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Power trip returns, reshaped by loss, the thrash metal band finds catharsis in a familiar place.

Evan Minsker

Four years after the death of frontman Riley Gale, Power Trip surprised fans onstage at Mohawk in Austin, featuring a new vocalist. Samantha Tellez/Courtesy of the artist hide caption

Four years after the death of frontman Riley Gale, Power Trip surprised fans onstage at Mohawk in Austin, featuring a new vocalist.

The open-air venue Mohawk in Austin, Texas, has an upper deck perch that's perfect for observing the churning cyclone of bodies below. Emotions were high on Dec. 1, 2023: Texas band Fugitive was the headliner, but many in the crowd had a hunch about the promised "special guests." When Power Trip , the crossover thrash metal giants who had been missing in action for four years, finally appeared, there were tears in the pit. Bodies flew from the stage into the torrent of thrashing heads screaming every word of "Executioner's Tax (Swing of the Axe)" in blunt, ecstatic unison. It was a moment of catharsis for a scene that had been in mourning since the shocking 2020 death of the band's lead singer, Riley Gale .

Blake Ibanez, guitarist in both Fugitive and Power Trip, called the decision to bring the band back that night "testing the waters" to see how fans would react. "It was a safe way to do it, because on one hand it's, like, 'Hey, it's just a Fugitive show, and I'm having the guys come up here. We're gonna just celebrate and play the songs,' " he tells NPR on a video call. "I mean, at some point it's gotta happen." This year, Power Trip will play full-length sets at the Pomona, Calif., festival No Values (June 8), in its hometown of Dallas (July 6) and in New York City (Aug. 24).

It's an opportunity for a passionate fan base of hardcore kids and metalheads to celebrate — people who loved the band's boundless energy, how it could wield scream-along pop hooks using the heaviest, scuzziest, most abrasive metal soundscapes. Some at the Mohawk show spoke of it with near-religious reverence. "This is so cliché, but it was the most electric feeling I've felt at a show," said Erica Hotchkiss, a fan from Irving, Texas. She and some friends drove three hours south to Austin to catch the show based on a clue in the flyer: an illustration of an executioner, which is a key piece of iconography from arguably Power Trip's most beloved song . "We didn't know if they were just going to come out and make an announcement. But we knew that we had to be there."

It was fans like this who compelled Power Trip to come back. "They can see we're in it for the right reasons," Ibanez says. "We didn't make any money off Power Trip at that show. We didn't do it for that. We did it for ourselves because we miss playing these songs together, and we did it to celebrate Riley." The full shape of what's next isn't yet defined beyond this handful of shows. Here's what's certain: The band wants to perform the music they put out, across two albums and scattered singles. Gale's family wants them to play. It took years for everyone to get to this point.

The loss of a lyricist and a leader

"It was one of the worst things that happened to me in my life, because Riley was my best friend," says Brandon Gale, Riley's father.

Riley Gale died in his sleep on Aug. 24, 2020, from the toxic effects of fentanyl. He was 34. The band lost its voice and lyricist; the scene lost a leader. Power Trip built its reputation on gleefully chaotic live shows, and those shows wouldn't have been half as powerful without the longhaired figure in a camo hat barking out front about systemic injustice, corporate greed and oppression. Every word was shouted with an authoritative grizzle; he could galvanize a crowd with a single-syllable grunt. "He had very strong messages in there," Brandon Gale emphasizes. "It wasn't just yelling for the sake of yelling on stage. He wanted people to genuinely get engaged in the message."

"Riley, dude, he was just such a force on stage," says Gray Muncy, a photographer from the Dallas-Fort Worth area who estimates he captured over 40 of the band's shows (and somehow never broke a camera in the process). "I've shot so many photos of him, and it was so easy because of his emotion." Whenever Muncy gets a compliment on photos of Power Trip, he credits the chemistry between the band and its audience. "If you go to a really good hardcore show, the crowd is in the band," he said. "There's that symbiotic relationship where they feed off of each other."

Riley Gale, pictured here in 2018 at the Saturn in Birmingham, Ala., could galvanize a crowd with a single-syllable grunt. David A. Smith/Getty Images hide caption

Riley Gale, pictured here in 2018 at the Saturn in Birmingham, Ala., could galvanize a crowd with a single-syllable grunt.

In the wake of his passing, the Gales set up a 501(c)(3) charity called the Riley Gale Foundation in an effort to honor Riley's strong convictions. Brandon Gale says his son was the small guy in school who would stand up to bullies, and that he volunteered in soup kitchens as a young man. The foundation aims to be a continuation of his passions in life: It puts funds toward helping unhoused LGBTQ+ youth in the Dallas area (Riley was a committed supporter of the queer-focused outreach group Dallas Hope Charities), has named a library in his honor (he was a voracious reader) and also donates to a local dog rescue (loved animals).

Gale's friends affirm that on and off the stage, he led with empathy: He was the guy who let touring bands crash at his place, who made himself available to anyone who needed an ear. "With the fans, he wanted to be someone anybody could reach out to and talk to if they were dealing with something in their lives," says Power Trip guitarist Nick Stewart. "He was just such a comforting person when people didn't know where they stood. He felt like he could try to help everybody."

Before Power Trip began, Ibanez described Riley's previous band Balls Out as "the kings of Dallas hardcore." Gale was without a band when Ibanez, Stewart and bassist Chris Whetzel's band Reality Check was beginning to fizzle in the late 2000s. Mutual friends suggested they talk, and soon enough, Gale and Ibanez — then 21 and 16 — started bonding over hardcore bands like Cro-Mags, Breakdown and Leeway over messages on MySpace.

Power Trip's sound was a meeting point between hardcore punk and thrash metal, and in the process of creating it, the band connected with a wide swath of listeners interested in the greater sphere of heavy music. "We know we play a very subversive style of music, but we also want this to be for everyone," says drummer Chris Ulsh. "We want people to feel comfortable at our shows and have a good time. We're the type of band that can play with anyone regardless of if we're playing with indie bands, death metal bands, punk bands, whatever."

Steadily, a community of passionate fans formed around the band. Hotchkiss, who has an executioner tattoo with the caption "swing of the axe," saw the band around 10 times before attending the surprise show in Austin last year. "I'm married to my husband because we ran into each other at a Power Trip show," she said. Hotchkiss was a fan from the Dallas hardcore scene; her husband Kris was a metalhead. Previously acquaintances, they bonded instantly after she saw him in the pit: "Power Trip was our common ground." The date of that show appears on a decorative pillow in their home.

Who could step into Riley's role?

In the months after Gale passed, Ulsh said the band didn't consider or discuss the prospect of keeping the band going "for a really long time." It was 2020, and playing shows wasn't an option due to COVID-19, anyway. But as live music started to return, the band's members were talking on one of their regular FaceTime calls, and Ulsh broached the subject. "I'd never really mentioned it to anyone else and it kind of seemed like no one else had talked about it, but everyone was just like, yeah, we should," he says. "I like being a band with these guys, and we all seemed to feel the same way."

Some of the band's members had been busy with different projects, Ibanez with Fugitive and Ulsh with Quarantine. Still, the idea of these four starting a different band together didn't feel right — like it wouldn't be honest or respectful to their past together. "We put so much into this band and it just kind of seemed like it would be compounding tragedies: losing a close friend and then losing this thing that we dedicated our adult lives to," Ulsh says.

Power Trip in 2024 now includes vocalist Seth Gilmore (far left). He plans to give it his all "to honor the spirit of Riley's memory." Adam Cedillo/Courtesy of the artist hide caption

Power Trip in 2024 now includes vocalist Seth Gilmore (far left). He plans to give it his all "to honor the spirit of Riley's memory."

"If anybody's going to step into this role and sing these songs, it'd be someone from our world who has history with us and gets this whole thing and knew Riley," Ibanez says. "The pool for that? I mean, I think it's [not] overstating it to say it's incredibly small. Beyond that, who's actually willing and is capable of doing it?"

Seth Gilmore was the guy, a friend embedded in the Texas hardcore scene for as long as Power Trip existed. As the frontman of Fugitive, he had established chemistry with Ibanez. Initially, he was hesitant. "A year or so after Riley passed, before we even started Fugitive, I may have thrown it his way: 'Hey, would you want to mess around with some of these songs I've been working on, that were actually songs for the Power Trip album that never happened?' " Ibanez recalls. The implication that he'd be standing in for Gale gave him pause, so he dropped it until well after Fugitive had earned the respect of fans. "By the time I brought it up to him again in the past year, at that point he didn't really think twice about it." Gilmore confirmed Ibanez's assessment in a statement, saying he plans to give it his all "to honor the spirit of Riley's memory."

So it was Gilmore barking "Manifest Decimation" and "Hornet's Nest" to the crowd at Mohawk. Gale could never be replaced, but for fans who had just watched a Fugitive set, the consensus was that it was an organic fit. "I personally don't think there's any other person better to fit the bill than Seth," Hotchkiss said. Of course, fans had a hunch he would be the guy. "Even before everybody knew Power Trip was playing that night in Austin, I said, 'Seth, your life's about to change,' and he just smiled," Muncy says.

There was some fallout from that night, too. Brandon Gale issued a statement saying the family was not told in advance about the show and was caught by surprise. He later issued an apology, saying that while he wishes he'd gotten a heads-up from the band, he still regrets the statement. "While it came as a surprise, it was a very visceral reaction and I would certainly undo it," he says.

That one show wasn't the extent of the issues between the band and Brandon Gale, as the statements brought to light a civil lawsuit he'd filed on behalf of Riley's estate on Feb. 10, 2021, against the members of Power Trip. The suit alleged breach of fiduciary duty and claimed the band owed the Gale estate money from merchandise sales, tour revenue and royalties. On Dec. 8, one week after the surprise set in Austin, the case was settled.

"There was an unfortunate need for the litigation," Brandon Gale says. "It was critically important that the foundation received all of the money that Riley was entitled to because that's the primary source, with contributions, of how we build and grow the foundation. It's settled, and what I want to do is focus on the good stuff going forward."

"We probably don't want to comment on that," Ulsh says of the lawsuit. "That was a very difficult and s****y thing that happened that we had to go through. It's behind us now, and we just want to leave it behind us." Ibanez adds: "When something really tragic happens like that, there's a lot of emotions involved. It happens this way with a lot of similar situations, when you have the family of someone who wasn't really involved and is trying to figure everything out and get things together. Yeah, it's behind us. And as everything stands, everything's all right."

Asked about the future of the band, Brandon Gale offered his blessing: "If Power Trip goes out and they start touring again, people are going to buy their music and Riley's going to get his royalties and the foundation's going to grow. So how could we not be in favor of that?"

'We're just taking it one step at a time'

Power Trip is currently resuming rehearsals in Dallas. Ulsh says he's excited to get back to playing for wild crowds instead of repeating the same songs over and over to each other in a practice space. Ibanez is excited to feel the rush again, too: "We were gone from it for so long, and then you get up there and it's like, wow, I forgot we're part of something really special."

Though Ibanez let it slip that Power Trip had been working on a new album before Gale's death, he refused to engage further on the possibility of new music in the future. "The main focus is to play the catalog — that's what people want to hear. I don't think we're really particularly interested in moving on from where we were," Ibanez says. "We really want to honor Riley and want to honor what we've done before just moving forward. That's the main thing, to treat the whole situation with as much respect as possible. ... We're just taking it one step at a time."

While Ulsh, Ibanez and Whetzel all stayed busy in recent years with other bands, Nick Stewart hadn't been back on a stage since Power Trip's last show with Gale. "I'm a civilian — I just book shows and don't have a side project right now. So it's even more reason why I'm excited to do this," Stewart says. "It's been our lives since I graduated high school, so to be able to do it again is really special. I love performing, man; I love getting up there and giving everything I got." As he spoke, his dog began barking in the background. "Sorry, my dog's going crazy. But yeah, excited as my dog right now to get up there and play some shows."

That December night in Austin, Muncy looked around in the pit and saw how many people around him were crying. "When I first thought about them playing, I was, like, 'My friends need this; Texas needs this show, our scene needs this,' " he says. "But then once it happened, I was like, 'You know what? My friends in the band needed that show more than anybody.' Those four dudes, they sacrificed a lot to get where they are. They can't just quit."

Meet Power Trip, a band determined to wreak havoc with the system

They’ve taken thrash’s template and doused it with filth, and they’re kicking political apathy in the face. Meet Power Trip, a band determined to fuck up the system

The world is going to hell right now. But as society fractures, the one cliché we’ve been told we can rely on is that impending doom and political uncertainty will result in great art. The climate in America is at its most conservative since the original thrash boom raged against Reagan. It’s been a while, but we live in hope that metal is ready to fight against the system once again.

“I was asked about whether metal could be political still,” Power Trip vocalist Riley Gale snorts. “And I think it’s bullshit to say that it couldn’t. It’s always been about going against the grain and pushing the boundaries – not just in music but also in the way we think. But I’m no political science major, I can only try and deconstruct what I think is wrong. I’m more interested in what my songs mean to you! I want to know how what I write affects people.”

Once Riley gets on a roll, he’s almost impossible to stop. Having been front and centre of one of the most explosive and vibrant thrash bands of the past decade, he’s got used to running his mouth at maximum pace. But he has a level of intelligence and intellect that is totally at odds with the lazy, meat-headed metal dude stereotype. In fact, the inspiration for Power Trip’s lyrical standpoint came while Riley was studying English at college around the time of their 2009 Armageddon Blues EP.

“I got into this ‘Intro To Rhetoric’ class with this professor called Dr Kyle Jensen,” explains Riley. “He was the shit, so intelligent, and I just wanted to take every class I could with him. And I was already thinking about the future, accepting the fact that we were going to see World War Three. I knew, even 10 years ago, that we were going to see this huge global change that would redefine what being human is because of technology. I don’t feel comfortable in this environment. My professor really encouraged me to continue that thinking, to take these French post-modern philosophy classes and watch the news every day from many different sources. It really made me realise my place in the world. So every record is about, ‘Oh, the world is fucked!’ I wrote the new one before Trump was even elected! I mean, I didn’t need to change anything!”

Since forming in Texas in 2008, just for, as Riley puts it, “Something cool to do to pass the time”, Power Trip have mutated from a fun hobby to one of the most vital bands around. After releasing a couple of EPs and one excellent full-length album in 2013’s Manifest Decimation , they became hotly tipped in underground circles. But newcomers and existing fans alike have been blown away by latest album Nightmare Logic ’s brand of brutal, warp-speed crossover – it takes everything that Power Trip have done up to this point and makes it hit harder, faster and more often. It’s like a trip through some of heavy music’s most glorious moments; everything from Testament to Agnostic Front to Sepultura to Obituary are represented. If you like your music heavy, harsh and abrasive, and feel that you have been underserved over the last few years, Power Trip have got your back.

“The problem with metal recently has been that it’s either too polished, like Avenged Sevenfold or Five Finger Death Punch, or bands have a gimmick or try to step out of the box just to be different,” says Riley. “The new thrash records are way too polished. I think part of our appeal is that people think we sound old as shit! We still try and have our own sound, but I guess we aren’t reinventing the wheel. It’s a mixture of something modern with an old-school approach.”

The ‘old-school approach’ means being able to cut it live, and, with Power Trip about to head over to our shores with Napalm Death and Brujeria, they’ll need to show their prowess.

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“I always say that if you put us in front of anyone that likes heavy music, they are going to leave liking our band,” Riley confidently predicts. “We toured with Lamb Of God and Anthrax at the end of 2015. We were the opening band and no one knew who we were. So me and Chris [Ulsh], our drummer, would walk through the crowd just before we were due to come on. There would always be some country motherfucker like [adopts Southern drawl], ‘Let’s get these faggot opening bands out the way!’, and then after we’d play, he’d be at our merch stand telling us we were the greatest opening band he’d ever seen. I remember seeing videos of those early thrash and hardcore shows and they looked genuinely dangerous. We want it to be that wild again, no matter how big the venue, no matter where we are on the bill – we want to instigate people losing their minds.”

It all points to a bright future… for Power Trip at least. For society at large? Riley isn’t so sure.

“I’m constantly thinking about the future,” he says. “The song Executioner’s Tax is about people just plugging into technology, eating whatever they want and waiting to die. Just checking out of life and wanting a nice, warm, comfy death. And I’m like, ‘Nah! Fuck that!’ Let’s try and do something about the world if we don’t like it or if we’re really that unhappy. We aren’t meant to sit in some small apartment and wait for The Reaper to show up! I guess a lot of it is because I know I won’t reach old age, or I’ll end up an empty shell of myself. I guess once you accept that, it’s actually quite empowering.”

Despite this attitude, and the disdain Riley has for those currently holding control of the world, there is a message of hope and positivity within Power Trip’s music: they’re not giving up yet, and neither should we.

“We’re honoured to be sharing a stage with a band like Napalm Death,” he tells us. “I look at the way that Barney [Greenway, frontman] talks to people onstage. It’s not just the level of passion and belief he has, but the eloquence and the intelligence and the empathy for his fellow man. That’s inspiring to me. That’s where I aim to be. I’m not there yet, but I believe in the power of the human spirit. I think we can make it through, whatever hell we are about to go through.”

Power Trip play the Campaign For Mutual Destruction tour

Power Trip - Nightmare Logic album review

Since blagging his way onto the Hammer team a decade ago, Stephen has written countless features and reviews for the magazine, usually specialising in punk, hardcore and 90s metal, and still holds out the faint hope of one day getting his beloved U2 into the pages of the mag. He also regularly spouts his opinions on the Metal Hammer Podcast.

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Watch Power Trip’s Surviving Members Stage Surprise Reunion Set

By Daniel Kreps

Daniel Kreps

The surviving members of the Dallas thrash act Power Trip staged a surprise reunion Friday for the first time since the death of the band’s frontman Riley Gale in August 2020.

Fugitive, led by Power Trip guitarist Blake Ibanez, was the headliner Friday at Austin’s Mohawk, though a “special guest” was promised on the gig’s flyer . That ended up being the surviving members of Power Trip — Ibanez, guitarist Nick Stewart, bassist Chris Whetzel, and drummer Chris Ulsh — who took the stage together for a five-song set.

The musicians recruited Fugitive vocalist Seth Gilmore to fill the void left by Gale, who died of an accidental overdose from the toxic effects of fentanyl. 

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Following Gale’s death, Power Trip went on hiatus and moved on to other projects, but the surviving members did not rule out a reunion someday. “We do want to continue to play music together; we just are not sure what that looks like at this time,” Ibanez told the Los Angeles Times in March 2021, shortly after the group was nominated for a Best Metal Performance Grammy Award for their live rendition of “Executioner’s Tax (Swing of the Axe).”

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Power Trip Announce More Reunion Shows, Promise to “Honor the Spirit of Riley Gale’s Memory”

By Jazz Monroe

Power Trip have announced shows in New York and Dallas with new frontman Seth Gilmore, who has promised to “honor the spirit of Riley [Gale]’s memory.” The new dates, which you can find below, include a recently announced stop at California’s No Values festival and follow the band’s surprise reunion in Texas in December. The family of Gale, who died in 2020, at first expressed misgivings, but the late vocalist’s father has since apologized, telling Evan Minsker for NPR , “It was a very visceral reaction and I would certainly undo it.”

The original members have shared their own statement, saying, “We have thought deeply about the future of Power Trip and what always comes back to us is that this band was founded on resilience, perseverance, and most importantly: a love for the music and for all of the people it has brought us closer to along the way.”

Gilmore, the new vocalist, also performs in Skourge and, alongside Power Trip’s Blake Ibanez, Fugitive. He said in the press release, “I would not be who I am today without the massive influence that both the band and its members have had on my life, and I look forward to celebrating their work alongside them.” Power Trip added that Gilmore “has been a long time figure in Texas hardcore, and we’ve had the pleasure of watching and playing alongside his bands since the origins of Power Trip.”

In the WPR interview, Ibanez added that fans “can see we’re in it for the right reasons. We didn’t make any money off Power Trip at that [Texas reunion] show. We didn’t do it for that. We did it for ourselves because we miss playing these songs together, and we did it to celebrate Riley.” The band have not confirmed whether they will record new music.

Read Power Trip’s full statement on X .

Power Trip:

06-08 Pomona, CA - No Values Festival 07-06 Dallas TX, - The Factory in Deep Ellum 08-24 Queens, NY - Knockdown Center

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By Matthew Strauss

By Nina Corcoran

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By Madison Bloom

• Consequence

Reunited Power Trip Announce First Headlining Shows with New Vocalist

The thrash band will play Dallas on July 6th and New York City on August 24th

Power Trip have booked their first headlining shows with new vocalist Seth Gilmore.

The reunited Texas thrash band recently announced its return as part of the bill for the No Values festival in Pomona, California, on June 8th, setting up Power Trip’s first full-set live performance since the tragic death of Riley Gale.

Now, Power Trip have added their first headlining dates with Gilmore on the mic: July 6th at The Factory in Deep Ellum in Dallas; and on August 24th at the Knockdown Center in Queens, New York. “Each night will feature a special lineup of old friends and more,” states the band’s press release.

General ticket sales will begin Friday (March 1st) at 11 a.m. ET at this location . Fans can also look for deals or get tickets to sold-out dates via StubHub , where your purchase is 100% guaranteed through StubHub’s Fan Protect program.

“It feels right playing our songs with Seth, who’s been a long time figure in Texas hardcore, and we’ve had the pleasure of watching and playing alongside his bands since the origins of Power Trip,” the band remarked in a collective statement via the press release. “We’re grateful for his dedication to this project and can’t wait to see everyone.”

Added Gilmore: “I’m honored to have the opportunity to contribute to the legacy of Power Trip and deliver these songs to the fans of past and current generations. I would not be who I am today without the massive influence that both the band and its members have had on my life, and I look forward to celebrating their work alongside them while giving it my all to honor the spirit of Riley’s memory.”

No Values Festival: Misfits, Iggy Pop, Turnstile, Social Distortion, Sublime Lead Inaugural Event

Below you can see the current list of Power Trip live dates. Get tickets here .

Power Trip’s 2024 Tour Dates: 06/08 – Pomona, CA @ No Values Festival 07/06 – Dallas, TX @ The Factory in Deep Ellum 08/24 – New York, NY @ Knockdown Center

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Power Trip: "This Is Not a Band for White Males to Enjoy and Be Dumb Rednecks"

The day begins as it always does for Riley Gale, waking at noon in his bunk to the eternal noise of a tour wagon generator as he reaches for a smoke and rolls out the door. The sound is part of him now. If he's ever lost in a new town, that generator rumble always draws him back. "It infiltrates your subconscious," he says, bleary-eyed on the sidewalk outside the Ritz in San Jose, California, where his crossover-thrash band Power Trip is set to play, near the end of about 90 days of nonstop touring.

Onstage, Gale is a leaping, kicking, growling everyman in T-shirt and mustache, a cap folded low over his eyeballs as he rages through anthems that are defiant and politically charged. Weeks before tonight's gig, Power Trip played a festival with Body Count, as singer/rapper/TV cop Ice-T watched approvingly from the wings; afterwards, he complimented Gale, affectionately calling him "Lil Jumpy Mane." Lil Jumpy Mane regularly shares the stage not only with his bandmates, but also with an endless stampede of fans climbing up to stomp and shout and then soar back into the pit below.

Not so at yesterday's San Francisco show, however; Gale is still bummed that the venue insisted on a barricade in front of the stage, separating band and crowd. "That kind of killed the energy of the last few shows we played," he says, stepping into the shade. "I'm hoping tonight makes up for it."

A decade ago, before Power Trip, Gale was just another commando in the pit, stage-diving, moshing, singing along. "It made me feel included," Gale remembers, and he's continued to chase that same feeling from behind the mic, sharing every moment there with the brutal swirl of fans around him. "As much as I would love to be able to flip into the crowd and hang out with everyone like that, I just usually injure myself. But when I see people do that, it gives me that same feeling that I had back then. That's why we do it."

Gale and his bandmates — guitarists Blake Ibanez and Nick Stewart, bassist Chris Whetzel and drummer Chris Ulsh — aren't new to this life, and operated without much notice beyond the ground-level hardcore and metal scenes for several years. The big break came in 2016, eight years after they began, when they were recruited for a tour with Lamb of God and Anthrax. To Gale's surprise, the aboveground metal audience responded to Power Trip's supercharged fusion of extremes. Still, his band has continued to operate on their own terms, even after the breakout success of "Executioner's Tax (Swing of the Axe)," a song off the group's second and latest album, 2017's Nightmare Logic .

The larger metal world may embrace Power Trip, but they've established themselves as a band ready to challenge crowds everywhere, both musically and politically; a band ready to take a stand on the divisive issues of the day regardless of the consequences; a band as comfortable sharing stages with death-metal extremists like Obituary as they are with a power-pop outfit such as Philadelphia's Sheer Mag. Power Trip's rise puts them at the heart of a new wave of heavy music — including forward-thinking groups such as Turnstile and Code Orange — that Gale calls "a generation of bands that are worth their salt." It's a generation not of sound-alike pummelers, but of groups with their own distinct missions and identities.

"Power Trip's approach is uncompromising and driven," says Arthur Rizk, the Philadelphia-based producer of both of the band's albums, who's on the road with them now, working sound and, between gigs, recording their recent single for Adult Swim. The music, he goes on, is "a good balance between stuff that's meant to be digested slowly and then stuff that's just instantly catchy. There's depth to it, and then when you go see them live, people are going fucking nuts."

With a fresh pack of smokes in hand, Gale heads over to a food court blocks away from the Ritz venue, and picks up a cookies-and-cream popsicle, dipped in dark and white chocolate, and sits on the back patio. Playing quietly overhead is a mix of Seventies soul, from Bobby Womack to Curtis Mayfield. "This is my shit," he says, taking in the groove with a grin, dressed in black shorts and hoodie, a Bad Brains cap over his long brown hair. "This is the stuff I listen to before we go onstage."

Showtime is still hours away, and Gale is tired, and looking ahead to a short nap in Power Trip's dressing room later. Tomorrow in Los Angeles, his girlfriend is flying in, and he'll have his first hotel room in weeks and at least one night of comfort. But the darkness is always nearby. Two days ago, the band got news that the beloved dog, named Bear, of roommates Stewart and Whetzel died. And just yesterday, they were informed that a very close friend of the group killed herself the day after her birthday. They had expected to see her in either San Francisco or San Jose.

As in life, Gale finds both hope and pessimism in his lyrics. On Nightmare Logic , he challenges listeners to take control of their world on the track "If Not Us Then Who," colliding a churning thrash riff with a title drawn from words spoken by the civil rights icon and veteran Congressman John Lewis. "Take a look at your life, tell me to what do you aspire?" he growls angrily on the track. "I want to know how far you're willing to go."

Other songs are more apocalyptic, reflecting Gale's genuine state of mind. "This band was born out of the frustration that I was dealing with going into college in a time where we were involved in two wars. I'm sitting there going, 'I'm going to see some fucked-up shit. I'm going to see something that 9/11 will pale in comparison to.' I don't know if it's World War III. I don't know if it's some kind of food epidemic. I have this sense of impending doom — not that the human race will be wiped out, but it's going to completely shift the status quo. It's gonna make me being in a band completely irrelevant. It may turn it into a fight for survival. Who knows?"

When the album was released, it was sometimes read as an infuriated reaction to the age of Trump, but all the songs were written long before the billionaire TV star was even considered a realistic candidate. Gale's expectations were low regardless of who won the 2016 election, at least after the exit of Senator Bernie Sanders. The singer is bluntly outspoken, confronting fans with a left-leaning perspective raised in the heart of Texas. Gale has tweeted from the band's account: "If you don't like our stances, don't support our band. It doesn't make a single difference to us. We play on and you can't stop us."

"We're political in a sort of morally relativistic way where if someone is wearing a Power Trip shirt, you can probably assume that that person isn't like some weird, racist, meathead piece of shit — hopefully," Gale says. "We try to make it pretty clear that we might all be white males, but this is not a band for white males to enjoy and be dumb rednecks."

When he heard that Fox News had been playing "Executioner's Tax" on the air, Gale tweeted a message from the band: "Is this a joke?" and "CEASE & DESIST." The song's lyrics, he explains, are an allegory for a pampered citizenry blindly ignoring reality right up until the moment the executioner arrives to collect. He learned that Fox host Greg Gutfeld was a heavy-music fan with a history of spotlighting rock malcontents like Johnny Rotten and the Melvins' King Buzzo on the right-wing news network. Gale decided to email him: "Hey, how'd you hear about the band? Do you know what the song's about?"

They ended up talking on the phone for hours, finding more agreement than conflict. "You know, the dude's pretty anti-authoritarian, believes in a lot of police reform, pro-legalization of all drugs," he says, still sounding surprised. Their line of communication continues, as Gale recommends bands to play on Gutfeld's show, though he adds: "It's hard to defend Fox News in any way."

Power Trip formed in Dallas, Texas, when Gale and Ibanez decided to start a band that combined their interests in extreme music. Gale was 22, the guitarist 16. The main inspiration was East Coast hardcore: Cro-Mags, Bad Brains, Killing Time, Breakdown. Soon, their growing obsession with thrash (Slayer, Exodus, Nuclear Assault) infiltrated their sound and disposition.

Gale was working an office job and putting himself through college at the University of North Texas in Denton. During a weekend back home, the new band recorded its first demo of songs, then hit the road to chase their DIY dreams, with no aspiration beyond getting a chance to tour Europe. The singer hadn't seen anything of the world other than a free two-week birthright trip to Israel, after claiming he was Jewish (he isn't) and managing to "accidentally" sneak a lot of fireworks through the airport without getting arrested. (He's got a screenplay in mind for that long story.)

The band found an audience, small at first, but one as intense as their music. "We have fun and we like to fuck with people," Gale says. "We've always had really crazy shows and encouraged a lot of crazy stuff to happen. We've had plugs pulled on us. We've been banned from venues."

The band's early singles and EPs have now been collected for a retrospective album, Opening Fire: 2008-2014 . The earliest tunes were written when some members were still teenagers learning how to write songs. Together, they've evolved as songwriters and players.

"They feed off each other a lot," Rizk says of Gale and Ibanez. "Blake is a fucking insanely talented songwriter."

Before the show, Ibanez is relaxing in the wagon, still vibrating from the generator. The guitarist wears a Ramones T-shirt and speaks of his admiration for the songwriting of previous rock generations. He's a dude who was born in the Nineties and grew up hearing the Beatles, and lately has been studying classic rockers like Cheap Trick, the Kinks and the Who. "There's a lot to be learned there," Ibanez says. "I do want to try to stretch and see how far we can reach within our bounds. I think we have the potential to get outside of what we would be expected to do and I'm interested to see if we can figure that out. You don't want to keep doing the same thing, you know?"

Hours later, the Ritz is packed and already fired up from a set by Sheer Mag when Power Trip step onstage to a roar from the crowd. What follows is a 50-minute speedball of noise and action, as the band opens with the oppressive metal riff of "Drown," from Manifest Decimation , and fans immediately invade the stage, bumping and clipping Gale's ankles, knees and back along the way. There is no barricade tonight.

"It's a mystery to me that we're as big as we are," Gale says, catching his breath after the show. "I saw us hitting a ceiling a lot longer ago and now we're having people telling us we could turn this into a career and I don't know if I believe them. I don't even know if I have it in me, but we're going to try."

Pick up limited-edition Power Trip colored vinyl at Revolver's shop .

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Members of Power Trip and Creeping Death Form New Band Fugitive

The post Members of Power Trip and Creeping Death Form New Band Fugitive appeared first on Consequence .

A new band called Fugitive has emerged from the Texas hardcore/metal scene featuring members of Power Trip , Creeping Death , and more.

Power Trip lead guitarist Blake Ibanez and Skourge frontman Seth Gilmore decided to start a new band earlier this year, recruiting fellow scenemates to round out the lineup: drummer Lincoln Mullins (Creeping Death), bassist Andy Messer (ANS, Stymie), and guitarist Victor Gutierrez (Impalers).

Fugitive are wasting no time, having already announced an August 13th show in Dallas as part of a stacked bill headlined by Municipal Waste. Fugitive are also currently recording at Cloudland Studio and plan to release music as early as this month. Ibanez notes that the band sounds different than Power Trip and is more in the vein of Motörhead or Venom.

“I was able to find a niche where it sounds like the stuff that I write for Power Trip, but it’s different, and it’s a different tuning,” Ibanez told the Dallas Observer . “It opens up some new doors for different types of songs and riffs. It was just kind of like a blank canvas. It was like, no rules.”

Ibanez helped found Power Trip in 2008. The band rose to prominence after years of incubating in the Texas underground metal scene, delivering a kinetic crossover assault that combined elements of hardcore and thrash metal. Tragically, Power Trip’s future became uncertain when frontman Riley Gale passed away in 2020.

Meanwhile, Creeping Death also rose from the Texas scene, albeit a bit later on. They served as support for what would be Power Trip’s last North American tour with High on Fire and Devil Master — a loaded bill Heavy Consequence caught in Brooklyn in late 2019.

“It’s come to fruition very quickly,” said Fugitive/Creeping Death drummer Lincoln Mullins. “It’s nice having something new, and it’s just refreshing. Not that I don’t enjoy what I’m already doing, but having a breath of something new is always nice. I’ve very much enjoyed this.”

Editor's Pick

Live Review: High on Fire and Power Trip Wallop Brooklyn with Sludge and Thrash (11/22)

Per the Dallas Observer , the band is in talks with 20 Buck Spin to release a five-song EP, which is coming this month according to Fugitive’s Instagram . Stay tuned to Heavy Consequence for further updates.

Members of Power Trip and Creeping Death Form New Band Fugitive Jon Hadusek

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Power Trip live: Reviews of Metallica, Tool, AC/DC, Judas Priest, Iron Maiden, Guns N' Roses

For those about to rock, we salute you. We'll be reporting all the action at Power Trip, Goldenvoice's three-day metal festival in the desert featuring heavy-hitters Guns N' Roses and Iron Maiden on Friday, AC/DC and Judas Priest on Saturday, and culminating with Metallica and Tool on Sunday.

Will this "once-in-a-lifetime" billing live up to the hype? Check back here for the sights, sounds, special guests and music reviews from the Empire Polo Club in Indio, Calif.

• Review: Metallica closes out festival in electric style
• Review: Tool underwhelms after AC/DC energy
• Power Trip Day 3: The good, the bad and the epic
• Review: AC/DC delivers epic set after seven-year hiatus
• Review: Judas Priest delivers beyond expectations, new album
• Power Trip Day 2: The good, the bad, the sweat
• Review: Guns N' Roses brings crowd pleasing, hit-filled set
• Review: Iron Maiden brings the drama to first Power Trip set
• Power Trip Day 1: The good, the bad, the hot

Tool and Metallica close out the last day of Power Trip in style

Tool and Metallica are two distinctly different bands, so, naturally, they brought two vastly different shows to the same audience Sunday night at Power Trip.

But there was a third band we couldn't help to compare them with: AC/DC.

It's probably unfair to compare the performance of one band to another, particularly when one is as beloved as AC/DC, and is playing its first live show in more than seven years. But while Tool sounded crisp and loud, and thousands appeared to enjoy the band's set at the festival, it inevitably felt like a let down after AC/DC, and as festivalgoers were gearing up for a highly anticipated show from Metallica.

Metallica, on the other hand, understood their assignment. Closing out a once-in-a-lifetime festival such as Power Trip is no easy task, and the California rockers didn't disappoint on Sunday night,

Read our full Tool review here.

Read our full Metallica review here.

—Brian Blueskye and Andrew John

Power Trip proves itself to be an international affair

What’s the furthest someone traveled to Power Trip? It’s hard to say, but Indio resident Leonard Ortiz has something that provides answers. Since Friday, Ortiz has collected signatures from attendees and their origins on a California state flag. Some of the attendees who signed included residents of Australia, Nepal, Austria, and Colombia. Ortiz said there was also “a lot of Mexico on there.”

Ortiz said he got the idea to track signatures at Power Trip from attending Metallica concerts and seeing fans with flags from their home states doing the same.

“I just thought it would be cool to do (at Power Trip),” because I knew that AC/DC and Iron Maiden have a following from all over the world, and I want to put it (the flag) up in my mancave. People are really digging it, and I’ve only had one person tell me no when I’ve asked them to sign for whatever reason,” Ortiz said. 

—Brian Blueskye

The most rockstar-worthy burger at Power Trip comes from Grill 'Em All

There’s one food vendor in the South Lounge area of the festival that gets our unofficial award for Most Clever Play on Words: the metal-inspired and Alhambra-based burger restaurant Grill ‘Em All, which is a take on Metallica’s 1983 debut album “Kill ‘Em All.”

Desert Sun reporter Andrew John tried the AC/DC burger and enthusiastically said “It’s good!” after taking his first bite.

The restaurant is known for showing pro wrestling and a selection of burgers named after metal icons such as Twisted Sister frontman Dee Snider, Ozzy Osbourne, Metallica and more.

Holy Dive Bar provides sports fans and non-sports fans alike a shaded place to kick back, grab a drink

Rob Vollgraf traveled to Power Trip from Northern California with the understanding that he’d be able to watch his Las Vegas Raiders at the Holy Dive Bar. He'd heard about the setup inside Empire Polo Club, but was skeptical about whether it would be anything substantial.

On Sunday, the festivalgoer admitted he was pleasantly surprised.

“They’ve done an outstanding job here,” said Vollgraf, wearing a black Raiders shirt. “This blew away my expectations.”

Read the full story here.

—Andrew John

Tool brings fans from around the world to the polo grounds

When Alejandro Grijalva Duran saw the lineup announcement in March for Power Trip and noticed the band Tool was part of it, he immediately contacted his son, Juan Pablo Grijalva Saenz. The two purchased tickets and made travel arrangements to Indio from Chihuahua, Mexico.

On Sunday, the father and son had just waited in line at Tool’s merchandise booth and was taking pictures with a poster they'd purchased. Power Trip is the first time the two will see the band perform. 

“(Tool) is a unique band,” Grijalva Saenz said. “You see the lineup and all the classic rock bands, having Tool in the lineup at this festival is mind-blowing. Their concept in music is different than other bands like Judas Priest, AC/DC and Iron Maiden, so it’s a unique occasion to see Tool at this festival and venue.”

Grijalva Duran is a longtime fan, and said there are limited opportunities to see Tool in Mexico, who typically perform in cities such as Monterrey or Guadalajara.

“I like a lot of Tool’s music and have been a fan since the beginning,” said Grijalva Duran.

Real metal fans take their grandkids to Power Trip

Brooklyn Harper and Illy Pirylis of Cherry Hill, New Jersey, both 17, have been enjoying Power Trip this weekend with their grandmother, 59-year-old Kerri Yingst of Hobe Sound, Florida. But it's not the first time they've rocked out at a concert together.

It's the third festival the trio have attended together since the 2022 Welcome to Rockville festival in Daytona Beach.

On Saturday afternoon, all three were excited to see the first performance by AC/DC in seven years and spent over an hour standing in line at the band's merchandise tent after the gates opened. Yingst referred to her granddaughters as her "concert buddies"

“I didn’t know they liked my music,” Yingst said. “I was (in New Jersey) visiting and I heard Black Sabbath coming from the bedroom, and I’m like ‘Wait a minute, maybe they’re just on YouTube.’ I go about my business and go back upstairs, and I asked them, ‘Do you like that?’ and they said ‘Yeah!’ That’s when we found Welcome to Rockville and started going to festivals together.”

To read the full story, click here.

AC/DC starts out strong despite seven-year performance hiatus

Shortly after AC/DC performed “Shoot to Thrill” about an hour into their Saturday set at Power Trip, CNL Executive Transportation owner and operator Craig Blucher was heading towards the exit to give a client a ride.

But as he walked, the San Diego resident who has seen AC/DC seven times described the set as “epic.”

Blucher’s first time seeing AC/DC was during the original lineup era featuring original frontman Bon Scott, who died in 1980. He also caught the band’s comeback tour that same year with current vocalist Brian Johnson.

Since AC/DC released the album “Power Up” in 2020, the band hasn’t played together live, meaning Saturday’s performance was its first show in seven years.

Even though AC/DC is celebrating 50 years, the band hasn't announced a new album or any plans to tour, leaving many to speculate whether Power Trip may be the group's last performance.

When asked if he thinks it will be the last, Blucher said he hopes not.

“They need to stay healthy and they’re getting old. These old timers don’t live forever,” Blucher said. 

Check out AC/DC's setlist here.

Check out our full review of AC/DC's set here.

Judas Priest announces new album, brings out Glenn Tipton

Judas Priest replaced Ozzy Osbourne as the first band on the Power Trip Day 2 schedule, but they didn't act like anyone's second choice.

After five decades, the English heavy metal group proved it still has plenty of gas in the tank, far exceeding expectations. The crowd cheered as Black Sabbath's "War Pigs" played as the intro, but was followed by a few moments of silence before a graphic showed on the video screens announcing Judas Priest's upcoming album, "The Invincible Shield," which is due out March 8.

Perhaps the best moment of the set was the encore, which featured guitarist Glenn Tipton, who retired from the band in 2018 due to Parkinson's disease. Tipton performed with the group during the last three songs of the set: classics "Metal Gods," "Breaking the Law" and "Living After Midnight."

Click here to read the full Judas Priest setlist.

Coachella has 'Spectra,' Power Trip has the rocker cactus

While concertgoers are not allowed inside "Spectra," the popular illuminated installation that features a winding ramp, right next to it is a new piece of art that has many lined up to take a selfie with.

A blue devil-horned-shaped cactus has caught the attention of many here at Power Trip. It has provided a perfect photo-op for this metal festival, with Spectra, the ground’s iconic Ferris wheel and the mountains of La Quinta providing a cool backdrop. 

Power Trip's hottest accessory will cost you $20, and sellers prefer cash

One thing most festivalgoers probably didn't expect at Power Trip, which markets itself very openly as a cashless festival, is a vendor that asks for cash. That's exactly what fans are facing when they go to purchase light-up AC/DC devil horn headbands at one of the various vendor carts scattered across the festival grounds today.

Although these vendors technically take credit cards (because they have to to be part of the festival), the signs on the carts read "$ CASH IS KING !!!"

The night's hottest accessory, which will set you back $20, is a nod to AC/DC co-founder, lead guitarist, songwriter, and only remaining founding member Angus Young, who popularized the devil horn symbol by using his two index fingers to form two horns above his head while he performs.

—Niki Kottmann

Judas Priest proves to be the most punctual band of Power Trip thus far

Judas Priest just took the stage, just a few minutes later than scheduled, unlike the Friday performers who were 20 minutes (Iron Maiden) and 40 minutes (Guns N' Roses) behind schedule. Now let's see if they can make Ozzy proud.

Group of fans decide to push through the Power Trip gates early

Those of us who entered Day 2 of Power Trip through the Red Path/camping area got a surprise Saturday when a group of rowdy festivalgoers decided they didn't want to wait any longer and pushed the gates open. Security nearby let it happen, seemingly because they were going to open the gates themselves a few minutes later, and because those who pushed through were hit by a wall of metal detectors and bag checkers on the other side of the gate.

Guns' N' Roses delivers the hits to close out the first day of Power Trip

Guns N' Roses put on a phenomenal show of heavy rock 'n' roll hits and treated festivalgoers to highlights of the band's career, even paying tribute to Sir Paul McCartney's 50th anniversary of the James Bond anthem "Live And Let Die." The two-hour set was full of stunning video production and lasers, but notably no pyrotechnics.

Even though the band was 40 minutes late for its headlining performance, the crowd was calm and there were no signs of the old days when the band would appear hours late or not at all. When the festival went dark and the band's strange animated psychedelic visuals appeared, the crowd was on its feet, screaming in anticipation.

Starting with "It's So Easy," frontman Axl Rose appeared like a lightning rod and the rest of the band, which also features original members guitarist Slash and bassist Duff McKagan, were precise in every note.

Click here to read the band's complete Power Trip setlist.

Our highs and lows of Power Trip Day 1: Where's the good food hiding?

OK, so festival food is famously never great, but Coachella always includes some trendy (and mouthwatering) Asian food from LA and Stagecoach always has delicious BBQ (when Guy Fieri's involved, you know it's good), so what is Power Trip going to be notable for cuisine-wise? So far, crappy grilled cheese.

That might be on me for ordering something a bit odd, but I thought you couldn't mess up grilled cheese! It's so simple! Tomorrow I'll be going in a totally different direction and heading straight for the booth of a Palm Springs favorite: Sandfish.

Read up on our other highs and lows from the first day of the festival here.

Parking causes headaches on Power Trip Day 1, leads some to leave early

Parking for those who tried to get in after 4:30 p.m. today was reportedly out-of-this-world difficult (our own photographer nearly ran out of gas in the middle of Miles Avenue because traffic controlers forced him to circle the venue so many times), which seems to be the reason why many people were seen leaving the festival after the first hour of Guns N' Roses' set.

I can't blame them for wanting to beat the traffic, and I can't help but wonder how long it's going to take me to get out after Guns N' Roses is done playing ... moral of the story: get here as early as possible tomorrow, festivalgoers.

Iron Maiden delivers theatrical, energetic set to kick off the night

As Iron Maiden kicked off the first set of Power Trip performing "Caught Somewhere In Time," frontman Bruce Dickinson appeared as if he stepped into the present day from a futuristic sci-fi film set.

That post-apocalyptic vibe continued throughout the stellar performance, which included stage visuals showing the flux capacitor from the 1985 time travel comedy film "Back to the Future."

Want to see the complete set list? Click here.

—Niki Kottmann and Brian Blueskye

Metal fans came from all over the world for this event

As the rumors began circulating about Power Trip in March, Rob Myers of Hershey, Pennsylvania created the Facebook community “Power Trip Festival Group,” which has over 10,000 members. On Friday afternoon, Myers met a fraction of the group in front of the Ferris wheel for a group photo. A group member brought a California state flag and is having members sign it as he meets them at the festival.

Myers said he has created similar groups for festivals such as the Inkcarceration Music & Tattoo Festival in Mansfield, Ohio and estimates 5,000 attendees from all around the world and demographics joined the Power Trip group during April.

“People had interest in seeing six powerhouse acts all at once,” Myers said. “These bands have international recognition – Guns N’ Roses, Iron Maiden, Metallica – even in Europe, you don’t see all three of those bands at one festival. You may see one, but you’re not going to get all at once.”

The members of the group have posted invites for carpooling to the festival, social gatherings in the area and even shared travel tips for those new to the Coachella Valley. There’s a stronger sense of community among metal fans for this festival than the Coachella Valley Music and Arts Festival and Stagecoach country music festival.

“If you go to any metal festival, especially if you’re in camping, you’re never going to have an empty stomach, an empty cup or go without anything you need,” Myers said. “I have met grandmothers and mothers at metal festivals and they’re the ones helping those who say ‘Hey, I need this’ or ‘I ran out of this.’ Everybody just wants to take care of each other. With metal, there are different emotions, some of these people have been hurt and have a stronger sense of empathy. I’ve noticed people who have been through something, metal is their healing." 

Our first impression of the festival: spacious

Although it was crowded by the entrance, once the gates opened 18 minutes behind schedule, our first impression of the festival was that it's wonderfully spread out. Nobody's on top of each other, and even though the merch tents were Coachella-level busy less than 15 minutes into the start of the festival, the Iron Maiden-specific and Guns N' Roses-specific booths had shockingly small lines.

This is also a little nerdy of us to notice, but the famed Coachella/Stagecoach Ferris wheel (aka Le Grande Wheel) is back with new open-air cars (as opposed to the traditional enclosed cars we're used to at the other two festivals).

Power Trip: Gates are open and crowd has cool cross-generational vibe

The gates are open at Power Trip but the music has yet to start. The crowd so far consists of lots of big groups and families with adult children. "How you holding up mom?" was heard from a man who appeared to be in his late 30s or early 40s.

Those who attended the original "Trip" ... Desert Trip in 2016 that featured the kings of classic rock ... will understand.

Also notable about the first hour on scene: It's hot. Overheard waiting to get through the gate: “I’m sweating so much I’m losing my buzz, it’s terrible!”

—Niki Kottmann and Kate Franco

Headed to Power Trip but don't want to miss the game? You can experience both

Goldevoice is typically all about the music. But this weekend at Power Trip, the promoter is offering a rare opportunity to watch live sports at one of its bar areas within the festival.

All weekend long, festivalgoers can head to the Holy Dive Bar to watch the following televised sports:

• Thursday: NFL Chicago @ Washington
• Friday: MLB Playoffs
• Saturday: MLB Playoffs
• Saturday: NCAA Football
• Sunday: NFL Football

—Niki Kottmann and Andrew John

Power Trip pre-game: Free tattoos at AC/DC-themed pop-up bar in Indio

AC/DC will hit the stage for the first time in seven years during the second day of Power Trip, but you don't have to wait until Saturday to get in on the fun.

Club 5 Bar in downtown Indio has officially opened as a pop-up fan experience called the AC/DC High Voltage Dive Bar , featuring collectible rock relics, unique Easter eggs, a beer garden food trucks and, perhaps most notably, free tattoos of the many different AC/DC logos over the band's 50-year history.

If you're looking for a place outside the festival grounds to honor the gods of rock, this is your spot.

Power Trip special guests: Who we think might make a stage cameo

Would it even be a Goldenvoice festival without surprise special guests? Here's a few we're hoping to see (and yes, some are far-fetched, but we can dream):

With Guns N' Roses:

• Misfits frontman Glenn Danzig (to sing "Attitude")
• Bob Dylan (to sing that cover of "Knockin' On Heavens Door")

With AC/DC:

• AC/DC could quite possibly bring out any rockers, but ... wouldn't it be amazing if they brought out actor/singer Jack Black for the cover of "It’s a Long Way to the Top (If You Wanna Rock 'n' Roll)" from the movie "School of Rock"?

With Metallica:

• King Diamond (to sing "Mercyful Fate")
• St. Vincent, Slipknot vocalist Corey Taylor, or another artist who performed on the "The Metallica Blacklist"

Power Trip set times: When will Tool, Guns 'N Roses, Metallica take the stage?

Need some help planning your Power Trip? Here are the set times :

• Friday, Oct. 6:  Iron Maiden at 6:45 p.m., Guns N' Roses at 9:25 p.m.
• Saturday, Oct. 7:  Judas Priest at 6:45 p.m., AC/DC at 9:25 p.m.
• Sunday, Oct. 8:  Tool at 6:55 p.m., Metallica at 9:35 p.m.

Where is Power Trip festival 2023?

Power Trip, which features six heavy metal bands from Friday, Oct. 6 to Sunday, Oct. 8, is being held at the Empire Polo Club in Indio, California. Music-lovers likely know (or know of) the venue as the home to the Coachella Valley Music and Arts Festival and Stagecoach country music festival, which are held on the lush grounds at 81-800 51st Ave. over three weekends in April.

But this isn't the first October "Trip" staged by Goldenvoice. Desert Trip, featuring Bob Dylan, The Rolling Stones, The Who, Neil Young and Promise of the Real, Roger Waters and Paul McCartney , was held at the polo grounds over two October weekends in 2016. It was heralded as a once-in-a-lifetime opportunity to see some of the biggest names in classic rock on one stage.

—Kate Franco

From the archive: When Desert Trip rocked the music world in 2016

Power Trip returns, reshaped by loss

The open-air venue Mohawk in Austin, Texas, has an upper deck perch that's perfect for observing the churning cyclone of bodies below. Emotions were high on Dec. 1, 2023: Texas band Fugitive was the headliner, but many in the crowd had a hunch about the promised "special guests." When Power Trip , the crossover thrash metal giants who had been missing in action for four years, finally appeared, there were tears in the pit. Bodies flew from the stage into the torrent of thrashing heads screaming every word of "Executioner's Tax (Swing of the Axe)" in blunt, ecstatic unison. It was a moment of catharsis for a scene that had been in mourning since the shocking 2020 death of the band's lead singer, Riley Gale .

Blake Ibanez, guitarist in both Fugitive and Power Trip, called the decision to bring the band back that night "testing the waters" to see how fans would react. "It was a safe way to do it, because on one hand it's, like, 'Hey, it's just a Fugitive show, and I'm having the guys come up here. We're gonna just celebrate and play the songs,' " he tells NPR on a video call. "I mean, at some point it's gotta happen." This year, Power Trip will play full-length sets at the Pomona, Calif., festival No Values (June 8), in its hometown of Dallas (July 6) and in New York City (Aug. 24).

It's an opportunity for a passionate fan base of hardcore kids and metalheads to celebrate — people who loved the band's boundless energy, how it could wield scream-along pop hooks using the heaviest, scuzziest, most abrasive metal soundscapes. Some at the Mohawk show spoke of it with near-religious reverence. "This is so cliché, but it was the most electric feeling I've felt at a show," said Erica Hotchkiss, a fan from Irving, Texas. She and some friends drove three hours south to Austin to catch the show based on a clue in the flyer: an illustration of an executioner, which is a key piece of iconography from arguably Power Trip's most beloved song . "We didn't know if they were just going to come out and make an announcement. But we knew that we had to be there."

It was fans like this who compelled Power Trip to come back. "They can see we're in it for the right reasons," Ibanez says. "We didn't make any money off Power Trip at that show. We didn't do it for that. We did it for ourselves because we miss playing these songs together, and we did it to celebrate Riley." The full shape of what's next isn't yet defined beyond this handful of shows. Here's what's certain: The band wants to perform the music they put out, across two albums and scattered singles. Gale's family wants them to play. It took years for everyone to get to this point.

The loss of a lyricist and a leader

"It was one of the worst things that happened to me in my life, because Riley was my best friend," says Brandon Gale, Riley's father.

Riley Gale died in his sleep on Aug. 24, 2020, from the toxic effects of fentanyl. He was 34. The band lost its voice and lyricist; the scene lost a leader. Power Trip built its reputation on gleefully chaotic live shows, and those shows wouldn't have been half as powerful without the longhaired figure in a camo hat barking out front about systemic injustice, corporate greed and oppression. Every word was shouted with an authoritative grizzle; he could galvanize a crowd with a single-syllable grunt. "He had very strong messages in there," Brandon Gale emphasizes. "It wasn't just yelling for the sake of yelling on stage. He wanted people to genuinely get engaged in the message."

"Riley, dude, he was just such a force on stage," says Gray Muncy, a photographer from the Dallas-Fort Worth area who estimates he captured over 40 of the band's shows (and somehow never broke a camera in the process). "I've shot so many photos of him, and it was so easy because of his emotion." Whenever Muncy gets a compliment on photos of Power Trip, he credits the chemistry between the band and its audience. "If you go to a really good hardcore show, the crowd is in the band," he said. "There's that symbiotic relationship where they feed off of each other."

In the wake of his passing, the Gales set up a 501(c)(3) charity called the Riley Gale Foundation in an effort to honor Riley's strong convictions. Brandon Gale says his son was the small guy in school who would stand up to bullies, and that he volunteered in soup kitchens as a young man. The foundation aims to be a continuation of his passions in life: It puts funds toward helping unhoused LGBTQ+ youth in the Dallas area (Riley was a committed supporter of the queer-focused outreach group Dallas Hope Charities), has named a library in his honor (he was a voracious reader) and also donates to a local dog rescue (loved animals).

Gale's friends affirm that on and off the stage, he led with empathy: He was the guy who let touring bands crash at his place, who made himself available to anyone who needed an ear. "With the fans, he wanted to be someone anybody could reach out to and talk to if they were dealing with something in their lives," says Power Trip guitarist Nick Stewart. "He was just such a comforting person when people didn't know where they stood. He felt like he could try to help everybody."

Before Power Trip began, Ibanez described Riley's previous band Balls Out as "the kings of Dallas hardcore." Gale was without a band when Ibanez, Stewart and bassist Chris Whetzel's band Reality Check was beginning to fizzle in the late 2000s. Mutual friends suggested they talk, and soon enough, Gale and Ibanez — then 21 and 16 — started bonding over hardcore bands like Cro-Mags, Breakdown and Leeway over messages on MySpace.

Power Trip's sound was a meeting point between hardcore punk and thrash metal, and in the process of creating it, the band connected with a wide swath of listeners interested in the greater sphere of heavy music. "We know we play a very subversive style of music, but we also want this to be for everyone," says drummer Chris Ulsh. "We want people to feel comfortable at our shows and have a good time. We're the type of band that can play with anyone regardless of if we're playing with indie bands, death metal bands, punk bands, whatever."

Steadily, a community of passionate fans formed around the band. Hotchkiss, who has an executioner tattoo with the caption "swing of the axe," saw the band around 10 times before attending the surprise show in Austin last year. "I'm married to my husband because we ran into each other at a Power Trip show," she said. Hotchkiss was a fan from the Dallas hardcore scene; her husband Kris was a metalhead. Previously acquaintances, they bonded instantly after she saw him in the pit: "Power Trip was our common ground." The date of that show appears on a decorative pillow in their home.

Who could step into Riley's role?

In the months after Gale passed, Ulsh said the band didn't consider or discuss the prospect of keeping the band going "for a really long time." It was 2020, and playing shows wasn't an option due to COVID-19, anyway. But as live music started to return, the band's members were talking on one of their regular FaceTime calls, and Ulsh broached the subject. "I'd never really mentioned it to anyone else and it kind of seemed like no one else had talked about it, but everyone was just like, yeah, we should," he says. "I like being a band with these guys, and we all seemed to feel the same way."

Some of the band's members had been busy with different projects, Ibanez with Fugitive and Ulsh with Quarantine. Still, the idea of these four starting a different band together didn't feel right — like it wouldn't be honest or respectful to their past together. "We put so much into this band and it just kind of seemed like it would be compounding tragedies: losing a close friend and then losing this thing that we dedicated our adult lives to," Ulsh says.

"If anybody's going to step into this role and sing these songs, it'd be someone from our world who has history with us and gets this whole thing and knew Riley," Ibanez says. "The pool for that? I mean, I think it's [not] overstating it to say it's incredibly small. Beyond that, who's actually willing and is capable of doing it?"

Seth Gilmore was the guy, a friend embedded in the Texas hardcore scene for as long as Power Trip existed. As the frontman of Fugitive, he had established chemistry with Ibanez. Initially, he was hesitant. "A year or so after Riley passed, before we even started Fugitive, I may have thrown it his way: 'Hey, would you want to mess around with some of these songs I've been working on, that were actually songs for the Power Trip album that never happened?' " Ibanez recalls. The implication that he'd be standing in for Gale gave him pause, so he dropped it until well after Fugitive had earned the respect of fans. "By the time I brought it up to him again in the past year, at that point he didn't really think twice about it." Gilmore confirmed Ibanez's assessment in a statement, saying he plans to give it his all "to honor the spirit of Riley's memory."

So it was Gilmore barking "Manifest Decimation" and "Hornet's Nest" to the crowd at Mohawk. Gale could never be replaced, but for fans who had just watched a Fugitive set, the consensus was that it was an organic fit. "I personally don't think there's any other person better to fit the bill than Seth," Hotchkiss said. Of course, fans had a hunch he would be the guy. "Even before everybody knew Power Trip was playing that night in Austin, I said, 'Seth, your life's about to change,' and he just smiled," Muncy says.

There was some fallout from that night, too. Brandon Gale issued a statement saying the family was not told in advance about the show and was caught by surprise. He later issued an apology, saying that while he wishes he'd gotten a heads-up from the band, he still regrets the statement. "While it came as a surprise, it was a very visceral reaction and I would certainly undo it," he says.

That one show wasn't the extent of the issues between the band and Brandon Gale, as the statements brought to light a civil lawsuit he'd filed on behalf of Riley's estate on Feb. 10, 2021, against the members of Power Trip. The suit alleged breach of fiduciary duty and claimed the band owed the Gale estate money from merchandise sales, tour revenue and royalties. On Dec. 8, one week after the surprise set in Austin, the case was settled.

"There was an unfortunate need for the litigation," Brandon Gale says. "It was critically important that the foundation received all of the money that Riley was entitled to because that's the primary source, with contributions, of how we build and grow the foundation. It's settled, and what I want to do is focus on the good stuff going forward."

"We probably don't want to comment on that," Ulsh says of the lawsuit. "That was a very difficult and s****y thing that happened that we had to go through. It's behind us now, and we just want to leave it behind us." Ibanez adds: "When something really tragic happens like that, there's a lot of emotions involved. It happens this way with a lot of similar situations, when you have the family of someone who wasn't really involved and is trying to figure everything out and get things together. Yeah, it's behind us. And as everything stands, everything's all right."

Asked about the future of the band, Brandon Gale offered his blessing: "If Power Trip goes out and they start touring again, people are going to buy their music and Riley's going to get his royalties and the foundation's going to grow. So how could we not be in favor of that?"

'We're just taking it one step at a time'

Power Trip is currently resuming rehearsals in Dallas. Ulsh says he's excited to get back to playing for wild crowds instead of repeating the same songs over and over to each other in a practice space. Ibanez is excited to feel the rush again, too: "We were gone from it for so long, and then you get up there and it's like, wow, I forgot we're part of something really special."

Though Ibanez let it slip that Power Trip had been working on a new album before Gale's death, he refused to engage further on the possibility of new music in the future. "The main focus is to play the catalog — that's what people want to hear. I don't think we're really particularly interested in moving on from where we were," Ibanez says. "We really want to honor Riley and want to honor what we've done before just moving forward. That's the main thing, to treat the whole situation with as much respect as possible. ... We're just taking it one step at a time."

While Ulsh, Ibanez and Whetzel all stayed busy in recent years with other bands, Nick Stewart hadn't been back on a stage since Power Trip's last show with Gale. "I'm a civilian — I just book shows and don't have a side project right now. So it's even more reason why I'm excited to do this," Stewart says. "It's been our lives since I graduated high school, so to be able to do it again is really special. I love performing, man; I love getting up there and giving everything I got." As he spoke, his dog began barking in the background. "Sorry, my dog's going crazy. But yeah, excited as my dog right now to get up there and play some shows."

That December night in Austin, Muncy looked around in the pit and saw how many people around him were crying. "When I first thought about them playing, I was, like, 'My friends need this; Texas needs this show, our scene needs this,' " he says. "But then once it happened, I was like, 'You know what? My friends in the band needed that show more than anybody.' Those four dudes, they sacrificed a lot to get where they are. They can't just quit."

Copyright 2024 NPR. To see more, visit https://www.npr.org.

The 10 best moments from the Power Trip festival

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“The question I got for you right now: Do you want heavy?”

That was James Hetfield about halfway through Metallica’s closing set Sunday night at this past weekend’s Power Trip festival — and indeed heavy was what the tens of thousands of fans before him got in the form of a bludgeoning rendition of “Sad But True” that seemed to shake the desert ground.

Held at the Empire Polo Club (where its promoter, Goldenvoice, also puts on the annual Coachella and Stagecoach fests), Power Trip brought together Metallica, AC/DC, Guns N’ Roses, Iron Maiden, Judas Priest and Tool for a kind of harder-and-faster follow-up to 2016’s Desert Trip mega-concert featuring the legends of 1960s rock.

Here are 10 of the show’s most memorable moments:

1. Metallica was in Southern California just weeks ago for a pair of sold-out dates on its M72 tour, whose ring-shaped stage the band adapted to a semicircle at Power Trip. (As a result, Lars Ulrich utilized only two drum kits as opposed to the four he played at Inglewood’s SoFi Stadium.) But the presence of so many peers and predecessors — “I got to see my heroes this weekend,” Hetfield told the crowd — appeared to draw out the group’s competitive streak: Its 1-2-3 opening punch of “Whiplash” into “Creeping Death” into “For Whom the Bell Tolls” was as tight and furious as Metallica has sounded in ages.

2. Hetfield tapped into a richly emotional vein in the haunting “Fade to Black,” which he described as a song about suicide — “something we’re not supposed to talk about,” he noted — and which he used as an opportunity to address anyone in the audience who might’ve needed it. “If you’re feeling the darkness, talk to your friends, please,” he said. “Please do it. We need you here.”

3. Among the heroes Hetfield beheld was Judas Priest, which capped its set on Saturday with an unannounced appearance by longtime guitarist Glenn Tipton, who stopped touring with the hugely influential British group in 2018 due to Parkinson’s disease. Here he rejoined his bandmates for “Metal Gods,” “Breaking the Law” and “Living After Midnight.”

4. Always a snazzy dresser, Judas Priest frontman Rob Halford was one of two gentlemen at Power Trip, along with Guns N’ Roses’ Axl Rose, to don a sparkly silver jacket that happily played up the theatrical side of heavy metal and hard rock. (Halford took his off after a few minutes to reveal an equally fetching sequined leather number.) Yet as style icons both men were actually outdone by AC/DC’s Angus Young, who came onstage in his signature schoolboy uniform but eventually lost the jacket and tie and unbuttoned his shirt to let it billow in the desert wind.

Review: After seven-year absence, AC/DC proves the eternal joy of a riff and a screech

AC/DC’s two-hour Power Trip set stacked classic after classic, each delivered at deafening volume and with precisely the right blend of rawness and finesse.

Oct. 8, 2023

5. AC/DC’s performance was its first since 2016, when singer Brian Johnson was forced off the road as a result of hearing loss and was replaced for a stretch of gigs by GNR’s Rose. With Johnson back in the fold — and Young’s nephew Stevie filling in for founding riffmeister Malcolm Young, who died in 2017 — the band’s whole set here was a rowdy delight. But it peaked with a merry run through “Highway to Hell” that made you wonder whether there’s any bad trip AC/DC couldn’t rebrand as a good time.

6. Playing mostly in shadows, Tool did the opposite in a nightmarish set of dense prog-metal that likely terrified anyone who’d taken the wrong drugs before showtime.

7. By far the festival’s chattiest performer, Iron Maiden’s Bruce Dickinson introduced “Death of the Celts” with an impromptu history lesson on how “human beings have a streak of being the biggest f—ing a—holes on the planet.”

At Power Trip, Guns N’ Roses ditches spectacle as it polishes the messy past

Guns N’ Roses headlined the first night of this weekend’s Power Trip hard rock festival with a show that lacked spectacle and mayhem.

Oct. 7, 2023

8. Guns N’ Roses played the longest set of the weekend, finishing at 1 a.m. early Saturday morning, yet somehow couldn’t find time to do “Don’t Cry,” its second-best power ballad after “November Rain,” which Rose did sing while seated on a piano bench designed to look like a motorcycle. What made the omission even crazier (in a fun way) was that GNR dedicated four minutes or so to a very sincere cover of “Wichita Lineman,” Jimmy Webb’s classic country-pop tune that was a hit for Glen Campbell in the late ’60s.

9. Rose also reached back to the classic-rock past for the band’s hit renditions of songs by two Desert Tripsters: Wings’ “Live and Let Die,” which he dedicated to Paul McCartney on the occasion of the song’s turning 50, and Bob Dylan’s “Knockin’ on Heaven’s Door,” which had a kind of sanctified reggae vibe.

10. Heavy metal and hard rock thrive on instrumental prowess, as Metallica’s Kirk Hammett and Rob Trujillo demonstrated in a performance of a song they said they’d composed earlier Sunday. (Somewhat sheepishly, Trujillo reported that the song was titled “Funk in the Desert.”) Yet the festival’s most endearing moment arrived maybe 20 minutes later when Hammett flubbed the intricate fingerpicked intro of Metallica’s “Nothing Else Matters.” “Sorry, guys,” he told the crowd with a laugh before starting again. “You know, it’s really hot in this f—ing desert.”

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Mikael Wood is pop music critic for the Los Angeles Times.

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