bob seger tour 2022 uk

Here's the setlist from Bob Seger's final live show

Bob Seger & The Silver Bullet Band have played the final show of their farewell tour. This is what the crowd in Philadelphia saw

Bob Seger & The Silver Bullet Band have played the final show of their farewell tour, at the 20,000-capacity Wells Fargo Center in Philadelphia, PA. Support came from local band Ghost Hounds.

Seger  announced his final tour  in September 2018, after  returning to the road after back surgery, and after 63 arena shows this year – performing to more than one million fans – the curtain has finally fallen on the singer's live career. 

Songs performed at The Wells Fargo Centre were picked from throughout Seger's 50-year career , from 1969's Ramblin' Gamblin' Man through the hits that made his name in the 70s like Mainstreet, Roll Me Away, Like A Rock, We Got Tonight, Turn The Page and Hollywood Nights .

There was also room for two covers: Rodney Cowell's Shame on the Moon, which Seger originally performed on 1982's The Distance, and Bob Dylan's Forever Young, played in tribute to late Eagles' founder Glenn Frey, a close friend who grew up with Seger in Detroit. Full setlist below.

Seger's future plans are unclear, and while he has hinted that it's only the North American part of the tour that's over, he hasn't played outside the continent for nearly four decades. His last UK show was at Wembley Arena in November 1980. 

Bob Seger Philadelphia setlist

Simplicity Still the Same The Fire Down Below Mainstreet Old Time Rock & Roll The Fire Inside Shame on the Moon Roll Me Away Come to Poppa Her Strut Like a Rock You'll Accomp'ny Me We've Got Tonight Travelin' Man Beautiful Loser Sunspot Baby Turn the Page Forever Young Ramblin' Gamblin' Man

Encore Against the Wind Hollywood Nights

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Online Editor at Louder/Classic Rock magazine since 2014. 38 years in music industry, online for 25. Also bylines for: Metal Hammer, Prog Magazine, The Word Magazine, The Guardian, The New Statesman, Saga, Music365. Former Head of Music at Xfm Radio, A&R at Fiction Records, early blogger, ex-roadie, published author. Once appeared in a Cure video dressed as a cowboy, and thinks any situation can be improved by the introduction of cats. Favourite Serbian trumpeter: Dejan Petrović.  

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CLASSIC SEGER: BOB SEGER’S GREATEST HITS LIVE

• Oct 23, 2022
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Classic Seger- Bob Seger’s Greatest Hits Live

With a career spanning over 50 years, 75 million records sold worldwide including seven multi-platinum, four platinum and two gold album certifications, Rock N Roll Hall Of Fame member Bob Seger And The Silver Bullet Band is one of the best selling musical acts of all time. Classic Seger is a 9 piece band of seasoned musicians who’s incredible stage chemistry and energy, combined with the passion for live performance captures the drivin rock n soul spirit that until now could only be experienced at a Bob Seger concert. Performing classic hits like Night Moves, Turn The Page, and Old Time Rock N Roll, audiences will be singing, dancing and screaming for more as Classic Seger’s 2.5 hour show reminds audiences that Rock N Roll Never Forget’s! If you have never been to a 1970's Rock N Roll show, you owe it to yourself to experience the pure raw power of Classic Seger Live!

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Running against the wind – Bob Seger in the UK

Here’s a strange coincidence that brings a bit of musical history solidly back into the present. I had almost finished this piece and was in the process of editing, stepping away from and tweaking when I felt the need to go and photograph some live musicians again. On most Sundays during the summer months, you can catch some solo performers and duos at Eccleston Yards near Victoria Station in London. The gigs are organised by Talentbanq, a company that promotes unsigned musicians, mainly in small venues and you can usually find its hands-on CEO Ray Jones there as compere and sound engineer. The first performer on stage was Erin Bowman, from New Jersey via California, playing a mixture of classic rock interpretations and original material. I was hooked from the start by her laid-back acoustic version of Tom Petty’s “American Girl”, but the last song in the set was the one that did it. In London, in 2021, Erin was doing her version of Bob Seger’s “Against the Wind”, originally released in 1980. Never underestimate the staying power of a great song.

If you’ve been seriously into music for over fifty years, then you’ve had an artist (or a few) that got away. The ones you were convinced would be massive but didn’t make it at all, or only in certain territories. One of mine was Bob Seger, with or without The Silver Bullet Band. I knew he deserved be a UK Top 20 artist, but it took about twenty years to prove me right (sort of).

It’s been a long journey, but where did it start? Nottingham’s commercial station Radio Trent in 1974, I guess. I heard “Get Out of Denver” blasting out of a tiny radio speaker and I was hooked. No doubts, no second thoughts, this was the mutt’s. Was it a Chuck Berry rehash? Of course it was, but Chuck could never have written those lyrics and his laconic drawl wouldn’t have allowed him to fire and spit them out the way Bob Seger did. This was “Tulane” on steroids and I was hooked, although it would take a couple of years before I was finally reeled in.

Bob Seger spent years grinding round the Midwestern circuit building up a massive and loyal live following before first troubling the US singles charts in 1967 and 1968 respectively with “Heavy Music” and “Ramblin’ Gamblin’ Man” which both went on to become huge live favourites. He was a classis seventies example of building up a live fanbase to help (eventually) sell records. During the period between ‘68 and ’75, his band went through personnel and name changes and moved from Capitol to Reprise and back again. Reprise had tried to break him through into the mainstream, even trying to break the UK, but they were only reaching musicians and the committed (“Get Out of Denver” was covered by Eddie and the Hot Rods and Dave Edmunds and “Rosalie” was covered by Thin Lizzy). So back to Capitol again.

What happened next was really interesting. The first Capitol album, “Beautiful Loser” was the blueprint for what was to come over the next ten years. It was a combination of up-tempo rockers (“Katmandu”) and slower, more nostalgic pieces (“Fine Memory” and “Momma”), the well-chosen cover (“Nutbush City Limits”) and the classic wistful mid-tempo pieces (“Beautiful Loser” and “Jody Girl”). Its peak chart position in the US was 131, but it went on to hit double platinum certification. It wasn’t perfect, but everyone involved knew that this was the template; more of the same would do very well indeed, but there was a way of building up a head of steam before the next studio album. The mid-70s was the era of the double live album; if you had a band that could reliably turn it on live and you put them in front of a friendly crowd you had an instant hit, so that’s what Capitol did.

“Live Bullet” was the clincher; a classic example of a live band at their peak. You got Bob Seger originals, including the classic-to-be “Turn the Page” (later covered by Metallica) and covers of “Nutbush City Limits” and “Let It Rock”. It went quintuple platinum in the US and now no-one was looking back. In the space of a year Bob Seger had arrived, at least in the US. It was always a mystery to me that no-one else in the UK seemed to get this but, with hindsight, it was just too American for the time. In 1975 Bob Seger stood a chance of being bracketed with the better bands breaking out from the pub rock scene, but was doomed in the UK after the insular and inward-looking punk explosion. It wasn’t stopping me; I grew up in a town where any sort of escape, to London or Detroit, was a good thing. And if I’m honest, the inner music snob in me likes to support an artist/band that no-one else has heard of.

As far as the North American continent (and later, Australia) were concerned, Bob Seger had made it. In the US alone, he sold over 30 million albums between 1975 and 1991, and that’s people who went to their local record shop and parted with cash for vinyl, cassette, eight track (remember that) and, towards the end, CD. The stars had aligned; the formula for the albums had been established with “Beautiful Loser”, the songwriting was perfectly honed, the production was superb (and don’t underestimate the importance of the backing vocalists from “Night Moves” onwards), Capitol was 100% behind the artist and The Silver Bullet Band was the perfect vehicle to go out and sell the songs to a live audience. Between 1975 and the peak, when “Against the Wind” hit Number One in the US album charts in 1980, Bob Seger could do no wrong in his home territory, Australia and big chunks of Europe, so why not the UK? Two obvious reasons.

The first one is about economics. Despite a reasonable amount of radio play, only the albums “Stranger in Town” and “Against the Wind” made any impact on the album charts and the singles did even worse. It was the wrong kind of music for the UK at that time despite being huge across the pond. It didn’t really make any economic sense for Capitol/EMI to invest huge amounts in touring the UK if it didn’t significantly add to record sales, and they were probably right. The Silver Bullet Band only played five gigs in Britain and I was at two of those; Glasgow Apollo (14/10/77) and Wembley Arena (21/11/1980). I’m slightly biased, but both were stunning gigs that were well-attended by wildly enthusiastic audiences and they were his first and last UK gigs. Unfortunately, you couldn’t break the UK market with five gigs. If you were counting the beans at Capitol/EMI, why would you invest any more in a territory like the UK when you could tour arenas in the USA and Canada promoting new albums and selling shedloads of merchandise. I understand that completely.

The second point is a bit more controversial, and more stalwart Bob Seger fans might want to stop reading now. I’m still a huge fan, but I couldn’t honestly say that there was one album that I wouldn’t want to skip an odd track on (with two exceptions, coming later). From 1975 onwards, Capitol/EMI were pitching Bob Seger at the traditional album market and they didn’t seem to see that the material wasn’t always even. “Night Moves”, “Stranger in Town” and “Against the Wind” had more than their fair share of classic songs, but they weren’t consistent or consistently excellent. You want reasons for that? Pressure to write brilliant new songs for albums every eighteen months while touring constantly, using the Silver Bullet Band for part of each album and The Muscle Shoals Rhythm Section for the other part, or maybe just burnout. The albums had to keep appearing regularly to satisfy the public, whether they were perfect or not. After “Against the Wind”, sales started to slow and gaps between albums increased as Seger’s family life became more important. And that should have meant the last chance for UK success, but you never know, do you?

In the summer of 1996, I was in the Pub on the Pond in Swansea having lunch with my mate Bekky when I heard a familiar voice from the CD jukebox (remember them?). It was Bob Seger and I had to go over and check it out, because it wasn’t a song I’d heard him play. It was a storming cover of the Chuck Berry classic “C’est la Vie”/”You Never Can Tell” and the album was “Greatest Hits”, released in the UK in 1994 which sort of proved my theory that Bob Seger had a huge number of classic songs but they weren’t all on the same album. It reached Number 6 in the UK and also spawned the first UK Top 40 single with “We’ve Got Tonite”. It probably helped that the songs were all FM radio-friendly and continued to be played on pockets of UK radio long after their initial release. There was a certain irony that Brits nostalgic for the 70s were buying into an album that was packed with nostalgia for 1950s/60s America. It’s a near-perfect album and the UK marketing worked like a dream.

There was another Seger album I would happily listen to all the way through, and it was intended to be the swansong. “Ride Out” was released in 2014 and it would have been a fitting famous final scene; it’s a classic album that I would recommend to anyone. Only it wasn’t the final album; as a response to the death of his long-time friend from Detroit, Glenn Frey in 2016, he released one final album, “I Knew You When” as a tribute, in 2017. That was the second encore and Bob Seger had finally left the building.

As a long-time fan, it was a validation that he finally achieved success in the UK even if it was a little late. If the run of albums starting with “Night Moves” had started a year earlier or five years later, things might have been very different, but it won’t keep him awake at night – he sold over 75 million records worldwide, wrote songs that were covered by almost everyone (there are over sixty covers of “We’ve Got Tonite”) and finished his career on his own terms. He wrote classic songs that we could all relate to and, if “Against the Wind” isn’t played at my funeral, will you all please deal with the people responsible. If you already know his work, you’ll probably understand why I’ve written this; if not, you could do a lot worse than check him out anyway. Rock and roll never forgets.

Posted by Allan Mckay on Saturday, July 10, 2021 at 9:30 pm  Filed under Featured · Tagged with Allan McKay , bob seger , Chuck Berry , Eddie and the Hot Rods , Erin Bowman , Glenn Frey , Metallica , Ray Jones , Talentbanq , thin lizzy , Tom Petty

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Additional shows are expected to be announced in the coming weeks, including dates in Las Vegas, Fresno and more.

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Bob Seger has announced extra dates for his final North American tour. More dates are being added to Seger’s previously announced dates, giving fans one more opportunity to see Seger and The Silver Bullet Band live.

Seger and company’s Travelin’ Man tour kicks off on 21 November in Grand Rapids and tickets for the new dates in Buffalo, Cleveland, Louisville, Fort Wayne, Peoria, Grand Rapids and rescheduled shows in Dallas and Houston will go on sale on Friday, 28 September. Tickets for new dates in Toledo and Nashville will go on sale Saturday, 29 September.

Additional shows will be announced in the coming weeks, including dates in Las Vegas, Fresno, San Diego, Vancouver, Florida and more. Bob Seger fan club members will have special access to purchase tickets in advance of the scheduled on-sale dates. Tickets can be purchased from the artist’s website .

Bob Seger & The Silver Bullet Band play the following dates on the Travelin’ Man Tour:

Nov. 21: Grand Rapids, Van Andel Arena Nov. 24: Kansas City, MO, Sprint Center Nov. 27: Des Moines, IA, Wells Fargo Nov. 30: St. Louis, MO, Enterprise Center Dec. 6: Cleveland, OH, Quicken Loans Arena Dec. 8: Louisville, KY, KFC Yum! Center Dec. 12: St. Paul, MN, Xcel Energy Arena Dec. 14: Chicago, IL, Allstate Arena Dec. 20: Greenville, SC, Bon Secours Dec. 22: Atlanta, GA, Infinite Energy Arena Jan. 8: Toledo, OH, Huntington Center Jan. 11: Nashville, TN, Bridgestone Arena Jan. 15: Fort Wayne, IN, Allen County Memorial Coliseum Jan. 17: Buffalo, NY, KeyBank Center Jan. 19: Columbus, OH, Nationwide Arena Jan. 22: Peoria, IL , Peoria Civic Center Jan. 29: Billings, MT, Rimrock Auto Arena Jan. 21: Boise, ID, Ford Center Feb. 2: Portland, OR, Moda Center Feb. 9: Seattle, WA, Tacoma Dome Feb. 15: Phoenix, AZ, Talking Stick Resort Feb. 17: Denver, CO, Pepsi Center Feb. 23: Los Angeles, CA, The Forum Mar. 7: Austin, TX, Frank Erwin Mar. 9: Dallas, TX, Ford Center at The Star May 2: Houston, TX, Cynthia Woods Mitchell.

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Bob Seger & the Silver Bullet Band Concert Setlists & Tour Dates

Bob seger & the silver bullet band at wells fargo center, philadelphia, pa, usa.

• Still the Same
• The Fire Down Below
• Old Time Rock and Roll
• The Fire Inside
• Shame on the Moon
• Roll Me Away
• Come to Poppa
• Like a Rock
• You'll Accomp'ny Me
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Bob Seger & the Silver Bullet Band at Madison Square Garden, New York, NY, USA

Bob seger & the silver bullet band at scotiabank arena, toronto, on, canada.

• The Famous Final Scene

Bob Seger & the Silver Bullet Band at TD Garden, Boston, MA, USA

Bob seger & the silver bullet band at united center, chicago, il, usa.

• We've Got Tonight

Bob Seger & the Silver Bullet Band at PPG Paints Arena, Pittsburgh, PA, USA

Bob seger & the silver bullet band at fedexforum, memphis, tn, usa, bob seger & the silver bullet band at raising cane's river center arena, baton rouge, la, usa, bob seger & the silver bullet band at bankers life fieldhouse, indianapolis, in, usa, bob seger & the silver bullet band at mizzou arena, columbia, mo, usa, more from bob seger & the silver bullet band.

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Most played songs

• Turn the Page ( 397 )
• Night Moves ( 396 )
• Mainstreet ( 393 )
• Old Time Rock and Roll ( 374 )
• Hollywood Nights ( 361 )

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Bob Seger Adds Final Four North American Dates to Farewell Tour

By Andy Greene

Andy Greene

The final leg of Bob Seger ’s Roll Me Away farewell tour kicks off September 12th in Rapid City, South Dakota and four more dates have just been tacked onto the end that will be the last North American shows of the tour. The four concerts will take place in Boston (October 24th), Toronto (October 26th), New York City (October 30th) and Philadelphia (November 1st). Tickets for these shows go on sale Saturday, September 14th at 10 ET.

Seger hasn’t provided any info about possible future dates outside of North America, though the overwhelming number of concerts he’s played throughout his career have been in the United States and Canada. (His only tours away from the continent were brief European runs in 1977 and 1980.)

Roll Me Away: The Final Tour kicked off November 21st, 2018 at the Van Andel Arena in Grand Rapids, Michigan and has run for 57 shows across North America. The setlist varies a bit, but is always heavy on hits like “Night Moves,” “Turn the Page,” “We’ve Got Tonight” and “Her Strut.” It has also featured rarities like “The Famous Final Scene,” “Long Twin Silver Line,” “Fine Memory” and “You Take Me In.”

Seger was one of the last major holdouts to post his music on streaming music services, but in 2017 he relented and posted many of his albums on Spotify, Apple Music and Amazon Music. Many of his early albums, however, have remained out of print for decades. “Jack White is always asking me [to release them],” Seger told Rolling Stone last year. “He wants to remix them all, and said he’d do it for free. But I’m always on to the next thing – the next album, the next tour. Maybe when I retire I’ll get serious about it.”

Roll Me Away Tour Dates

Sept. 12th – Rapid City, SD @ Rushmore Plaza Civic Center Sept. 14th – Fargo, ND @ Fargodome Sept. 17th – Bozeman, MT Brick @ Breeden Fieldhouse Sept. 19th – Spokane, WA @ Spokane Arena Sept. 21st – Tacoma, WA @ Tacoma Dome Sept. 24th Eugene, OR @ Matthew Knight Arena Sept. 26th – San Francisco, CA @ Shoreline Amphitheatre Sept. 28th – Salt Lake City, UT @ Vivint Smart Home Arena Oct. 3rd -Columbia, MO @ Mizzou Arena Oct. 5th – Indianapolis, IN @ Bankers Life Fieldhouse Oct. 10th – Baton Rouge, LA @ Raising Cane’s River Center Oct. 12th – Memphis, TN @ FedEx Forum Oct. 17th – Pittsburgh, PA @ PPG Paints Arena Oct. 19th Chicago, IL @ United Center Oct. 24th – Boston, MA @ TD Garden Oct. 26th – Toronto, ON @ Scotiabank Arena Oct. 30th – New York, NY @ Madison Square Garden Nov. 1st – Philadelphia, PA @ Wells Fargo Center

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Beabadoobee announces 2024 ‘This Is How Tomorrow Moves’ UK tour

The dates conclude with a slot at London’s Alexandra Palace

Beabadoobee has confirmed details of a UK leg of her ‘This Is How Tomorrow Moves’ tour, set to take place later this year. Find ticket details below.

• READ MORE: Beabadoobee: “I have so much more art to share with the world. I’m not going to stop”

Announced today (June 11), the upcoming tour dates will take place towards the end of 2024, and see the London-based singer-songwriter head to numerous cities across the country in a nine-date run.

The dates come on the heels of the North American leg of the tour, for which tickets recently went on sale and the shows will lead Beabadoobee up until September. It also comes in support of the singer’s upcoming album ‘This Is How Tomorrow Moves’ , which is set to arrive on August 16.

To kick off the UK dates, Beabadoobee will launch the tour with an opening slot at the O2 Academy in Glasgow on November 11. The shows continue the following night with a gig in Sheffield, taking place at the Octagon Centre, followed by a gig at O2 City Hall in Newcastle on November 13.

From there, dates in Birmingham, Manchester, Leeds and Brighton are all set to take place on November 15, 16, 17 and 19 respectively. The dates wrap up with a penultimate slot in Bristol on November 20, with a gig at the Beacon, and a final date at London’s Alexandra Palace the following night.

Tickets go on sale at 10am BST on June 21. Visit here to buy tickets and find a full list of UK tour dates below.

Beabadoobee’s 2024 UK tour dates are:

NOVEMBER 11 – Glasgow, O2 Academy Glasgow 12 – Sheffield, Octagon Centre 13 – Newcastle O2 City Hall 15 – Birmingham, O2 Academy Birmingham 16 – Manchester, O2 Victoria Warehouse 17 – Leeds, O2 Academy Leeds 19 – Brighton, Dome 20 – Bristol, Beacon 21 – London, Alexandra Palace

this is how tomorrow moves uk tour november '24! UK it's ur turn 🙊🐈‍⬛🎸 pre-order this is how tomorrow moves on my store before 3pm BST 17th june for pre-sale access! pre-sale opens 10am BST 18th june, general sale 21st june!! https://t.co/UaJ4SsA0qo pic.twitter.com/FDPi5itPws — beabadoobee (@beabad00bee) June 11, 2024

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Already, Beabadoobee has shared two singles from her forthcoming album: ‘Coming Home’ and ‘Take a Bite’ .

“I wrote it in a hotel room in LA when I was away from my boyfriend, my loved ones, my two cats,” she said about the inspiration behind the former. “It opens with all the little mundane things like doing the dishes, that I miss because I’m always away. Really, it’s just a cute little love song with a weird non-existent structure.”

Her headline dates will also arrive on the heels of her support slot for Mitski at London’s All Points East on August 18, as well as a headline slot at the Radio 1 Stage at Reading and Leeds fest that same month.

‘This Is How Tomorrow Moves’ is the follow-up to Beabadoobee’s second album, 2022’s ‘Beatopia‘. In our Big Read interview with the musician, she opened up about collaborating with The 1975‘s Matty Healy, saying he was “like an annoying older brother”, adding: “Matty’s amazing at lyrics, so he really helped me in that way. And he offers me so much advice about songwriting.

“And it’s really helpful having him in my life as a music mentor and as a friend who has amazing life advice. I think he has a way of finding a sentence that really fucking hits you.”

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BOB SEGER ANNOUNCES NEW DATES!

Bob Seger & The Silver Bullet Band announced today seven more shows have been added to their final tour. Tickets for the new dates in Milwaukee, Sioux Falls, Vancouver, Fresno, San Diego, Sacramento and Albuquerque will go on sale Friday, November 9 at 10 AM local time. 

Bob Seger fan club members will have special access to purchase tickets in advance of the scheduled on-sale dates. To become a Bullet Club member, visit BobSeger.com/bulletclub .

Tickets for the previously announced dates are on sale now.

Tickets can be purchased at BobSeger.com .

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