore-building — adding some color to his character. Callum Keith Rennie continues to be a stand-out addition for the season, although Doug Jones is sorely missed, presumably not appearing in two episodes in a row for some scheduling reasons. Culber’s spiritual journey also gets just enough time, as it and these other substories all feel like they are heading somewhere without distracting or spinning their wheels, something that often weighed down mid-season Discovery episodes in past seasons.

Okay, let’s just agree we both have daddy issues.

Under the mask

The reveal that L’ak is a Breen was a surprise, but also nicely teased through the previous episodes. Fans of Deep Space Nine should relish finally getting some answers about this enigmatic race and finally having a first look under those helmets. “Mirrors” picked up on many elements from DS9, including the Breen language, refrigeration suits, neural truncheons, and the position of Thot , while adding lots to the lore, including some worldbuilding behind this new Breen Imperium and its “faction wars.”

Setting the Breen up as what appears to be the real big bads for the season involved a lot of data dump exposition here, surely keeping the editors of Memory Alpha busy for the next week. The notion that Breen have two forms with their signature suits and helmets allowing them to hold the more “evolved” form and face makes sense. If one were to get nitpicky, the Breen aren’t supposed to bleed, but perhaps that was a function of his suit; fill in your own headcanon. L’ak’s desire to hold the other, less evolved form making him a pariah in Breen society has echoes of allegorical episodes such as TNG’s “The Outcast.” That being said, the nuances are still not entirely clear, and fans who like the lore shouldn’t have to rewatch scenes to pick up the details. It feels like some details were cut, perhaps because this episode was already trying to cram in too much exposition with the Breen, Kelleruns (they boil cakes?), and the Mirror Universe.

Like the previous time travel adventure, this was a mid-season bottle show, this time using the conveniently located Strange New Worlds sets. Bringing back the ISS Enterprise was clever and fun, with the twist of how this time the Mirror Universe came to us. If you follow closely, “Mirrors” did a nice job of filling in some lore gaps and tying together the MU storylines from the first visit in “Mirror, Mirror” to follow-ups in Deep Space Nine , Enterprise , and Discovery . There is now a nice throughline from Emperor Georgiou saving Mirror Saru through to Mirror Spock, killed for the reforms he instituted after being inspired by Kirk. However, the redress of the Enterprise sets was not very inspired, with only a smattering of Terran wall sconces and some repainting, instead of demonstrating the brutality of the Empire with elements like agony booths. But what was even more missed was the promise of any character crossovers. There was a lot of talk about Mirror characters like Spock, Saru, Dr. Cho, and others, but we don’t get to see any, one of the many examples of how this episode broke the golden rule to show not tell. There were plenty of opportunities for a flashback or holo recording. Burnham longingly gazing at her brother’s science station is no substitute for Ethan Peck with a goatee.

We’re back!

Final thoughts

“Mirrors” is a decent episode, but it could have been much better with a few tweaks here and there. While not falling into the pointless plate-spinning trap of past mid-season Disco outings, it still dragged a bit for something so jam-packed with lore and revelations. Still, it provided a nice hour of entertainment, and possibly more with rewatches to catch up on the little details. The episode also continues the season’s welcome trend of weaving in the show’s own past, which makes it work better as a final season, even if they didn’t know that when they crafted it. Season 5 hits the halfway mark, and it’s still the best season yet, and hopefully the second half of the season will nail the landing.

Wait, we’re in this episode too? Anyone remember their lines?

• Like the previous episode, “Mirrors” began with a warning for flashing images.
• The episode is dedicated “to the loving memory of our friend Allan ‘Red’ Marceta ,” the lead set dresser who died in a motorcycle accident in 2022.  Presumably the USS Discovery bar “Red’s” was named in his honor.
• This is the first episode where Book’s personal log starts it off.
• Stardate: 866280.9
• Booker examined wanted notices for Moll from the Federation, Orion/Emerald Chain (who have a new logo), and the Andorian Empire.
• Tilly was able to reveal the wormhole by compensating for the “Lorentzian Coefficient,” referencing the real Lorentz Factor used in special relativity equations.
• A new ensign on the Discovery keeps a Cardassian vole as a pet.
• The ISS Enterprise was built at Tartarus Base, possibly referencing Tartarus Prime , from the TOS novel The Rings of Time .
• Moll refers to Breens as “bucketheads” (just as Reno did to Emerald Chain Regulators last episode). This could be a nod to the use of “ bucketheads ” in Star Wars as a derogatory term for stormtroopers.
• Moll’s mother died on Callor V in a mine for Rubindium , a substance first mentioned in TOS “Patterns of Force.”
• Linus can play the piano.
• Breen Primarchs may be a nod to the genetically engineered Primarchs from Warhammer 40,000 .
• How does Book know that Pike’s catchphrase is “Hit it”?
• This is the third (of five) season 5 episodes in which Oyin Oladejo and Emily Coutts do not appear, but their characters, Detmer and Owosekun, are mentioned when they get the honor of escorting the ISS Enterprise back to Starfleet HQ.
• Even though we didn’t see it warp away, presumably the missing intermix chamber was replaced, otherwise Owo and Detmer’s trip is going to take a very long time.
• Tilly says her long day makes her feel like she has been through a Gormangander’s digestive tract.

Remember when Mudd hid inside a Gormagander? Gross.

More to come

Every Friday, the TrekMovie.com All Access Star Trek Podcast  covers the latest news in the Star Trek Universe and discusses the latest episode. The podcast is available on Apple Podcasts ,  Spotify ,  Pocket Casts ,  Stitcher and is part of the TrekMovie Podcast Network.

The fifth and final season of  Discovery debuted with two episodes on Thursday, April 4 exclusively on Paramount+  in the U.S., the UK, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia, and Austria.  Discovery  will also premiere on April 4 on Paramount+ in Canada and will be broadcast on Bell Media’s CTV Sci-Fi Channel in Canada. The rest of the 10-episode final season will be available to stream weekly on Thursdays. Season 5 debuts on SkyShowtime in select European countries on April 5.

Keep up with news about the  Star Trek Universe at TrekMovie.com .

Related Articles

All Access Star Trek Podcast , Discovery , Strange New Worlds

Podcast: All Access Gets To Know The Breen In ‘Star Trek: Discovery’ 505, “Mirrors”

Books , Discovery

Coffee Table Book On The ‘Star Trek: Discovery’ Makeup Artistry Of Glenn Hetrick Coming In September

Analysis , Discovery

THEORY: Did ‘Star Trek: Discovery’ Finally Resolve The “Calypso” Mystery?

Preview ‘Star Trek: Discovery’ Episode 505 With New Images, Trailer And Clip From “Mirrors”

waste of ISS Enterprise

While I enjoyed the episode overall, the ISS Enterprise was a huge letdown and not even worth being an easter egg with what little they did with it. They should have just made it a generic constitution class ship from the mirror universe.

It felt like it was nothing more than a budget saver. Use existing sets from the other show. Which is weird because one of the arguments in favor of mini seasons is it allows more money to be spent.

That’s exactly what it felt like. Along with the missing, yet again, Detmer and Owosekun.

There must have been some deep budget cuts for the season.

Detmer and Owosekun were replaced by other characters so I don’t think they are missing for budget reasons. It’s more likely that the actresses were unavailable.

I get the budget issues considering what’s going on with the studio. But the end result was it showed that there isn’t much difference at all in the 900 years between the SNW Enterprise and the aesthetic of Star Trek Discovery. They both look as if they were set in the exact same era.

And there really shouldn’t be much. Discovery is from the same era, as the Enterprise. While the ship gets a technological upgrade, why would it get an interior design makeover?

Since it was deemed important (Stamets certainly makes since) that the crew stay on the Discovery, I would certainly think that psychologically having its design aesthetics stay similar to what it was would help give the crew a little bit of their past to hold on to, versus having all physical interactions be with a timeline that they aren’t native to.

Now where we should see it is in native places in this time. And we have seen some differences in design from standard Starfleet settings, versus Starfleet settings on this time (I actually wish we got more).

I did wish for a little more of self reflection from Burnham’s point of view as the ISS Enterprise should of course remind her of Spock (the Enterprise tie in), but also Georgiou (the ISS tie in). We get a small brief nod to Spock, but nothing to Georgiou (and while I still question the use of the character, there is no question that Burnham did have a connection with her, even if its primarily transference from her former Captain, not the mirror Universe Empress.

That’s always been my issue with Discovery.

Agreed. The last two episodes just felt very budgeted and basically bottle episodes. And this just felt like a twofer, a way to use an existing set and add a little fan service but that’s all it was. I thought the Enterprise itself was going to be a viral part of not just the episode but the story overall.

Instead it was just a backdrop. And yeah it’s obvious they cut the budget for this season but all the live action shows have felt this way starting with Picard season 3 and SNW season 2. That all felt pretty bare a lot of the times. I guess this was all during Paramount+ belt tightening and probably not a shock why the show was cancelled.

And maybe the I.S.S. Enterprise should have been the refit or maybe the Phase II Enterprise? That would have been a lot of fun but combine a lack of vision with a reduced budget and this is what you get.

Looking back on “In a Mirror: Darkly”, season 4 of Enterprise was dealing with a reduced budget but managed to recreate sets from TOS, introduced a few new set pieces and did a lot of great effects work.

This was a missed opportunity.

Which was added by stretching that story over two episodes, so that they had the budget to recreate the sets they used. Having half the episode count, doesn’t really help avail yourself to planning out a two parter for a way to save costs.

If Picard could pull off recreating the bridge of the Enterprise D for three days of shooting with barely half the budget of Discovery season 5, they could have done something equally as fun for Discovery on the cheap without actually having to building anything new and using the Enterprise as a crutch. They could have come across Deep Space Station K-7, where the exterior would have been immediately familiar and with interiors served by redressed sets from virtually anything available from Discovery or SNW.

I thought Discovery is basically the PII Enterprise?

The Phase II Enterprise looks like a slickly modified version of the Enterprise from TOS, falling squarely between the Enterprise from TOS and the refit. The “Star Trek: Phase II” fan series did a great job bringing it to screen.

No, Discovery resembles the Enterprise concept for the Planet of the Titans movie.

I don’t get that. I never assumed that the Enterprise (or its mIrror Universe history) was going to feature in significant manner (certainly the producers and promotional department didn’t make a significant deal about it). Perhaps it’s the time difference. But I literally assumed it would be as significant as the Defiant going in and out of phase like TOS “Tholian Web” the time difference. And that was primarily set dressing. That’s not a bad thing. I mean Tholian Web is considered one of the better third season episodes.

And the only reason I assumed it was the Enterprise versus another Connie, is simple to give Burnham a moment to reflect on Spock. Now I do freely admit that I wish this was a slightly larger moment. But I never expected it to be anything but a small moment. Roughly my preconceived notion would be something like Spock’s Mind Meld scene with La’an in SNW where she is able to get a peak into Spock thinking about his sister and the emotion that comes with it. It’s a very brief scene, but I thought SNW did a good job in conveying the emotional aspect, especially from a half Vulcan/ Half Human.

Ok fair enough. This is probably more my hang up and to be fair since they never really promoted the the Enterprise being back then clearly they weren’t trying to make it that big of a deal.

But same time a lot of people do feel there could’ve been more done. The main problem is it just feels like a ridiculous stretch this ship itself is even there. It’s a ship from 900 years ago from a DIFFERENT UNIVERSE that conveniently happens to be the ship that gives them their next clue. I know it’s Star Trek so whatever lol. But when you go through the effort to present it I think it would’ve nice to build a bigger story around it. It could’ve just been any ship.

When you feel like the Mirror Universe has been nothing but a let down after the initial TOS episode, It’s really not a surprise. There’s really nowhere to go with it, but I did find that the fulfilling of the promise that Prime Kirk spoke to Mirror Spock about from the original TOS episode quite satisfying. The ship’s inhabitants embraced the benevolence of the prime universe, and I thought that was great.

I felt the idea that the MU people just easily adapted was pretty ridiculous. But then, they admitted SNW was an alternate timeline. It’s not a stretch that alternate extends to all the Secret Hideout productions.

I’m not sure I would feel the same about Picard given it depicts the Prime events of ST:2009. The others tho yeah I think of it that way too. Although The Chase does make that harder to swallow about DISCO

I liked the MU in DS9. It was fun to revisit and a great reminder of the Prime Directive. But… after that it got tiresome.

It was pretty benign there, but the problem with it, is finding it plausible. It was a fun idea in the 1960’s, and it had a good message. After that, it an indulgence. The notion that that the same people would even exist in the same fundamental places, and that the same ships would exist with virtually the same crew just seems like too much of a stretch even for modern Star Trek.

That’s my only complaint about this episode. Seeing the tantalus field show up would have been really cool. When Michael talked about how she was sure that Mirror Spock was a savage just like the other Terrans, I was sure that we would see a recording or something of Ethan Peck in a goatee to prove her wrong. Or flashbacks with Ethan Peck and Paul Wesley as their mirror counterparts would have also been cool.

All the stuff with the Breen and Mol and Lak was really cool though.

“ waste of ISS Enterprise” should be the official episode description.

waste of series

They ate Mirror Saru in season one…

Was that Saru or another Kelpian? It’s been a while since I watched Season 1, but I recall Mirror Saru saving Burnham from Tyler just as Voq’s personality re-emerged. I know Mirror Georgiou served Burnham some Kelpian, I just didn’t remember it being Mirror Saru.

Mirror Saru saved Michael from Tyler in The Wolf Inside, which was the episode that preceded the one in which they ate the food made from a Kelpien (Vaulting Ambition).

Looking at Memory Alpha now, it says that the chosen Kelpien ( https://www.youtube.com/watch?v=aVQSipQlJR8 ) was played by someone other than Doug Jones, but they look so much alike that I thought for sure she had chosen Mirror Saru.

As per Memory Alpha, we never saw him again after The Wolf Inside until season three, but that was in the alternate timeline Carl sent Georgiu to, so it wasn’t the same Mirror Saru.

Nope, that was another Kelpien.

“They ate Mirror Saru in season one…”

They didn’t.

Wasn’t Mirror Saru established as having survived in Season 3 (can’t remember the episode name).

A s per Memory Alpha, we never saw Mirror Saru again after The Wolf Inside until season three, but that was in the alternate timeline Carl sent Georgiu to, so it wasn’t the same Mirror Saru.

Loved this episode. I liked seeing the I.S.S Enterprise though i would of loved to of seen maybe a video log of Mirror Spock.

As a big fan of DS9 I’m glad we finally get to see what a breen looks like and the 32nd century breen outfits look great.

I enjoyed seeing Book/Burnham trying to get through to Moll/L’ak and i hope they can eventually get through to them. With this season about connections and 2nd chances i can see Book and Burnham talking both of them down before they do something that they can’t come back from.

The shot of the I.S.S Enterprise coming out of the ‘wormhole’ is probably one of my favorite CGI scene in all of Trek.

I’m glad they didn’t. I think the conceit of using the I.S.S. Enterprise was not much more than a budgetary decision to be able to use the sets. Could have made it a different constitution class, but then they don’t get to tell the story of the crew’s transformation into our society. Just don’t think about it too much.. because that universe is just pushing out its own doppelgängers into our universe.. which seems problematic. lol.

As a big fan of DS9 I’m glad we finally get to see what a breen looks like and the 32nd century breen outfits look great.

Any kind of big reveal was bound to be disappointing, I suppose. Still, the idea that they were just another latex alien was a letdown. I had always hoped that the Breen were gaseous or plasma creatures.

Ethan Peck with a goatee would have been EPIC

“This is the way.” 😉

But seriously that was a pretty good episode. I’d like to see a 31st century restored Terran empire that never went through “the burn.”

“ The reveal that L’ak is a Breen was a surprise ”

It really wasn’t, though. That was many viewers’ guess since the beginning of the season, and it’s been a common discussion on many websites. The surprise would have been if he HADN’T been a Breen.

I am on a lot of other sites and I haven’t heard anyone thinking he was Breen. And I don’t believe anyone voiced that in Trekmovie either.

LOL. It’s been a common theory.

Obviously not THAT common. LOL

I’ve seen the theory mentioned in the comments here on TrekMovie.

Yes, quite common from what I’ve been reading. I just commented on this very site a couple weeks back that I liked the idea, when somebody else theorized it (forget who it was)!

I guess it’s just where you go for these discussions but yeah the first YouTube review of episode one I saw theorized Lak was a Breen in the first scene he was in when he took off his helmet. And this was obviously before the species was mentioned on the show.

So yeah some people caught on the first episode the way others theorized Tyler was Voq the first time he showed up. Others needed more convincing.

I never saw it but I certainly don’t read the majority of comments. And almost never watch video reviews. Now Voq, was something I remember seeing in many places. Though in fairness, the amount of conjecture done about any Trek series for its Pilot and early couple episodes has been in my experience far more than what you see for most regular episodes. So that shouldn’t;t surprise me.

It was a surprise to me.

The Breen being so ordinary looking was a bit of a surprise.

Well, one of their forms are. It explains the frozen wasteland/tropical paradise. Their “evovled” form needs cryo suits, their “normal form” doesn’t

Was a surprise to me. Then again, I don’t run around the internet and over analyze the show.

This season started out so well. What happened? It’s falling apart.

I hate to a agree. But its once again a long slow burn (pardon the bun) that I fear is going to lead to another whimper of a conclusion. I feel like the season could have been a movie instead. Where is Chapel?!

Wrong show. Chapel is on SNW. The ending was rewritten and new scenes were shot to make it a series finale. They had already started shooting when they got the word that it was ending after season 5.

presumably on Her show, SNW?

“pardon the bun” …🍔⁉️

What’d that poor bun do for it to be in need of a pardon? 😋

This is what happens in every single season of Discovery. Two lovers who want to destroy the galaxy so they can get to paradise was the plot of season four, and now they are recycling the exact same plot for this season.

Did you watch the show. In no seasons has two lovers wanted to destroy the galaxy….Period. L’ak and Moll want to pay off their bounty. Nothing about what they are doing is about wanting to destroy the galaxy.

Outside of the destruction caused by the aliens referred to as 10-C, did any character want to destroy the galaxy let alone a couple. The only couple we had, was one person wanting peaceful means of communication to prevent destruction, while the other wanted to use force to ensure the destruction doesn’t occur. In no case does that equal people wanting to destroy a galaxy.

I can understand not liking the show, but to have such a misconstrued concept of the plot of the seasons shows a shocking lack of basic understanding of what the plot and motivations of the characters are.

I mean the show has plenty that one can find legitimate issues with. Thats not one of them.

They want to pay their bounty by giving a weapon of potential mass destruction to the Breen, thus destroying the galaxy, as seen in the time jumps last episode. They want to do that so they can escape to the Gamma Quadrant while the Breen take apart the Alpha Quadrant.

Last season the scientist wanted to let the 10-C species bulldoze the Alpha Quadrant so he could get across the galactic barrier to meet his lover in paradise, without caring what happened to trillions of other lives.

It is the same basic plot point. Your analysis is incorrect, Wood.

I think you’re overreacting a little. As always.

This episode was disappointing and fell flat. The return of the ISS Enterprise from the mirror universe was of no interest. I had hoped to possibility see a video log from Kirk, Spock, or another familiar character. Why not explore other Constitution Class Starships like the ISS Lexington, Hood, or Potemkin? Enterprise, Enterprise, Enterprise. (Sigh)

Maybe cause the enterprise is the trek ship pretty much everyone knows even if they are a new trek fan or a casual trek fan or not even a trek fan it is so engrained and intertwined with the name Star Trek that is why they chose to make it the iss enterprise instead of one of the others you mentioned

Because exploring a random ship isn’t the plot of the episode. It’s basically set dressing. Having it be the Enterprise versus a different Connie, gives it a tie to the lead character and part of her family she left behind. That it sorry wise. Another ship wouldn’t have any emotion aspect to the characters. Now production wise its to save a ton of money, as creating a random ship with multiple settings to take use of takes money (if your trying to give it the same level of production that you see for the primary ship). Now of course they could have just created a redress of an existing set to be random alien ship of the week. Those usually aren’t done to the same level of using the existing bridge set of another show. So it serves a small story purpose (ie a setting), it serves a small character purpose *reflection for Burnham, and it serves a production purpose (having high quality set pieces without having to build or do a serious redress and thus saving some money).

Seems rather obvious, to me.

I’m annoyed by what they seem to be doing with Owosekun and Detmer this season. I assume that the actors are absent because Paramount wanted to pay them less, and that’s poor treatment for characters who have been around since practically the beginning of the series.

“ I’m annoyed by what they seem to be doing with Owosekun and Detmer this season. ”

…as opposed to the previous four seasons, when all they did was sit in chairs and look meaningfully at each other?

Which is all Sulu and Chekov do in the average TOS episode. So yes, it’s aggravating for them to be replaced by other actors who are doing the same thing.

I doubt they are paid exorbitantly as recurring guests. It could be similar to what happened in season 4 and Bryce Ronnie Rowe Jr’s absences – he had another gig.

I have a theory that before it was decided that Disco would be cancelled, they were going to replace some of the characters. I think Owosekun and Detmer were going to be replaced, and also that Rayner would become captain and Burnham would go away to do something else. But then that didn’t work out, and so to us it just makes no sense why those two main characters are suddenly missing.

You might be right — I hadn’t considered that revamps due to cancellation might be involved.

Well… It is what it is . This was easily the worst episode of the 5. Tropes galore and really bad plot contrivances.

It feels like the reshoots for when they got the cancelation news are getting dropped in throughout the season. A lot of scenes appear grossly out of place. It feels like they just aren’t even trying anymore to be honest. As flawed as the show has been one thing that never came across among the other problems was a lack of trying.

I am loving the addition of Rayner and the professional Starfleet officer energy he is bringing to the ship. I also liked when he told Burnham the mission was too dangerous for the captain to go on. He is turning out to be a nice counterbalance to the unusual way Discovery has been run as a Starfleet ship after season 2.

I hope he doesn’t get killed off.

Sorry but this was another big fat ‘meh’ for me. This was very very disappointing. Nothing of consequence happened. We learn Mol and Lak backstory basically and it is cool we learn that Lak is a Breen which has been the leading theory since he showed up but it just felt sooo bare overall. Like another Discovery infamous spinning wheel episode where they do the bare minimum to move the plot along but just through a lot of action scenes and inconsequential dialogue to feel like we were getting any real development.

And the biggest elephant in the room (or dimensional wormhole) was the ISS Enterprise. Such a let down. It almost felt like a gimmick or just shoehorned fan service. There was no real reason it needed to be there other than HEY THE ENTERPRISE IS BACK!

Again one of the problems with this show, no real development just there for another connection. Think about what they did with In a Mirror Darkly on Enterprise. They brought in the Defiant as obvious fan service from TOS but the ship had a very vital part to the story. It helped changed the dynamics of the MU. It wasn’t there just for show like this was. And Anthony made a great point the redress felt like a joke. It just felt like an excuse to use the set but little else.

Here it was nothing more than just a backdrop and a really forced one at that. And the whole Saru thing just felt very contrived.

I did like all the Breen stuff though and hopefully they will be the big bad the rest of the season. I still think they should’ve used the Breen as the main villain for SNW instead of the Gorn but I digress.

But yeah this is probably the weakest one for me which is disappointing since last week is my favorite so far. I’m getting a little nervous now. It’s usually the second half of the season this show begins to falls apart but still open minded. Still enjoying it overall but please don’t end up a tedious bore like last season felt once it got to its mid season.

You have one last chance Discovery, make it count!

I never considered the Breen in SNW before, but that’s a cool idea. Yeah, I would’ve liked that much more than the Gorn.

For me it was literally the first Gorn episode I thought the Breen would’ve been a better idea. You get the same type of stories and it doesn’t feel like it’s breaking any canon like the Gorn obviously does. I ranted enough about it but nothing about their appearance on SNW feels remotely canon anymore.

But the Breen could’ve been a great substitute if they wanted a known species not named Klingons and zero canon issues.

Agreed. I always enjoyed the mysterious quality of the Breen. Seems ripe for exploration.

This season is largely working for me. Not as good as last week, but the chase is enjoyable. I have a little trouble buying that Mol and L’ak fell in love so fast. I would have liked to have seen that handled better.. but the slow burn of the plot works because of what they do to sustain individual episodes. Only episode I thought was kind of wasteful was the one on Trill.

That is a big part of the problem, yes. The characters have little chemistry.

The flashbacks took [place over an extended period of time, it wasnt THAT fast

They both felt like outcasts in their family/society, fusing them together like lightning. I had no problem with that as it gave me a Bonnie & Clyde-vibe which is historical.

It’s fine, but the romance piece just isn’t clicking for me.

Tarka was a similar situation last season with the reveal of his motivation not really moving me, but I’m also not the biggest fan of waiting several episodes to fill in a lot of backstory in a flashback. It’s not easy to pull off, and Discovery hasn’t really perfected it.

It’s a wonder I stuck with Lost as long as I did, now that I think about it.

“ it’s still the best season yet ”

Well, it was for the first two episodes, but the three since then have been a downward spiral. Seasons one and two were much better than this week’s episode and last week’s.

I’ve enjoyed it all except for the Trill episode. I think it’s been fun with a faster pace.. which has helped with a lot of issues that haven’t gone away. Raynor has been a very welcome addition to the cast.

Overall, very entertaining!

For complaints: any other constitution ship would be cool – but I also feel like we don’t know what happens next – there could be some Prime Mirror Universe people out there. & the “hit it!” joke felt like Dad was in the writer’s room.

Otherwise, I the pairings felt very TOS. Rayner is a little bit Serious Scotty when performing a captain’s role. And he took pride in rescuing her – which is feels good.

For me, this season has been 5/5.

Personal Log. Stardate: Today.

Week 4 of not-watching Discovery continues without incident. Opinions gleaned from critics on the latest episode seem to confirm that ‘mid-season malaise’ has been reached right on schedule.

Based on the collective opinion of commentators, there have been a grand total of one episode out of five that qualifies as “actually good”.

In conclusion, it appears the decision to not-watch until the penultimate episode has been vindicated. The plot points I am privy to following the one episode I watched are:

– There is a chase (or ‘The Chase 2.0’) for the Holy Grail / the technological marvel Salmone Jens left behind.

– The Cylon is now the First Officer.

– The Trill and the Robot are no longer together.

All in all, I remain confident that the recap at the beginning of the penultimate episode should be sufficient to fill in all the key points required.

Again, my thanks go out to the resolute souls who manage to endure what I could not.

these threads are for people to talk about the episodes they have seen. CLOSED.

Am I wrong or did the DS9 episode Through the Looking Glass make a reference to the Mirror Spock being on Romulus? Also given all the DS9 cross overs with the Mirror Universe you would think Burnham would have known something more about her brother’s counterpart.

Spock was not mentioned in Through the Looking Glass. We know between Crossover and the new dedication plaque of the ISS Enterprise that he reformed the Terran Empire and was killed for it. Burnham has clearly boned up on a lot of info since coming to this century, but easy to assume the future history of the mirror universe wasn’t part of that. Also, that info could have been lost or been classified.

Wow! The Breen. From CGI to burn victim.

Does anybody think the Commander Rainer is gonna become the Commandant of Starfleet Academy?

Everything involving Book is incredibly tedious. They brought back the ISS Enterprise as a way to resurrect the OG Enterprise in continuity. Perhaps it ends up as the Enterprise Q or whatever, if Saru is in command then ok. Burnham insisting on going on the away mission is diametrically opposed to how TNG dealt with this – e.g., when Riker as captain insisted on boarding the Borg cube in Best of Both Worlds, and his senior officers reminded him his place was on the bridge. I guess everyone got much dumber in the 32nd century, but “dumber” is Discovery’s whole concept.

This post missed an important Easter egg towards the end: Morn was at the bar “Red’s” just like he did on Quark’s on DS9.

We don’t call out or find every little egg, but when the bar was introduced last season we noted the Lurian (Morn’s species), who has been there ever since. We don’t usually do repeated easter egg bits for each episode

Yay! Good seeing the Breen again and their evolved design in the 32nd Century is great.

Boo! Pretty much everything else except Rayner who is the best character in the show.

Imagine they used the Star Trek: Tour set in Trekonderoga for the ISS Enterprise? What a cool surprise that would have been. But nope, we got the generic canon-breaking Discoprise. Not surprised.

I swear if they make the new Enterprise in the 3190s a refitted Constitution, I will facepalm. Just a stupid idea, when you have far superior tech and designs in the future time period. Please don’t, Disco-writers. Bad enough they did it with the Ent-G (one of my few criticisms of the great PIC S3).

Would it have been too much if Dr. Cho was instead Marlena Moreau? Just saying. Kind of like Dax in Jinaal… I feel like they are making all of these deep cuts, why not make them count a bit more to the overall lore, instead of just throwing the ISS Enterprise in with no good reason. Making these deep cuts actually count towards the overall lore might make the obvious (potential) budget cuts, set reuses, etc. be a bit more forgiving. Giving loved characters some finality that affect the course of this in our face galactic scale quest… might make it hit harder? Maybe I’m wrong, I’m sure someone here will think so lol

Overall the episode was okay. I do understand using the ISS Enterprise since this is supposed to be the final season of Discovery it was a nostalgia play and kind of wrap up the history of that ship in regards to the series. But overall it just seems kind of mashed together. Have to see how it ties in with the rest of the season.

I would say this episode along with the one before it were definitely the weakest of the season. They started out with a bang on the first few, and while I know that they tend to slow down in the middle of the season before ramping up the action for the final few, this episode dragged. There were also a few things with the Breen and the Enterprise that seemed a bit confusing:

– The Breen have 2 faces…great! Awesome twist to the species and fantastic to finally be able to see them after all the mystery around them in DS9. If the second face is supposed to be the more evolved one though, why do they need the masks and the suits? Can the more evolved face not breathe in a standard atmosphere? When L’ak and his uncle opened up their masks, they seemed fine, so there’s still quite a bit we don’t know about why they use that whole setup, especially when they’re around their own people

– Does the more evolved form extend past the face?

ISS Enterprise

– The stardate on the commemorative plaque is 32336.6. Popping that number into a couple of online stardate calculators puts that around mid-2355, which would be a few years before the prime universe Enterprise-D was commissioned in 2363. They mentioned that Dr. Cho came back to the Enterprise to hide the clue, so the assumption is that she also placed the plaque there at the same time. The timing doesn’t quite add up though because The Chase took place in 2369. Nobody would have known about The Progenitors or their technology before that, so they were at least 14 years off with the plaque

– If this Enterprise has been caught in extradimensional space since at least 2355, that means it’s been there for over 800 years by the time it’s discovered. How does it still have power?

– It’s been discussed by the Disco production team that the Discovery-era Enterprise was designed so that it could eventually be refit into the TOS Enterprise. The ISS Enterprise was contemporary with Kirk’s version and was seen on screen in TOS in that configuration. Why is the version in this episode the Discovery one? I know the real-world explanation is that it was easier to just re-use that model to align with the sets, but we saw a TOS-era Constitution class USS New Jersey at the Fleet Museum in Picard, so they had that model available to use. Just a bit sloppy

– How did Stamets immediately know that the ship exiting the wormhole was the ISS Enterprise and not a different prime Constitution class ship?

Photon Torpedo

– The solution to hold the wormhole open for the Enterprise to escape was to remove the payload from the torpedoes and replace them with antimatter. Photon torpedoes are matter/antimatter weapons, so this is a little confusing. Are they taking out the matter and just loading them with more antimatter?

I don’t know that it’s been there for 855 years.. not sure if it’s kind of like the Nexus or the black hole in Trek 09, where time does things differently. My guess is, that’s how the people on board were able to integrate into society. Their doppelgängers were long deceased.

Here’s the other thing… if the idea of revolution started with Mirror Spock, and the crew of the Enterprise more or less went along with him.. this is a way of explaining how they didn’t spread the idea to teh rest of the Empire.. they were lost in space and didn’t have much, if any, influence off of their own ship.

But they did spread the idea enough to weaken the empire to the point where it could be conquered.

Yeah I was wondering that also. It’s possible since it was extradimensional space that it didn’t put them in exactly the same time that they left. Also odd that they said Dr. Cho went BACK to the Enterprise to hide the clue. That’s a pretty risky trip unless the wormhole was more stable back in the 24th century.

It is strongly implied, if not explicitly stated, that the wormhole’s instability was caused by the Burn. So, it had to be more stable in the 24th century.

I feel like I’m seeing the same episode over and over, what a waste this series is became.

Great episode! This season has really been fantastic so far. The writing has been consistent, the acting of the principals is fantastic, and the pacing has been great.

I really loved the scenes with Rayner in command. That worked so well!

Loved getting the backstory about Moll and L’ak – it really did add layers to their characters and their story. And the reveal that L’ak was a Breen! I never saw that coming! Was great to know more about the most underdeveloped and mysterious alien race in Trek history.

Seeing the ISS Entreprise was a treat! I am guessing it was lost quite some time after mirror Spock took over from mirror Kirk. Nice Easter Egg… better than having some unknown ship in there.

Looking forward to the remaining episodes.

Did anyone else see “Morn” (or one of his species) sitting at the bar in Red’s?

Yes, I did catch that. It was a fun detail.

Seriously, an episode doesn’t go by without at least one eye roll over the touchy feely huggy share my feeling vibe that is shoe-horned into worst places. I wonder what this series would be like if Bryan Fuller had stayed on…

It would had been .. a Star Trek show, not this happy sad feeling sharing at all costs every single time somebody speaks.

I have a question because I’m really confused:

So discovery originally was set less than a decade before ToS. (And then they ended up far in the future)

The ISS enterprise is a reference to the ToS episode about the mirror universe. So that means the ISS enterprise is a contemporary with ToS and the USS enterprise, which means Dr Cho (who was expressly stated to be Terran) was about back in Kirk’s day.

However the progenitor technology and science in general was only discovered in TNG under Picard and i think it was expressly stated that the scientists that hid this research were originally asked to research it after the discovery by Picard in the first place.

TNG is set in the 24th century but ToS is set in the 23rd century – theirs about a hundred years between them.

So I’m trying to understand the timeline here because at the moment, from what I understand, it’s a human from the 23rd century somehow became a scientist on a study in the late 24th century and then stole the research and helped hide it with her 4 pals.

I thought for sure the Real Captain Lorca would be found in the transporters.

What a waste of an episode… filler and feelings…. Rinse and repeat

What an empty, disappointing episode. Discovery feels smaller and smaller every season.

• Cast & crew
• User reviews

In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets. In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets. In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets.

• Gene Roddenberry
• William Shatner
• Leonard Nimoy
• DeForest Kelley
• 276 User reviews
• 99 Critic reviews
• 16 wins & 31 nominations total

Episodes 80

Photos 1999

• Captain James Tiberius 'Jim' Kirk …

• Mister Spock …

• Lieutenant Leslie …

• Nurse Chapel …

• Ensign Freeman …

• Yeoman Rand …

• Announcer …

• Beta 5 Computer …
• Security Guard …
• All cast & crew
• Production, box office & more at IMDbPro

Stellar Photos From the "Star Trek" TV Universe

More like this

Did you know

• Trivia In the hallways of the Enterprise there are tubes marked "GNDN." These initials stand for "goes nowhere does nothing."
• Goofs The deck locations for Kirk's Quarters, Sickbay and Transporter Room vary (usually between decks 4-7) throughout the series.

Dr. McCoy : "He's dead, Jim."

• Crazy credits On some episodes, the closing credits show a still that is actually from the Star Trek blooper reel. It is a close-up of stunt man Bill Blackburn who played an android in Return to Tomorrow (1968) , removing his latex make up. In the reel, He is shown taking it off, while an off-screen voice says "You wanted show business, you got it!"
• Alternate versions In 2006, CBS went back to the archives and created HD prints of every episode of the show. In addition to the new video transfer, they re-did all of the model shots and some matte paintings using CGI effects, and re-recorded the original theme song to clean it up. These "Enhanced" versions of the episodes aired on syndication and have been released on DVD and Blu-Ray.
• Connections Edited into Ben 10: Secrets (2006)
• Soundtracks Star Trek Music by Alexander Courage

User reviews 276

• Oct 1, 2006

Lovable Creatures: Our Favorite Screen Pals

• How do they maintain Gravity on the the U.S.S. Enterprise ? .
• All aliens on all planets speak the English language?
• What does "TOS" mean?
• September 8, 1966 (United States)
• United States
• Star Trek: The Original Series
• Backlot, Culver Studios - 9336 W. Washington Blvd., Culver City, California, USA
• Desilu Productions
• Norway Corporation
• Paramount Television
• See more company credits at IMDbPro

Technical specs

• Runtime 50 minutes

Related news

Contribute to this page.

• IMDb Answers: Help fill gaps in our data
• Learn more about contributing

More to explore

Recently viewed

Screen Rant

Original blair witch project cast release statement asking lionsgate for residuals as studio announces reboot.

The original cast member trio behind The Blair Witch Project releases a public statement asking Lionsgate for residuals after reboot gets announced.

New Blair Witch Sequel Reportedly Lands Director After A Year of Silence

• The Blair Witch Project 's original cast members demand residuals among other asks.
• The original The Blair Witch Project returned massive earnings on a microbudget.
• These demands follow the announcement of a Blair Witch Project reboot.

The original cast of The Blair Witch Project puts out a statement asking studio Lionsgate for residuals following the announcement of a reboot. One of the most famous found footage films of all time, The Blair Witch Project was originally released back in 1999. Its cast was led by Heather Donahue, Michael C. Williams, and Joshua Leonard, and it was directed by Daniel Myrick and Eduardo Sánchez. A Blair Witch Project reboot from Lionsgate and Blumhouse has since been announced.

Now, Leonard takes to Facebook to release a statement on behalf of him, Donahue, and Williams, asking that the team receive residuals. The post includes four pictures alongside a statement with a list of demands for Lionsgate. The three demands are as follows: 1) Residuals 2) Consultation and 3) The creation of “The Blair Witch Grant.” The first demand stipulates that Leonard, Williams, and Donahue be paid out residuals that would be “ equivalent to the sum that would’ve been allotted through SAG-AFTRA .”

The second demand states that the three actors be consulted in the creation of The Blair Witch Project reboot. Leonard’s post claims that this did not happen in the past, which he suggests is partially the reason for previous adaptations’ poor performance. The last demand suggests that a $60,000 grant, equivalent to the budget of the original The Blair Witch Project , be paid by Lionsgate to an aspiring filmmaker to assist in making their first feature film. As per the proposal, this grant would have no strings attached in that Lionsgate should not own the rights to the property.

Why The Blair Witch Project Actors Should Get Their Demands Met

The Blair Witch Project received unprecedented popularity upon its release, turning in a $248.6 million profit on its $60,000 budget.

In his images, Leonard highlights a key point about the differences between 1999 and now. Posting an image of the trio in 1999, he calls them “ three starry-eyed young actors .” The modern-day image is captioned with “ Three grown-ass adults in April of 2024 - greyer, surlier, wiser, and with far fewer f--ks to give when it comes to speaking up for their own rights .” This contrast relates to an ongoing conversation about the rights actors should have to fair residual payments.

Those rights have been negotiated within SAG-AFTRA, which these three actors were not a part of when they acted in the microbudget film in 1999. The Blair Witch Project received unprecedented popularity upon its release, turning in a $248.6 million profit on its $60,000 budget. Because of this success, The Blair Witch Project is a much more popular product that would have earned SAG-AFTRA-covered talents significant sums in residuals. Thus, it seems only fair that these three actors should now get compensation given how much the film exploded.

Blumhouse's Confirmed Blair Witch Reboot Ignores The Biggest Challenge Created By The Original Movie 25 Years Ago

The timing of these demands is also key, due to their alignment with the announcement of The Blair Witch Project reboot . With a reboot coming from Lionsgate and Blumhouse, more people are likely to be interested in the original The Blair Witch Project . This film will thus generate greater streaming revenue in the coming years, further justifying Leonard, Donahue and Willams’ need for residuals. Hopefully, Lionsgate will side with fairness and the actors will get their way as the development of The Blair Witch Project reboot continues.

Source: Joshua Leonard / Facebook

The Blair Witch Project

*Availability in US

Not available